1

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All right let's go ahead and continue.



2

00:00:09,510 --> 00:00:13,500

It looks like he's crying right here for my show.



3

00:00:13,500 --> 00:00:16,120

So let's go ahead and continue over here.



4

00:00:16,290 --> 00:00:18,180

Well I want to do now is



5

00:00:21,180 --> 00:00:24,680

finish up this part right here so he's open mouth.



6

00:00:25,140 --> 00:00:32,620

I want him to kind of open back his eyes over here so he's kind of peeking out at the ball.



7

00:00:32,760 --> 00:00:34,530

So right here.



8

00:00:38,060 --> 00:00:46,970

When he closes his eyes and then when it when he looks back right here I want his eyebrows to go up



9

00:00:46,970 --> 00:00:48,120

actually.



10

00:00:48,140 --> 00:00:54,850

So selecting the eyebrows selecting the eyebrows.



11

00:00:56,600 --> 00:00:58,730

So with this whole movement right here



12

00:01:03,690 --> 00:01:10,060

right here this is where he gets terrified so you dislike the eyebrow right here.



13

00:01:10,080 --> 00:01:16,980

This one I mean it's like the eyelids too just in case you never know when you might need a knife.



14

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And also the middlebrow which is lost in here somewhere.



15

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Why did it go.



16

00:01:29,890 --> 00:01:33,310

There it is.



17

00:01:33,340 --> 00:01:42,850

And also the hand eye location rotation scale also goes like this just in case location rotation scale.



18

00:01:42,880 --> 00:01:50,810

Move ahead 1 2 3 4 5 frames an bring his eyebrows



19

00:01:53,440 --> 00:01:53,760

up



20

00:02:01,790 --> 00:02:07,980

and his eyelids up just looks evil.



21

00:02:08,330 --> 00:02:13,020

Let's see the bottom one is maybe.



22

00:02:13,910 --> 00:02:15,480

No no that won't do at all.



23

00:02:15,640 --> 00:02:18,190

And maybe the top ones up a tiny bit



24

00:02:31,890 --> 00:02:40,980

like that and then actually with the eyelids I want them to be two frames or two frames over so from



25

00:02:40,980 --> 00:02:49,700

this one one to two and then on that one I want his arm his his arm his mouth.



26

00:02:49,770 --> 00:02:51,560

That's a funny looking arm.



27

00:02:51,570 --> 00:02:56,320

His mouth opened up a little bit more before I do that.



28

00:02:56,400 --> 00:02:58,800

Let me insert a key frame for the mouth here.



29

00:02:58,920 --> 00:02:59,410

I.



30

00:02:59,460 --> 00:03:02,260

Location rotation scale one two three four five.



31

00:03:02,580 --> 00:03:05,340

Opened his mouth to the max.



32

00:03:06,090 --> 00:03:09,700

And also I'm going to move his panda man.



33

00:03:09,780 --> 00:03:12,330

This is a jumble of bones here.



34

00:03:12,630 --> 00:03:14,030

Move his hand.



35

00:03:15,260 --> 00:03:17,300

Just a little bit maybe.



36

00:03:18,670 --> 00:03:19,770

Because right here



37

00:03:26,780 --> 00:03:29,340

see how it looks if I moved.



38

00:03:29,410 --> 00:03:31,300

Maybe I should cover his face.



39

00:03:34,870 --> 00:03:36,640

I see how that looks in the camera.



40

00:03:41,900 --> 00:03:45,840

Mascha kind of like that actually.



41

00:03:45,870 --> 00:03:47,410

So they hand in from the eyes.



42

00:03:49,050 --> 00:03:50,990

And then I want them to lower the hand.



43

00:03:52,930 --> 00:03:54,160

A little bit faster.



44

00:03:54,160 --> 00:03:59,190

So what I'm going to do is selecting this hand and shifted this over here.



45

00:03:59,440 --> 00:04:01,620

So he lowers his hand faster.



46

00:04:01,810 --> 00:04:06,600

So he kind of up and not that fast.



47

00:04:06,610 --> 00:04:10,790

I want this hand to be held there for a little bit.



48

00:04:11,200 --> 00:04:14,510

So he holds his hand up there brings it down.



49

00:04:15,460 --> 00:04:16,420

And Schreck



50

00:04:24,180 --> 00:04:25,580

and with his mouth



51

00:04:30,670 --> 00:04:31,850

I see how that looks.



52

00:04:37,210 --> 00:04:38,920

Want to delete these two



53

00:04:41,800 --> 00:04:42,820

right here



54

00:04:46,230 --> 00:04:51,480

I like that slow motion actually of the hand.



55

00:04:51,640 --> 00:04:55,740

But I want him to hold it there for a second or two so shifty one too.



56

00:04:58,710 --> 00:05:01,820

We go right here.



57

00:05:02,760 --> 00:05:06,710

Want him to close his mouth too at some point at some point he must close out.



58

00:05:06,710 --> 00:05:13,650

So here here it's not going to be there because that's why it's terrified.



59

00:05:18,220 --> 00:05:22,360

On him to start closing his mouth right around here.



60

00:05:22,360 --> 00:05:32,590

So selecting the mouth bone selecting the Loughborough location rotation scale 1 2 3 4 5 6 7 8 9 10



61

00:05:32,590 --> 00:05:33,820

11 12.



62

00:05:34,900 --> 00:05:35,620

Oh gee



63

00:05:38,780 --> 00:05:43,720

and I kind of like it like that like half open.



64

00:05:43,840 --> 00:05:50,690

Now we go and then from here to here on into



65

00:05:53,660 --> 00:05:54,910

open it again maybe



66

00:06:05,710 --> 00:06:15,810

be fully closes mouth.



67

00:06:16,470 --> 00:06:20,730

I like that kind of kind of



68

00:06:23,970 --> 00:06:28,740

I want his mouth to open up a little longer afraid to take a little longer so when he hits the floor



69

00:06:28,790 --> 00:06:31,790

of the ball I want his mouth to fully open.



70

00:06:32,610 --> 00:06:34,890

So let's see how that looks.



71

00:06:35,310 --> 00:06:36,030

So it



72

00:06:39,580 --> 00:06:43,350

looked.



73

00:06:43,570 --> 00:06:47,790

Let's play that.



74

00:06:56,370 --> 00:06:57,510

Say one thing.



75

00:06:57,720 --> 00:07:02,780

I again this is a tweaking process I want his mouth to a lot faster because it's closing a bit slow



76

00:07:02,780 --> 00:07:03,680

for me.



77

00:07:04,050 --> 00:07:05,220

So grab this over



78

00:07:08,030 --> 00:07:09,980

and I want his mouth to stay close for a little bit.



79

00:07:09,980 --> 00:07:13,170

One two three four five.



80

00:07:13,180 --> 00:07:14,180

There we go.



81

00:07:14,470 --> 00:07:16,700

So his mouth closes faster close for a second.



82

00:07:16,700 --> 00:07:17,640

And then LA



83

00:07:21,680 --> 00:07:26,980

and was mouth to open a little bit faster.



84

00:07:30,850 --> 00:07:34,430

And right here of course we need to give them some facial expression of the eyes.



85

00:07:34,490 --> 00:07:44,030

So come back here but select the eye muscles.



86

00:07:44,880 --> 00:07:48,660

Did you know your body your face has five hundred months now.



87

00:07:49,010 --> 00:07:50,380

I have no idea.



88

00:07:50,460 --> 00:07:52,940

It's something of that nature hitting.



89

00:07:52,940 --> 00:07:56,570

I acacia rotation scale.



90

00:07:56,710 --> 00:07:57,860

Let's move ahead.



91

00:08:00,550 --> 00:08:06,230

All right around here one two three.



92

00:08:06,520 --> 00:08:08,290

Two on frame two.



93

00:08:08,290 --> 00:08:20,000

I want him to open his eyes like a crazy crazy mushroom so fully open his eyes and



94

00:08:26,760 --> 00:08:40,020

what else are I hear fully open his eyes and look like a crazy all right here on the blow down on him



95

00:08:40,020 --> 00:08:42,050

to close his eyes.



96

00:08:42,690 --> 00:08:47,060

So so let's select right here.



97

00:08:47,060 --> 00:08:50,420

The eyebrows the eyes



98

00:08:52,930 --> 00:09:09,220

and the jaw jaw the jaw and hits eye location rotation scale move to here where he smashes the ball.



99

00:09:09,450 --> 00:09:11,210

Let's close his eyes.



100

00:09:13,810 --> 00:09:18,020

Close.



101

00:09:18,190 --> 00:09:21,160

And nose.



102

00:09:25,770 --> 00:09:32,370

Shirt it close up fully and the eyebrows.



103

00:09:32,380 --> 00:09:34,540

This one is a little bit higher than the other one.



104

00:09:34,540 --> 00:09:38,550

I guess we animated it at a different value.



105

00:09:40,440 --> 00:09:41,970

Let's grab that there.



106

00:09:42,060 --> 00:09:44,740

Let's bring this one down a little bit so it can match the other one.



107

00:09:47,540 --> 00:09:49,820

So angry.



108

00:09:49,820 --> 00:09:50,210

All right



109

00:09:57,240 --> 00:09:58,050

we go.



110

00:09:58,060 --> 00:10:01,180

Let me just dislike that this is distracting me like crazy.



111

00:10:07,890 --> 00:10:11,950

Way WAY.



112

00:10:12,400 --> 00:10:15,840

I'M CRYING way Mommy.



113

00:10:15,960 --> 00:10:17,200

I killed it.



114

00:10:17,550 --> 00:10:19,670

I waited all day to see how that looks.



115

00:10:29,160 --> 00:10:39,510

I love it.



116

00:10:39,570 --> 00:10:44,890

So right here when he gets up let's go ahead.



117

00:10:44,890 --> 00:10:45,910

I actually see how that looks.



118

00:10:45,910 --> 00:10:47,290

One more time.



119

00:10:48,830 --> 00:10:50,210

And again this is a second pass.



120

00:10:50,210 --> 00:10:54,240

You might do a third pass out even more finer detail tweaking even more.



121

00:10:54,490 --> 00:10:58,410

You know so right here when he gets back up



122

00:11:13,350 --> 00:11:17,070

I want to see right around here.



123

00:11:17,320 --> 00:11:28,570

Let's select the mouth and the eyes all the beautiful facial features that we might need.



124

00:11:29,170 --> 00:11:32,590

And we go that's it.



125

00:11:32,590 --> 00:11:33,080

I.



126

00:11:33,160 --> 00:11:34,230

Location rotation scale.



127

00:11:34,230 --> 00:11:34,720

Move ahead.



128

00:11:34,720 --> 00:11:36,530

One two three.



129

00:11:36,700 --> 00:11:41,570

Actually two first for the eyes because the eyes open up faster than the rest.



130

00:11:42,550 --> 00:11:43,450

Of the things.



131

00:11:43,460 --> 00:11:45,150

So let's open the eyes.



132

00:11:48,960 --> 00:11:55,240

And then we could even two three four.



133

00:11:55,830 --> 00:11:58,880

We can then lift the eyebrows and the brow



134

00:12:02,210 --> 00:12:03,860

is in complete shock.



135

00:12:05,310 --> 00:12:21,220

And the jaw kind of make it like a bring it up a little bit.



136

00:12:21,430 --> 00:12:26,400

Let's fix one thing because his eyes are completely off.



137

00:12:26,440 --> 00:12:29,680

We're just throwing everything off because.



138

00:12:30,270 --> 00:12:31,280

So right here.



139

00:12:33,430 --> 00:12:34,850

His eyes are on the ball.



140

00:12:38,030 --> 00:12:39,300

And right here



141

00:12:42,750 --> 00:12:50,850

eyes are not really on the ball but let me see if his eyes are on the ball we're its eyes are on the



142

00:12:50,850 --> 00:12:51,580

ball.



143

00:12:53,300 --> 00:12:57,960

And as I stopped being on the ball right here right here



144

00:13:01,400 --> 00:13:02,600

so I look



145

00:13:08,050 --> 00:13:09,780

actually good tell about their



146

00:13:13,880 --> 00:13:14,950

right here.



147

00:13:19,770 --> 00:13:21,440

Pretty good right there.



148

00:13:21,610 --> 00:13:26,170

And then we're right here.



149

00:13:26,260 --> 00:13:29,350

Let's out in a keyframe for the I look.



150

00:13:29,580 --> 00:13:39,330

So I would caution rotations go one two three four five six seven eight nine eight Let's bring the ice



151

00:13:39,780 --> 00:13:40,950

down here.



152

00:13:42,170 --> 00:13:46,540

And then to move ahead a couple of frames.



153

00:13:48,180 --> 00:13:48,630

There we go.



154

00:13:48,630 --> 00:13:50,510

The eyes are right there.



155

00:13:50,510 --> 00:13:59,230

So let's add in like keyframe right here I location rotation scale moving up to here.



156

00:13:59,490 --> 00:14:03,280

Let's bring his eyes up a little bit.



157

00:14:06,910 --> 00:14:08,270

And then over here



158

00:14:13,480 --> 00:14:14,840

let's bring his eyes



159

00:14:19,050 --> 00:14:19,760

down now.



160

00:14:19,770 --> 00:14:24,360

So it's kind of looking at the ball like oh shoot what did I do.



161

00:14:26,940 --> 00:14:33,390

And then over there we want him to be looking here he looks there.



162

00:14:35,880 --> 00:14:39,950

Then over here I want him to



163

00:14:42,560 --> 00:14:46,160

overhear on him too quickly dart down.



164

00:14:46,160 --> 00:14:47,500

Look at the ball.



165

00:14:47,630 --> 00:14:54,080

And then over here dart that way look that way.



166

00:14:58,760 --> 00:15:03,660

He's as panic stricken eyes they're moving all over his face.



167

00:15:06,050 --> 00:15:08,130

So there's one thing right here.



168

00:15:08,360 --> 00:15:09,900

This looks kind of strange



169

00:15:19,010 --> 00:15:20,470

then right here.



170

00:15:20,490 --> 00:15:26,770

I'm going to make him look back when he puts the hammer down on him to start to look at the hammer.



171

00:15:26,770 --> 00:15:34,630

So from here four five I'm going to grab these make him look at the hammer because he's putting the



172

00:15:34,630 --> 00:15:44,310

hammer down and then still looking at the hammer right here hit I location rotation scale move ahead



173

00:15:44,320 --> 00:15:46,960

one two three four frames.



174

00:15:46,970 --> 00:15:57,470

Hit all she and place them on the ball so when he's backing out he's looking at his murder victim.



175

00:15:57,590 --> 00:16:02,540

All right and that's another way we could tweak it and fine tune you could select just one bone and



176

00:16:02,540 --> 00:16:05,680

go through the whole animation with that one.



177

00:16:05,680 --> 00:16:11,990

And so if we wanted to we could do just the eyes throughout the whole animation and just animate only



178

00:16:11,990 --> 00:16:13,410

the eyes.



179

00:16:13,710 --> 00:16:20,390

And that's another way to fine tune it of course but sometimes you might get a little bit stuck because



180

00:16:20,390 --> 00:16:27,710

you're doing you're working on the same thing the whole time so you can get a law and right here I want



181

00:16:27,710 --> 00:16:35,560

to add a blinking there so the blinking set is only a slight.



182

00:16:35,720 --> 00:16:36,860

It's a good thing.



183

00:16:36,920 --> 00:16:42,340

You could select the bones and see where everything's at.



184

00:16:42,380 --> 00:16:47,550

So the eyes are there blinking blinking.



185

00:16:47,640 --> 00:16:50,710

That's the closing of the eyes the blinking is right here.



186

00:16:51,220 --> 00:16:57,690

So selecting this which is the blank catel because we have three of them they're on to make them blink



187

00:16:57,690 --> 00:16:58,560

right there.



188

00:17:00,930 --> 00:17:03,040

I'm going to add another blink right here.



189

00:17:03,390 --> 00:17:08,820

That's another way you can do it to just go from one bone to the next so we just add the eyes.



190

00:17:08,820 --> 00:17:11,290

Now we could kind of work on the blinking a little bit.



191

00:17:12,520 --> 00:17:16,870

And over here going to add quite a bit of blinking because he's just in shock so he's blinking like



192

00:17:17,550 --> 00:17:18,890

like crazy.



193

00:17:19,030 --> 00:17:20,230

I'm going to add another blink here.



194

00:17:20,230 --> 00:17:26,820

So he's like he's blinking a lot.



195

00:17:27,030 --> 00:17:30,210

And I want him to blink Yeah right there when he looks



196

00:17:33,090 --> 00:17:35,500

wanting to blink here as well.



197

00:17:35,610 --> 00:17:40,170

I want him to blink light you know when you're frightened you're just like you're panicking your eyes



198

00:17:40,170 --> 00:17:41,360

are blinking like crazy



199

00:18:05,700 --> 00:18:07,980

Arati coming along.



200

00:18:08,200 --> 00:18:18,050

We're definitely filling in some nice little movements and animation there where we could even do oh



201

00:18:18,140 --> 00:18:20,380

let's head on to the next part of the tutorial.



202

00:18:20,390 --> 00:18:21,680

I see you there.



203

00:18:21,680 --> 00:18:24,690

Fantastic job it's coming along very nice.



204

00:18:25,130 --> 00:18:25,600

All right.



205

00:18:25,610 --> 00:18:26,830

Here's a little fun one.



206

00:18:26,840 --> 00:18:30,260

You know not so serious.



207

00:18:30,260 --> 00:18:31,590

The art of 3D.



208

00:18:31,670 --> 00:18:33,810

It's fun for both you and me.



209

00:18:33,830 --> 00:18:37,640

Just try it out and you'll see your imagination will be set free.



210

00:18:37,670 --> 00:18:41,990

So grab your keyboard and mouse and get ready to not leave the house.



211

00:18:41,990 --> 00:18:43,000

All right ladies and gentlemen.



212

00:18:43,010 --> 00:18:43,610

Take care.



213

00:18:43,640 --> 00:18:45,400

Oh well I'll see you on the next one.



214

00:18:45,440 --> 00:18:48,040

And I'm sure you've been home for days doing this course.



215

00:18:48,040 --> 00:18:48,570

All right.



216

00:18:48,600 --> 00:18:49,430

Ciao.