1 00:00:05,950 --> 00:00:10,290 All righty let's go ahead and continue. 2 00:00:10,320 --> 00:00:17,700 Now again these videos I'm just including them in the course just so if you ever want to see what I'm 3 00:00:17,700 --> 00:00:27,450 doing you can but feel free to just tweak it yourself because again this isn't exactly a science. 4 00:00:27,450 --> 00:00:28,560 Too much. 5 00:00:28,890 --> 00:00:36,120 You just get a feel for it and also how you want your characters character to be and you kind just flow 6 00:00:36,120 --> 00:00:39,990 with it and just you know make it natural. 7 00:00:40,500 --> 00:00:47,250 So again you can look at yourself how you move when you do certain things and use that as reference 8 00:00:47,640 --> 00:00:49,730 for your character. 9 00:00:49,740 --> 00:00:53,910 Now over here his arm is a little bit stiff the whole time. 10 00:00:54,060 --> 00:00:59,000 So I want to add some motion to this arm. 11 00:00:59,010 --> 00:01:00,370 See that right here. 12 00:01:00,660 --> 00:01:01,990 Flagmen right here. 13 00:01:02,160 --> 00:01:06,050 His arm is just still the whole time especially when he jumps. 14 00:01:06,300 --> 00:01:08,370 So let's do that. 15 00:01:11,250 --> 00:01:12,810 The hand is fine here. 16 00:01:13,940 --> 00:01:19,190 And then one two three four five six seven eight nine 10 17 00:01:22,730 --> 00:01:32,220 right around here I want this arm to go back back please. 18 00:01:32,240 --> 00:01:33,610 So it's looking like that 19 00:01:39,160 --> 00:01:42,890 not like that one. 20 00:01:42,930 --> 00:01:53,610 So like the elbow as well go back to here make sure the elbow is in there as well which it does seem 21 00:01:53,610 --> 00:02:03,510 to be spring their heads all that are clear the rotation of that and bring his arm back 22 00:02:12,990 --> 00:02:15,850 actually kind of want it forward. 23 00:02:15,840 --> 00:02:16,500 In fact 24 00:02:19,590 --> 00:02:23,980 like that now classic flag 25 00:02:32,130 --> 00:02:33,120 right here 26 00:02:35,510 --> 00:02:35,950 it 27 00:02:42,790 --> 00:02:45,500 right around here on a hit. 28 00:02:45,520 --> 00:02:46,000 I 29 00:02:50,310 --> 00:02:52,900 I location rotation scale. 30 00:02:52,900 --> 00:02:57,040 Move ahead to here thrust his arm out. 31 00:03:00,010 --> 00:03:00,790 Forward 32 00:03:07,250 --> 00:03:15,920 actually maybe backwards my head controls you to do all that. 33 00:03:15,950 --> 00:03:26,690 His arms right there right here want to thrust his arm back. 34 00:03:26,800 --> 00:03:29,350 It's got a nice back hand swing. 35 00:03:30,420 --> 00:03:30,870 So 36 00:03:34,260 --> 00:03:37,030 so he swings his hand right there. 37 00:03:38,830 --> 00:03:46,380 And then we want to keep that position until he hammers the side down which is right there. 38 00:03:46,570 --> 00:03:54,090 So slicing this one shifty move into their last hand is out there the whole time. 39 00:03:55,880 --> 00:04:03,640 And delete this one right here. 40 00:04:04,000 --> 00:04:05,610 And of course the elbow. 41 00:04:05,680 --> 00:04:08,660 We want him for I'm sorry. 42 00:04:09,890 --> 00:04:14,450 We want it to be the same all the way up to right here. 43 00:04:16,840 --> 00:04:21,790 Want it comes back down when it comes back down. 44 00:04:22,380 --> 00:04:23,160 Let's see. 45 00:04:24,500 --> 00:04:27,260 Want his arm to be 46 00:04:31,310 --> 00:04:32,030 right. 47 00:04:33,670 --> 00:04:34,300 Here 48 00:04:38,650 --> 00:04:40,560 kind of relaxed with the floor. 49 00:04:51,670 --> 00:04:54,550 And then we can make him jump when he jumps. 50 00:04:54,550 --> 00:04:58,350 We could actually grab this arm move it forward. 51 00:04:58,440 --> 00:05:09,400 That comes down he jumps and his arm comes up nice slaps it shlepped cool let's see how that plays out. 52 00:05:13,180 --> 00:05:14,910 All right that looks pretty good. 53 00:05:17,890 --> 00:05:20,190 See how it looks from here. 54 00:05:27,820 --> 00:05:29,450 Whoa. 55 00:05:34,190 --> 00:05:35,890 It's kind of strange right. 56 00:05:35,890 --> 00:05:39,750 There's one I like that when he goes down. 57 00:05:39,880 --> 00:05:41,630 Let me see when he goes up. 58 00:05:48,840 --> 00:05:49,190 OK. 59 00:05:49,360 --> 00:05:50,000 I like that. 60 00:05:50,000 --> 00:05:51,710 All right all right all right. 61 00:05:52,670 --> 00:05:53,520 So there we go. 62 00:05:53,540 --> 00:06:00,990 And of course when he's up in the air there's nothing moving except his other arm because that's kind 63 00:06:00,990 --> 00:06:02,430 of like still 64 00:06:07,950 --> 00:06:09,780 I think his arm is swinging too far back. 65 00:06:09,780 --> 00:06:12,270 That's why it looks kind of funky. 66 00:06:12,540 --> 00:06:21,090 So let's not have his hands swing so far back maybe like that would probably look better. 67 00:06:27,320 --> 00:06:31,410 So select this one shiftier and copy it to here. 68 00:06:31,780 --> 00:06:32,270 So there 69 00:06:35,250 --> 00:06:36,740 we go that looks a little bit better. 70 00:06:38,400 --> 00:06:42,850 His arm all the way his hand swing back looked a little bit weird. 71 00:06:45,270 --> 00:06:45,670 All right. 72 00:06:45,690 --> 00:06:47,530 I like that. 73 00:06:47,580 --> 00:06:48,210 I like that 74 00:06:54,410 --> 00:06:55,760 when he slaps the side. 75 00:06:55,760 --> 00:06:58,830 Let's give him some facial tone. 76 00:07:04,750 --> 00:07:14,540 So right here just before he slaps the sign and select his jaw I location rotation scale one two three 77 00:07:14,550 --> 00:07:18,420 four five open it a little bit 78 00:07:27,260 --> 00:07:34,690 that we go oh I like that guy going like damn shine Yeah. 79 00:07:36,490 --> 00:07:39,980 I bet that's coming along very nicely. 80 00:07:39,980 --> 00:07:41,120 Ladies and gentlemen 81 00:07:44,220 --> 00:07:50,880 now I do think that our mouth is opening a little too slow and bring that back. 82 00:08:01,750 --> 00:08:06,330 Again it's all about tweaking. 83 00:08:06,610 --> 00:08:08,990 So I might just be time lapsing all this. 84 00:08:09,000 --> 00:08:10,290 I'm not quite sure. 85 00:08:13,970 --> 00:08:17,650 So I don't know either or I might just have both. 86 00:08:17,840 --> 00:08:24,570 Where there is a time lapse and there's not a lot making gray here. 87 00:08:26,870 --> 00:08:29,570 The blinking we have some blinking that we know for sure. 88 00:08:29,570 --> 00:08:41,330 Over here it's like one of the blinking Well that's actually shifty copied over here has put a blinking 89 00:08:41,330 --> 00:08:46,350 over here I'm not sure what's happening here but it looks blank so let's add one there. 90 00:08:46,430 --> 00:08:47,150 Shifty. 91 00:08:47,150 --> 00:08:48,140 Another one there. 92 00:08:48,340 --> 00:08:52,210 I'm actually just going to add blinking ever or that way we got the blinking either way. 93 00:08:53,610 --> 00:08:54,970 All right cool. 94 00:08:55,020 --> 00:08:57,400 So the blinking is out of the way. 95 00:09:11,660 --> 00:09:16,660 Now right here I kind of want his hand to go into a fist so it looks just a little ridiculous right 96 00:09:16,660 --> 00:09:17,490 now. 97 00:09:17,870 --> 00:09:22,140 So I Henry here as he jumps up. 98 00:09:22,240 --> 00:09:26,030 So right around here all is selective thing. 99 00:09:26,030 --> 00:09:29,950 Those ladies and gentlemen. 100 00:09:32,210 --> 00:09:33,430 I don't know what I was going to say. 101 00:09:33,490 --> 00:09:34,680 One two. 102 00:09:35,190 --> 00:09:37,780 Let's go back here and like this one as well. 103 00:09:37,960 --> 00:09:46,240 Location teaches one two three four five six seven seven sounds like a good number right. 104 00:09:46,310 --> 00:09:50,670 Rotate these zen and take this 105 00:09:58,020 --> 00:09:59,360 all right now. 106 00:09:59,540 --> 00:10:00,670 I mean look at our Doshi. 107 00:10:00,680 --> 00:10:04,890 It just looks like crazy 108 00:10:09,510 --> 00:10:11,100 man right here. 109 00:10:11,130 --> 00:10:17,990 I want him to. 110 00:10:18,080 --> 00:10:20,690 All right there he's already opening up his fingers that's fine. 111 00:10:20,690 --> 00:10:23,020 I kind of like it like that. 112 00:10:23,180 --> 00:10:25,870 So I'm going to leave it like that. 113 00:10:33,550 --> 00:10:45,910 All right let's see what else we can tweak over here. 114 00:10:46,270 --> 00:10:49,310 Oh we could definitely tweak his mouth a little bit here. 115 00:10:49,490 --> 00:10:53,010 I kind of want him to go you know. 116 00:10:53,690 --> 00:10:57,470 Let's see if that looks any good if we take his mouth and kind of 117 00:11:00,720 --> 00:11:02,170 right here I'm going to hit I. 118 00:11:02,440 --> 00:11:04,170 Location rotations go move ahead. 119 00:11:04,170 --> 00:11:07,260 One two frames it G. 120 00:11:07,360 --> 00:11:08,360 Bring it up. 121 00:11:10,650 --> 00:11:13,060 One two frames G. 122 00:11:13,080 --> 00:11:15,100 Bring it down. 123 00:11:15,540 --> 00:11:18,110 One two frames G. 124 00:11:18,120 --> 00:11:20,130 Bring it up like a 125 00:11:23,800 --> 00:11:27,800 cut like a. 126 00:11:28,590 --> 00:11:32,380 I love it. 127 00:11:33,210 --> 00:11:38,380 It's kind of like he's so perfect. 128 00:11:41,540 --> 00:11:44,560 And then right here I just want him to 129 00:11:47,530 --> 00:11:52,080 see on that last job thing he was doing one more time. 130 00:11:52,100 --> 00:11:55,590 Want to bring it down. 131 00:11:58,490 --> 00:12:08,730 And then one two three four five six can bring it down all the way and then let's move forward. 132 00:12:10,310 --> 00:12:17,380 Putting his hand out like that and then as he hops backwards right here on the hill I location rotation 133 00:12:17,380 --> 00:12:27,310 scale and then move ahead a couple frames maybe one two three four five six hits Oh G and kind of give 134 00:12:27,310 --> 00:12:30,510 him a scared look. 135 00:12:39,060 --> 00:12:40,590 Let's see how that looks. 136 00:12:40,610 --> 00:12:46,640 We have to navigate around that. 137 00:12:47,140 --> 00:12:48,910 I really like the. 138 00:12:49,030 --> 00:12:52,680 For some reason it's kind of like panicking. 139 00:12:54,630 --> 00:12:59,230 Might be a little bit too fast but we'll see after looks fine to me. 140 00:12:59,320 --> 00:13:03,610 I don't know I like that exaggerated fastness of it. 141 00:13:03,790 --> 00:13:05,050 All right. 142 00:13:05,260 --> 00:13:07,800 Let's see what can we do here. 143 00:13:13,560 --> 00:13:17,870 It's for the Hoppen and his fingers are still curled down. 144 00:13:17,870 --> 00:13:23,440 So let's see when that's happening which is all the way over here. 145 00:13:30,710 --> 00:13:34,010 On our right there his fingers are still curled in. 146 00:13:34,150 --> 00:13:37,600 So let's uncurl his fingers. 147 00:13:47,170 --> 00:13:53,990 I want to uncurled fingers when he swings them down the grabbing and so I realize I just I screamed 148 00:13:53,990 --> 00:13:55,620 into the microphone. 149 00:13:55,760 --> 00:13:57,100 You guys aren't deaf now. 150 00:13:57,410 --> 00:14:02,770 Otherwise I'll do the rest of this in sign language. 151 00:14:03,080 --> 00:14:06,680 I don't know sign language so that's not good. 152 00:14:06,720 --> 00:14:10,310 It's like this for I location rotation scale skelp move ahead. 153 00:14:10,310 --> 00:14:12,850 One two three four five. 154 00:14:13,640 --> 00:14:17,350 Six six six. 155 00:14:17,910 --> 00:14:20,860 All that part to clear the rotation. 156 00:14:21,060 --> 00:14:25,140 And we're going to have to move this hand too because it's in the low 157 00:14:29,840 --> 00:14:33,980 woods Mar Mar are to rotate that out. 158 00:14:36,150 --> 00:14:43,110 And bring it like that so let's see what's happening there. 159 00:14:43,210 --> 00:14:46,030 It's because we have a keyframe of the hand still on the floor. 160 00:14:47,250 --> 00:14:53,040 Somewhere there or I hear his hand is on the floor here it's back into the floor. 161 00:14:53,040 --> 00:14:55,270 So let's select this one shifty. 162 00:14:55,290 --> 00:14:59,170 Copy it there so that his hand is not in the floor. 163 00:14:59,170 --> 00:15:06,390 And then right here it's got kind of I don't know if that's a gang sign right there. 164 00:15:06,390 --> 00:15:08,020 What he's doing. 165 00:15:08,730 --> 00:15:15,150 Well let's change that because Alex Loesch strange. 166 00:15:15,540 --> 00:15:16,750 Brilliant like that. 167 00:15:18,220 --> 00:15:20,300 I don't know why we have that second one right there. 168 00:15:20,290 --> 00:15:21,700 So just delete that 169 00:15:25,210 --> 00:15:25,500 all right. 170 00:15:25,530 --> 00:15:27,530 Cool says fingers open. 171 00:15:27,710 --> 00:15:29,360 Well what happened there. 172 00:15:30,300 --> 00:15:31,770 Our race swings the hammer. 173 00:15:31,930 --> 00:15:33,760 I was thinking What the heck. 174 00:15:33,760 --> 00:15:36,960 So right here he's still on the floor right there. 175 00:15:37,400 --> 00:15:37,890 So 176 00:15:43,540 --> 00:15:49,250 we want to go to the frame where he is on the floor or rotate this up or rotate this up. 177 00:15:49,300 --> 00:15:54,320 And another key for him right there. 178 00:15:56,390 --> 00:16:00,880 And let's fix that low because it looks strange. 179 00:16:03,090 --> 00:16:08,770 Well that's actually the lead that one we just added and bring this one over 180 00:16:16,830 --> 00:16:21,800 and the finger is as well let's grab the fingers grab the thing. 181 00:16:21,990 --> 00:16:23,680 Bring him over to here. 182 00:16:26,070 --> 00:16:26,460 All right. 183 00:16:26,470 --> 00:16:27,240 Cool. 184 00:16:27,380 --> 00:16:29,970 So there we have it for that part. 185 00:16:29,980 --> 00:16:31,950 It's Tauriel sweet. 186 00:16:31,980 --> 00:16:32,410 All right. 187 00:16:32,450 --> 00:16:34,070 I'll see you guys in the next one. 188 00:16:34,070 --> 00:16:34,960 Take care. 189 00:16:35,000 --> 00:16:39,520 All of you are in a world where what you believe is true. 190 00:16:39,560 --> 00:16:40,280 Aren't you guys. 191 00:16:40,280 --> 00:16:42,090 I'm not doing my movie voice again. 192 00:16:42,320 --> 00:16:44,320 In a world where what you believe is true. 193 00:16:44,450 --> 00:16:46,660 You have to check your current point of view. 194 00:16:46,850 --> 00:16:50,780 Is it empowering to you or is it something to hold on to. 195 00:16:50,780 --> 00:16:52,060 All right ladies and gentlemen. 196 00:16:52,100 --> 00:16:54,360 Check whether it is or not. 197 00:16:54,500 --> 00:16:57,380 And with that let's leave on that positive note. 198 00:16:57,380 --> 00:16:58,380 Ciao for now. 199 00:16:58,420 --> 00:16:59,030 Overwash.