All right let's go ahead and continue with this project.
Now we this part right here where the ball comes.
All this right here looks pretty good.
It has some nice little animation to it.
Let's handle this part right here so you can see when he lands when he looks.
He's way too still right there.
So as I said we don't want it to be completely still because right here he is just completely not moving.
So let's go to the dope sheet.
Zooming in over here as you see completely still no boy I know.
So let's select his arms.
And his middle body is already there.
His hands are actually position there are two so there's keyframes for all of those so we're good.
Let's go ahead and move to right here and let's just rotate this just slightly.
And maybe move his hand.
Up and down.
And this one let's move it
out way.
Let's see what that looks like.
Looks up
he looks up as we get to see just that and so much life to it.
It's ridiculous even though it was so little.
Actually for this hand right here.
So right here where he lands with his hand.
I actually want to maybe grab it down see what that looks like.
I like that movement right there.
So he looks up and down maybe not so much down but maybe they're all right cool.
So now he has more life to him.
He's actually he's alive for that scene.
He's not dead right there.
And then right here when he looks down or when he rotates down kind of one his arms to swing forward
a little more because
or just a little bit at least.
So right here with the I.K. hand you could see that right here
boom it's right there and actually right here where it's still there.
It's guy staying right there.
I'm going to add a little tweak to it so it g.
You just move it down a little bit.
And that might even be a little bit too much.
Let me move it even less.
Actually move it up maybe
right here.
Kind of one his arm to move even more that way.
And right here I actually wanna take that one out.
I'm going to shift the copy this one so he has the same pose right there.
But the other one I added right here
want to go ahead and leave that bring it out a little bit.
And maybe shift.
Copy this one here.
And what I wanna do is actually just kind of bring it down the slightest bit
i course so now it's a little more life to his hand right here.
And then when he hammers this down I actually want him to lean forward when he's hammering this down.
So with the middle section selected Let's go to Mushroomhead.
You can see that right here it's all the same throughout.
So on this last first one is fine on this last one.
Let's say our x x twice kind of rotate them down we're going to have to adjust the hand of course but
it's going to give them some more a little bit more life to this part of the scene.
So let's see what that looks like.
There we go.
I like that better.
Yes he just I love it.
The smallest tweak makes the biggest difference.
So just that action of him going down a little bit as he hammers down add so much more life to it.
Now let's adjust the hand.
So on this frame right here selecting the hand that's it g
rotate it up rotate it up so well.
And then on this one right here let's g grab it
and then on the final one right here Rabbit rotate it we just gotta readjust these
and then right here.
Jeezy
and then right here on this middle one Jeezy bring it up.
See what that looks like.
Cool.
So there we have it.
Let me just right here.
You can see that the hammer shifting a little bit quite a bit.
So what I'm going to do is actually grab this middle one right here and just shift the copyright there
and shift the cockpit towards the end right there so that we have it there and then this one we're also
going to need to grab it
like so.
All right there you go.
Go.
Let's see what that looks like.
I like it.
I don't like it.
I love it.
So just that tiny little bit of extra motion adds a lot to it.
And I guess I still want him to be kind of stonier because it's more of like a cartoonish thing where
they're kind of in the air and moving but adding the body motion definitely helps a lot.
All right cool so we tweaked this part here where you kind of see just a little bit that we added right
there add so much to it.
And right there he's a little too still for me.
So let's go ahead and do that.
The main thing is you want to play your animation.
Look where it's Wirtz where it's still not moving where it should be moving.
So right here I saw that during this part.
His body is still so
during that part right there
which I believe is the song I select the middle rotated just a little bit.
Like that let's see what that looks like.
So it just shows a little bit and even too much it's like so slightest You can even hold down shift
to rotate it very slightly.
There we go.
Alex a little bit better he's not completely still right there.
And right here I want him to be moving a little bit as well he's too stiff he's too still right there
during those couple seconds where he's in the air or when he's looking up.
I want him to rotate just the slightest bit.
So right here on this last one let's hit our x x hold down Shift let's not hold down shift because I
can see the movement and just rotate them like a millimeter.
And now we hear all day I can see that looks a lot better.
More flowing right there.
And then one last thing before we wrap up this part of the Tauriel with his hand his left hand or his
right hand.
It looks a little stiff right there.
So what I wanna do is when he brings it down I want it to go to the side of his body.
I don't know why it's still in front of his body actually.
So with they hand grab goes right there.
In fact he could go there and on this second one right here.
Let's bring it to the side of his body right here.
And also we could see that his whole body is actually not touching the floor anymore right here for
some reason.
So let's go ahead and fix that.
That might help to put his hand down.
So right here when he comes back down his body needs to come back to the floor.
Like so and his hand of course needs to come up
and copy his hand over to the other one so that his hand is all right.
Let me also check something on this thing
actually squashed down.
So what we could do is actually let's go ahead and go next Tauriel we'll tweak this a little bit.
But for now you can see exactly what we got.
So pretty cool and very very well done.
I see in the next Tauriel chop.
All right ladies and gentlemen now for our quote of the day your true self is always here.
Will you allow him in or have fear.
Listen to the small voice within.
Start now and begin.
All right ladies and gentlemen.
Ciao for now.
Ottawa.