Are I think I'm going to do one more blocking session over here with you guys.
And then all probably just record through everything I'm doing with the blocking or the filling in and
have a video that's normal speed so that you guys could follow along if you want to and have one on
time lapse so you could see it in time lapse motion possibly.
So let's go do that because again the blocking or the filler key frames are again.
I mean there's not much you can walk you through you just guy get a feel for how you want your character
to act and animate and then just fill in those key frames and those little tweaks and motions that he
has.
So let's actually see about doing a couple of things here.
First right here when he gets when he sees the the ball let's give him a more shocked look on his face
than what he has right now.
So going on this frame right here right before he sees the ball right before he gets shot looks like
this like these as well just in case eyebrows eyebrows the eyelids the eye and
there we go in his eye location rotation scale and then moving ahead to this frame where he's shocked.
Let's go ahead and grab the jaw.
Bringing Down
Baby bring us down.
Let's bring them down as well and let's bring the eyebrows.
So and the lids bring them down.
A look of terror on his face.
It scared mushroom.
So there we go.
You could see me scared out of his mind.
And then with the eye looks like the eyes as well.
We make sure his eyes are tracking along properly so when he's scared his eyes are out of this world
let's make sure let's make sure that he's looking.
Let's go into the ball.
This is a good way to make sure he's looking in the right place and the balls around here so let's make
sure that his eyes are kind of looking here as well.
As we go I don't know if he's scared of the ball or me maybe both
and of course his eyes right here.
I don't know why there are so many key frames of the eyelets go ahead and select these two right here
for the eyes.
And hit X and delete those keyframes making sure we only have those selected
and I'm going to bring this one out over there.
All right cool.
So that's one filler one filler.
PPOs right there I guess you could call it that.
And then let's do a filler pose with the hand so you can see how the hands could kind of fill out over
here.
So right here where he slaps the flag or the sign post I with this hand right here
right there.
So he's finishes slapping it right here.
I want to bring his fingers in a club and he's not so rigid looking all the time so slightly He's going
to hit I location rotation scale move ahead.
One two three four five frames maybe.
So like these two it are easy.
Kind of a that are x x
bring these.
And so they're a little more relaxed and his risk as well let's make sure that right here his wrist
is keyed in which is not elected I location rotation scale move or head back to here.
Alex wristlets give it kind of like a more comfortable look.
Yeah it looks.
So you can see exactly how that looks kind of like a filler
and then right here we could have his hand actually a little bit more relaxed that we could bring it
in like that.
And then right here we could have his hand the same way.
So like that relaxed there right here because he's turning around we could actually have his hand kind
of swing out.
Let's swing his hand out over here going to hear swing his hand back
and copy that frame right over to the
area you could see the kind of filler little movements that we do on the hand because again your body
is kind of always moving.
And then right here as he does that as he slaps the sign I actually want his eyes to track with the
sign so let's do that because right now I have no you have no idea where he's looking at right now.
He's just kind of lost.
So right here let's answer a keyframe for the eyes which will be right here looking at the sign.
And then moving ahead.
One two three four five six seven eight right here.
I want his eyes to be in the same position so I'm going to copy this keyframe with the I shifted bring
it there so that his eyes are looking at the sign the whole time.
And that is the sweetness the sign for I want his eyes to kind of track along with the sign as he's
swinging it.
So boom
and then right here as he's swinging out I want to hear all she declare clear that so that his eyes
are back to normal.
I actually want to see I actually want to remove this one right here.
The one where he's it's keeping the track on his eyes that way looks at the sign.
But also because he's turning he's going to be looking at the sign anyways so we don't keep his eyes
there.
It's better keep it with his head
boom
and then right here.
When you make sure that his eyes are staying in the same spot.
So until right here let's look at the eye shifty and Cappiello go boom
and we could do another flow filler movement here when he hits the sign
when he kind of writes here
let's hit right here actually let's select this one location rotation scale like this one right here.
And are x x twice actually are are twice kind of rotated back so he has kind of like a a back swing
you know.
And then right here we could hit we don't want to move it too much.
His hands can we can hit while he's already swinging it there but for the backswing I'm going to even
exaggerate some more.
Now it's kind of like
it's kind of like a backswing although that's too much.
Now I just want a little I just want a little extra boom.
And with the hat as well we can basically tip it forward.
So right here hit by location rotation scale and then as he swings forward here let's say are x x twice
actually wanted more right here.
And then when he swings forward kind of are x x twice OXONIAN.
All are clear the rotation.
So I kind of like
the mushroom hat goes back up and I get shifted the mushroom hat over here.
So that's about the same and that right here
that we go
I cool so that's a little bit extra filler.
Keyframes right there.
I actually don't like the motion of that.
So what I'm going to do
actually just like these X delete those keyframes
And yes like this keyframe for the mushroom head.
Put it all the way there.
There we go and we'll work more on the mushroom hat a little bit later.
But that's a LOEBBECKE filler frame's there.
Let's see about in the next Tauriel filling in some filler frames for our ball over there.
So I'll see you in the next tutorial.
All right.
Chop.
All right.
I got to be serious on this one because this is a touching picture.
Today is much like yesterday but it has its own mysterious way ticking by.
And never here to stay.
So make sure you go out and play.
Make the most of it.
Be like a kid and be curious like you always did.
All right ladies and gentlemen let the inner child in you be wild.
Hey that rhymes too so especially for art.
You know as a kid your imagination just flew let it flow once again.
All right Ciao.
Oh.