1 00:00:05,860 --> 00:00:06,520 All right. 2 00:00:06,590 --> 00:00:11,040 I'm just going to go in here and start tweaking it around. 3 00:00:11,120 --> 00:00:13,890 So let's see how this looks. 4 00:00:15,760 --> 00:00:20,910 Now I might just time this video or just leave it at normal speed and timelapse it. 5 00:00:21,130 --> 00:00:23,080 Not quite sure yet. 6 00:00:27,420 --> 00:00:33,280 His eyes his eyes are looking freaky right there. 7 00:00:38,400 --> 00:00:40,360 He's not even looking at the sign. 8 00:00:44,580 --> 00:00:47,480 So last pose were his eyes. 9 00:00:49,710 --> 00:00:50,740 Jobs up there 10 00:00:54,770 --> 00:00:57,190 actually the last pose with his eyes is right here. 11 00:00:58,680 --> 00:00:59,870 He jumps up there 12 00:01:13,690 --> 00:01:17,000 to see where his eyes are right here. 13 00:01:19,170 --> 00:01:21,710 So he looks at the flag. 14 00:01:25,870 --> 00:01:27,520 The Right here is fine. 15 00:01:27,780 --> 00:01:32,090 He's kind of turning his eyes to be over here. 16 00:01:40,320 --> 00:01:42,810 As he smacks it down 17 00:01:47,040 --> 00:01:50,890 right there on his eyes right here on the sign 18 00:01:55,660 --> 00:02:03,590 I want them to stay there until I hear that song is like this shifty to copy it over there way go beautiful 19 00:02:05,080 --> 00:02:06,590 and then when he comes back down 20 00:02:11,500 --> 00:02:15,040 I want him to look at the side I go. 21 00:02:15,040 --> 00:02:33,570 Job well done. 22 00:02:33,670 --> 00:02:37,950 And I want his eyes to stay to be right here. 23 00:02:37,980 --> 00:02:42,000 I'm going to g clear that and just have them here. 24 00:02:44,920 --> 00:02:52,080 Go. 25 00:02:52,120 --> 00:02:54,250 It's interesting seeing it from this angle. 26 00:02:54,300 --> 00:02:56,350 That's another thing also to keep in mind. 27 00:02:56,620 --> 00:02:59,450 It's good to see stuff from different angles. 28 00:03:12,660 --> 00:03:17,430 I actually want to hand out more because right here looks kind of strange. 29 00:03:17,780 --> 00:03:19,010 Let me say that. 30 00:03:19,090 --> 00:03:19,590 So 31 00:03:26,640 --> 00:03:29,710 what has had to come out like this. 32 00:03:29,710 --> 00:03:31,960 Not so much in his armpit. 33 00:03:37,510 --> 00:03:42,910 But Alex looks better that better. 34 00:04:11,140 --> 00:04:14,220 And we could even have his fingers animate. 35 00:04:14,220 --> 00:04:18,390 So right here opens his hand. 36 00:04:20,590 --> 00:04:32,640 And then when he swings his hand forward let's rotate his fingers forward to well on or on went all 37 00:04:32,790 --> 00:04:39,370 right here you are here to go to the proper spot on the Doshi. 38 00:04:39,370 --> 00:04:46,750 I don't know where the heck I was just out of there. 39 00:04:46,810 --> 00:04:54,550 So right around here right here I'm going to insert keyframe location rotation scale and then when he 40 00:04:54,550 --> 00:05:00,690 goes forward like this right here I want to hit our z twice. 41 00:05:00,710 --> 00:05:02,380 I would bring his fingers in a little bit 42 00:05:15,850 --> 00:05:19,350 right here and he bring the hand out a bit 43 00:05:28,850 --> 00:05:29,990 easy. 44 00:05:30,640 --> 00:05:32,270 Bring that up. 45 00:05:32,500 --> 00:05:37,690 Copy that over because it was in the flow which is not good. 46 00:05:37,690 --> 00:05:41,150 And now it's in his body which is even worse. 47 00:05:41,200 --> 00:05:45,550 I don't know if it works if it's in the floor or in his body. 48 00:05:45,550 --> 00:05:50,130 Copy that over. 49 00:05:50,210 --> 00:05:52,910 I actually don't want it to be completely still sung in a kind of a 50 00:05:55,990 --> 00:05:57,330 move it just a little bit 51 00:06:07,620 --> 00:06:16,780 like kind of like his fingers like that actually. 52 00:06:17,010 --> 00:06:25,830 So right here actually when he brings his hand back with the fingers right here 53 00:06:31,260 --> 00:06:36,470 I want to have him in that position right here so I location rotation scale and then over here I'm going 54 00:06:36,460 --> 00:06:41,130 to hit our z twice and bring him out but not make them too straight. 55 00:06:41,130 --> 00:06:43,440 And the nice ones as well. 56 00:06:43,440 --> 00:06:51,720 I don't want them so straight so inserting a keyframe for those right here which they already have a 57 00:06:51,730 --> 00:06:57,370 keyframe over here. 58 00:06:57,370 --> 00:07:00,970 I'm going to hit our z twice. 59 00:07:03,880 --> 00:07:05,420 And bring him down. 60 00:07:10,330 --> 00:07:11,200 Just a little bit. 61 00:07:11,200 --> 00:07:15,420 So he has more of a looser 62 00:07:19,330 --> 00:07:23,010 looser fingers. 63 00:07:24,430 --> 00:07:26,850 All right. 64 00:07:27,220 --> 00:07:27,970 Let's say 65 00:07:32,630 --> 00:07:35,140 again this is the final tweaking. 66 00:07:35,270 --> 00:07:40,070 So this part can take a while. 67 00:07:40,070 --> 00:07:42,320 Heck you could even take hours 68 00:07:45,140 --> 00:07:48,330 it's all about the little tiny tweaks in here. 69 00:07:51,430 --> 00:07:54,390 Kind of want to add some facial feature right there just for fun. 70 00:07:57,740 --> 00:08:03,680 First let me see if you can even see him and the camera here you can't even see a mouse of a point right 71 00:08:03,680 --> 00:08:04,410 there. 72 00:08:04,570 --> 00:08:12,020 When I add some facial features right here as soon as he swings a sign out I want to make him smile 73 00:08:12,050 --> 00:08:17,460 because it's a job well done ladies and gentlemen. 74 00:08:17,600 --> 00:08:20,030 So to a job well done 75 00:08:23,040 --> 00:08:23,430 kind of. 76 00:08:23,460 --> 00:08:25,710 As he's smiling as he is. 77 00:08:26,070 --> 00:08:27,040 So let's try that. 78 00:08:27,030 --> 00:08:33,360 So right around here I'm going to hit I location rotation scale. 79 00:08:33,360 --> 00:08:37,190 One two three four. 80 00:08:37,520 --> 00:08:45,260 Grab it up. 81 00:08:45,900 --> 00:08:46,950 I like that. 82 00:08:50,190 --> 00:08:53,270 So that's kind of a smile before us. 83 00:08:53,790 --> 00:08:54,990 A face of complete 84 00:08:57,740 --> 00:08:59,480 fear. 85 00:09:00,400 --> 00:09:01,010 Let's see. 86 00:09:01,010 --> 00:09:01,430 Right. 87 00:09:01,450 --> 00:09:02,350 But the guy 88 00:09:05,640 --> 00:09:08,350 something funky about that right there. 89 00:09:13,370 --> 00:09:24,290 I actually want him to let's say right here this like this I want him to hold that pose maybe for a 90 00:09:24,290 --> 00:09:25,080 second. 91 00:09:25,190 --> 00:09:27,190 Let's see how that looks. 92 00:09:31,410 --> 00:09:35,890 This pose right here shift the top that over 93 00:09:43,100 --> 00:09:45,200 interested to see how that looks. 94 00:10:00,940 --> 00:10:09,890 With the hammer at hand as to kind of live with that too because it's like this shifty ring not over 95 00:10:13,130 --> 00:10:15,990 and with the other hand as well. 96 00:10:16,520 --> 00:10:18,340 That's like this one. 97 00:10:18,590 --> 00:10:21,050 And copy this over to 98 00:10:28,050 --> 00:10:30,960 but I do want him to move just the slightest bit. 99 00:10:31,020 --> 00:10:38,640 So on the go here grab this head move it up grab this one and move it up. 100 00:10:38,940 --> 00:10:39,540 And this 101 00:10:45,250 --> 00:10:46,530 move it up into this 102 00:11:01,000 --> 00:11:05,080 maybe not to the side so maybe 103 00:11:16,700 --> 00:11:26,380 see how that looks. 104 00:11:27,150 --> 00:11:30,390 Now go and I want him to go faster. 105 00:11:43,520 --> 00:11:45,570 Right here on yes like this one. 106 00:11:45,610 --> 00:11:46,400 Move it over. 107 00:11:46,390 --> 00:11:47,370 See how that looks. 108 00:11:50,210 --> 00:11:51,970 I like that better. 109 00:12:04,940 --> 00:12:08,540 And I wanted to open a little slower maybe 110 00:12:11,880 --> 00:12:13,880 just like this one bring it out a bit 111 00:12:17,210 --> 00:12:20,350 that we've got that's a little bit better. 112 00:12:20,660 --> 00:12:24,590 They bring this one back so they hope opens sooner. 113 00:12:30,510 --> 00:12:32,030 And maybe not that slow 114 00:12:34,830 --> 00:12:36,340 go again. 115 00:12:36,400 --> 00:12:38,040 This is all about that tweaking 116 00:12:45,660 --> 00:12:48,200 we got Alex a little more natural. 117 00:12:48,200 --> 00:12:55,520 He looked a little rigid during that time and his eyes look a little off to me. 118 00:12:55,610 --> 00:13:00,980 I don't know if it's just me but his eyes look a little off right here. 119 00:13:05,650 --> 00:13:09,980 But I see the eyes right here they're fine. 120 00:13:11,510 --> 00:13:12,790 Right here. 121 00:13:12,940 --> 00:13:18,890 I don't know what the heck they're looking at right there the ball or air they're looking at the ball. 122 00:13:18,970 --> 00:13:20,020 They're fine. 123 00:13:20,020 --> 00:13:25,860 And then right here they're not fine so let's grab them. 124 00:13:25,880 --> 00:13:26,960 Bring him down. 125 00:13:28,130 --> 00:13:29,280 I like that. 126 00:13:29,640 --> 00:13:39,660 And then going forward a couple of frames to here let's go inside the ball and bring as I said either 127 00:13:39,720 --> 00:13:42,840 looking directly at us or the ball. 128 00:13:42,840 --> 00:13:48,730 I don't know which one he's looking at but it's one of them. 129 00:13:48,880 --> 00:13:51,790 And then right here he goes down to the ball 130 00:13:54,990 --> 00:13:57,220 and we get inside the ball. 131 00:13:57,240 --> 00:13:58,530 Make sure he's looking at us. 132 00:14:01,230 --> 00:14:04,410 There we go that's a little more precise right there. 133 00:14:04,410 --> 00:14:06,120 All right so there you go. 134 00:14:13,800 --> 00:14:17,110 I don't know what he's looking at right there it looks kind of weird. 135 00:14:17,890 --> 00:14:20,550 Well he's looking at the ball I believe. 136 00:14:20,910 --> 00:14:22,260 But again 137 00:14:25,560 --> 00:14:26,690 let's see how that looks. 138 00:14:31,860 --> 00:14:33,330 Yeah looks good. 139 00:14:33,730 --> 00:14:34,390 All right. 140 00:14:34,390 --> 00:14:35,370 All right. 141 00:14:37,160 --> 00:14:39,130 Did you play nurse 142 00:14:47,110 --> 00:14:48,380 maybe here. 143 00:14:52,240 --> 00:14:54,680 Maybe hear what he just backwards. 144 00:14:57,040 --> 00:15:03,530 We have his body move backwards or like thrust him backwards. 145 00:15:03,610 --> 00:15:05,450 Let's do just that. 146 00:15:05,560 --> 00:15:07,260 First let's go here. 147 00:15:07,300 --> 00:15:12,650 I while there is already keyframes scratch at right here. 148 00:15:16,470 --> 00:15:21,970 Right here maybe our x x. 149 00:15:22,060 --> 00:15:24,620 So he's like kind of like in shock. 150 00:15:26,600 --> 00:15:30,910 Alwaye gowe. 151 00:15:31,830 --> 00:15:35,370 I like that a lot better because it looks like he's kind of a 152 00:15:38,370 --> 00:15:39,830 thrown himself back. 153 00:15:43,220 --> 00:15:47,420 Throwing himself back and kind of hopping out. 154 00:15:47,420 --> 00:15:49,460 See how that looks in camera view. 155 00:15:54,760 --> 00:15:58,520 Beautiful maybe not so much of a throwing back. 156 00:15:58,980 --> 00:16:00,620 Let's tone it down a little bit. 157 00:16:03,160 --> 00:16:03,710 Have a. 158 00:16:03,780 --> 00:16:06,170 That should be better. 159 00:16:06,170 --> 00:16:09,010 There we go a little more subtle. 160 00:16:11,690 --> 00:16:13,150 Go though. 161 00:16:13,160 --> 00:16:16,710 Let me say again. 162 00:16:17,270 --> 00:16:19,940 You can tweak so much of this. 163 00:16:20,000 --> 00:16:22,430 That's ridiculous. 164 00:16:41,430 --> 00:16:48,250 Though I will continue to again our right. 165 00:16:48,340 --> 00:16:49,000 All right. 166 00:16:49,000 --> 00:16:55,450 Here is our quote Look at the infinite possibilities the infinite inside you and me. 167 00:16:55,450 --> 00:16:59,570 It's pretty clear to see that you can be whoever you want to be. 168 00:16:59,950 --> 00:17:00,490 All right. 169 00:17:00,490 --> 00:17:01,510 Ciao for now. 170 00:17:01,610 --> 00:17:02,200 Ottawa.