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All right and this next film or video here.



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Let's go ahead and continue.



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We actually don't really need to make any filler animation for the ball the ball is pretty self-explanatory.



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Well let's continue with the mushroom here and what I want to do is over here let's do some low animation



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while he's waiting here.



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So you could see that right here he's completely still and that's the main thing you want to see here.



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I'm sure you want to make sure that nothing is completely still.



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So first let's close



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actually want his mouth open from here.



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All the way to there.



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And then right here



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also with his eyes.



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I want to make sure to bring his eyes over so he's actually looking at the ball which he has.



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But bring him over just a little bit more.



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And then selecting the



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the mouth which is right here.



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Now that's not of the jaw but select the eyes as well.



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Look at that.



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Not that I the other eyes and the eyebrows.



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And the mouth corner and the hands and his high location rotation scale move ahead.



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One two three four five.



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Let's bring this eyebrowed down.



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It's a confused mushroom.



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Let's bring these I want to bring these ones up.



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Bring the jar up



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now completely closed.



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Just a little bit



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and maybe you still have these completely open



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and let's move his arm back a little bit.



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Let's see what that looks like.



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I cool.



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I want to a little bit slower right here.



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Grabbing this so I could do to select all these I could just slide this right here and it will select



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all of them.



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I want to make sure that none of these are selected.



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And just by selecting that one keyframe you can see that's left Alben and let's move this out a bit



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so it's more of our slower



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slower pace



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All right cool.



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So is looking



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sees the ball



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and what I want to do is actually like this.



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And with his body on to go ahead and



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with his arm basically make him go cause right there his arm is kind of moving.



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So what I want to do is just do some little tweaks right here so I'm just going to grab stuff and move



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stuff around.



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So with his body kind like when the ball twists when you grab the body making sure that I have a key



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frame here though when you go hey I location rotation scale move ahead.



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Move him a little bit



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maybe move the eyebrow.



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The other I brought down



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although we want to keyframe here for the eyebrowed too.



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So I location rotation scale go back here.



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Me remove this eyebrowed down.



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Now we can see what that looks like.



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I actually want both eyebrows to come down at the same time because I like the look of that.



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So with this eyebrow right here you hit G bring it here.



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So other both down at the same time he kind of looks away kind disgustedly.



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See.



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So it's those low movements like right there that you want and then right here



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right here on this eyebrow.



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Let's bring it down even further.



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That's kind of matching the other eyebrow



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and see it just like the low movement of his hand makes a little more natural.



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So with this hand let's go ahead and see where this hands that went.



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Once he lifts it and brings it down



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when he swings it back we could have his hands swing back a little bit.



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So I'm just going to hit I location rotation skill and move ahead.



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One two three four five six seven seven frames I'm actually just going to rotate this backwards.



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Or actually maybe maybe forwards so I kind of like protecting himself with the hammer.



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Make that movement a lot slower.



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Grabbing not bringing it out.



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So you can see it's just those little



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and that movement is actually way too much so I'm going to do is shifty the move this back here so I



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can get back to the original frame and just move this very slightly.



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So it's just a slight the slightest movement sometimes that add some realism to it.



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So right here when he reacts backwards to the mushroom or puts his hand up I want his eyes to kind of



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close and squint back and squinty.



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So I only grab blow and grab the eye.



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Let's hit I location a rotation scale one two and again.



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Sometimes you want to make it faster than actual frames.



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For example when he puts his hand up it's all the way up here.



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But I'm not going to make it that long to wait for him to close the eyes because your eyelids don't



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close that fast.



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So there's different movements for different things.



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So right here we want to make sure you go one to and close the eyes.



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Faster make sure not to go over as people.



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So he's kind of squinting at the ball.



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I get so cute so I get squints and we could even have his mouth open like he's going to be like.



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So I'm going to hit I hit location rotation skill for the mouth.



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It might be right here they opens his mouth fully.



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Or you could have his mouth open fully right there but I'm going to have it right around here.



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G.



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It's good to have overlapping animations.



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And what I mean by that is that right here he's like this.



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We don't want it for on this frame when his hand is up.



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That's when his eyes are fully open that's when his mouth is fully open.



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Now we want different spacing so for example right here.



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This is what his eyes are fully closed right here.



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This is when his mouth is fully open.



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And then right here this is when his arm is fully up because it's not all happening at the exact same



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time.



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So it's overlaying



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overlaying animation basically era.



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Here's something else we could do is as he's bringing his arm up so right around here maybe



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something like here and also for the hand let's bring the hand



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right here let's bring his hand up because it's in the floor so GZ



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what I wanna do is right here right around here.



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And again it does have to be on the exact starting frame so his hand starts moving here so that's where



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I put it.



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No I'm going to put it right here.



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When you select the fingers



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and hit I location rotation scale and then move ahead.



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One two three four five five.



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So like the fingers and there we go r z z twice and rotate these in words.



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Rotate his thumb on the x axis.



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So I ask kind of a closed fist like that well let's see what that looks like.



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Well look sharp right there.



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Go like that.



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So you see it's I love it.



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I love those low.



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It looks like he's going to cry.



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But you do you see how his hand is kind of like floating right here while we're what we're animating



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his hand is kind of it's kind of moving like slowly.



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So if you look at your body when you're breathing your body is moving and now right here with the hand



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we do have a little something weird going on.



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So right here it's all the way to the floor just not good.



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So what we're going to do is with the hand selected



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are actually going to go here.



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And I kind of want some movement so I'm just going to g bring it up.



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That way it's not the exact same thing could have been hit are rotated



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and right here I kind of want more of a relaxed.



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Right here as he's turning we could do some more because right here his hand is staying the exact same



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throughout the whole thing so we could kind of make it move you know.



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So for example he's kind of turning that way back that way so we could grab his hand.



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Make a move like that.



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So like that kind of like giving him some life to his hand.



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Although I'm going to remove that one because his hand now has too much life to it.



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And right here I do not like the turning point of the hand.



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I don't like that too much.



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I'm just like this shifty and copy that.



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You also don't want it to be moving around too much because then it's going to look like we got perfect.



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It's got to look like he's a nice body just kind of like floating in weird ways.



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And then right here we could add a link maybe we can maybe add a blink over here somewhere.



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So right here I'm going to blink right there.



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Let's go back to the beginning.



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Back to the future.



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Where do we have our blank blank is right.



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Is a blank is right here.



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Sluts like that.



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And where were we on the animation right here.



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Shifty.



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Copy that over here.



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We can't forget the blinking ads a lot.



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So there we go.



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We can even make him blink twice during this whole thing.



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Let's make him blink once right here.



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Shifty.



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Copy that.



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And then



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it looks like he's gonna cry.



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So there we got it.



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We can't forget the blinking as well that adds a lot of life to our character.



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It's a blink right here to I'm going to go over here



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at blink right there.



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Looks a lot stoned faced right there.



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Cool.



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All right.



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See you guys in the next part of the tutorial.



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Ciao.



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Welcome to the jungle Alex.



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That's a forest.



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Yeah.



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Well here in L.A. it's dry so it's green.



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So it's a jungle for me all right.



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You are right up by mere fate is this world you create as you live.



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You will find that this whole process starts in the mind.



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So guard your thoughts.



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Well Otherwise what you create.



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You can never tell I ladies and gentlemen protect your mind.



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Any thoughts that does empower you into your mind.



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Take care of Bob.