1 00:00:05,920 --> 00:00:10,180 Are I think I'm going to do one more blocking session over here with you guys. 2 00:00:10,330 --> 00:00:18,730 And then all probably just record through everything I'm doing with the blocking or the filling in and 3 00:00:18,730 --> 00:00:25,030 have a video that's normal speed so that you guys could follow along if you want to and have one on 4 00:00:25,030 --> 00:00:29,020 time lapse so you could see it in time lapse motion possibly. 5 00:00:29,020 --> 00:00:39,050 So let's go do that because again the blocking or the filler key frames are again. 6 00:00:39,090 --> 00:00:44,520 I mean there's not much you can walk you through you just guy get a feel for how you want your character 7 00:00:44,940 --> 00:00:53,250 to act and animate and then just fill in those key frames and those little tweaks and motions that he 8 00:00:53,250 --> 00:00:53,550 has. 9 00:00:53,550 --> 00:00:56,910 So let's actually see about doing a couple of things here. 10 00:00:58,300 --> 00:01:08,730 First right here when he gets when he sees the the ball let's give him a more shocked look on his face 11 00:01:08,740 --> 00:01:09,960 than what he has right now. 12 00:01:09,960 --> 00:01:15,390 So going on this frame right here right before he sees the ball right before he gets shot looks like 13 00:01:15,390 --> 00:01:30,710 this like these as well just in case eyebrows eyebrows the eyelids the eye and 14 00:01:38,490 --> 00:01:45,570 there we go in his eye location rotation scale and then moving ahead to this frame where he's shocked. 15 00:01:45,900 --> 00:01:47,880 Let's go ahead and grab the jaw. 16 00:01:49,150 --> 00:01:50,190 Bringing Down 17 00:01:53,440 --> 00:01:57,200 Baby bring us down. 18 00:01:57,500 --> 00:02:05,660 Let's bring them down as well and let's bring the eyebrows. 19 00:02:05,830 --> 00:02:10,980 So and the lids bring them down. 20 00:02:11,910 --> 00:02:17,520 A look of terror on his face. 21 00:02:17,780 --> 00:02:20,830 It scared mushroom. 22 00:02:20,960 --> 00:02:22,090 So there we go. 23 00:02:22,090 --> 00:02:26,990 You could see me scared out of his mind. 24 00:02:31,060 --> 00:02:34,450 And then with the eye looks like the eyes as well. 25 00:02:34,720 --> 00:02:43,720 We make sure his eyes are tracking along properly so when he's scared his eyes are out of this world 26 00:02:43,720 --> 00:02:46,350 let's make sure let's make sure that he's looking. 27 00:02:46,540 --> 00:02:48,380 Let's go into the ball. 28 00:02:48,410 --> 00:02:54,100 This is a good way to make sure he's looking in the right place and the balls around here so let's make 29 00:02:54,100 --> 00:02:57,510 sure that his eyes are kind of looking here as well. 30 00:03:00,840 --> 00:03:05,810 As we go I don't know if he's scared of the ball or me maybe both 31 00:03:18,500 --> 00:03:21,950 and of course his eyes right here. 32 00:03:23,940 --> 00:03:29,240 I don't know why there are so many key frames of the eyelets go ahead and select these two right here 33 00:03:29,250 --> 00:03:30,400 for the eyes. 34 00:03:32,690 --> 00:03:37,910 And hit X and delete those keyframes making sure we only have those selected 35 00:03:40,560 --> 00:03:42,960 and I'm going to bring this one out over there. 36 00:03:47,030 --> 00:03:47,640 All right cool. 37 00:03:47,680 --> 00:03:51,820 So that's one filler one filler. 38 00:03:52,710 --> 00:03:55,810 PPOs right there I guess you could call it that. 39 00:03:56,200 --> 00:04:03,300 And then let's do a filler pose with the hand so you can see how the hands could kind of fill out over 40 00:04:03,300 --> 00:04:03,970 here. 41 00:04:05,250 --> 00:04:12,050 So right here where he slaps the flag or the sign post I with this hand right here 42 00:04:14,820 --> 00:04:16,220 right there. 43 00:04:16,380 --> 00:04:19,440 So he's finishes slapping it right here. 44 00:04:19,440 --> 00:04:26,880 I want to bring his fingers in a club and he's not so rigid looking all the time so slightly He's going 45 00:04:26,880 --> 00:04:29,850 to hit I location rotation scale move ahead. 46 00:04:29,850 --> 00:04:33,530 One two three four five frames maybe. 47 00:04:33,810 --> 00:04:36,900 So like these two it are easy. 48 00:04:37,810 --> 00:04:41,030 Kind of a that are x x 49 00:04:45,640 --> 00:04:46,270 bring these. 50 00:04:46,270 --> 00:04:54,040 And so they're a little more relaxed and his risk as well let's make sure that right here his wrist 51 00:04:54,040 --> 00:04:59,920 is keyed in which is not elected I location rotation scale move or head back to here. 52 00:05:00,230 --> 00:05:06,150 Alex wristlets give it kind of like a more comfortable look. 53 00:05:11,690 --> 00:05:13,740 Yeah it looks. 54 00:05:13,960 --> 00:05:18,040 So you can see exactly how that looks kind of like a filler 55 00:05:20,740 --> 00:05:26,060 and then right here we could have his hand actually a little bit more relaxed that we could bring it 56 00:05:26,360 --> 00:05:28,670 in like that. 57 00:05:28,670 --> 00:05:34,850 And then right here we could have his hand the same way. 58 00:05:35,520 --> 00:05:42,000 So like that relaxed there right here because he's turning around we could actually have his hand kind 59 00:05:42,000 --> 00:05:43,460 of swing out. 60 00:05:45,580 --> 00:05:52,360 Let's swing his hand out over here going to hear swing his hand back 61 00:05:56,310 --> 00:06:00,360 and copy that frame right over to the 62 00:06:05,060 --> 00:06:14,680 area you could see the kind of filler little movements that we do on the hand because again your body 63 00:06:14,680 --> 00:06:16,600 is kind of always moving. 64 00:06:17,800 --> 00:06:26,880 And then right here as he does that as he slaps the sign I actually want his eyes to track with the 65 00:06:26,880 --> 00:06:33,520 sign so let's do that because right now I have no you have no idea where he's looking at right now. 66 00:06:33,540 --> 00:06:35,420 He's just kind of lost. 67 00:06:36,210 --> 00:06:46,470 So right here let's answer a keyframe for the eyes which will be right here looking at the sign. 68 00:06:49,240 --> 00:06:50,620 And then moving ahead. 69 00:06:50,620 --> 00:06:55,480 One two three four five six seven eight right here. 70 00:06:55,480 --> 00:07:01,180 I want his eyes to be in the same position so I'm going to copy this keyframe with the I shifted bring 71 00:07:01,180 --> 00:07:04,090 it there so that his eyes are looking at the sign the whole time. 72 00:07:04,090 --> 00:07:14,670 And that is the sweetness the sign for I want his eyes to kind of track along with the sign as he's 73 00:07:14,670 --> 00:07:15,850 swinging it. 74 00:07:16,110 --> 00:07:17,790 So boom 75 00:07:23,690 --> 00:07:32,340 and then right here as he's swinging out I want to hear all she declare clear that so that his eyes 76 00:07:32,340 --> 00:07:39,880 are back to normal. 77 00:07:39,950 --> 00:07:46,170 I actually want to see I actually want to remove this one right here. 78 00:07:47,010 --> 00:07:52,530 The one where he's it's keeping the track on his eyes that way looks at the sign. 79 00:07:52,770 --> 00:07:58,080 But also because he's turning he's going to be looking at the sign anyways so we don't keep his eyes 80 00:07:58,080 --> 00:07:58,640 there. 81 00:07:58,670 --> 00:08:00,050 It's better keep it with his head 82 00:08:03,490 --> 00:08:04,220 boom 83 00:08:07,980 --> 00:08:09,500 and then right here. 84 00:08:09,780 --> 00:08:12,590 When you make sure that his eyes are staying in the same spot. 85 00:08:12,780 --> 00:08:22,180 So until right here let's look at the eye shifty and Cappiello go boom 86 00:08:25,670 --> 00:08:30,830 and we could do another flow filler movement here when he hits the sign 87 00:08:34,710 --> 00:08:39,390 when he kind of writes here 88 00:08:41,940 --> 00:08:51,210 let's hit right here actually let's select this one location rotation scale like this one right here. 89 00:08:52,400 --> 00:09:04,740 And are x x twice actually are are twice kind of rotated back so he has kind of like a a back swing 90 00:09:05,340 --> 00:09:06,440 you know. 91 00:09:06,630 --> 00:09:11,280 And then right here we could hit we don't want to move it too much. 92 00:09:11,280 --> 00:09:18,730 His hands can we can hit while he's already swinging it there but for the backswing I'm going to even 93 00:09:18,730 --> 00:09:23,610 exaggerate some more. 94 00:09:23,690 --> 00:09:24,690 Now it's kind of like 95 00:09:30,130 --> 00:09:34,630 it's kind of like a backswing although that's too much. 96 00:09:34,630 --> 00:09:40,930 Now I just want a little I just want a little extra boom. 97 00:09:46,160 --> 00:09:51,060 And with the hat as well we can basically tip it forward. 98 00:09:51,060 --> 00:10:02,870 So right here hit by location rotation scale and then as he swings forward here let's say are x x twice 99 00:10:12,190 --> 00:10:16,040 actually wanted more right here. 100 00:10:16,120 --> 00:10:22,780 And then when he swings forward kind of are x x twice OXONIAN. 101 00:10:22,820 --> 00:10:25,370 All are clear the rotation. 102 00:10:25,370 --> 00:10:26,120 So I kind of like 103 00:10:29,780 --> 00:10:36,170 the mushroom hat goes back up and I get shifted the mushroom hat over here. 104 00:10:36,170 --> 00:10:40,590 So that's about the same and that right here 105 00:10:43,500 --> 00:10:44,130 that we go 106 00:10:54,710 --> 00:10:57,720 I cool so that's a little bit extra filler. 107 00:10:57,810 --> 00:10:59,540 Keyframes right there. 108 00:11:00,020 --> 00:11:05,510 I actually don't like the motion of that. 109 00:11:05,530 --> 00:11:06,580 So what I'm going to do 110 00:11:10,330 --> 00:11:15,180 actually just like these X delete those keyframes 111 00:11:21,360 --> 00:11:24,410 And yes like this keyframe for the mushroom head. 112 00:11:24,580 --> 00:11:26,090 Put it all the way there. 113 00:11:29,210 --> 00:11:32,660 There we go and we'll work more on the mushroom hat a little bit later. 114 00:11:32,900 --> 00:11:36,300 But that's a LOEBBECKE filler frame's there. 115 00:11:36,440 --> 00:11:42,860 Let's see about in the next Tauriel filling in some filler frames for our ball over there. 116 00:11:42,860 --> 00:11:45,340 So I'll see you in the next tutorial. 117 00:11:45,380 --> 00:11:45,910 All right. 118 00:11:45,930 --> 00:11:47,230 Chop. 119 00:11:47,720 --> 00:11:48,170 All right. 120 00:11:48,170 --> 00:11:53,930 I got to be serious on this one because this is a touching picture. 121 00:11:53,930 --> 00:11:59,920 Today is much like yesterday but it has its own mysterious way ticking by. 122 00:11:59,960 --> 00:12:01,480 And never here to stay. 123 00:12:01,640 --> 00:12:04,380 So make sure you go out and play. 124 00:12:04,400 --> 00:12:05,350 Make the most of it. 125 00:12:05,350 --> 00:12:09,470 Be like a kid and be curious like you always did. 126 00:12:09,470 --> 00:12:13,730 All right ladies and gentlemen let the inner child in you be wild. 127 00:12:13,760 --> 00:12:17,050 Hey that rhymes too so especially for art. 128 00:12:17,150 --> 00:12:22,550 You know as a kid your imagination just flew let it flow once again. 129 00:12:22,550 --> 00:12:23,380 All right Ciao. 130 00:12:23,540 --> 00:12:23,810 Oh.