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Now what I'll do is,
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I'll show you how to set up another camera,
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a higher end one, here.
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Pretty much every product from this box,
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I'll show you how to use today,
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during this section, here.
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I know it's a little disorganized,
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but it's the only way
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I could figure out how to do this properly.
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So, this here is a cinema camera.
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It's a higher end camera.
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This is a Canon,
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and this is called a C300 Mark II.
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And it's a 4K camera.
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I've got a non-4K version, as well.
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One thing I wanna stress is that I know
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this is a bit pricey.
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This is what I do full time,
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and I'm a bit older.
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But it doesn't matter how good the camera is
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if the operator doesn't know how to use it.
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And so, there's a lot of people
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that can just use their iPhone,
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or Android handsets, or cheaper DSLR, or mirror-less cameras
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and get much better quality than I ever will.
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But I'm trying to teach you the basics here.
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And this thing, it's pretty complicated to use,
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but what I do is,
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I've got this lens here that I want to use.
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I've actually got two of them, the same lens
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because sometimes I like
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to mount one of them on my Canon M50
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and on this bad boy, as well.
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So what I'll do here is
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I will take off the back of this Canon,
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and then I'll take off this lens, this cover here.
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Never touch what's in the inside obviously.
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I'll line up the two red dots here.
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Okay, good.
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And that's it.
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Great, it's that simple.
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And then this thing, there's no auto mode on this thing.
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It's quite complex to use.
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But the same three things apply to this camera
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and all cameras I talked about before.
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Number one, you set the frames per second.
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So I'm going to use 24 frames per second here.
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And the shutter speed is always twice that, so 48.
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Then number two, you're going to set
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the f stop, meaning the aperture.
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And I'll keep it pretty low so I can have,
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or actually I'll keep it a little bit higher,
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but not too high, a bit higher
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so you can see everything in focus.
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If you make it too high, then you don't have enough light.
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And the third thing I'll do is
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I'll mess around with the ISO as well.
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If there's not enough light, I'll make the ISO high,
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because eye so high, like my eyelids so high.
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Kind of a dumb way to remember it,
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but you'll never forget now.
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Okay, great, cool.
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So this one here, I usually leave it plugged in.
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The battery's not that great on this one here.
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So I'll go into high speed mode now,
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and I'll this thing plugged in.
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All right, and always have a surge protector
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if you can with these things, as they can be expensive
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and a hassle to fix.
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All right, so I'll turn this one on.
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There we go.
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And this is so I can obviously see what I'm recording.
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You can zoom in and out.
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You can put autofocus on, which I love to do.
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And I can play around with all the settings.
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So what I'm going to do now is,
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whenever you're recording, try your best if you can
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to make your video as perfect as possible,
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so that when you are editing you don't have
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to change things around too much,
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just so you can save time.
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So I'll try to do that.
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So what I'll do is, I'm going to record this here in 4K.
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And by the way, the memory cards in these things
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get eaten up really fast, right?
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So it uses a memory card here,
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this one will get eaten up in no time.
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So I'll put it in the back and I'll record
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for as long as it will go.
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Probably won't be that long of a recording.
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And I have another external device
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called an Atomos Inferno.
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And I use that to record because I can get four terabytes
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in one recording, which is like four hours or so,
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versus just these things here which are quite limited.
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Let me connect this and I'll start recording.
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All right, and I am going to record this in 4K,
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but it'll only give me, it looks like, 83 minutes,
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on that little 256 gigabyte card.
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Not very much.
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Okay, great, and the other ones you can get
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that are a terabyte or higher,
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just way too expensive for me.
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All right, so what I've done,
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it's kind of hard to see,
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but in the bottom I threw this thing in here.
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And this is for mounting on a tripod.
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I have a higher end tripod at home.
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The tripod I'm going to use to set this up
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I'm going to show you right now,
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is not that sturdy for this camera,
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but I want to keep it simplistic.
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So let me just open up my lights box here.
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Good thing I have the GoPro all set up there,
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so you can also see from a higher vantage point
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what I'm doing.
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And this here is the tripod I'm going to use.
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There's a great company called Manfrotto,
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and Manfrotto makes great tripods.
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They're a bit pricey, but I recommend getting them,
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because they're the best,
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and if you have a lot of expensive camera equipment,
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they're definitely a worthwhile investment.
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So what I usually do is I make the tripod
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all the way up high, and then I lower it.
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It's easier to lower because of gravity
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once you have the camera attached to it.
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And again, for a higher end cinema camera like this one,
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this is not a really smart idea,
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using this lighter tripod here,
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but it's the best I've got here in Canada.
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I've got another one back in San Francisco
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that's a bit better.
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Okay, great.
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And then when you buy this Manfrotto stand here,
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it came with that little thing that screws into the bottom,
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I showed you there, that round thing,
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and then you can insert it here in the top.
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So let me now lower this a bit,
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just so I can get in camera
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and show you there on the Canon M50, over there.
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And my kids just arrived,
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you can hear them in the background.
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Or, actually, no, they are just leaving,
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my kids and my sister Elizabeth's kids,
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they're going out to play.
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All right, let's see if I can even it up a little bit more.
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Here, good, all right.
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And then this what you can do is you can loosen it
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and then tighten it up as well.
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So I clasp this open and I'm going to put that little thing
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I screwed in right there.
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And again, you would never do what I'm doing right now.
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You would use a higher end tripod,
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but just for simplicity,
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I want to get this set up and show you.
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And this thing comes with a handle as well,
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on the top and on the side.
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I took them both off, because I'm traveling.
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It's tough to bring all my equipment with me.
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Let me hold this up here, and I'll put it here,
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and I'll clamp that in, okay.
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Let me just make sure that this is on tightly.
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Good, I'll clamp this in.
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A little ridiculous on this tripod, that's okay though.
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And then I'll try to set it up here,
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and then I'll tighten everything really tight.
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And I can turn this around if I want to,
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to kind of set up what I'm looking at, what I'm filming.
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And then I'm going to try to make it level.
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Oops!
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Okay, great.
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All right, good.
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I think we're good to go.
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So I've got this thing set on an ISO of 500,
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an f stop of four, meaning I can get
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a bunch of stuff in focus.
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If I went even lower than that,
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which I can't with this lens,
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but if I did, you would see me and everything behind me
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would out of focus, which I love, it's cool.
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And then I've also got an ISO of 500.
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I might make that a touch lower.
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And I'm recording at 24 frames per second,
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It's actually 23.98, but whatever.
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And then I've got 48 for the shutter speed,
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which is twice the frames per second,
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which is what you want to use.
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Again, these things you can't use manual,
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and the microphone sucks on this thing too,
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as it does with most cameras.
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Now what we're going to do is,
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I'm going to set this up over here and record in 4K.
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So let me move this over here,
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and we've got our fourth camera,
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and this is why the GoPro really comes in handy
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right now, for this.
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Let me set this up.
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Definitely lower the ISO, it's way too high.
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All right, great, now we've got four cameras running,
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and I'm going to use this as the A camera now,
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because it is higher resolution.
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That's 4K there.
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And you see in this camera here, the Canon M50,
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you can see a little bit more information.
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It's because that lens goes down to 11 millimeters.
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The lowest this one goes is I think 24 millimeters.
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And so I couldn't get everything in the shot here.
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When you go buy a camera, if you want to vlog,
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try to get the lowest millimeter possible on the lens,
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like 11 millimeters.
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That Canon M50 uses what's called
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an 11 to 22 millimeter lens, which is fantastic.
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It's my favorite vlogging camera, that one.
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This is my favorite higher end camera, the Canon C300,
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which corporations use, whatever.
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But again, the quality equipment is not nearly as important
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as the way the person uses it.
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There are a lot of people that are way better than I am
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at using really cheap cameras
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that have better quality than mine.
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Okay, great, we've got the GoPro there,
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and we still have the iPhone there.
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Now, I'm recording everything in 24 frames per second,
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and the reason that's important is because
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when I go into the editing mode,
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and I want to coordinate all these cameras,
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and some of them layered on top of each other,
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or in windows, like I'm showing right now,
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see all four cameras here in the windows here,
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split-screen like the Brady Bunch,
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what happens is if you don't record at the same frame rate,
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then some of the videos will end up a little bit longer
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than you expected, a little bit shorter,
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it's a pain in the neck trying
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to synchronize the audio to all that stuff.
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00:10:18,630 --> 00:10:20,420
Okay, great, cool.
238
238
00:10:20,420 --> 00:10:22,630
We've got four cameras connected now.
239
239
00:10:22,630 --> 00:10:25,033
Now I'm going to show you some other stuff.
240
240
00:10:26,260 --> 00:10:31,260
So, let me actually show you a higher end microphone now.
241
241
00:10:31,380 --> 00:10:33,993
This one here is called a Schure SM7B,
242
242
00:10:36,900 --> 00:10:37,890
and this is the one
243
243
00:10:37,890 --> 00:10:41,690
that a lot of higher end talk show people use, whatever.
244
244
00:10:41,690 --> 00:10:43,490
There's also what is called a Blue Yeti,
245
245
00:10:43,490 --> 00:10:46,470
which I absolutely love, and I've been using it for years.
246
246
00:10:46,470 --> 00:10:48,540
The Blue Yeti is plug and play.
247
247
00:10:48,540 --> 00:10:50,513
The Blue Yeti looks like this,
248
248
00:10:51,576 --> 00:10:54,180
and all you have to do is you plug one side
249
249
00:10:54,180 --> 00:10:56,480
of it into the USB port on your computer,
250
250
00:10:56,480 --> 00:10:59,510
so your computer can power it and process the sound.
251
251
00:10:59,510 --> 00:11:00,580
You can't plug it into the wall.
252
252
00:11:00,580 --> 00:11:02,140
It has to be into your computer.
253
253
00:11:02,140 --> 00:11:04,730
And then you plug the other end, if you want to,
254
254
00:11:04,730 --> 00:11:07,660
into a camera, or just leave it as is.
255
255
00:11:07,660 --> 00:11:09,670
So if you are doing a webcast, all you have to do is
256
256
00:11:09,670 --> 00:11:13,290
just plug the Blue Yeti directly into your computer.
257
257
00:11:13,290 --> 00:11:16,090
It's pretty cool, and it's really easy to set up.
258
258
00:11:16,090 --> 00:11:19,120
It's just plug and play, which is awesome.
259
259
00:11:19,120 --> 00:11:21,080
And I actually like the Blue Yeti,
260
260
00:11:21,080 --> 00:11:22,680
which is cheaper than this.
261
261
00:11:22,680 --> 00:11:24,570
I like the Blue Yeti a lot more than this,
262
262
00:11:24,570 --> 00:11:25,970
because this microphone,
263
263
00:11:25,970 --> 00:11:27,740
the sound quality is off the charts,
264
264
00:11:27,740 --> 00:11:31,340
but you have to be really close to it when you talk into it.
265
265
00:11:31,340 --> 00:11:32,950
Okay, great.
266
266
00:11:32,950 --> 00:11:35,180
And sometimes you'll see people
267
267
00:11:35,180 --> 00:11:37,480
that are speaking into a microphone
268
268
00:11:37,480 --> 00:11:39,660
have that little circle thing in front of it.
269
269
00:11:39,660 --> 00:11:42,780
And that's called a pop, and the reason it's called a pop
270
270
00:11:42,780 --> 00:11:45,330
is because it gets rid of the p and b sounds.
271
271
00:11:45,330 --> 00:11:47,270
So if you are too close to the microphone,
272
272
00:11:47,270 --> 00:11:50,560
you sometimes need a pop to stop the wind from your voice
273
273
00:11:50,560 --> 00:11:52,900
when you say the pees and bees, p and b.
274
274
00:11:52,900 --> 00:11:53,773
Hi, I'm seven.
275
275
00:11:54,670 --> 00:11:55,590
You need a pop.
276
276
00:11:55,590 --> 00:11:56,860
This microphone is really good.
277
277
00:11:56,860 --> 00:12:00,110
You don't really need one unless it's touching your lips.
278
278
00:12:00,110 --> 00:12:00,943
Okay, great.
279
279
00:12:00,943 --> 00:12:02,403
And you're probably wondering what this is.
280
280
00:12:02,403 --> 00:12:04,360
I've got to show you this quickly.
281
281
00:12:04,360 --> 00:12:07,410
This here is a couch bed I've got here
282
282
00:12:07,410 --> 00:12:10,740
in my parent's place here in Mississauga, Canada,
283
283
00:12:10,740 --> 00:12:11,950
where I'm staying.
284
284
00:12:11,950 --> 00:12:15,640
And I got into a car accident years ago.
285
285
00:12:15,640 --> 00:12:18,010
I'm fine, but my back is kind of messed up,
286
286
00:12:18,010 --> 00:12:19,540
so I bought this thing here.
287
287
00:12:19,540 --> 00:12:21,940
It's a clamp that you can
288
288
00:12:21,940 --> 00:12:25,360
put on anything, if you want to watch iPad or stuff.
289
289
00:12:25,360 --> 00:12:27,070
I love working when I'm lying down too.
290
290
00:12:27,070 --> 00:12:28,870
It's just me, because my back.
291
291
00:12:28,870 --> 00:12:30,460
Anyway, check it out if you want to.
292
292
00:12:30,460 --> 00:12:32,900
It's a really cool device.
293
293
00:12:32,900 --> 00:12:36,040
All you do is you put it on, and then you can stretch it
294
294
00:12:36,040 --> 00:12:40,703
bigger or smaller, and it holds basically any kind of iPad.
295
295
00:12:42,100 --> 00:12:45,890
I'll put this aside, and I'll get this out of the way now.
296
296
00:12:45,890 --> 00:12:47,503
Oh, come on in!
297
297
00:12:51,317 --> 00:12:53,590
So this here is my son, Dylan.
298
298
00:12:53,590 --> 00:12:55,320
A lot of you will recognize him from the webcast.
299
299
00:12:55,320 --> 00:12:56,630
Come over here, buddy!
300
300
00:12:56,630 --> 00:12:57,463
Say hi!
301
301
00:12:57,463 --> 00:12:58,296
I love you!
302
302
00:12:59,142 --> 00:13:01,350
He just turned ten years old.
303
303
00:13:01,350 --> 00:13:03,860
We're using this camera here if you want.
304
304
00:13:03,860 --> 00:13:05,812
So Dylan comes onto all my webcasts.
305
305
00:13:05,812 --> 00:13:06,645
What's that one?
306
306
00:13:06,645 --> 00:13:07,760
Oh, that one's being used too.
307
307
00:13:07,760 --> 00:13:12,110
We've got four, one, two, three, four.
308
308
00:13:12,110 --> 00:13:14,478
Whoops, that's okay, I'll take care of that.
309
309
00:13:14,478 --> 00:13:15,311
All right, I love you buddy.
310
310
00:13:15,311 --> 00:13:17,829
Give me a little bit and I'll be out soon, okay?
311
311
00:13:17,829 --> 00:13:20,044
Thanks, buddy, I appreciate it.
312
312
00:13:20,044 --> 00:13:20,877
All right.
313
313
00:13:23,874 --> 00:13:24,707
Okay.
314
314
00:13:26,462 --> 00:13:28,783
So this microphone here, the way you'd set it up
315
315
00:13:28,783 --> 00:13:31,090
is a little bit more complicated
316
316
00:13:31,090 --> 00:13:34,040
than setting up a Blue Yeti which is just plug and play.
317
317
00:13:34,040 --> 00:13:36,700
So what I'll do is I'll show you how to connect this.
318
318
00:13:36,700 --> 00:13:38,240
If you're not interested, just skip this part.
319
319
00:13:38,240 --> 00:13:40,010
You can always look at the menu here on the side
320
320
00:13:40,010 --> 00:13:43,070
and move on to the next topic that interests you.
321
321
00:13:43,070 --> 00:13:48,040
All right, so when you use higher end stuff like this
322
322
00:13:48,040 --> 00:13:49,250
you can't just plug it in.
323
323
00:13:49,250 --> 00:13:51,340
It's kind of like a high end stereo.
324
324
00:13:51,340 --> 00:13:54,160
If you get a simple stereo, or a little sound box,
325
325
00:13:54,160 --> 00:13:56,900
that's it, you just plug it in, Bluetooth,
326
326
00:13:56,900 --> 00:13:58,160
whatever you listen to music.
327
327
00:13:58,160 --> 00:14:00,150
But if you have a high end stereo,
328
328
00:14:00,150 --> 00:14:03,646
you need to get an amplifier and all this other equipment.
329
329
00:14:03,646 --> 00:14:05,470
And I don't have a high end stereo.
330
330
00:14:05,470 --> 00:14:10,470
But what you do here is you need an amplifier, like this,
331
331
00:14:10,670 --> 00:14:14,430
and then this here will record the sounds and also help out.
332
332
00:14:14,430 --> 00:14:16,580
Kind of like with your home stereo,
333
333
00:14:16,580 --> 00:14:19,740
if you have several different components,
334
334
00:14:19,740 --> 00:14:21,860
like you might have an amplifier,
335
335
00:14:21,860 --> 00:14:26,440
another main unit, et cetera, these work together with that.
336
336
00:14:26,440 --> 00:14:29,290
This one here, this is called an H6 Zoom,
337
337
00:14:31,010 --> 00:14:36,010
similar to the H1, which I'm using to record right now here.
338
338
00:14:38,480 --> 00:14:41,390
This one is a bit higher end, and you use it
339
339
00:14:41,390 --> 00:14:44,830
if you want to attach higher end microphones,
340
340
00:14:44,830 --> 00:14:47,570
and you also use it if you are interviewing people
341
341
00:14:47,570 --> 00:14:49,060
and you want to have multiple microphones.
342
342
00:14:49,060 --> 00:14:50,960
And that's why there's multiple ports.
343
343
00:14:52,170 --> 00:14:55,421
These ports here don't look like the little ports
344
344
00:14:55,421 --> 00:14:57,430
that we use to plug in the lavalier
345
345
00:14:57,430 --> 00:15:01,770
or that shotgun microphone there on the Canon.
346
346
00:15:01,770 --> 00:15:04,680
The ports here are what are called XLR,
347
347
00:15:04,680 --> 00:15:07,920
and what that means is that these are powered
348
348
00:15:07,920 --> 00:15:09,710
by this unit, or can be.
349
349
00:15:09,710 --> 00:15:13,410
And so, what you would do is you would plug this
350
350
00:15:13,410 --> 00:15:15,840
into this side here.
351
351
00:15:15,840 --> 00:15:17,600
Actually, I'll set it up, what the heck.
352
352
00:15:17,600 --> 00:15:20,940
You plug this one here into that port, okay?
353
353
00:15:20,940 --> 00:15:24,700
And I've got a dial here to make it louder or less loud.
354
354
00:15:24,700 --> 00:15:25,850
That's called the gain.
355
355
00:15:25,850 --> 00:15:28,820
And any microphone you use, or most microphones,
356
356
00:15:28,820 --> 00:15:30,480
if you can't get the sound quality perfect
357
357
00:15:30,480 --> 00:15:32,430
you can adjust what is called the gain.
358
358
00:15:33,378 --> 00:15:37,130
So there is a gain on the top of that rogue shotgun mic.
359
359
00:15:37,130 --> 00:15:39,800
You can only do it up or down slightly.
360
360
00:15:39,800 --> 00:15:43,213
There's a gain on this one here, this as well,
361
361
00:15:44,508 --> 00:15:46,383
here, to make it louder or not too loud.
362
362
00:15:47,226 --> 00:15:48,240
The reason why you want to do that is
363
363
00:15:48,240 --> 00:15:50,090
you want to get the sound quality perfect
364
364
00:15:50,090 --> 00:15:51,900
so that you don't have to change it in post edit.
365
365
00:15:51,900 --> 00:15:55,380
And by the way, there's a bit of an echo in this room,
366
366
00:15:55,380 --> 00:15:59,270
and so I actually in post edit, I actually changed it
367
367
00:15:59,270 --> 00:16:00,850
so you can't hear the echo as much.
368
368
00:16:00,850 --> 00:16:04,090
So let me take off that echo filter.
369
369
00:16:04,090 --> 00:16:05,780
You hear the echo?
370
370
00:16:05,780 --> 00:16:07,740
Okay, I'll put the filter back on now.
371
371
00:16:07,740 --> 00:16:08,890
I'll show you how to edit all this stuff
372
372
00:16:08,890 --> 00:16:11,890
from scratch as well, using Final Cut,
373
373
00:16:11,890 --> 00:16:14,740
at this point here in this very long section.
374
374
00:16:14,740 --> 00:16:17,253
Okay, great, all right, cool.
375
375
00:16:18,870 --> 00:16:23,870
This here, what you do is you plug in the amplifier
376
376
00:16:24,390 --> 00:16:29,150
on this side here, okay?
377
377
00:16:29,150 --> 00:16:34,150
And then you plug in this using another really long cord.
378
378
00:16:35,260 --> 00:16:37,060
And I'm going to use this on my web cast tomorrow
379
379
00:16:37,060 --> 00:16:39,160
because the sound quality is great.
380
380
00:16:39,160 --> 00:16:42,593
And then you plug this end into here.
381
381
00:16:42,593 --> 00:16:45,480
It's just a long capo, that's all it is.
382
382
00:16:45,480 --> 00:16:49,050
Great, and then what I do is, for my webcast
383
383
00:16:49,050 --> 00:16:54,050
I actually plug this here directly into my computer,
384
384
00:16:54,120 --> 00:16:55,200
which we'll do really soon.
385
385
00:16:55,200 --> 00:16:57,745
At this point here in this long section,
386
386
00:16:57,745 --> 00:16:59,760
because I love to get high quality sound
387
387
00:16:59,760 --> 00:17:02,543
when I do my live YouTube broadcasts.
388
388
00:17:04,032 --> 00:17:07,130
What you can do is, I can actually record sound
389
389
00:17:07,130 --> 00:17:08,780
on this as well.
390
390
00:17:08,780 --> 00:17:11,620
It's a nightmare opening this little trapdoor here,
391
391
00:17:11,620 --> 00:17:14,093
so I'll go into fast-forward mode and get that done.
392
392
00:17:20,200 --> 00:17:21,033
All right!
393
393
00:17:21,914 --> 00:17:22,850
And the good thing with recording
394
394
00:17:22,850 --> 00:17:25,512
with several different cameras is that if I make a mistake,
395
395
00:17:25,512 --> 00:17:28,350
I can always just cut to another camera.
396
396
00:17:28,350 --> 00:17:29,440
I just made a big mistake there.
397
397
00:17:29,440 --> 00:17:33,240
You didn't see it, but anyway, now we'll hit record,
398
398
00:17:33,240 --> 00:17:36,110
and the sound quality sounds like this.
399
399
00:17:36,110 --> 00:17:37,930
So it actually sounds really good.
400
400
00:17:37,930 --> 00:17:39,560
But the problem with this microphone is
401
401
00:17:39,560 --> 00:17:43,530
if it's far away it doesn't pick up as much noise.
402
402
00:17:43,530 --> 00:17:45,850
But when it's really close it sounds really good.
403
403
00:17:45,850 --> 00:17:48,820
You get the deep bases there, that base there as well.
404
404
00:17:48,820 --> 00:17:51,810
And again you can record and connect
405
405
00:17:51,810 --> 00:17:53,363
several of these together,
406
406
00:17:55,420 --> 00:17:57,710
several microphones into one unit, if I wanted to,
407
407
00:17:57,710 --> 00:18:00,350
if you are interviewing lots of people.
408
408
00:18:00,350 --> 00:18:02,653
All right, great.
409
409
00:18:05,220 --> 00:18:06,690
I'll put this down for now,
410
410
00:18:06,690 --> 00:18:09,380
and I'm going to stop using this mic for a second
411
411
00:18:09,380 --> 00:18:11,660
and go back to this mic, okay.
412
412
00:18:11,660 --> 00:18:14,940
And again, the quality of this little lavalier is great.
413
413
00:18:14,940 --> 00:18:15,880
I love it.
414
414
00:18:15,880 --> 00:18:18,270
So, what I'm going to show you now is,
415
415
00:18:18,270 --> 00:18:21,210
I bought this, it's called a Manfrotto arm.
416
416
00:18:21,210 --> 00:18:23,850
You can get cheaper versions as well if you want to.
417
417
00:18:23,850 --> 00:18:27,790
Back in my home studio, I've got bars on the ceiling
418
418
00:18:27,790 --> 00:18:29,880
which I drilled into the studs,
419
419
00:18:29,880 --> 00:18:31,650
so I can hang a lot of equipment down from it.
420
420
00:18:31,650 --> 00:18:33,220
I don't like anything touching the ground
421
421
00:18:33,220 --> 00:18:35,180
in my home studio, just to keep it clean.
422
422
00:18:35,180 --> 00:18:37,050
And it's a small studio.
423
423
00:18:37,050 --> 00:18:38,760
But I have this device here,
424
424
00:18:38,760 --> 00:18:43,597
and I got these really cool clips, or Manfrotto devices.
425
425
00:18:45,210 --> 00:18:48,290
What you can do is you can hook these things
426
426
00:18:48,290 --> 00:18:53,010
up to other devices like this.
427
427
00:18:53,010 --> 00:18:54,270
You push this button in here.
428
428
00:18:54,270 --> 00:18:56,170
And I'll provide you the links as always.
429
429
00:18:56,170 --> 00:18:58,340
Push this button, and then what I can do is
430
430
00:18:58,340 --> 00:19:00,750
put this in here, and it won't fall out.
431
431
00:19:00,750 --> 00:19:03,843
It's locked in, and then I gotta tighten it up right here.
432
432
00:19:05,300 --> 00:19:08,350
And then what you do is, after you tighten it up,
433
433
00:19:08,350 --> 00:19:12,170
you move this to whatever feels most comfortable for you.
434
434
00:19:12,170 --> 00:19:17,170
And then you tighten this, and then nothing moves.
435
435
00:19:17,880 --> 00:19:19,360
Pretty cool, it's great.
436
436
00:19:19,360 --> 00:19:21,950
So what I can do with this is,
437
437
00:19:21,950 --> 00:19:24,780
I'm actually going to just hook it up right here.
438
438
00:19:24,780 --> 00:19:26,280
I'm going to MacGyver it.
439
439
00:19:26,280 --> 00:19:28,123
I think I'm dating myself there.
440
440
00:19:28,123 --> 00:19:29,890
I'm not sure if everybody gets that, MacGyver.
441
441
00:19:29,890 --> 00:19:31,070
Oh, and you can take this out,
442
442
00:19:31,070 --> 00:19:34,133
in case I want to hook it up to something that's not square.
443
443
00:19:35,400 --> 00:19:38,930
I'm hooking it up here to the side of the case,
444
444
00:19:38,930 --> 00:19:41,123
because I don't want to ruin my mom's couch.
445
445
00:19:43,470 --> 00:19:44,303
Tighten it up.
446
446
00:19:50,880 --> 00:19:53,940
Great, move this around here.
447
447
00:19:53,940 --> 00:19:55,990
Get it into a position that I like it at,
448
448
00:19:56,870 --> 00:20:00,403
and then I will tighten it really tight right here.
449
449
00:20:04,230 --> 00:20:08,050
And that is stable, if this stays still.
450
450
00:20:08,050 --> 00:20:10,923
So let me just put this guy right here.
451
451
00:20:11,830 --> 00:20:12,920
That's fine, yeah.
452
452
00:20:12,920 --> 00:20:16,680
And what I'll do actually, is I'll screw this in here.
453
453
00:20:16,680 --> 00:20:19,093
I'll go into high speed mode so I don't waste your time.
454
454
00:20:22,540 --> 00:20:23,890
All right, great.
455
455
00:20:23,890 --> 00:20:28,890
So it's a little bit unconventional, but it works.
456
456
00:20:29,160 --> 00:20:31,880
So what I'll do is, I'll use this microphone for a while,
457
457
00:20:31,880 --> 00:20:34,250
and I'll switch back and forth to this dude here,
458
458
00:20:34,250 --> 00:20:36,040
and this guy here.
459
459
00:20:36,040 --> 00:20:39,090
The shotgun sounds like this on that camera there.
460
460
00:20:39,090 --> 00:20:40,631
The iPhone sounds like that.
461
461
00:20:40,631 --> 00:20:41,790
The GoPro is just awful.
462
462
00:20:41,790 --> 00:20:43,963
I don't know if you can hear the audio there.
463
463
00:20:45,560 --> 00:20:47,490
So I'll just keep a couple of these audio things
464
464
00:20:47,490 --> 00:20:48,323
going at the same time.
465
465
00:20:48,323 --> 00:20:49,380
Okay, great.
466
466
00:20:49,380 --> 00:20:53,100
And then what I also have an extra one of these clip things
467
467
00:20:53,100 --> 00:20:55,470
in case I want to mount this somewhere,
468
468
00:20:55,470 --> 00:20:57,160
like on the side of the couch or wherever it is.
469
469
00:20:57,160 --> 00:21:00,640
Okay, great, all right.
470
470
00:21:00,640 --> 00:21:03,150
Next up, I'll put this aside here.
471
471
00:21:03,150 --> 00:21:04,483
What do we have next?
472
472
00:21:08,490 --> 00:21:11,210 line:15%
Ah, this is how to clean your camera,
473
473
00:21:11,210 --> 00:21:12,450 line:15%
so that's what I'll do.
474
474
00:21:12,450 --> 00:21:14,133 line:15%
I'll show you how to clean the camera.