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All right let's go ahead and do some tweaking over here.



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And let's go over some little basics or fundamentals for tweaking.



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First hitting shift left arrow to go back to the first frame.



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Let's go to the first frame over here on our dope's sheet.



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Dope sheet.



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All right which we are I'm going to hit delete on the numpad to zoom in.



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And now what I want to do actually because right here if we were to select the eyes we cannot see where



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our mushroom is looking at because he's just got white then these are contacts on.



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So selecting the I mean you go the materials tab and with the iris selected Control see with the mouse



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over this color.



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And then in settings go to the viewport color control V and pasted.



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And now he looks absolutely scary.



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But it's good because now we can see where he's looking at at least.



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So for the tweaking or for filling in the other movements what we're now going to do is basically go



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in between.



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And I don't know if I'll fill all of this because that's kind of the same thing and it takes it could



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take quite a bit because again it's a process.



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But what we're going to do is go between every movement and just add in the filler movement for all



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those movements.



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So for example if you were and you could if you don't know what the movement would be you could animate



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yourself or just just act normally and move and see what else moves when you're moving.



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For example if you go and you grab a pen or something on a table or desk it's not just your arm that



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moves out and grabs it.



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You can see that your body leans forward.



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Your eyes blink your head turns and maybe your other arm kind of goes back or sways a little bit.



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So it's actually quite simple for writing and or movement.



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It just takes some time and it's just tweaking but all you're doing is adding in the life to your character.



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And again if you're not sure what kind of filler movement there would be just act it out yourself and



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that will give you a good idea of the filler movement that you could put in there.



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So for example over here when he planted the flag or when he looks around just see what it what you



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do when you look around you know what part of your arm moves.



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How does it move etc..



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So let's go in here and do a couple at least and we'll see if I go through the whole thing.



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But again we just going between every major post so here and here that one major post will fill in the



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things in between here and here is another one here and here etc..



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So for the first one let's actually go ahead and add a blinking filler pose or animation.



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So moving ahead two frames one two again so like the eye lids bottom and bring him up and another thing



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you want to keep in mind is not to hyperextend these facial features because you can see at the bottom



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when I had g to bring it up you can see that right here there's still a value moving even though the



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armature is not moving anymore so blender will actually calculate that and make it.



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It will take a lot longer for it to move.



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So it's actually going to animate all of this all this value right here it's actually going to animate



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that without any actual movement because right now it's not moving.



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So for example if we had move this all the way here and hit I with the value of like 40 or 38 that what



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we were to bring it down we would have to bring it down this much.



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You can see that still not moving even though I'm bringing it down.



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And that much for it to move back down.



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So just bring it up and right when you're R-Mich. or when your when your either your bone or your eyelids



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or whatever part you're moving stops.



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So right here just click it and leave it there and don't move it any further.



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Oh let's do that with both of these and you could go back up and down to see where it kind of stops.



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All right.



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Now moving ahead two more frames want to select all four of those not that of four of these



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and go ahead and hit ot g to clear.



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And now he's got the creepy look.



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So now this is a blinking filler right there.



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So and it's really cool for the blinking we actually don't have to eye it to redo it over here with



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armatures all we could do.



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All we have to do is select these and hit shift D and copy them if we want him to blink again.



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And you can see right here he's blinking.



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So wherever you put in a blink you just copy these and move him over and in a blink you can make him



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blink every five seconds or so.



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So that's one filler movement right there.



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Now we could go over here.



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Add in possibly another blink right here.



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Why not



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then move it over here.



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What I want to do.



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Is on this final jump right here.



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On those final jump right here I want them to write before he has the final jump.



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Boom.



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I want him to kind of look to the side.



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So right here just before he jumps selecting this bone right here.



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Hitting the eye key.



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Why.



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Actually it's already keyframe down you could see it's keyframe right there.



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But moving to the spot where he is in the air right here I want to hit G R R and R once again to rotate



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it and kind of rotate it.



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So they kind of looking around as he jumps.



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So it's kind of like a side jump type of thing.



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And I also want his eyes to look that way too.



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So with the eyes going back one two three four five seven I'm going to overhear when he's on the floor



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I'm going to hit I location rotation skill and then moving to where he's in the air.



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Me going to camera view and just grab it.



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I look and make him kind of look into the camera



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cool.



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So now we can see what that looks like over here.



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Cool.



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I like it.



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So he's kind of jump in.



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Kind of looks over suspiciously.



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Awesome.



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So that's a filler moment right there.



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Now with the hands we could definitely make him have some different hand motions here.



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So with this second jump so this jump on the lever like that with the second jump right here.



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In the air in the air don't start singing.



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On grab the hand and it's actually not keyframe dance are going to make sure to go right here hit on



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location rotation scale and then just go to this keyframe and I'm going to bring this



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further down.



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So



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see what that looks like.



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And maybe not so much down because but a little bit of variation so Solich the same jump right there



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he has a little bit of variation right there.



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And then of course we can make his eyes kind of look from side to side as well.



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So going right here we want his eyes right here when he's jumping selecting the i look i location rotation



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scale moving ahead.



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One two three four five grabbing this and moving it that way and then going in one two three four five



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and hitting alt g to clear it.



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Let's see the speed of that.



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That's a very fast look.



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We could actually even selecting these two spaced it out a little bit and I actually want him to actually



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just like this one bring it out a bit like this one.



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And Chef de so that he stays looking to the left a little bit and then he goes back to center and I'm



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going to bring him in a little bit more this way.



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He looks to the left as mushroom head his way.



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And then he looks back to center.



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Kind of when he blinks.



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So cool.



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Now it's hard to get an angle to see where where he's at.



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So you could see kind of see the eyes how it's looking like that kind of looks over there and then back



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to the center.



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So that's another filler movement right there.



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And let's add in one more before we wrap up this part of the Tauriel a stew.



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When he hits the floor here.



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When he hits the floor right here.



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Why his eyebrows to kind of go down from the impact.



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So selecting is beautiful eyebrows and the middlebrow as well.



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Let me go back one two three.



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I actually want to go back.



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What one want to hit I location rotation scale.



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And then one to bring these down.



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It's kind of like from the impact of the floor and then going ahead one to three four.



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I'm going to take a little longer for it to go back up.



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I'm going to hit up G and clear it.



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And we could even bring it up as he jumps up you know as he jumps up let's bring his eyebrows up and



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now he looks like this.



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He has the floor his eyebrows go down and he goes back up and his eyebrows go up with the jump.



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Cool.



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Now he got that and boom boom.



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So that would be an eyebrow filler.



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And let's continue on the next video we're going to add some more fillers with the mouth and the arms



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and everything.



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But again fillers are just that we're just going to go in between Add in the smaller little movements



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that the character would have.



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So let's do a couple more.



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And let's actually move on to the next one.



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All right.



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I'll see the next video.



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Ciao for now.



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All right this time you read the quote and I'll listen.



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And it doesn't work.



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All right.



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You are never stuck or ever out of luck.



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When you think this is it.



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Don't ever give up.



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Don't quit first.



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Just like a temporary trend that will surely come to an end.



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To put a smile on your face and know you're about to go someplace.



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All right ladies and gentlemen.



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Hope you enjoy that.



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I have no idea where you gone but just know that you are going somewhere.



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Awesome.



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See you in the next video of what.