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All right let's set it up for rendering.



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Now just a couple of things before we set our settings and put it to render first being that I want



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to grab this light and bring it out so that's not behind our backdrop which is not going to do anything



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right there.



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Now I want to check just one or two things.



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First being is out want to render out one or two images just to get a feel for how our scene looks and



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make sure everything's good to go.



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However I'm going to change it to GP you as that's much faster.



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So if you have a graphics card going here to file user preferences and go to a system and then go over



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here where it says cute or none when it's online it's on C.P. you when you click kuda it goes to your



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GPO rendering or graphics card which is a lot faster and that go over here and change from GP to GP



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you compute.



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All right.



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Cool cool cool.



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Now our animations can be rendered at nine 20 by 10.



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80 are going to render mine up 50 percent.



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But feel free to re-enter yours all the way to 100 percent.



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Just know that it's going to take longer.



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And then our animation ends.



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Let's see when it ends.



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What frame is he out.



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So it ends right.



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Here.



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So frame six sixty two.



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So let's put and frame six sixty two.



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We don't here render any unnecessary frames that will just make it take longer.



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Next we want to select where we're going to render our images because again we're going to render them



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in images not movies.



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And what's cool about this and I'll show you a little bit later.



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But for example let's say you render your whole animation and move in images.



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But then you see that like for example right here the movement when he swings and he hits the sign just



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doesn't look good.



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And you want to redo that.



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Well the cool thing with images for example if it was a movie you would have to read redo the animation



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and then rerun the whole movie.



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But since we're rendering in two images what we could do is just go here fix that part of the animation



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and then just re render those frames so let's say it's from frame to 83 to frame 316 that we need to



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fix what we would fix the animation.



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And then just re render those 30 or 40 frames go to our folder and replace the previous images with



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the new images.



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So that's pretty cool.



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Allows for you to be able to tweak your animation without having to rerun or redo the whole thing.



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So they're going to be in PMG like your folder and find where you want to save them.



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I'm going to save them in my folder here called animation stills accept Do you accept.



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Now we want to go over here to sampling the sampling.



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This is going to be the render sampling We'll see how much it's out in just a second.



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And then of course PLG it's all good 24 frames per second.



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1 6 6 2.



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All right so everything here is good and dandy.



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Now what I want to do is just render one or two frames.



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Make sure everything is good.



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So I'm going to go to frame on this frame or so right here.



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Let's go ahead and hit F 12 to render and it will render out 128 samples right now.



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So you can see that right here every block or every cube is rendered at 128 samples.



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So if you want less noise in your image and the noise is the graininess of it you would increase the



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samples.



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Right here the render samples the previous samples are basically the samples that are shown when we



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go to render view right here the rendered preview buffer the render you increase the render samples



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here.



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Now the more samples you put the longer it will take.



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So keep in mind that the higher the resolution and the higher the samples the longer it will take but



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the larger and the crisper it will look to it right here I could get kind of a feel for my scene and



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how it's going to look.



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I like it it looks good to me except I want the ball right here.



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The ball looks a little bit like it's floating.



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So I want to fix that quickly actually getting S11 on select the ball and we can see that it's sticking



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out under the floor right here.



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But I'm going to actually bring it down so that it's like that and it looks completely flattened.



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So to do that let's go to the dope sheet once again back to the dope sheet.



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I thought we had been done with the go to where the ball is squashed which is right here.



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Go to the empty keyframe and right here on the second one let's hit G Z.



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Bring it down so that's like that and although it's digging out from under the floor it's going to look



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a lot better from the view of the camera that we have it at and I'm going to hit I location rotation



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scale because we don't have automatic key for him insertion on now.



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Well and of course we're going to have to move the hammer because now Hamara is too high.



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In g z.



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Let's bring the hammer down.



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So there's some contact with the ball.



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All right cool.



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So now let's see how that looks in the frames.



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Let's say S11 to go back here.



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Let's see what frame this was 568.



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So let's go to frame five.



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Five sixty eight.



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And then right here we have different slots and this is cool this allows for us to compare images.



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So you could go here and select a slot or you could just press the number two three four etc. to go



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to the slot Zongo slot to hit F 12 to render.



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Now I'm going to rerun render this image right here.



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And I'm going to hit escape right now because I can see what the ball looks like right there.



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And now if I hit one and two back and forth you can see what it looks like.



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So I definitely like that a lot better.



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It looks like it's flat and here looks like it's flying by also looks like it's flattened but floating



93

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on the surface right here it's really flattened.



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All right cool.



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So that's good and dandy.



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Now I know why I said dandy but I want to go to one more frame maybe around here.



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And F 11 go to slot 3 by pressing 3 and hit at 12 to render that out.



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Now this is good because you kind of see how your scene will be how your lighting will be.



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And before rendering the whole 600 plus frames that we have we can get a feel for how it will look with



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the lighting and make sure everything's good.



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So I'm going to escape just to stop that because I'm already seeing one thing now I want to fix quickly.



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And that is on a mushroom right here you can see that the top right here with the light is Llobet touche



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to LIT's because it's completely white or it's almost completely white.



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So heading F 11 to go back here you actually going to select this.



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Let's turn this one to the 3-D view and click on rendered.



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And what I'm going to do is go the mushroom top right here where I can see how bright it is.



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I'm actually going to turn the brightness down to three and then because we turned it down to three



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you could see that the the white highlights on his head is no longer there which is good but now it's



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a little bit darker so to brighten it up.



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Remember if we rotated downwards it makes a little bit brighter.



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But it also makes a shadow on his face a little bit darker.



112

00:08:49,360 --> 00:08:58,910

So it is just rotated down just a tiny bit and possibly possibly put the strength of this to 3.5



113

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or three point three should be good.



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Now hearing F 11 go back here on the head for on the slides and had 12 to render that out.



115

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Rendering rendering



116

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doesn't he look cute.



117

00:09:30,660 --> 00:09:33,030

All right hitting the escape key.



118

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To stop that.



119

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Let's see.



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00:09:34,350 --> 00:09:36,530

Back and forth and hit three and four.



121

00:09:36,810 --> 00:09:48,130

So you can kind of get the feel that it has for it three is like that or is like that.



122

00:09:48,150 --> 00:09:48,970

All right cool.



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00:09:49,000 --> 00:09:53,520

I like it like that because I don't want any part of it to be completely white which it is right there



124

00:09:53,530 --> 00:09:54,610

it's little too wide.



125

00:10:00,270 --> 00:10:05,750

And he has a nicer shadow to his face you know way.



126

00:10:06,840 --> 00:10:07,660

All right cool.



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00:10:07,680 --> 00:10:20,050

And I'm actually going to go ahead and with the lamb have 11 rotators up a little bit that's more honest



128

00:10:20,060 --> 00:10:20,590

face



129

00:10:23,130 --> 00:10:31,920

cool and that then maybe just another filler like grab this one shifted to copy it rotate it this way.



130

00:10:33,090 --> 00:10:35,610

Making sure that the shadow is not in the scene.



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00:10:35,610 --> 00:10:36,410

Of course



132

00:10:39,750 --> 00:10:45,030

I just add that there are just four extra fact and extra shadows.



133

00:10:46,540 --> 00:10:50,440

All right cool so now we are ready to rumble.



134

00:10:50,430 --> 00:10:53,450

I mean render now going to the render time.



135

00:10:53,560 --> 00:10:55,290

We got everything else set up.



136

00:10:55,520 --> 00:11:05,050

Let's render one last image just to see and get a feel for it will render this one right here.



137

00:11:06,380 --> 00:11:08,390

You're going to have to run the



138

00:11:11,580 --> 00:11:14,810

he's terrified mushroom.



139

00:11:15,810 --> 00:11:18,430

I assume we have to give this guy name OK.



140

00:11:19,700 --> 00:11:22,860

What show's name be his name shall be.



141

00:11:25,780 --> 00:11:28,630

Mashi or mushroom.



142

00:11:28,630 --> 00:11:30,520

All right this is mushy.



143

00:11:30,530 --> 00:11:38,430

The mushroom and squishy the ball I have dubbed them mushy and squishy.



144

00:11:38,950 --> 00:11:40,340

Perfect.



145

00:11:40,630 --> 00:11:42,640

We have a name for our characters.



146

00:11:42,640 --> 00:11:45,780

Mushy and squishy and adventure.



147

00:11:45,790 --> 00:11:48,900

It can be a series.



148

00:11:49,120 --> 00:11:50,510

You can see how that looks.



149

00:11:50,560 --> 00:11:52,290

Looks pretty good.



150

00:11:52,300 --> 00:11:53,400

I like it.



151

00:11:53,440 --> 00:11:55,870

It's kind of got darker.



152

00:11:57,090 --> 00:12:00,030

Feel to it but also it's a nice scene.



153

00:12:00,030 --> 00:12:05,530

I don't want it to washed out like too much of a white backdrop or a white background.



154

00:12:05,610 --> 00:12:06,460

Of it.



155

00:12:08,220 --> 00:12:11,720

To have a you know ominous feel like it does.



156

00:12:11,730 --> 00:12:12,750

All right cool.



157

00:12:12,750 --> 00:12:19,890

So that's that mushy and squishy in lender of course.



158

00:12:19,890 --> 00:12:21,440

All right hitting F 11.



159

00:12:21,450 --> 00:12:23,330

I'm now going to go over here.



160

00:12:24,980 --> 00:12:27,310

Make sure all our settings are good which they are.



161

00:12:27,320 --> 00:12:29,150

We already check them again.



162

00:12:29,150 --> 00:12:32,330

The sampling I'm just are not the volume sampling the sampling.



163

00:12:32,330 --> 00:12:37,730

I'm just going to leave it at 128 for myself feel free to bump it up a bit and out.



164

00:12:37,790 --> 00:12:46,750

Let's go ahead and hit on rendered actually not render we're going to hit animation and do what.



165

00:12:47,110 --> 00:12:48,540

Let's animate.



166

00:12:48,550 --> 00:12:49,330

All right guys.



167

00:12:49,420 --> 00:12:51,580

See you in the next video.



168

00:12:52,980 --> 00:12:59,940

Now one thing that I didn't see I don't know how I missed that but you can see that right here on the



169

00:12:59,940 --> 00:13:05,370

first frame over here we can see the shadow of the ball which is not good.



170

00:13:05,370 --> 00:13:08,400

We don't want the shot of the ball in all the scene.



171

00:13:08,400 --> 00:13:14,860

So let's go ahead and remove the shadow and the sign is fine because that's the animations going to



172

00:13:14,870 --> 00:13:16,030

start right away.



173

00:13:16,260 --> 00:13:20,250

But the shadow of the ball is no bueno.



174

00:13:20,520 --> 00:13:23,220

So let's go ahead.



175

00:13:23,370 --> 00:13:25,410

Go back to the dope sheet.



176

00:13:26,350 --> 00:13:33,630

And really view like the bar now you might not have this problem if you don't.



177

00:13:33,640 --> 00:13:40,280

Congrats on you you rock and you are amazing.



178

00:13:41,130 --> 00:13:43,350

Now I'm going to hit G and x.



179

00:13:43,350 --> 00:13:48,860

Move that out does I.



180

00:13:49,130 --> 00:13:53,490

Location rotation scale and me render this.



181

00:13:53,510 --> 00:13:57,810

See the ball shadow is out of the way.



182

00:13:59,280 --> 00:14:05,760

Again you might not have this issue but it's it's a good thing because imagine if we had rendered all



183

00:14:05,760 --> 00:14:12,420

those frames before the ball jumps into the scene and we realize that the entire time his shadow was



184

00:14:12,510 --> 00:14:16,680

in the way not good not good at all.



185

00:14:21,530 --> 00:14:23,780

All right there we go the shadows no longer there.



186

00:14:23,780 --> 00:14:29,520

One more thing I'm actually going to do as well just in case it's over here.



187

00:14:29,840 --> 00:14:35,100

Select the lamps and you can see life if I got a 3-D view.



188

00:14:35,390 --> 00:14:39,950

Actually it's else you're getting ahead of yourself.



189

00:14:39,950 --> 00:14:44,000

We actually need to copy this over until he jumps into the scene.



190

00:14:44,120 --> 00:14:49,190

Otherwise he's going to be moving the entire time which is not what we want either.



191

00:14:49,390 --> 00:14:56,310

You can see that right there the ball's moving the entire time so make sure to hit shifty.



192

00:14:56,600 --> 00:14:58,990

I'm just too excited to render this thing.



193

00:14:59,600 --> 00:15:00,840

Jumping ahead of myself.



194

00:15:05,650 --> 00:15:07,260

Right right there.



195

00:15:07,260 --> 00:15:09,180

One two three.



196

00:15:15,570 --> 00:15:18,070

All right so that's fine right there.



197

00:15:22,260 --> 00:15:24,300

Moves into the scene right there.



198

00:15:24,300 --> 00:15:30,460

And before that he's just out of the scene cool.



199

00:15:30,820 --> 00:15:31,210

All right.



200

00:15:31,210 --> 00:15:36,280

Now what I want to do is go ahead and go to the 3-D view.



201

00:15:37,630 --> 00:15:40,570

Select rendered which it already has.



202

00:15:40,580 --> 00:15:45,340

All right here you can see that there is a shadow from our lights up here which I don't want because



203

00:15:45,340 --> 00:15:51,110

it's a light song and to go to the object data right here on select.



204

00:15:51,560 --> 00:15:56,970

Over here here it is under cycle settings.



205

00:15:57,110 --> 00:16:01,540

Les de-select shadow so that it doesn't cast a shadow.



206

00:16:01,690 --> 00:16:04,760

I always do the same with these PAHs.



207

00:16:04,880 --> 00:16:05,490

Well



208

00:16:09,430 --> 00:16:10,330

all right cool.



209

00:16:10,330 --> 00:16:12,270

So now we are ready.



210

00:16:13,150 --> 00:16:13,630

All right.



211

00:16:13,690 --> 00:16:19,210

Let's go and click on animation.



212

00:16:19,210 --> 00:16:24,520

I see you guys when this is done rendering which might take a little bit of time.



213

00:16:28,100 --> 00:16:33,060

All right ladies and gentlemen let's look at our quote for the video.



214

00:16:33,200 --> 00:16:37,080

One says I think I can while the other says I think I can't.



215

00:16:37,100 --> 00:16:41,590

The first goes out and does it while the latter does this ponder and quits.



216

00:16:41,930 --> 00:16:46,730

Ladies and gentlemen like they say whether you think you can or you think you can't you're right.



217

00:16:46,730 --> 00:16:48,720

So start thinking that you can.



218

00:16:48,740 --> 00:16:49,130

All right.



219

00:16:49,130 --> 00:16:50,180

Ciao for now.



220

00:16:50,180 --> 00:16:50,990

All of what.