WEBVTT

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High in this video we're going to make this kind of effect where it's kind of 3D in gradient happening

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it's very rich SRODES very in I don't really know what to call it and we'll do a couple of things we'll

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look at some more advanced uses and we'll add a kind of a cool grain to it as well to kind of grunge

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it up.

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All right.

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Let's go and do that now.

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In a Toby illustrator.

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All right.

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Let's get started.

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I've opened up blending two from the exercise files.

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You really don't need to open it because just a great background.

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And I have added some gradients which you might want to do regardless.

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Let's stop we need to kind of things we need our gradient kind of line.

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And then the shape that it's going to follow.

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So it is truly a gradient.

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First I'm going to draw an ellipse and fill it with one of the gradients that I've gotten here.

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K has got no stroke.

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It looks that way with a stroke.

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So Phil any kind of gradient doesn't have to be this one.

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I'm going to make a duplicate of it and then I want to blend it.

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And we've been using different tools in this course.

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Let's go for short cut time command option B on my keyboard.

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Or if you on a PC is control alt B be that'll do the blending just automatically.

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OK.

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Double click the blending to and switch out the steps.

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Now don't worry too much have at how many steps you do here and go high enough to go to 80.

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So you know that looks quite nice.

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You can start to see the banding it's ok don't worry too much about it at this stage because when we

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attach the line we're going to have to adjust it quite a bit afterwards so don't worry too much about

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it and I want a couple of copies.

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I'm going to have a little copy of the media kapok piece.

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All right.

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Now we need the shape for it to follow.

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I'm going to use my pins to KS underneath the shaper tool and double click my pins to cranked up the

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smoothing and turned off.

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Keep selected and click ok.

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Just helps with the flow of it.

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You could use a curvature to the pintu anything you like to K and I'm going to draw a squiggle k.

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I had no stroke on case I'm going to get a stroke so you can see my amazing this and now I'm going to

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get this to follow.

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I said this like both of them and get an object go to blend and it's go to replace the spine and it's

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kind of like that right.

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And all we need to do is increase the steps.

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Case I don't like the blend 2 and we're going to go quite high and we have to play around with how much

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you want or don't want.

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Of these little dots.

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K if you want it to be super smooth you have to go quite high.

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The only trouble with that though is that you do run into potentially stressing your whole machine out

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and how high can I go before my machine dies thousand turns up.

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It's like a game.

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So you probably maybe in my.

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I drew quite a long line.

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What you might do is draw a line so those thousands it work fine.

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All right I've practiced loads on this one and taught it loads and it always comes out better than that.

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I feel like we failed there and you can also do hand drawing type.

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OK so let's quickly do that and we'll look at some of the extra options like you saw at the beginning.

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So pins with two stroke no pink white.

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And it doesn't have to be one continuous line only.

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I wish I had my way home with me today.

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I'm stuck in this snow day today so that's why the order sounds a little different.

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I'm stuck inside an hour or second my home office CO.

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That's as good as it's going to get with the mouse.

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All right so there is one two three four different ones.

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So for this to work we need four of these in total K.

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Can you fill those and I'm going to go.

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I'll keep a backup for as a backup.

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Am I going to pick a different gradients.

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K now.

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At the moment it's really hard to adjust because they're kind of stuck in a blend.

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What you can do is you can double click these guys to go inside.

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OK I'm inside this plane and I going to pick the first and last guy.

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You don't have to have the same things.

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OK they can change over time.

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Let's see what that looks like.

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I'm so we'll change this first one too.

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It's kind of bluey green.

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We'll see what these changes do to come out.

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Double click that area a few times and now I don't want you guys on this new fella.

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So a duplicate one use actual cats Kamandi will control the PC to duplicate it.

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OK now you didn't really matter where they are.

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OK and you.

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Let's blame the object Blinn replace spline quha.

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Now also what you might do is this guy here is a bit big maybe.

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K.

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And so you can change it now and he can never know it's kind of like a line white.

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Or are you a strict white.

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So let's go again.

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I was going to have to do is with this guy selected and let's go to.

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Don't like the blending to an unspecified steps.

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You can get a specified distance and go.

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Actually I want this to be like just one point away.

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Click preview and freak it out a little bit and it will just kind of keep them one point away rather

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than a mound of steps but do make sure you expand this at the end because it's an active effect and

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constrictive getting out already.

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My fans already come on.

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So a few things that we can do to make this why she I'm going to fast for now to have the whole damn

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thing done.

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So let's go and phosphor for it now.

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I'll write you back k am so a couple things I want to show you is kind of tidy because things are up

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is with the selected often you want to play around with object blend and who's at the front and who's

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at the back if you reverse the front back you can like that's kind of more what I was looking for.

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And with all of these guys too I like that.

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I'm not sure.

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And there's a lot of kind of trial and error here.

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So object play and refrains from back.

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Yeah.

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Bits of it I like bits it's about I don't think you can do is you can edit it.

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OK so I like to go to command y all control y on a PC and you can edit a couple of things the splines

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and the and the kind of circles that we're using for blending going to grab my white Eric Metrix listen

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to and let's say that I want this kind of whipped to be like a lot bigger and when I'm maybe pintu and

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I'm I'm going a little bit

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too much time he has the Cuvier not the Kivi that bit but you know you can you can spin a bit more time

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here.

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Fixing these up.

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Also these guys here.

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Now I've got to beginning and ending shape right.

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So actually let's go.

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Come on.

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Why.

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So we've kind of fixed that one.

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You can play around the beginning and ending shape.

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So I'm going to zoom in.

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I grab my Erato on him.

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I'm going to try and look at him with my black error when I double click on him to go inside of him

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and that I can be a lot bigger.

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Have a look man why they don't have to be the same size they are kind of a feller that sets crapolla

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looks like a neon credible and what else can we do.

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Sometimes what I like to do is see this bad one here like it's not my favorite parts.

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And what I like to do with the gradients is let's go inside this once I get a double take the edge double

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click it until I double click it and come inside the play and I can see the fill here.

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What I like to do is go to my fill grading options and maybe just tuck that in a little bit right and

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add another one so I just click.

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So I just drag that one and then click some way down here and it makes a new swatch of double click

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that swatch and go to my favorite hue saturation and brightness and just drag down a little bit.

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What's happening here it gives it a kind of fun sometimes it just needs a little bit of that to kind

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of get the depth right.

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OK.

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And there's a better.

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It's not much better but it's got a bit more 3D shininess to it you can add a little bit of highlight

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on one side just really slow then of white can look quite cool when you finished you don't like this

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area.

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Sheen is struggling.

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I go in now and the other thing I'll just talk about it doesn't every circle is right and you can squeeze

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triangles stars that don't have to be the same things one could be a circle one could be a star and

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you get some really cool effects.

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Wasing I want to do is I want to show you some kind of grain.

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This one here.

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Now if you're finding like mine it's stressing out and you're happy with it and you're like man that's

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that's the kind of thing I wanted to do.

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And I think I like the way you can Slichter or can you do all one big-O object blend and we're going

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to go to expand.

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OK.

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And is it better.

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What happens is it's lots of shapes but it's going to be less stressful on this computer than the Blin

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mode trying to do it.

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The only trouble is it's not kind of it at all like it was before it's just the zillions of little shapes.

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So adding a bit of grain hides some of the bending and just looks kind of goes like film grain type

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of thing.

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And we do it this way.

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So we're going to grab the rectangle too.

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OK.

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And we're going to draw a rectangle over the whole thing because I want to kind of go across the grass

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as well.

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I'm going to fill it with white and I had no strik.

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And it's in effect up here called effect down to does the texture and then go to grain gay and minds

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kind of see it from when I was practicing before.

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Mine's 40 by 50 it really depends on the size of the box that you're using what kind of grain you want

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like the intensity.

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Crank it up.

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You can see kind of gets a bit more grainy.

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Depends on the kind of look you're looking for.

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You can play around what kind of grain.

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There's all sorts of stuff you can do is click OK.

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It doesn't quite work right.

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You got this just big white box.

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But memba alb blooming it's OK.

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And remember because where is that right click on a PSAT or if you're an older version go to window

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appearance click on a passerby and he a normal part would be multiply.

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Everything works on multiply and play around with different ones.

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But it just gives over cooked it.

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I totally have but he get the idea there then I really want to go back and change this.

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The cool thing about it it's an active effect so I can click on Green K and go back and say actually

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then what it was kind of messing with it.

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And let's have a look.

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I feel like that's kind of a happy medium.

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Maybe it's still a bit much but it's a bit of texture to your really strong Victor.

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All right so it is class exercise time.

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OK.

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And it's going be pretty easy one to understand.

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I want you to make your own name K and end all shapes.

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K. I want to just see some 3-D blobby goodness maybe some catapults and yet and I'd like you to share

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it on this Web site here as a project.

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OK.

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And but I'd love to see it on Twitter and Instagram.

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So Instagram is bring your own laptop.

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And Twitter is.

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You probably got this burned into your heads now.

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All right.

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I will see you in the next video.

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Bye now.
