Narrator: And then what I would do 2 2
is I would then go to File > Share and you can 3 3
share it in 4K, whatever mode you want. 4 4
So let me just do it this way just for fun. 5 5
I would click here, I would name the lecture 6 6
here's the size it's going to be. 7 7
We know it's 24 frames per second and we know 8 8
the audio quality is 48 kilohertz instead of 44.1. 9 9
Don't worry about that but if you're going to do one, 10 10
44.1 or 48 just stick to one or the other be consistent 11 11
the whole time it's just better when you synchronize stuff. 12 12
Little bit outside the scope of this course 13 13
if you have questions let me know, thanks. 14 14
And then here's where you can control the settings, 15 15
the resolution, this here is 4K, this is 1080p 16 16
and then if I wanted to here in Roles what you could do 17 17
this is if you want to add closed captions or subtitles. 18 18
Then I would click share and it would save. 19 19
I'm going to hit cancel though. 20 20
Now I'm showing the second lecture. 21 21
For this one it's pretty simplistic 22 22
I'm only going to explain new concepts I haven't mentioned 23 23
in the previous lecture in this section 24 24
but all I did here was I threw this, this is my 25 25
Iphone recording which is pretty darn good. 26 26
I mean the quality of the Iphone not me. 27 27
And so all I did was I just did that with 28 28
the H1 zoom audio which was attached to me 29 29
and what I did was I had the Iphone sitting 30 30
on my mom's desk there at my parents place 31 31
on top of the OSMO 2 and I just threw a couple of these 32 32
Call to Action items on here and then just the menu 33 33
on the side which you see in the chorus 34 34
and then I explain how I use the OSMO 2 35 35
I quickly mention it here and let me show you how I got 36 36
this image and for those of you earlier in the course 37 37
that took the ten best practices images sections 38 38
you can use any image software you want to make 39 39
what I'm going to show you right now. 40 40
I love using Photoshop but I used Pixelmator Pro 41 41
which is kind of like a less advanced version of Photoshop. 42 42
So what I did was this, in order to put the image here 43 43
I went out here and I just did a search for OSMO 2 44 44
and I went here to Images and I tried to 45 45
find an image that was fairly large. 46 46
That's a good one there, 1500 x 1500 47 47
but I wanted to show the whole thing. 48 48
So, this looks good here actually 49 49
in this example, I think that's the one I actually ended up 50 50
selecting but let's use this one for fun. 51 51
So you click on it and it's very large 52 52
you gotta make it at least 500 x 500 53 53
meaning high resolution then I copy the image 54 54
and then let me actually go and open Pixelmator Pro. 55 55
Okay, then I select new and it's going to say 56 56
"Hey, how big do you want this image to be?" 57 57
I'm going to say "Well, the one that's in the clipboard." 58 58
Double click, and then once it's open what you do 59 59
is you select this item here, Quick Selection, you 60 60
click > cut, click > cut, we just got rid of the background. 61 61
If this was a lower resolution image meaning if 62 62
the file size was smaller or if it was say 100 x 100 63 63
then it wouldn't work out as well as what I just showed you 64 64
I'd have to actually go and finesse 65 65
all the clicking here and there to get rid of the background 66 66
so always use a large image if you can. 67 67
So now we're going to select Export and you can- 68 68
I don't know if you can hear that but my laptop is 69 69
getting loud now because this is a little bit 70 70
memory intensive as well as of course, final cut. 71 71
Export. And I'll export it here and I'm going to call it 72 72
Sample Export in PNG format so that 73 73
the background is transparent. 74 74
Export. Let me go back now here and what I would do 75 75
is I would go over here, select Images, this is 76 76
the item here and I have tons of images I've inserted. 77 77
And I just drag and drop it's that simple. 78 78
So I select the item here, select this guy here to 79 79
transform it and then what I can do is I can move it around. 80 80
And I'll show you animations soon, meaning moving stuff 81 81
around the screen by using what's called Keying 82 82
I'll show that to you shortly. 83 83
All right so let me now just delete this. 84 84
And you'll see here it says go to Lecture X 85 85
to learn about this, I wrote that because I haven't 86 86
published the course yet and I'm not sure exactly 87 87
what lecture it's going to go in. 88 88
Okay. Then what I did was over here I actually wanted 89 89
you to hear the audio from the iphone so I turned the audio 90 90
on here I just dragged it up and I put a little note here. 91 91
And then here, I just showed you a lavalier and I did 92 92
the exact same methodology for inserting that image 93 93
which I just showed you and I just sort of inserted 94 94
other images here and I think that kind of explains 95 95
everything that I've showed you in this current section. 96 96
Let's see here, what did I do with this one? 97 97
I think I just inserted an image here. 98 98
All I did was I zoomed in on my GoPro video 99 99
to get that image of what's inside my suitcase there. 100 100
All right, oh yeah, this one here I think what I did 101 101
was I actually made it fade in and then move. 102 102
So I want to show you how I did that. 103 103
So let me go over here, see how it rotates a bit? 104 104
And then it rotates more 105 105
and then it gets kicked out completely, seeya. 106 106
So what happens is this, I want to set up so that 107 107
when I have this device in my hand 108 108
whenever I touch this image it would rotate and leave. 109 109
So let me see where I did that I think it was right here 110 110
so watch closely, watch this up here. 111 111
See? And the way I did that is, um, and I'm going to 112 112
recreate something from scratch here 113 113
that's the best way to show you how we did it. 114 114
So what I'll do is let me just throw in the 7/11 logo 115 115
which I used somewhere else in the course 116 116
and I'll delete this later but 117 117
I just want to show you for simplicity. 118 118
So let's say I wanted the 7/11 logo to start here 119 119
and then end up upside down over here 120 120
for whatever crazy reason. 121 121
So I'll set it longer so it's actually 122 122
in a bigger portion of this video. 123 123
And then what I'm going to do is right here at the beginning 124 124
I'm going to say "Hey 7/11, remember that position okay?" 125 125
So then I'll click here to plus. 126 126
Then what I'll do is if I go over here 127 127
then I'll say "Hey 7/11, when we get over here 128 128
"I want you to be upside down up here actually." 129 129
I'll go like this and then I'll turn this guy upside down. 130 130
And then what happens is it will slowly move 131 131
from there to upside down. See there? Watch this. 132 132
So it will look like this, very slowly. 133 133
So now you understand that concept 134 134
and if you have questions please let me know. 135 135
I've made every mistake there is 136 136
to possibly make making these videos. 137 137
So what I did here was I just stacked 138 138
another one of these message boxes on top of each other 139 139
and then you can grab this and just move it around. 140 140
Let's see if there's anything else to show you here. 141 141
So for this one all I did was in Pixelmator Pro 142 142
I just inserted an arrow, that's it. 143 143
And then save the image with an arrow in it. 144 144
All right going over here, okay now you see how 145 145
I zoomed in here to myself? Watch this, you see that? 146 146
We use the same concept we used I just showed you to move 147 147
the 7/11 logo so what you do is this. 148 148
You would click in here and select where you 149 149
want me to move from and then to. 150 150
So right here, and I can always change it. 151 151
So I start off at this position here 152 152
and then if I click next I had it there. 153 153
So let's say I wanted to zoom really fast 154 154
in to my face in like, I don't know, a couple frames 155 155
for whatever reason then what I could do is 156 156
I can drag that there and then I can click done. 157 157
So it's going to look like this now, very fast to my face. 158 158
So I'm going to hit delete to undo that 159 159
because I want it to be slower and more gradual. 160 160
If you have questions about that please let me know 161 161
it's a really powerful thing and I love it because it makes 162 162
it look like I've got a special camera zooming in which is 163 163
not the case, I'm just zooming in in post edit here. 164 164
The quality looks good, of the video not me, because 165 165
I recorded this all in 4K which means if I zoom way in 166 166
it will still look decent enough. 167 167
So always record in 4K if you can. 168 168
You can always just publish it in 1080 if you want to though 169 169
but it's good to future proof it if you can. 170 170
All right let's see what else I have here. 171 171
Think I showed you all this, yeah 172 172
and I think I've covered all those concepts here. 173 173
Here I just inserted a video, that was just a GoPro 174 174
of my son Matthew filming me doing the promotional trailer 175 175
for this course in Spain on some hotel rooftop. 176 176
We didn't even stay at the hotel they 177 177
very nicely let us use it for free. 178 178
Okay, and if I wanted, um, 179 179
if I wanted this item here for whatever 180 180
reason, this road microphone to be in front 181 181
of the video then all I do is quite simply drag and drop 182 182
the layer down here, that's it. 183 183
Hit Command + Z a couple times, get rid of that, okay good. 184 184
All right and I think I've explained everything I want to 185 185
explain in this current lecture. 186 186
And for those of you that are interested in 187 187
using manual mode and not just automatic mode 188 188
just read these three boxes here and if you have 189 189
questions about this please let me know. 190 190
For years I didn't understand this stuff 191 191
and finally I get it now, it took me for like ever. 192 192
Okay, and then here to be continued in the next lecture 193 193
all I did was I had a little plug in 194 194
that I dragged and dropped on to here 195 195
and then what I can do is go over here 196 196
and quite simply change the text here if I wanted to. 197 197
Ctrl + Z, undo that, the colors, the size, etc. 198 198
Okay, now, let's move on to the 199 199
third lecture in this current section. 200 200
And I'm only going to cover concepts 201 201
that I haven't talked about before 202 202
in this current section, meaning video editing stuff. 203 203
And as always if you have questions let me know please. 204 204
So this here was my Iphone which I threw on the window sill 205 205
there and what I did was when I inserted 206 206
this little plugin here, the sidebar, 207 207
it automatically moves everything over it's really cool. 208 208
I didn't do that myself, the software did it itself. 209 209
But what I could have done is said "Hey, don't do that." 210 210
Or I could have said "Hey, go on the other side." 211 211
Right there. Okay. And those are all plugins 212 212
and so in final cut, as with all editing software 213 213
like Adobe Premier Pro which Matt's going to show you 214 214
how to use in the next section, always try to 215 215
work smarter not harder by using plugins if you can. 216 216
You can recreate the way a plugin 217 217
looks but it will take you forever. 218 218
Okay, let me see if there's any other items 219 219
I want to show you here, I think that's it. 220 220
I tried to be creative by putting these items there 221 221
on the wall where there's a white background 222 222
I had a lot of fun with that I really nerded out. 223 223
And I zoomed in there to the Iphone 224 224
didn't get the best resolution, you see that there? 225 225
There's a little bit too much sunlight 226 226
getting in there but that's fine. 227 227
And all those lines are this moved around a bunch 228 228
when I was recording, I just moved around a bunch. 229 229
Okay, now this here is using my Canon M50 230 230
my vlogging camera which is having slight focusing issues. 231 231
Try if you can just to use, don't use auto focus 232 232
I should have turned it off it was my fault. 233 233
But you'll notice the colors are a little bit different 234 234
on the Iphone versus the Canon and you can adjust that 235 235
if you want to here in the color board. 236 236
Okay, so if I take off all of the color adjustments 237 237
I did it would look like that. 238 238
I wanted to brighten it up slightly 239 239
so all I did was I clicked up here and then 240 240
you can go in here and then just change things around. 241 241
Let me just get some real estate by dragging this down here. 242 242
So what you can do is you can change the color, okay 243 243
which is kind of tricky to do but you can do that 244 244
if you want to play around with those flavors 245 245
I didn't change anything, or you can change the saturation. 246 246
Right, say there's too much color you can make it more 247 247
black and whitish here or add more color 248 248
that sort of thing, CTRL + Z, undo. 249 249
I just played around exposure here. 250 250
And all I did was I dragged up what's called the mid tones 251 251
to bring up the exposure a little bit. 252 252
Okay, cool, all right and then what you can also do 253 253
there's more advanced things as well you can go 254 254
to color wheels and hue and saturation and all that thing 255 255
right here it's a little bit outside the scope 256 256
of this course and I don't fully 257 257
understand how to do that to be honest. 258 258
Okay, here I just move the video down a bit. 259 259
See there? I just zoomed in on myself a bit. 260 260
And then here I just threw in an image 261 261
of the GoPro and then here is just GoPro. 262 262
This is just a GoPro, I wanted to show you an example 263 263
of this in wide mode, you see how the carpet looks bent? 264 264
I don't really like that effect. 265 265
And so I prefer to use, and this is super wide mode 266 266
see the wall on the left? It's really bent. 267 267
But it gets all the information in that room 268 268
which is pretty cool actually. 269 269
And then I ended up placing the GoPro 270 270
on a shelf actually up there and then 271 271
over here I actually threw GoPro in linear mode here. 272 272
And I think that explains everything I wanted to discuss 273 273
here in the third lecture let me see if there's any other 274 274
concepts I haven't discussed yet, let me scroll over here. 275 275
and right here I know I mentioned this in the lecture 276 276
but I have to reinforce it, whenever you're recording 277 277
multiple cameras you always have to synchronize 278 278
all of them together using software or 279 279
using this method here where you clap three times. 280 280
You see the lines here? So I clap three times 281 281
and that's reflected in this audio device here, 282 282
this Canon, this GoPro and this Iphone. 283 283
And make sure that if your camera has a microphone 284 284
even if it's a crappy microphone, turn it on 285 285
so that your external recording device can synchronize 286 286
with that if the software synchronization 287 287
doesn't always work, now in final cut you can highlight 288 288
a bunch of items and as I showed you before you can 289 289
right click and select synchronize so let me just 290 290
get a couple items here, right click, and you can 291 291
actually synchronize the clips. 292 292
But it doesn't always work and that's why we clap. 293 293
All right I think I've shown you pretty much everything 294 294
here in this lecture, yeah, okay cool. 295 295
So let's move on to the fourth lecture now.