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All right let's go ahead and set up our scene so that it's set up for rendering our animation here.



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So once again you can continue tweeting this if you'd like.



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It seems to be a never ending process but all you can do is set up the rest of our scene so let's do



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that first thing I want to do is go ahead and with the sign I actually want to add some words to it



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that say well you'll see it will be a surprise hit shift desk cursor to selected and then hit shift



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day.



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Let's add in some x.



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Now of course we can add this text on the actual texture itself but on your end do it this way we hit



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are X art x twice and then 90 degrees rotated and bring it forward.



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Now in top view skun rotate it and make it so that's flush with the sine flush.



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It's an interesting word on make this normal as well make our job a lot easier.



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Holding down the Shift key if you need to to move it in increments bring this down.



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Rotate it x x x x x x once again.



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Boom there we go.



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I just want to make it so that's all the same



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cool.



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All right.



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Now I'm going to rotate it slides straight and scale it down.



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Hit tab and I'm going to write clone grtz.



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Actually in all capital



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graphs and that's for you.



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Ladies and gentlemen I made this sign for you.



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Don't you feel honored.



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All of this was done for you.



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And I just realized that we've been we've been key framing this the whole time.



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So let's check that hit.



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All I to remove the keyframe But whatever rotators like this are why twice.



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And I basically want it



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are Y twice bring it out to there.



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All right cool.



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So now let's go to



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dogfight dot com.



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So dot com dot com.



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And let's find in a a.



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I'm losing my words a style that will fit what we need here so I can put in paint.



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I'm just going to look for Silex kind of Panti Let's go to page 3 that does not look like paint.



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I'm going to go with painting paint now and seems pretty good.



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So download.



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Let's open this baby up click extract too and find your folder where you saved blender.



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Mine is right here in the middle of all my other stuff.



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Go to data files fonts and click OK and save it there.



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All right.



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Jumping back into blender let's toggle the window full screen and going to our font tab.



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Let's click this little folder icon here and load in the font so find your father once again.



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Go to data files fonts and load in it was.



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Is this one pane PC.



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Own pain.



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All right cool.



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So there we go.



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Let's scale this up.



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I am going to hit our x twice Rotti on the x axis so that it's facing out a little bit and going here



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rotating it g twice and Z and bring it as flush with the sine as possible.



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Now this is just one way to do it of course you could go in Photoshop and actually put this these words



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onto the image texture.



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But you know what I try.



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I thought I'd try a different way and style of doing it.



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When you get material to add a new material and leave it to whites diffused.



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All right cool.



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So now what I want to do now what I want to do is actually go ahead and see how that looks like an rendered



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view.



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And are seen as very dark so the next thing we're going to do is add in some lights are going to change



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this one to the 3-D view.



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Let's change it to rendered and hit 0 to go into camera view.



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Also going to click the tiki to close that out and grabbing our sun lamp.



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We're actually going to have a couple of different lights.



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So with the sun lamp on it clicks use notes and then rabbit rotated so that's facing our character somewhat



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and change the strength to four.



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Now keep in mind depending on how you rotate this if it's rotated more towards the ground it's going



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to be a lot brighter more up.



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It's going to be darker.



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So you want to get a nice feel for it.



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I'm going to put mine somewhere I don't want it too bright not too dark either.



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Somewhere around there and then I'm just going to add in a filler we're putting in a pretty simple lighting



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add in a filler light here so shift they add mesh plane and actually going to added with a new mission



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shader on here.



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Click new LS name this lane light let's change this to our trusty emission which is right there.



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Our x our sorry our while let's rotate that and hit X Y and scale it up and maybe s x twice.



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Scale it up that way.



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All right so this will be kind of a filler light.



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Here let me see how it looks with them without it.



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Mind you bump up the strengthless try little too bright I'm going to put the strength that three.



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I don't know why I said it like that.



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I don't know what the strength of three



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cool put it out of her seemed and shifty copy this rotated around I'm going to have a back light over



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here making sure it's out of our cameras of bringing it up over here.



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I'm going to set this to the is good number for me there are two.



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All right.



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Cool.



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Now we can see our sighing a little bit better with the text we added.



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And it's looking fabulous.



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It looks just like paint.



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I actually really liked that font.



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You don't have to use that more often.



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All right.



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That's good.



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It's good good good.



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Now something that we have to do of course because when he moves the sign around we don't want we don't



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want the letters to say.



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So going to the frame where we have the letter set up which is right here.



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Once he spun the sign around select the letters shift select the sign and hit Control P and select parent



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to object.



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Now the letters will stay there and they'll be on the sign at all times which is usually what paint's



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does I mean pain stays with the thing that it's painted on.



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All right cool.



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So one last thing I want to do is help to set up our scene over here.



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It's actually.



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Go ahead.



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Why did for some reason our lamp had a keyframe at the beginning.



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So let's get to frame one if your lab has a keyframe has wellheads Alt.



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I delete the keyframe like haha.



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That's interesting it seems kind of dark in here all of a sudden.



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What's going on.



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We got some kind of ominous feel to our seeing all of a sudden.



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All right.



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That's why there was a keyframe on our land for some reason.



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I'm going to position it about I kind of want the scene to be right but not too bright but not too shadowy.



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So something like that.



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All right.



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Now one last thing I want to do is add in a backdrop here because you could see that it's just gray



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empty space.



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I kind of like a backdrop for for this.



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Let's go ahead and do that.



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And another thing I want to do is with the floor possibly adding an edge splits.



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Let's see how that looks.



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And modifier edge split.



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I'm going to put it in there.



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It's going to actually possibly add some summer just in case so that there's no weird you know no weird



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defamations with it especially there I'll show you if I if I close this off because we're going to be



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smoothing this out possibly So if I hit T and click on smooth.



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Now you can see there's some weird defamations right there and that's where the edge split would come



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in.



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If we click it and increase the split angle or decrease it I should say you can see that helps us to



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get that feel.



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But then again we could just leave it to flat.



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And as long as it's flat that's fine.



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Now for the backdrop hitting tab to go into edit mode control tab Virtex trusty vertices are going to



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be sad when this course is over.



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I know you guys aren't with me here but I feel like we are together doing this project as a team I'm



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not going to hit extruder and extrude that they're extruded up and extrude it all the way up to the



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camera.



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It's filling in the scene.



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Cool.



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Now I'm just going to.



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All right.



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Click.



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These loops right here.



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If I can get it.



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There we go.



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You I had it in May and then I'm going to hit P to separate the selection.



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So now that this one is separate this one is separate from the floor because now we're going to smooth



151

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this one out.



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00:12:03,520 --> 00:12:05,350

And also you can see the right here.



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00:12:05,350 --> 00:12:08,400

It's not fully covering the whole camera.



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00:12:08,500 --> 00:12:15,130

It's not going to hit S X and scale that along the x axis.



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00:12:15,130 --> 00:12:19,180

Now of course I don't want to do that if it's part of the floor because then it's going to completely



156

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mess up our crack.



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Now you can see what we got here we got a nice little backdrop over here it looks pretty cool.



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All right.



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Awesome.



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Now I want to do is I'm actually going to hit Control too which adds in a subserve modifier to our backdrop



161

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here.



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00:12:44,460 --> 00:12:47,230

So that's a shortcut key for subserve control too.



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00:12:47,290 --> 00:12:49,820

It will add a subserve with a level of two.



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But I'm going to bump it down to one just so that a little smoother now and looks a little smoother



165

00:12:56,530 --> 00:13:00,110

so it will definitely add more of.



166

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Like I said a smooth backdrop.



167

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So there we go.



168

00:13:04,850 --> 00:13:07,430

Our scene is pretty much set up.



169

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I'm leaving it's like a kind of a simple scene.



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And for the letters I actually want to have them possibly black.



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So like a black paint because right now the white on the white backdrop and the white floor white everywhere



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it looks like the whole room has been painted.



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Either that or he's in the matrix.



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I don't know if you guys have seen the part where it goes into the White Room.



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All right so I'm going to bring this all the way down.



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So it's just black black.



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Let's see how that looks.



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Or maybe you wondering if red.



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Let's try some red.



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You can put it whatever color you want.



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No you can't.



182

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You have to put it.



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The color I'm putting it.



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Just get it.



185

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Put it red onion put it kind of a darker red.



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So like that maybe.



187

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All right that looks cool.



188

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Sticks out a little bit more.



189

00:14:24,540 --> 00:14:28,030

An let me try the white one more time.



190

00:14:28,050 --> 00:14:31,820

I'm very indecisive with my color over here.



191

00:14:32,350 --> 00:14:32,550

Matt



192

00:14:36,460 --> 00:14:40,450

you know what I actually like the white better because the red I mean the ball is red.



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00:14:40,450 --> 00:14:45,660

It's going to kind of take away from the power of the ball and the color of the ball.



194

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And the way it is nice.



195

00:14:46,990 --> 00:14:50,690

It kind of pops out still so Angelie that white.



196

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That is my final verdict and decision.



197

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All right so our scene is pretty much ready to be rendered.



198

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I'm going to rotate this down a little bit give it some more light the more down it is the stronger



199

00:15:04,810 --> 00:15:10,750

it will be also the more the more down the more shadow will have on his face as well because now it's



200

00:15:11,260 --> 00:15:13,420

the mushroom top is shading his face.



201

00:15:13,570 --> 00:15:19,840

And the more straight the more the less shadow on his face that looks pretty cool right there.



202

00:15:19,840 --> 00:15:20,680

But then again



203

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I kind of like to feel I have here it's kind of ominous.



204

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You know it's not too light not too dark.



205

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All right.



206

00:15:33,760 --> 00:15:36,940

So that is it for our scene.



207

00:15:36,940 --> 00:15:40,340

You can also add a slight tend to those of yellow but I like it white.



208

00:15:40,440 --> 00:15:43,140

I like the whites feel that Arsene has to it.



209

00:15:43,420 --> 00:15:49,330

And one more thing I can do is with the hammer or should I say with the hammer I'm going to like the



210

00:15:49,330 --> 00:15:53,560

color and bring this down a bit to make it darker.



211

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Because right now it's as wide as the floor almost



212

00:16:00,730 --> 00:16:01,830

spring the color



213

00:16:07,930 --> 00:16:09,820

looks a little bit better.



214

00:16:10,180 --> 00:16:11,050

I like that



215

00:16:15,650 --> 00:16:18,010

that's a bit better.



216

00:16:18,110 --> 00:16:20,220

Looks more like metal.



217

00:16:20,240 --> 00:16:20,770

All right.



218

00:16:20,840 --> 00:16:24,100

I'll see you guys next Doyle and we'll be rendering our scene.



219

00:16:24,230 --> 00:16:25,910

Let's select our mushroom too.



220

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And going to the modifiers outlet subserve him not at will make any difference in the render because



221

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the Render is right here too.



222

00:16:35,650 --> 00:16:37,910

But you know you looked a little blocky.



223

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All right.



224

00:16:38,770 --> 00:16:40,720

I'll see you guys next Tauriel.



225

00:16:40,720 --> 00:16:41,870

We're almost done here.



226

00:16:42,070 --> 00:16:48,490

It's going to be sad for a while but a happy one because I'm happy you guys invested in yourself and



227

00:16:48,520 --> 00:16:51,880

got this course and I hope you got a lot of value.



228

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All right.



229

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It's not over yet though.



230

00:16:53,540 --> 00:16:57,510

So I'll do my drummer goodbye scene at the very last video.



231

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All right see you guys.



232

00:17:01,860 --> 00:17:07,370

All right ladies and gentlemen take your experience and use it to get mentally fit.



233

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There's always something positive inside.



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If you don't try to hide look for it and in turn take it into something you can learn all right with



235

00:17:16,830 --> 00:17:17,730

that.



236

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Ciao for now.



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Ottawa.