1

00:00:06,270 --> 00:00:14,310

Now we're going to make him slowly walk out of the scene or kind of bounce out of the scene because



2

00:00:14,670 --> 00:00:16,840

he doesn't know what to do.



3

00:00:16,890 --> 00:00:24,960

So with the hammer we've now made it so that the hammer gets set down we've inserted both the key frames



4

00:00:24,960 --> 00:00:28,320

here or it's put down.



5

00:00:28,320 --> 00:00:35,230

And now the hand is no longer attached to the hammer or vice versa.



6

00:00:35,520 --> 00:00:41,280

And what we can do is go ahead and make sure that right here we have a keyframe for the hand.



7

00:00:42,120 --> 00:00:42,900

Which we do



8

00:00:46,840 --> 00:00:55,420

and now grabbing the hand one two three four five and then move back a little bit to some frames and



9

00:00:55,420 --> 00:00:59,370

just grab his hand.



10

00:00:59,380 --> 00:01:03,550

And also before that I'm going to go back to where he's holding the hammer.



11

00:01:03,550 --> 00:01:05,470

Select the fingers.



12

00:01:06,270 --> 00:01:07,820

And we're going to hit.



13

00:01:07,980 --> 00:01:12,810

Location rotation scale on the fingers as well.



14

00:01:13,530 --> 00:01:21,360

And in fact I'm going to also make sure to select all of these main bones so that when all these main



15

00:01:21,360 --> 00:01:23,130

bones that we've been using this whole time



16

00:01:26,840 --> 00:01:35,090

and hit and even this one possibly because we might be using it for the jump I location rotation scale



17

00:01:35,780 --> 00:01:36,920

and now moving ahead.



18

00:01:36,920 --> 00:01:39,280

One two three four five frames.



19

00:01:40,660 --> 00:01:42,820

Six seven eight nine ten ten frames.



20

00:01:42,820 --> 00:01:44,950

I lied.



21

00:01:44,950 --> 00:01:46,620

I'm going to grab the hand.



22

00:01:46,720 --> 00:01:48,180

So like the fingers



23

00:01:52,640 --> 00:02:04,460

and hit Allt are to clear that up and like this one and it all R and R R X I still want him leaning



24

00:02:04,460 --> 00:02:12,590

forward a little bit his gun can be like backing out backing out of the crime scene and then moving



25

00:02:12,590 --> 00:02:22,730

his hand heading up are grabbing his hand rotating in any kind of position him like



26

00:02:26,440 --> 00:02:31,570

whoa position this hand like this as well.



27

00:02:31,600 --> 00:02:32,740

Like ok.



28

00:02:33,030 --> 00:02:35,190

Backing out of here.



29

00:02:35,240 --> 00:02:37,650

I hope he's not honking at me.



30

00:02:37,700 --> 00:02:38,150

All right.



31

00:02:38,150 --> 00:02:41,550

Backing out of here this I don't know.



32

00:02:41,600 --> 00:02:42,380

I don't know.



33

00:02:42,610 --> 00:02:43,000

It.



34

00:02:43,030 --> 00:02:45,200

I didn't do this I didn't see nothing.



35

00:02:45,200 --> 00:02:47,990

So he puts down to out.



36

00:02:48,100 --> 00:02:51,330

See the speed on that.



37

00:02:51,380 --> 00:02:53,030

I like that speed right there.



38

00:02:57,120 --> 00:03:01,760

It's kind of like a cautious speed kind of



39

00:03:05,490 --> 00:03:09,970

and maybe let me see right here with the hammer.



40

00:03:14,360 --> 00:03:15,700

Maybe



41

00:03:18,080 --> 00:03:20,660

might get a feel for the speed again.



42

00:03:25,150 --> 00:03:27,270

I actually kind of like the speed a lot right there.



43

00:03:27,270 --> 00:03:30,170

So I'll leave it like that then.



44

00:03:30,340 --> 00:03:33,210

We want him bouncing out of here.



45

00:03:34,410 --> 00:03:38,770

And you know leave this as it is.



46

00:03:38,900 --> 00:03:43,290

Or you can bounce him out of here like a mushroom does.



47

00:03:43,680 --> 00:03:44,350

Right here.



48

00:03:44,390 --> 00:03:49,250

I'm actually unselect all these because I want him to hold this pose for a couple of seconds.



49

00:03:49,250 --> 00:04:00,440

One two three four and then I hear moving forward or forwards 10 frames where he's going to be moving



50

00:04:00,440 --> 00:04:15,360

backwards 6 0 to hit those grows on G X G x negative to actually G x to



51

00:04:18,080 --> 00:04:21,680

and hit g y one



52

00:04:25,880 --> 00:04:27,590

g z to



53

00:04:30,170 --> 00:04:34,380

cheesy one actually I want to come like many hops right there.



54

00:04:34,670 --> 00:04:40,040

You go and get some many hops.



55

00:04:46,180 --> 00:04:51,080

And for some reason the base was in keyframe than on any of those on your selectee here.



56

00:04:51,200 --> 00:04:54,390

Chef de copied out to over here.



57

00:04:54,610 --> 00:04:58,390

So he's not sliding across the whole floor either.



58

00:04:59,140 --> 00:05:01,570

Let's see what that looks like.



59

00:05:01,870 --> 00:05:02,980

Cool.



60

00:05:03,370 --> 00:05:06,130

And then right here on this frame let's



61

00:05:09,230 --> 00:05:10,270

squash it.



62

00:05:12,340 --> 00:05:13,710

Down a little bit.



63

00:05:17,790 --> 00:05:19,400

In fact on the frame previous



64

00:05:22,720 --> 00:05:31,040

We you add all g to clear that out out in a key frame there.



65

00:05:31,220 --> 00:05:35,690

And we might even set him up for the jump right here so I'm going to on a second one right here where



66

00:05:35,690 --> 00:05:36,950

he's holding the pose.



67

00:05:37,100 --> 00:05:40,740

He's actually going to be preparing for the jumps are ahead g z.



68

00:05:41,030 --> 00:05:45,250

Bring it up a little bit and bring this one Jack.



69

00:05:45,510 --> 00:05:48,650

Just be cool.



70

00:05:49,700 --> 00:05:51,750

So he's kind of like putting it down.



71

00:05:53,830 --> 00:05:57,100

Is setting up for the jump.



72

00:05:57,100 --> 00:05:58,760

Let me see how that looks.



73

00:06:06,820 --> 00:06:12,780

Cool except for setting up for the jump is a little bit longer.



74

00:06:16,020 --> 00:06:20,140

So on himself for that jump a lot faster.



75

00:06:20,140 --> 00:06:28,610

So liking these two just to see where they are it's the base and the squash stretch bottom actually



76

00:06:28,610 --> 00:06:32,990

going to like these to bring him out three



77

00:06:36,860 --> 00:06:45,030

and hit shifty and copy them over here so that now kind of squashes down pretty fast.



78

00:06:46,480 --> 00:06:50,110

And then he bounces up.



79

00:06:51,460 --> 00:06:52,630

I see that again.



80

00:06:56,680 --> 00:06:58,640

And that pray here.



81

00:06:59,150 --> 00:07:06,790

Let's go ahead and move him forward 10 more frames and frame let's just jumping out of the scene we'll



82

00:07:06,790 --> 00:07:25,580

do the more the tweaking after six 12 G x 2 GZ and first let's Allt g this one right here which is keyframe



83

00:07:25,610 --> 00:07:39,090

there are all g bring that and then GZ bring this to the flow like that now is jumping out.



84

00:07:39,120 --> 00:07:40,060

How many jumps do we need.



85

00:07:40,060 --> 00:07:41,410

Probably two more.



86

00:07:41,440 --> 00:07:49,790

So let's just do the jumps will do the tweaking of squashing and stretching after six 22.



87

00:07:50,350 --> 00:07:51,350

This is a crime scene.



88

00:07:51,370 --> 00:07:55,430

Mushroom don't want to be seen in the crime scene.



89

00:07:55,540 --> 00:07:59,060

That wraps he doesn't want to be seen in the crime scene.



90

00:07:59,140 --> 00:08:00,070

GZ to



91

00:08:03,620 --> 00:08:04,680

go.



92

00:08:04,800 --> 00:08:23,000

Actually we had done one not two so GZ one and six thirty two g x 2 and then GZ bring that down to the



93

00:08:23,000 --> 00:08:30,430

flow and then we need possibly one or two more.



94

00:08:30,440 --> 00:08:38,240

Let me just make sure that looks fine I cool and then six forty two



95

00:08:40,780 --> 00:08:48,630

animating is really fun and it's just a process of what we're doing right now.



96

00:08:48,640 --> 00:08:50,350

Pretty much.



97

00:08:50,350 --> 00:08:56,360

And again you do not have to sit through all of this necessarily.



98

00:08:56,420 --> 00:09:00,290

G x 2 and bring it down GZ.



99

00:09:00,500 --> 00:09:05,620

But I'm actually even though this might be a little bit long to watch all of these.



100

00:09:05,620 --> 00:09:14,160

It's actually cool because that way you see the whole process that I go through for creating an animation.



101

00:09:14,170 --> 00:09:20,440

All right let's do it one more time because we got still his finger in the way so we don't want that.



102

00:09:20,720 --> 00:09:24,040

Let's do one more hop one more hop out of here.



103

00:09:24,040 --> 00:09:25,750

We should make him fall off the plane.



104

00:09:25,930 --> 00:09:28,060

But now the animation is done after this.



105

00:09:28,360 --> 00:09:43,310

Six sixty two g x 2 GZ 1 and we don't even have to make him come back down because there's no need for



106

00:09:43,310 --> 00:09:43,460

it.



107

00:09:43,460 --> 00:09:47,480

So if there's no need for it there's no need to do it.



108

00:09:47,480 --> 00:09:49,910

Look at him hopping across to



109

00:09:52,740 --> 00:09:53,930

right cool.



110

00:09:54,000 --> 00:09:55,770

I like it old school now.



111

00:09:55,860 --> 00:09:57,470

You know what we got to do.



112

00:09:57,870 --> 00:10:05,530

And in case if you don't we've got to add it in the same key frame for when he jumps right there when



113

00:10:05,530 --> 00:10:07,520

he hits the floor.



114

00:10:08,110 --> 00:10:15,160

We need to copy that frame basically.



115

00:10:15,670 --> 00:10:16,050

So



116

00:10:19,150 --> 00:10:32,280

we look here Rob this one shifty copy that base right there because it looks like he's staying more.



117

00:10:32,280 --> 00:10:36,740

It doesn't look like he's gliding across kind of like with our Paul animations he looks.



118

00:10:37,080 --> 00:10:45,250

If you compare like the first bounce with the other ones the other ones are kind of like he's just kind



119

00:10:45,250 --> 00:10:53,000

of float and going to that second impact on the ground hitting a to make sure you de-select everything.



120

00:10:53,030 --> 00:11:02,350

It's like there's one shifty boom and then with this one as well which actually doesn't matter because



121

00:11:02,460 --> 00:11:03,520

I know it does.



122

00:11:03,670 --> 00:11:05,220

That's not the one that's out of the frame.



123

00:11:05,230 --> 00:11:12,370

So this one is well shifty boum.



124

00:11:12,570 --> 00:11:14,910

Cool cool cool.



125

00:11:15,330 --> 00:11:24,400

And we actually need to squash and stretch them so we might even have to move those Llobet this one.



126

00:11:24,720 --> 00:11:26,770

So this one is squashing and stretching.



127

00:11:27,030 --> 00:11:32,960

And on this one the impact looks like this



128

00:11:36,310 --> 00:11:40,170

and this one already seems to be set or not.



129

00:11:40,300 --> 00:11:41,460

Let's grab it.



130

00:11:42,250 --> 00:11:46,450

Bring it up and bring this down.



131

00:11:50,100 --> 00:11:55,230

And then just hitting shift D on these right here copying them over



132

00:12:01,560 --> 00:12:12,060

and then when he jumps back up three four you make it like one two three four.



133

00:12:12,150 --> 00:12:14,760

I'm going to grab this.



134

00:12:15,030 --> 00:12:15,500

Bring it.



135

00:12:15,540 --> 00:12:17,910

Jeezy one.



136

00:12:17,940 --> 00:12:19,480

No cheesy negative.



137

00:12:19,480 --> 00:12:28,180

Point three.



138

00:12:28,280 --> 00:12:32,880

And then when he goes back down here I'm just going to hit G.



139

00:12:32,930 --> 00:12:39,710

Z points three have this one GZ.



140

00:12:39,710 --> 00:12:45,240

GZ the mushroom g never gave this guy a name.



141

00:12:46,200 --> 00:12:49,810

Shu not good.



142

00:12:50,300 --> 00:12:53,240

Citing the squash stretch Wadham as well shifty copy it.



143

00:12:53,350 --> 00:12:55,240

There we have



144

00:13:00,690 --> 00:13:02,980

squash stretch bottom.



145

00:13:03,110 --> 00:13:11,170

All right one thing though is that I believe if my calculations are correct They're right here when



146

00:13:11,170 --> 00:13:17,400

he jumps up and the squash stretch squash stretching right here.



147

00:13:18,920 --> 00:13:22,390

Actually needs to be duplicated.



148

00:13:23,740 --> 00:13:25,280

Right before this one.



149

00:13:27,180 --> 00:13:30,020

When he has the floor or like to before



150

00:13:32,710 --> 00:13:37,960

because otherwise it squashes in-between



151

00:13:40,410 --> 00:13:41,860

in-between all of them.



152

00:13:42,100 --> 00:13:47,300

So for this one to we want to squash stretch right here.



153

00:13:48,520 --> 00:13:59,080

Shifty bring it one to two over so that he's still so light he's still stretched right here although



154

00:13:59,080 --> 00:14:03,940

it's going out of the floor or Llobet So this one will bring it back even more



155

00:14:07,310 --> 00:14:10,480

and it doesn't have to be the exact same value for every single one of them.



156

00:14:10,480 --> 00:14:13,260

It's actually good that it is.



157

00:14:13,490 --> 00:14:18,560

Let's bring this one forward a little bit it's actually good that there's some variation that way it's



158

00:14:18,560 --> 00:14:20,560

not you know



159

00:14:23,560 --> 00:14:26,700

it's not completely uniform with all of it.



160

00:14:28,620 --> 00:14:29,010

All right.



161

00:14:29,030 --> 00:14:34,510

Now let's make him stretch back up over here because it's a look in a lot squashed.



162

00:14:34,510 --> 00:14:37,180

So right here one two three.



163

00:14:37,300 --> 00:14:39,570

Your head g.



164

00:14:40,870 --> 00:14:43,620

Point three negative



165

00:14:48,580 --> 00:14:49,480

making sure that



166

00:14:58,190 --> 00:15:07,450

I actually want to grab this one over one more so it's nine the floor so much.



167

00:15:07,460 --> 00:15:09,510

And this one I'm going to hit all she



168

00:15:13,730 --> 00:15:14,840

rabbit.



169

00:15:15,130 --> 00:15:22,700

This could be considered part of the fine tuning I guess and I'm just going to copy this one over there.



170

00:15:24,570 --> 00:15:25,210

All right.



171

00:15:25,230 --> 00:15:28,220

I'm actually just going to leave it like this so that we get the gist of it.



172

00:15:28,230 --> 00:15:29,650

We're going to.



173

00:15:29,650 --> 00:15:30,430

I like that.



174

00:15:30,430 --> 00:15:31,410

So let me see.



175

00:15:36,470 --> 00:15:36,910

Go.



176

00:15:36,930 --> 00:15:38,600

It's like a spring you bounce.



177

00:15:38,940 --> 00:15:42,710

All right so there is the blocking of the animation.



178

00:15:42,720 --> 00:15:47,210

Let's play this whole thing all the way through.



179

00:15:47,640 --> 00:15:49,590

Beautiful animation.



180

00:15:53,080 --> 00:15:55,150

Now there's a couple tweakings that we need do.



181

00:15:55,160 --> 00:15:59,200

And that's what we're going to do in the next video we're going and just go through this and tweak it



182

00:15:59,200 --> 00:15:59,620

a little bit.



183

00:15:59,630 --> 00:16:03,140

Obviously do the eyes part of the mouth.



184

00:16:03,560 --> 00:16:11,830

And you know a of LOEBBECKE finer details so we're just going to like run through it and do some of



185

00:16:11,830 --> 00:16:16,690

the low tweakings and everything cool.



186

00:16:16,690 --> 00:16:19,040

All right VOLP very well done so far.



187

00:16:19,060 --> 00:16:23,230

Let's head on to the next point we're getting there very close to being done.



188

00:16:23,260 --> 00:16:23,710

All right.



189

00:16:23,710 --> 00:16:28,270

I know you keep saying that sounds like the last three videos but we're getting closer either way so



190

00:16:28,270 --> 00:16:29,500

we'll see in the next one.



191

00:16:29,500 --> 00:16:30,540

Very well done.



192

00:16:31,180 --> 00:16:36,730

I don't know this seems like a pretty ominous picture either things are going to go well or horribly



193

00:16:36,730 --> 00:16:40,000

wrong with creatures lurking in the mist.



194

00:16:40,000 --> 00:16:41,430

All right.



195

00:16:41,800 --> 00:16:45,990

Trust yourself and your heart it knows things where to start.



196

00:16:46,120 --> 00:16:46,970

You are amazing.



197

00:16:46,990 --> 00:16:48,110

You are love.



198

00:16:48,160 --> 00:16:50,280

Just know that you're always rise above.



199

00:16:50,470 --> 00:16:54,100

Because there's nothing that you can't overcome with love.



200

00:16:54,100 --> 00:17:00,620

All right you guys we love radiate love and hope you have an amazing one.



201

00:17:00,880 --> 00:17:01,570

All right.



202

00:17:01,570 --> 00:17:03,090

Appreciate you guys.



203

00:17:03,130 --> 00:17:04,120

Have a good one.



204

00:17:04,260 --> 00:17:04,830

Over.