WEBVTT

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Hi and welcome to this a ribbon making class in Adobe Illustrator.

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We're going to use an envelope distort and particularly Amish to make this pretty rainbow ribbon.

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All right.

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Let's jump in.

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All right.

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First up I haven't forgotten this time.

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Open up a ribbon from your exercise files.

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Again it can be anything these rectangles that have gradients in them.

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They don't have to be anything other than that.

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And is quite nice it was just lines and it's quite cool.

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First thing we need to do is we need to go to object and we need to actually make a duplicate first.

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What do you need a backup cankered object and go to envelope distort and go to make with mesh.

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Now by default I think is that three by three.

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The more detailed it is the more control you have.

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But often it doesn't look as natural.

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So for Raben something like this just one by one is perfect.

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Now nothing really happens except when I grab the Drik selection to the white arrow.

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I click on any of these corners now.

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Watch.

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On.

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So it's a little hard to see there's a red dot there and there's a handle out here.

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So anchor point and handle and what is going to make it into the ribbon like you saw earlier and it's

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just kind of freehand.

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Now one thing you might notice is that red dots on those rate think it's quite hard to see the colors

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right.

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Dealing with rainbows is probably the worst one.

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So you can just see you know the advanced trick double clicking there anyway but the name OK and you

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can go in and pick a different color.

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If that kind of suits what you're doing with the science you're not going to work.

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But hey rainbow life.

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Ok so I'm just going to fiddle around with that now and try and turn it into something that kind of

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looks like.

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Robin

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you can hang around with me for a little bit.

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But again it's just I'm just winging it.

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You I have a special project and you kind of want a special shape.

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I'm just kind of making something that's maybe a balloon that way.

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It straight.

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We going to do now is oh phosphor it's because.

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Just what I'm.

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All right.

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You're back.

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And one thing that I did kind of do while you were was hoarding is I turned off the smog guides.

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Were just kind of jumping around snapping to things and causing just making it a little bit tough.

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C'mon you want to make will control you want a PC to turn that off.

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So I've got this thing here and I promise I'll start fiddling with it.

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I thought I would.

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OK.

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All right.

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So you've got this.

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Now I want another option.

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So the one that kind of runs underneath.

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Now what I might do is go back to the beginning one and use this again.

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I'm going to make a duplicate what I do is because if I start I practice this before and when it's underneath

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and you're trying to make the ribbon It's actually really hard to know where the other one starts and

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finishes.

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So what I thought would I do is do the recolor artwork because I want it to be a bit darker anyway so

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it looks like it's in the background casting a shadow maybe.

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So when you get it it it it colors color artwork.

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And the best option is go to it it was really confusing and I was good at it.

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And then the bottom here I'm going to link all of the colors and just make them a bit.

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I play around with that brightness and lower them down.

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OK.

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And I'm going to use this one to get started.

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I was going to kind of get it close.

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I'm worried about it.

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And now I'm going to go to object and I get an envelope distort and make with another one by one Mish.

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It's OK for me.

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I'm changing my guides back on command you on a Mac will control you on the PC Why.

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Because one of the things that I want is my direct selection tools I want this corner.

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And good point to be watching this.

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It kind of snaps to that one.

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So at least that kind of joined up.

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That's kind of the first thing I wanted.

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I might turn them off again in a second.

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It's looking all right.

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My guides and now we're going to fast forward again because I'm just going to fly around with this until

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it feel like a robot.

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All right.

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Just what Tom

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all right jump back in a promise you can't go on this thing because that goes in the way.

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So what I'm going to do black areas slept on him and his command to K or control to the PC they just

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locks him for a second.

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OK.

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You can go to object lock means.

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Now I can click on this guy in the background and he's not mincing about with me.

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All right back to speedy version.

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All right so you're back.

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I really want to just tell what I feel like we've got it across.

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There's something we bet I'm going to leave it on because we don't want to do is that could be it.

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You might be happy with that.

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And I'm going to add a bit of shading in shadows going to lose it's kind of like I don't know flip Victis

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style.

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K is kind of like semi flat but that's OK.

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So what we're going to do is I'm going to grab my outboard tool and I'm going to make a duplicate by

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holding down the option key on a Mac or key on a PC.

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And what I want to do is unlock all the objects because I like that top Guyra.

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So what I'd like to do is and he's going two of them.

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I'll do the top one first to show you.

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And then also to the bottom I'm with you as well.

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But what I want to do is make a gradient on top of this.

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So I want to do two things I want to get an object envelope to what is one called expand.

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Basically is no longer using mesh anymore.

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I can't do those adjustments but it's OK.

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Next thing I want to do is kind of stick them all together and I can do that using my shape a little

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I can hold them my shift key.

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Just drag a box around the mall kind of if that kind of gap in the middle there.

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I'm OK with that because what I want to do is just fill it with a gradient and remember what the shortcut

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was for fiddling with gradient.

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The full stop period.

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OK so got a gradient.

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What I want is this into the gradient I double clicked the little white house I want the transparency

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opacity down to zero.

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Q And Cook-Off close him down because I want to do is this kind of want to stick it over the top now

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white to be in his.

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Probably not a great idea it's probably best having black at the end.

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It's not going to Metafont my application.

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OK so it's not snapping.

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So I'm going to turn on my smartcards again.

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It's in a window.

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It's my guns.

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And now it's about playing around with the blending modes.

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OK so then I click on a PSAT and normal.

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OK.

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I think I like multiply the base caliber in B case or go through them all and pick out which one you

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like.

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I'm guessing multiples going within ISIS.

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What I might do is with my gradient tool G there is there isn't going to drag out my gradient to be

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just a little bit smaller just kind of dragging it cross

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Yeah kind of killing the little good looks again.

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So I'm going to the same thing with this same person.

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If you're happy with that you can start the video going to the next one.

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If not you can follow me again do it twice object and let's go to envelope distort expand and you know

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a shortcut to my shape a little which is shift.

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Im holding down the Shift key.

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Drag a box around them period and it's removed but in my last gradient which is awesome.

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You shouldn't be on your shape all the time when you hit the Pirri King didn't work.

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OK be on your back arrow.

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Now I feel like we're going to do it.

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The reason I didn't do what I should have done what before this.

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I changed it to black.

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It's going to give me a better kind of effect.

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You my friend are going to snip down there and then we're going to probably had G.K.

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maybe more k and I find a Blayney that works and maybe turn down the opacity as well.

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Darkon multiply Culligan can go back to multiply multiply right.

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So anyone for that is al 3D ribbon thing.

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And you could obviously see it's application for fabrics and lots of other things but that meshes quite

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CUC be done with.

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You can put type into that mesh.

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We did a ribbon because it looked nice but you could use it for lots of different applications.

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OK so last but not least it's class project homework time.

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OK.

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And it's all I want you to do is do some sort of 3D.

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It doesn't have to be using this gradings it can do you can just do slightly different shapes like different

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musingly different shapes different colors you may or may not use the gray that kind of gradient to

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kind of color it.

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And yeah I'd love to see what you make.

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Case so make sure you publish it on this Web site so I can see it or else and send it to me on Instagram.

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Bring your own laptop and on Twitter.

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I am.

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Dan loves Adobe or I'd love to see what you've done.

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Class projects go to.
