1 1 00:00:01,350 --> 00:00:03,453 So go up here to Lecture 4. 2 2 00:00:06,090 --> 00:00:06,923 All right. 3 3 00:00:08,220 --> 00:00:10,970 And again, I will only cover concepts 4 4 00:00:10,970 --> 00:00:14,113 that I haven't discussed yet in this section of the course. 5 5 00:00:15,550 --> 00:00:17,690 So this is where it got kinda complicated. 6 6 00:00:17,690 --> 00:00:21,140 I had many different layers of video at the same time, 7 7 00:00:21,140 --> 00:00:25,840 and what I love doing is just turning on and off layers. 8 8 00:00:25,840 --> 00:00:27,550 And so right here here, 9 9 00:00:27,550 --> 00:00:30,890 watch this layer here, this is the GoPro, 10 10 00:00:30,890 --> 00:00:32,740 and I'm going to go over to the Canon 11 11 00:00:33,620 --> 00:00:35,520 by just turning off this layer. 12 12 00:00:35,520 --> 00:00:39,510 So, I just hit the letter V, turn it on and off. 13 13 00:00:39,510 --> 00:00:42,570 And what you can do is you hit the letter B, for blade, 14 14 00:00:42,570 --> 00:00:46,640 and you can cut items, so I could cut here. 15 15 00:00:46,640 --> 00:00:50,443 And say I wanted to turn this back on here, I could do so. 16 16 00:00:51,800 --> 00:00:53,403 Control + Z to undo that cut. 17 17 00:00:54,530 --> 00:00:59,023 line:15% What's really powerful is if you hit Control + Shift + B, 18 18 00:00:59,920 --> 00:01:02,080 line:15% it cuts all those layers together. 19 19 00:01:02,080 --> 00:01:02,913 line:15% Do you see that? 20 20 00:01:02,913 --> 00:01:05,220 line:15% Anyway, hit Control + Z to undo that. 21 21 00:01:05,220 --> 00:01:06,410 line:15% Let's do it again. 22 22 00:01:06,410 --> 00:01:09,740 line:15% Control + Shift + B, for blade, 23 23 00:01:09,740 --> 00:01:13,660 line:15% it slices everything, which is pretty cool. 24 24 00:01:13,660 --> 00:01:14,493 line:15% It's pretty cool. 25 25 00:01:14,493 --> 00:01:15,830 line:15% And, let me undo that, 26 26 00:01:15,830 --> 00:01:18,110 let's say I just wanted to slice this and this, 27 27 00:01:18,110 --> 00:01:21,610 but I wanted this slice here and here to match perfectly. 28 28 00:01:21,610 --> 00:01:24,660 What I would do is make sure this item here is on, 29 29 00:01:24,660 --> 00:01:28,513 it's kinda like Snap to Grid, so I would go here, 30 30 00:01:29,500 --> 00:01:30,820 and if I move this around, 31 31 00:01:30,820 --> 00:01:33,620 watch how it snaps right there, see how it snapped? 32 32 00:01:33,620 --> 00:01:36,630 Then I know exactly where to do it here, okay? 33 33 00:01:36,630 --> 00:01:39,120 If I didn't have that snap on, watch what happens. 34 34 00:01:39,120 --> 00:01:41,723 As I get closer to here, it doesn't snap. 35 35 00:01:42,740 --> 00:01:44,450 Control + Z a few times to undo that. 36 36 00:01:44,450 --> 00:01:45,773 I usually leave this on. 37 37 00:01:47,280 --> 00:01:49,540 Okay, and now I'm gonna hit the letter A 38 38 00:01:49,540 --> 00:01:50,740 to get rid of the blade. 39 39 00:01:52,640 --> 00:01:56,393 Moving on, let's see. 40 40 00:01:59,660 --> 00:02:01,500 Yeah, and you can see I did it down here as well. 41 41 00:02:01,500 --> 00:02:04,450 I cut here, so this is the iPhone 42 42 00:02:04,450 --> 00:02:07,480 and this GoPro level, if I wanted this level here GoPro 43 43 00:02:07,480 --> 00:02:11,240 to be shown, I'd hit V to show it, make it visible. 44 44 00:02:11,240 --> 00:02:12,700 V again to make it invisible. 45 45 00:02:12,700 --> 00:02:14,600 And I used the Blade Cut feature here. 46 46 00:02:16,790 --> 00:02:17,730 It gets complicated, 47 47 00:02:17,730 --> 00:02:20,230 that's why labeling everything properly makes sense. 48 48 00:02:20,230 --> 00:02:21,250 I kinda messed up here. 49 49 00:02:21,250 --> 00:02:23,870 I didn't name the iPhone images here, 50 50 00:02:23,870 --> 00:02:25,620 but I named every other item there. 51 51 00:02:27,000 --> 00:02:28,260 Okay. 52 52 00:02:28,260 --> 00:02:31,350 If you get confused where items are 53 53 00:02:31,350 --> 00:02:33,920 within this current lecture, 54 54 00:02:33,920 --> 00:02:36,300 you can always go here to Index, 55 55 00:02:36,300 --> 00:02:39,010 and click on whatever items you see there 56 56 00:02:39,010 --> 00:02:40,820 and it'll immediately take you to that point, 57 57 00:02:40,820 --> 00:02:43,780 so we're at one minute, eight seconds. 58 58 00:02:43,780 --> 00:02:44,613 I'll just remember that 59 59 00:02:44,613 --> 00:02:45,900 'cause we'll come back to that in a second. 60 60 00:02:45,900 --> 00:02:47,623 Let's say I wanted to find, 61 61 00:02:49,430 --> 00:02:54,430 where did I put the 13th video for GoPro? 62 62 00:02:55,330 --> 00:02:58,310 You click that and it'll find it down there, see? 63 63 00:02:58,310 --> 00:03:00,380 Okay, back to 1:08. 64 64 00:03:01,310 --> 00:03:03,371 Okay, and I'm gonna zoom out here, 65 65 00:03:03,371 --> 00:03:05,830 I'm gonna hit Command + Minus to zoom out. 66 66 00:03:05,830 --> 00:03:10,370 And I'm gonna hide a lot of stuff here, less is more. 67 67 00:03:10,370 --> 00:03:12,950 Whoops, that's the only one I want. 68 68 00:03:12,950 --> 00:03:14,480 And I'll get rid of that there. 69 69 00:03:14,480 --> 00:03:17,860 Okay, cool. 70 70 00:03:17,860 --> 00:03:20,903 So let's see if there's anything else I want to do here. 71 71 00:03:25,290 --> 00:03:26,123 I think that's it. 72 72 00:03:26,123 --> 00:03:28,140 And this device here, 73 73 00:03:28,140 --> 00:03:32,850 it's called an Atomos external recorder, 74 74 00:03:32,850 --> 00:03:35,000 and it's really helpful if you're recording in 4K 75 75 00:03:35,000 --> 00:03:38,530 because a lot of cameras, if you want to just buy 76 76 00:03:38,530 --> 00:03:40,390 memory sticks to go into them, 77 77 00:03:40,390 --> 00:03:43,070 they actually can't be more than just 78 78 00:03:43,070 --> 00:03:45,880 a couple hundred gigabytes, so this thing will record 79 79 00:03:45,880 --> 00:03:47,740 four terabytes at a time, which is helpful 80 80 00:03:47,740 --> 00:03:51,550 when you're doing 4K which takes up a heck of lot of memory. 81 81 00:03:51,550 --> 00:03:52,530 All right, let's see here. 82 82 00:03:52,530 --> 00:03:55,070 A lot of cutting down here, going back and forth, 83 83 00:03:55,070 --> 00:03:56,830 and the great thing about recording 84 84 00:03:56,830 --> 00:03:59,090 with a lot of different cameras at the same time 85 85 00:03:59,090 --> 00:04:01,350 is if I mess up, and I do mess up a lot, 86 86 00:04:01,350 --> 00:04:04,740 I don't have to retake that shot. 87 87 00:04:04,740 --> 00:04:06,370 I just shift to another camera, 88 88 00:04:06,370 --> 00:04:08,633 and nobody knows that I made a mistake. 89 89 00:04:09,487 --> 00:04:12,320 I mean, I just cut out stuff in the middle. 90 90 00:04:12,320 --> 00:04:15,463 Okay, let's see here, anything else that's new. 91 91 00:04:18,000 --> 00:04:19,410 I think that might be it. 92 92 00:04:19,410 --> 00:04:21,090 Okay, cool. 93 93 00:04:21,090 --> 00:04:23,130 Yeah, that's it, okay. 94 94 00:04:23,130 --> 00:04:24,550 Now what I'll do is, 95 95 00:04:24,550 --> 00:04:26,310 I'm going to move onto lecture number five. 96 96 00:04:26,310 --> 00:04:30,330 So let me open this up here so I can see all of my items. 97 97 00:04:30,330 --> 00:04:33,960 And we'll go to Lecture 5, and sometimes I'll throw in 98 98 00:04:33,960 --> 00:04:36,530 dot lectures like 7.5 because I decided that 99 99 00:04:36,530 --> 00:04:38,170 between lectures seven and eight, 100 100 00:04:38,170 --> 00:04:40,180 I wanted to put another lecture 101 101 00:04:40,180 --> 00:04:42,640 for Wirecast part one and two. 102 102 00:04:42,640 --> 00:04:44,940 All right, so let's go to lecture number five. 103 103 00:04:48,210 --> 00:04:50,260 Okay, and let me just hide this. 104 104 00:04:50,260 --> 00:04:51,423 Less is more. 105 105 00:04:52,840 --> 00:04:54,580 Great, okay. 106 106 00:04:54,580 --> 00:04:56,150 And I'll go back to being here, and always, 107 107 00:04:56,150 --> 00:04:57,710 I will only talk about concepts 108 108 00:04:57,710 --> 00:04:59,870 that I've not explained before. 109 109 00:04:59,870 --> 00:05:01,510 And, as always, if you have questions 110 110 00:05:01,510 --> 00:05:03,760 on how to use anything in Final Cut, let me know please. 111 111 00:05:03,760 --> 00:05:05,530 I love using it. 112 112 00:05:05,530 --> 00:05:08,560 For those of you with Macs, you might have started out 113 113 00:05:08,560 --> 00:05:11,420 recording your kids using iMovie, 114 114 00:05:11,420 --> 00:05:13,150 and then you graduate to Final Cut, 115 115 00:05:13,150 --> 00:05:16,160 which is like iMovie but just a little bit more, 116 116 00:05:16,160 --> 00:05:17,660 a little bit more complicated. 117 117 00:05:18,670 --> 00:05:21,133 All right, let me see here. 118 118 00:05:24,710 --> 00:05:27,470 I don't really think there's much more to explain. 119 119 00:05:27,470 --> 00:05:29,903 I think we probably covered all the concepts. 120 120 00:05:32,490 --> 00:05:33,370 Yeah. 121 121 00:05:33,370 --> 00:05:36,593 So, what I'll do now is, 122 122 00:05:38,210 --> 00:05:39,490 let me just zoom out here. 123 123 00:05:39,490 --> 00:05:42,170 So this is the GoPro angle I had at my parents' shelf, 124 124 00:05:42,170 --> 00:05:44,453 which was kinda cool, it was lot of fun. 125 125 00:05:46,430 --> 00:05:50,840 And that's me carrying, obviously, my Canon M50 126 126 00:05:50,840 --> 00:05:55,080 with a Ronin-S, and I had this on auto focus. 127 127 00:05:55,080 --> 00:05:58,940 And if you auto mode for your camera, just be careful 128 128 00:05:58,940 --> 00:06:01,810 because your camera tries to think like you. 129 129 00:06:01,810 --> 00:06:05,970 It's basically thinking, I want to please the operator 130 130 00:06:05,970 --> 00:06:09,550 by automatically focusing on this person's face, et cetera, 131 131 00:06:09,550 --> 00:06:12,660 and automatically making certain colors brighter 132 132 00:06:12,660 --> 00:06:14,830 and contrast and all that stuff. 133 133 00:06:14,830 --> 00:06:16,570 But once you use cameras a lot, 134 134 00:06:16,570 --> 00:06:17,850 you want to move into manual mode, 135 135 00:06:17,850 --> 00:06:19,840 because you want to do more sophisticated things 136 136 00:06:19,840 --> 00:06:22,570 like not have this always focusing on your face 137 137 00:06:22,570 --> 00:06:25,710 or other areas, and not changing the brightness 138 138 00:06:25,710 --> 00:06:27,170 or the contrast when you walk 139 139 00:06:28,450 --> 00:06:29,700 from the inside to the outside 140 140 00:06:29,700 --> 00:06:30,960 where it gets really, really bright. 141 141 00:06:30,960 --> 00:06:33,060 You want to do all that manually yourself. 142 142 00:06:34,410 --> 00:06:38,190 Oh, and by the way, if you ever walk outside with a camera 143 143 00:06:38,190 --> 00:06:39,870 and the camera gets confused 144 144 00:06:39,870 --> 00:06:40,703 and it's really bright for a second, 145 145 00:06:40,703 --> 00:06:43,330 and then the camera adjusts just a second or two later, 146 146 00:06:43,330 --> 00:06:45,190 the way around that, and this is kinda tricky, 147 147 00:06:45,190 --> 00:06:49,020 is you can get a filter, a Neutral Density filter, 148 148 00:06:49,020 --> 00:06:50,530 it's called an ND filter, 149 149 00:06:50,530 --> 00:06:52,320 and you put it on the end of your camera. 150 150 00:06:52,320 --> 00:06:54,070 And get one of those ones where when you twist it, 151 151 00:06:54,070 --> 00:06:55,770 it gets darker or lighter. 152 152 00:06:55,770 --> 00:06:58,160 And this is tricky, but as you walk outdoors 153 153 00:06:58,160 --> 00:07:00,390 and it's getting brighter, put your hand here 154 154 00:07:00,390 --> 00:07:02,260 and twist slightly, 155 155 00:07:02,260 --> 00:07:05,030 it's like putting sunglasses on gradually, 156 156 00:07:05,030 --> 00:07:07,200 so that your camera will be able to 157 157 00:07:07,200 --> 00:07:10,503 immediately adapt to the bright light outdoors. 158 158 00:07:12,070 --> 00:07:16,080 Okay, let me just scroll over here quickly. 159 159 00:07:17,341 --> 00:07:18,667 Yeah, okay, great. 160 160 00:07:18,667 --> 00:07:21,310 So, now let me move onto, I think I'm going to jump 161 161 00:07:21,310 --> 00:07:26,043 right to lecture number seven, which covers Wirecast, 162 162 00:07:28,011 --> 00:07:30,560 the software I use to make YouTube Live events. 163 163 00:07:30,560 --> 00:07:31,520 'Cause at number six, 164 164 00:07:31,520 --> 00:07:35,220 I don't think I did anything different in this lecture. 165 165 00:07:35,220 --> 00:07:37,230 Oh no, I did actually, one more quick thing, sorry. 166 166 00:07:37,230 --> 00:07:39,820 So, in lecture six, what I did here is, 167 167 00:07:39,820 --> 00:07:43,850 I just did a screen record on my iPhone, 168 168 00:07:43,850 --> 00:07:44,683 and I'm sure it works the same way 169 169 00:07:44,683 --> 00:07:47,100 with your Android handset, 170 170 00:07:47,100 --> 00:07:49,410 and then I just emailed it to myself 171 171 00:07:49,410 --> 00:07:51,080 or did an Air-Share or whatever, 172 172 00:07:51,080 --> 00:07:55,713 and then imported it directly here into this lecture. 173 173 00:07:56,610 --> 00:08:00,853 All right, number seven, setting up a webcast. 174 174 00:08:02,000 --> 00:08:04,950 And some of you might be using, 175 175 00:08:04,950 --> 00:08:08,010 might not want to use Wirecast for YouTube Live events. 176 176 00:08:08,010 --> 00:08:09,690 You can use something called OBS, 177 177 00:08:09,690 --> 00:08:12,040 which is free open source software. 178 178 00:08:12,040 --> 00:08:15,420 OBS stands for open broadcast software. 179 179 00:08:15,420 --> 00:08:17,430 It's just a lot more complicated to use, 180 180 00:08:17,430 --> 00:08:19,780 and I just didn't have the time to learn it, 181 181 00:08:19,780 --> 00:08:22,020 but it's quite similar, actually, to Wirecast. 182 182 00:08:22,020 --> 00:08:23,880 And I like Wirecast because I can get 183 183 00:08:23,880 --> 00:08:25,403 technical support as well. 184 184 00:08:26,730 --> 00:08:30,350 Okay, so let me see if there's anything 185 185 00:08:30,350 --> 00:08:32,223 I want to talk about here. 186 186 00:08:36,370 --> 00:08:37,840 Look at all those layers. 187 187 00:08:37,840 --> 00:08:39,960 It gets really, really complicated after awhile, 188 188 00:08:39,960 --> 00:08:40,880 but it's a lot of fun, too. 189 189 00:08:40,880 --> 00:08:43,950 And that's why labeling everything is so important, 190 190 00:08:43,950 --> 00:08:47,160 every camera angle that you can, I made a little typo there. 191 191 00:08:47,160 --> 00:08:50,680 I meant to say Mac screen recording of YouTube Live. 192 192 00:08:50,680 --> 00:08:53,400 Yeah, and for the screen recording, you just use QuickTime 193 193 00:08:53,400 --> 00:08:55,440 which is what I'm using right now, 194 194 00:08:55,440 --> 00:08:57,080 or if you're using Windows, if you want, 195 195 00:08:57,080 --> 00:08:59,330 if you have PowerPoint, you can always insert 196 196 00:09:00,460 --> 00:09:03,010 a screen recording as well within PowerPoint on Windows, 197 197 00:09:03,010 --> 00:09:04,960 but not on the Mac yet for some reason. 198 198 00:09:06,560 --> 00:09:09,053 Okay, let's see what else we have here. 199 199 00:09:10,160 --> 00:09:10,993 Yeah, that's Wirecast. 200 200 00:09:10,993 --> 00:09:12,810 And if anybody has any questions on Wirecast, 201 201 00:09:12,810 --> 00:09:15,770 I love that software, let me know. 202 202 00:09:15,770 --> 00:09:18,120 It actually helps me when you ask me really tough questions 203 203 00:09:18,120 --> 00:09:20,363 'cause when one teaches, two learn. 204 204 00:09:21,930 --> 00:09:22,763 Okay. 205 205 00:09:25,060 --> 00:09:26,810 I think that might be it. 206 206 00:09:26,810 --> 00:09:28,410 Let me just fast forward over here, 207 207 00:09:28,410 --> 00:09:31,340 and if there's certain topics I haven't talked about 208 208 00:09:31,340 --> 00:09:34,040 within Final Cut, please let me know. 209 209 00:09:34,040 --> 00:09:36,070 What I did, by the way, here, 210 210 00:09:36,070 --> 00:09:37,663 is I flipped the screen around. 211 211 00:09:38,650 --> 00:09:42,050 So what you can do is you can go here, 212 212 00:09:42,050 --> 00:09:44,123 and you just type in the word flip. 213 213 00:09:45,740 --> 00:09:47,980 You take flip and you drag it 214 214 00:09:47,980 --> 00:09:50,283 on whatever you want to flip around. 215 215 00:09:51,860 --> 00:09:52,693 Let's see. 216 216 00:09:55,870 --> 00:09:56,760 That's probably it. 217 217 00:09:56,760 --> 00:10:01,760 I think I've covered everything there is to cover. 218 218 00:10:03,160 --> 00:10:07,183 Yeah, and again if I've missed anything, please let me know. 219 219 00:10:08,690 --> 00:10:11,580 This one here, this yellow light drove me nuts, 220 220 00:10:11,580 --> 00:10:13,820 and there wasn't that much I could do about it, 221 221 00:10:13,820 --> 00:10:15,713 when I showed the makeup thing. 222 222 00:10:17,350 --> 00:10:18,760 You see how the lighting is fine here, 223 223 00:10:18,760 --> 00:10:22,380 and then you go in here and the lighting gets all messed up. 224 224 00:10:22,380 --> 00:10:25,560 It's tough, as it's kind of a yellow light 225 225 00:10:25,560 --> 00:10:28,640 in this room at my parents' house. 226 226 00:10:28,640 --> 00:10:31,290 What you could do, though, is if you wanted to, 227 227 00:10:31,290 --> 00:10:34,730 this would take a long, long time, is you can go over here 228 228 00:10:34,730 --> 00:10:36,380 and play around with the color board. 229 229 00:10:36,380 --> 00:10:40,250 I tried, unsuccessfully, so here, the color, 230 230 00:10:40,250 --> 00:10:41,467 it used to look like that, 231 231 00:10:41,467 --> 00:10:45,330 and I tried to neutralize the yellow a little bit there. 232 232 00:10:45,330 --> 00:10:46,810 And you can also play around with 233 233 00:10:46,810 --> 00:10:48,210 what's called the white balance. 234 234 00:10:48,210 --> 00:10:51,193 And let me quickly talk about white balance very fast. 235 235 00:10:52,380 --> 00:10:56,930 Every camera doesn't know the color white, okay? 236 236 00:10:56,930 --> 00:10:58,820 But if you tell it what the color white is, 237 237 00:10:58,820 --> 00:11:01,200 then it can figure out every single color, 238 238 00:11:01,200 --> 00:11:03,090 and the reason it doesn't understand what white is, 239 239 00:11:03,090 --> 00:11:06,150 is because every time you film in different environments, 240 240 00:11:06,150 --> 00:11:07,770 the color white is slightly different. 241 241 00:11:07,770 --> 00:11:09,560 It might be slightly beige, et cetera. 242 242 00:11:09,560 --> 00:11:12,210 And you can always adjust the white balance. 243 243 00:11:12,210 --> 00:11:13,720 And for whatever camera you're using, 244 244 00:11:13,720 --> 00:11:16,770 just go to Google Search and enter your camera model 245 245 00:11:16,770 --> 00:11:18,510 and then search for white balance 246 246 00:11:18,510 --> 00:11:20,740 and just watch a YouTube video on it. 247 247 00:11:20,740 --> 00:11:23,640 Usually you can do it within the operating system 248 248 00:11:23,640 --> 00:11:26,710 on your camera, and usually you just take a picture 249 249 00:11:26,710 --> 00:11:29,990 of something white or what's called a white balance card 250 250 00:11:29,990 --> 00:11:31,640 to teach the camera what the color white is. 251 251 00:11:31,640 --> 00:11:33,980 But I probably should've done that here, 252 252 00:11:33,980 --> 00:11:36,460 just to make this seem a little bit less yellow. 253 253 00:11:36,460 --> 00:11:38,120 My bad. 254 254 00:11:38,120 --> 00:11:40,220 Okay, that's number eight, and let's see. 255 255 00:11:40,220 --> 00:11:43,110 Number nine, Conclusion. 256 256 00:11:43,110 --> 00:11:44,203 Oh yeah, this is fun. 257 257 00:11:46,280 --> 00:11:50,330 So all I did here is, I actually used 258 258 00:11:51,410 --> 00:11:55,220 a JOBY device, which is kinda like a selfie stick, 259 259 00:11:55,220 --> 00:11:57,770 and I put it on my Canon M50 260 260 00:11:57,770 --> 00:12:01,040 and I attached it to the bridge. 261 261 00:12:01,040 --> 00:12:02,893 And then, for the audio, 262 262 00:12:05,770 --> 00:12:09,140 I wore a Lavalier here connected under my shirt 263 263 00:12:09,140 --> 00:12:13,210 into the H1n Zoom device, 264 264 00:12:13,210 --> 00:12:14,410 which I highly recommend. 265 265 00:12:14,410 --> 00:12:16,440 I love it, it's real easy to use. 266 266 00:12:16,440 --> 00:12:19,090 It's what I'm using right now to record this video, too. 267 267 00:12:19,090 --> 00:12:22,700 And then what I did was I actually, on the Canon M50, 268 268 00:12:22,700 --> 00:12:25,900 which was up here recording on the JOBY device, 269 269 00:12:25,900 --> 00:12:30,660 I actually had the road video on my Pro on the top recording 270 270 00:12:30,660 --> 00:12:32,730 so I could easily synchronize. 271 271 00:12:32,730 --> 00:12:34,030 And I'll show you here 272 272 00:12:34,030 --> 00:12:36,310 the way that I was able to synchronize this. 273 273 00:12:36,310 --> 00:12:39,150 It can be a nightmare if you forget to record audio 274 274 00:12:39,150 --> 00:12:40,523 on your camera device. 275 275 00:12:41,891 --> 00:12:44,000 Inspiring views. 276 276 00:12:44,000 --> 00:12:45,291 Yeah, so anyway, 277 277 00:12:45,291 --> 00:12:48,173 that's how I synchronize that. 278 278 00:12:50,650 --> 00:12:53,510 Yeah, yeah, and that basically sums it up. 279 279 00:12:53,510 --> 00:12:57,763 It sums it up, and so that's how I use Final Cut. 280 280 00:12:59,480 --> 00:13:00,313 What's really important is 281 281 00:13:00,313 --> 00:13:02,810 if you're just getting started with Final Cut, 282 282 00:13:02,810 --> 00:13:05,620 try to get as many plug-ins as you can initially 283 283 00:13:05,620 --> 00:13:08,010 just so it can help you to work smarter and not harder. 284 284 00:13:08,010 --> 00:13:09,280 And there's a lot of free plug-ins 285 285 00:13:09,280 --> 00:13:10,470 that you can download as well, 286 286 00:13:10,470 --> 00:13:13,530 and they're a lot of fun to play around with as well. 287 287 00:13:13,530 --> 00:13:15,560 Again, if you have additional questions, 288 288 00:13:15,560 --> 00:13:17,760 please let me know, and thank you as always.