All right my most favorite feature in the new version of Illustrator 2000 and 19 is global it it sounds
lame but it is pretty amazing if you're following along.
Go to the exercise files and open up Global it at you know zoom out and it's really handy for this type
of thing.
I've got multiple boards and I've got there's a lot of things that repeat on a lot of them.
Now I need to make a change.
If you've done any of my classes you'll know that say I've real big problems with arrows and ticks.
I spent ages trying to decide the perfect one and changed my mind.
A lot of the way through.
So I want to change this arrow.
But imagine if there was a way I could do it all at the same time with it selected with my selection
to look at this guy.
He's the new thing.
K. stop global.
Click it.
And what really happens is as he mounts you can see it selected to this guy but all the other instances
of him.
Now I say instances no like special thing here.
I didn't connect the Myst symbols that just happened to match.
An illustrator is super clever.
And why this is good is Vaj grab my white arrow here.
My direct selection tool and a Zeeman.
Now I'm going to kind of play around with my arrow.
It kind of rounded corners.
Imagine if zoom out come over here.
There is nothing connecting them.
Just magic in Illustrator.
Let's do the same for this tick up the top here.
Did this one in the middle.
Zeeman say stop global at it in a grab this rounded corner thing here.
If you haven't use around a corner as much just click on the once and just drag them up and hopefully
over here zoom out zoom back in.
Tiro was aiming down.
OK but you can see that all updating at once so useful for a kind of global optics.
Now this is quite similar to a feature they've got called select same.
I want show you this because it's super helpful and I'll show you one of the extra benefits for Global
it because they say we're working with this and we're changing the UI color.
We're not going to use this kind of Mandarin red here so we're going to select it with my arrow.
Any of these kind of raid graphics and go to select same and fill color you might not know that are
that super helpful this is not new but it goes through the whole document.
You can see highlights all the reboots.
I can go through and pick a new color.
That's helpful.
But what happens is to undo it say I want to do just this button here.
This is where it gets super clever.
The software engineers at illustrator somehow magically worked out a way of saying I want this rectangle
I want to start global IT it and it goes off and you can see it's not picking just rectangles all over
the place.
So it's not this top one is picking just these guys that he used
my SA we can go through it and then just change these colors so you select.
Same for changing all the colors but then use this global it just to do kind of unique things that are
similar across all different up boards.
It doesn't even have to be a cross outputs could be within the document or it's a global IT It is amazing
and it seems to kind of just know what I want when I'm selecting things.
But there are times where it just it's too clever for its own good.
So I'm going to grab my black area.
You know if I click on the circle here and I'm going to say I'd like to start my Global it and it's
code grab this one and this one which I wanted but it's also grabbed these objects on the bottom here.
See the smaller circles.
It's clever but it's not what I wanted.
So wrong thing to do is I'm going to go into here and go to the option this is actually just match the
circles as long as they're the same size.
You can say by turning that on it's just got these two selected now.
So now I can go through and pick a color a color any color.
Now what you might find is you can see it's changing but not changing this one.
I just need to hit return my keyboard into the kind of updates go.
So you can kind of give it a little bit of extra help.
Now I'm only working on a three page board here.
You might be working on.
Like I got some Ben-Ari jobs that I do and then I've got like 50 different sizes.
It's super handy when you can select the specific thing.
Give it a little bit more refinement over here.
Other things in here that might help you.
Appearance as well.
Size 10 on and off done here you could say I want to Slick's circles but only that are on this board
one or you can see it's de-selected here or you might say between upwards 1 and 2 a 1 in 50.
Or if you put in commas say I've got 1 in 3 or 3 upwards so I've got three outboards but you get the
idea right.
Also in here you can select all the boards or you might pick just the Portree outboards or landscape
with square boards.
I have no real idea why that's useful.
Somebody spend some time putting it in here you might know I'm thinking maybe landscape tablet and portrait
tablets.
Maybe you've got designs that alternate that way.
Responsive design let me know in the comments if you can think of.
Maybe it's your job and you're like man that's going to really help me let me know so I know why.
That's the what is useful though.
These include objects on canvas.
So the moment is ignoring anything that's in this pasteboard area but it's so you do want to just say
you one of those people who end up doing this you end up modifying things all the time and you end up
with this kind of like trail to Narnia.
Anybody know of design is like this.
You don't realize that there's so much stuff out here.
OK.
What you can do is you can say I want to slip this but I also want to include everybody that's out in
the canvas as well.
They go global it and they're all selected all the way.
Now one thing before we move on is it doesn't work at the moment for text and images is a Obama I'd
love to be able go click on this and go through and select all the text so I can update the ticks easily.
I know you could probably use character styles something else if anybody knows of a way other than the
select same and maybe any of these you can think of a way of selecting all that specific fonts walk.
That's what I want what you you and you to do an update in the comments if you know way.
All right let's get onto the next feature.
All right.
The next most amazing feature is something called the free form gradient.
Now you could argue gradients are right in right now and if you're one of the people using it trying
to do anything other than a Linnea or radio a gradient maybe one of these people Caig gradients are
in especially in this kind of uys sense what you will probably tried to use is something called degrading
mish and you'll know if you've used it and man it's painful.
Get ready to be blown away to make it work.
Let's click on the phone here with that black arrow.
Let's grab the gradient to where the magic happens is over here and you'll propertys panel there's a
normal Linnea radio.
And then this one the free form great it give it a click going to be some magic over here sometimes
it gives you just one spot.
I grab this one here and do the exact same thing.
I want to show you both ways.
Sometimes my operate a little differently.
So yeah same thing great into freephone gradient.
This one here picks up a bunch of colors tries to kind of guess colors from your swatches.
I actually don't know where it gets its colors from I think a mixture of swatches and nearby colors
some sort of illustrate a voodoo going under that.
So I'm going to grab the fin here or my gradiently when I've just got one spot basically I can double
click it and I can change the color.
You can either use your color mixer or your switches to use those watches are going to start with blue
hit escape to kind of close that window and zoom in.
What we can do is just click and you were going to say I want one you know double click it and I say
you the green color go huh.
Well actually no that code is just living a gradient but if you put in a third one that will click here
and put in the blue again you can see now we're getting somewhere.
You know click down here and put in the green again.
You can put in dots anywhere you like and you don't have to battle with a gradient mesh.
You can do a few things you can move them very exciting I add another one just because it looks a little
nicer I practiced in trying to make it look nice anyway.
The one that you don't like just click it hit delete on your keyboard.
You can play around with the extent.
If you click on one Keats's dotted line with the little dot at the bottom grab it drag it out drag it
in it's just spread and how wide that grading goes.
Now it gets better.
OK I'm going to grab my black arrow.
Click on the body here and I'm going to the same thing.
I'm going to grab my gradient for freeform grading into free form gradient button.
It's going to be just one I'm going to change him back to the green.
And then what I'm going to do is I want to have a kind of a line of them.
Imagine if there was a line option.
Ok so I'm going to click on lines.
What it's going to do is going a click once that's giving me a funny color.
Double click it.
And it's actually I want to get the blue to close this down the click on the dot will hit a skate key
on the keyboard but you can see now because I enable that lines.
I've got this thing that wants to join out.
So I'm going to click on once and if you use the courage at all you'll know how this works.
If you haven't covered it was an amazing new tool it came out in the last version of it but it kind
of just easily joins curves.
I don't have to click and drag with anchor points all that jazz that's click once click again and then
click there and I go around here and you can see it just does lovely lovely curves.
It's great for that curve to get it still connected right.
Well unlike our golf hit escape when you keep it just disconnects it I can grab the start and move around
and you'll see you see he's got those lovely kind of forcefield of blue around this line here.
So you're back to points because I want to add another color like cheese when the green again kind of
really accentuate that kind of line that I've drawn.
Right last a little trick with the Free from great intill is not the trick I want to try and save some
grace with it.
Average gradient and is doing this Loga right.
My company instructor HQ made this logo a couple of months ago.
It looks like this.
Kind of when it's finished.
I spent ages trying to mess with grading meshes and trying to get a I guess a non linear gradient.
I wish this too was around for it and especially in this case because I want to look like it's not just
getting dark of it disappearing.
So with a selected grading toe click on freephone gradient picks a couple of dots.
This first is going to be that color.
This one here is going to add the dark color.
But back here and double click it.
I want the capacity to be at zero.
So it's not really actually know when it spread up a bit as well so it's not only just disappearing
kind of like getting darker it's actually see through a song and drag this across here as you can see
it's actually poking through just a little background through.
That's the element that I wanted to do.
So what you need to do is gradient so double clicking the swatches and just switch it up has a down
to it.
Like this one grip.
I drop a toe switch around look at that easy.
If you are an instructor you want to become an instructor ticket instructor HQ don't come across sell
over let's get into the next best feature in Illustrator.
All right the next feature is to do with fonts in Adobe calling it enhanced visual fun browsing play
along.
Open up the phone browsing file the black error.
Click on the tick select in textbooks to get this going.
You'll notice over here k the character panel if you click this little drop down over here you'll notice
things have changed.
And I think that for the better.
Now the basic thing is you can see the preview takes over here you can decide to look at small stuff
big stuff really big stuff.
It gives you a bit of sense of the font and also at the moment it's giving you can you see it is the
word.
Can you see and which is pulling from over here.
You might say actually it's not Tick's that I want to see when I go to select a text and you can pick
typography.
It's Aletha are all looking a bit consistent and it's one word and Title Case Hugo.
Quick brown fox user uppercase you can look at all the kind of glyphs all sorts of other options of
kind of viewing them over here and you're back to the text.
Actually not going to go back to typography.
I like that one the best just nice and clear and consistent.
Another new option in here is this one here.
The show recently added It is going to show you the forms that you've just added to your computer.
The most recent ones.
So if you just installed something from type kid or just installed something on your computer.
This can appear at the top because often that's what you want.
Even still one you won't find it.
But make sure when you're finished click it off again because you like on on off a couple of things
have moved around as you can see all my fonts down here instead of having the to look like on the favorite
and he showed me visually some low ones have gone from the top here down to next to every front where
I can say is I can say actually I love this one miriad I don't and I love this wree machine.
I'm going to add these to my favorites.
It was not new but it is in a new position.
Now what I can do is I can filter by all my favorite ones and you can see these too.
So if you're working in a company and you've only got a couple of fonts to pick from there's no point
having this giant list you've got to go and scroll through one of the other ones.
Moved is fine similar.
I love this one so let's say Lost script here.
I want to find visually similar.
Is this too that waves.
Kate give it a click and it's going to go through and look at your machine and find ones that are visually
similar.
I don't know how it does it but it does fit a place pretty close just somehow knows really good.
Maybe not that one the other thing to note here is that and if you remember about going back and they
used to have up here they showed me all my type kit fonts because Adobe is actually moving away from
the wood type kit.
They're going to call Adobe fonts from here on in and they've changed the icon into that little T.K..
I still like it because I downloaded lots of funds from type kits.
I want to show me the ones that I've downloaded and ignore the ones on my machine.
OK.
But now they're calling it our They're calling it show activated phones activated from the old type
get activated from the new Adobe fonts.
Same thing but the icons changed.
And that's not showing used to this cloud with the techniques.
One of the really cool Huntsman though is the connection between that Adobe fonts the old type kit is
that you don't have to jump out to the Web site as much anymore.
See this one this is find more.
What it does is it allows you to activate fonts from Adobe fonts without having to go out to Web sites
or any other sort of thing you just do it within.
It's like having the most Funt library that we haven't had to steal from different drugs work.
Don't say they're all just here ready to go.
We never steal stuff in.
All sorts of cool phones and you can say actually I want to find I like this one here and find visually
similar ones.
And so looking at Adobe fonts OK and it's going through and slowly learning because it's connecting
to than it was quha.
And you don't have to jump out and to say you go activate the font Yes please.
And it just comes in my library and downloads.
It's doing its little thing here.
There it is they're installed ready to go to.
Good.
Then apply it.
Not sure why but it was Kumba.
There it is.
Bobbie.
All right so the mist around with your character Penno the name type kit to be fonts and my favorite
one out of that whole bit is actually just going to find them and you just get that giant type library.
Read it again.
No more a thousand and one free phones or phones.
All right.
Feature.
OK the next feature is kind of a feature it's good and bad.
But I know it's going to drive you mad if you're an experienced Illustrated user.
So for me what it's doing now is see the UI are on the outside it's got a lot bigger.
So have a look at the original version.
So this is 2019 kind of snug in the corners.
So what they've decided is that worked out a clever way of saying this particular monitor that I'm using.
So I've plugged my MacBook Pro into this monitor and it's a big four KLG monitor.
I love it.
So it is hey it can this the size is big so I can bump up all the sizes and it's done that by default.
Now you also might not look the same as mine if you're working just on a small MacBook or MacBook Pro
it's going to be different.
It tries to kind of identify the monitor size and resize appropriately.
For me it's driving me mad especially during that last story where we're kind of looking in here and
it's just a very big big and squished into the corner.
So to change it.
OK.
On a Mac you go to illustrate a CC preferences and they go to this one this is UI game find that user
interface from a PC case and a slightly different place.
It's still called user interface but it's under it and the bottom handles a preferences some where K
and then go to UI but will end up at the same place where he area and it will decide now minds on got
three stops here because of the monitor that amusing was my have four stops all five stops busy guys
want to score mine down you can go bigger.
Man gives a giant mode.
But you see the Simpsons when Homer had the dialing wand.
His hands were too big.
That's what that reminds me of.
Bravas of of me at least.
I like it small.
Simon Smalls is like the back.
The way it used to be.
Now this will be different for everybody.
The one thing you can kind of see the note down here is is it will only affect it once you've restarted
it's like OK it's going to say you need to restart.
I'm going to look OK.
It's going to say let's say that fall you've got opened and sure thing.
All right so mine's restarted.
Now I had to actually go open my version that didn't restart automatically sometimes it does.
No it doesn't.
But this is the way I'm going to carry on for the rest of this tutorial.
Safety of us slightly slimmed down version.
I like it like this.
One of the other things while we're in there is you might want to open up this one gradients.
This is a really handy thing for people.
OK I've got my direct selection too.
I've just got one of the documents are from Familia the handle size can be something that can be bumped
up a little bit.
OK so all these anchor points in hand was a quite small matter what your zoom level is there.
That kind of the same size.
So in a very similar place.
So instead of going to you I so user interface go to this one this is selection and component display.
You can see this one.
The default is the size.
If I can get right up it's not where I want it but I'm just showing you for an example.
He's a much bigger player.
That's really handy if you're new and you struggle with them or if you're like me in your instructive
illustrator.
These things are really fiddly to work with.
So I'm going to my back to something a little bit more manageable number on a PC and it it preferences
selection and display.
Then we go back to something OK and I find that it's kind of a nice medium ground of size.
Again this really depends on the size of your monitor or the laptop screen you're using.
It's not really an upgrade but more of in cases bothering you you can go do that right next feature.
All right the next feature I want to show you is file open and it's called puppet pin open that went
up if you're following along.
But I can't show it to you.
Why.
Because the puppet pintu has disappeared.
And this brings up a feature.
It's good for new users but if you are an experienced user can be like where did it all go.
So then tidy up the tuba here to the ones that are used mostly just makes it easy for newbies and I
can see why.
But I'm not a newbie.
I want my tuba to have everything I want most of it back.
Fishley the public pintu is called the Basic tuba.
To add it all back at this little dot on the bottom here it toolbar button and up the top is as big
a menu in the top right.
Switch it back to advanced and you go back to like the mad amount of extra ones with low you'll never
use like the symbol brand of the top here you can use this little Chevron here to make it a big long
stack or Doubler's always have a big long stack.
No reason.
Brings up a good point though there's lots of things in here we don't use the magic wand to.
So what you might do is experiment this with me is what I did and I really liked it so and I'm going
back to the basic OK and what I'm going to do is just add the ones that are missing because I've actually
done a pretty good job of picking the ones that I use the most.
And in this case I need the public Pinto's I'm just going to add them as I go and save it as my own
tuba.
So in here and drop it out and just have a little look through it look at the ones that are missing.
You can kind of tell by the ones Great out.
My one is down.
Where is it.
Up a Pinto will get the speed this up because I can't see it.
I know it's in there.
You're watching all right you back found it didn't take too long to edit.
OK.
There's a couple of things you can do.
First of all just click hold and drag out I'm going to just put it just above my.
You can see there if I click here.
Well I'm just I'm just click hold drag drag drag drag drag I'm not letting go of the mouse.
You can say I can put up between here or group it.
So I put it in between this when he and my puppet pinned to his back.
Let's say you are like these ones here that liquify to you like man I'm a liquefy too.
All day long what you can do is you can put the first one hold shift grab the last one or you can hold
down the command key on a Mac or control key on a PC just kind of click the ones on and off that you
want.
Let's say I love all these except for the skull up to what you can do is click hold drag those over
and put them in a gap but can you see it's actually created your own little group of glass you can really
get customize your tuba gets better.
It gets better.
Let's say that you're always using the free transform tool but it's been removed.
So what you're going to do is you're going to decide want to make my own little group by adding it to
the rotation to hear some clicking holding.
And instead of putting it in between a group it the co-op.
Now if you are sick of these two tips as well like I am I can do those off under general and you can
disable those two items are going to leave mine on because I'm a trainer and I need to be the same as
everyone else.
All right one last thing to show you is down the bottom here so of Kilty it tuba these these little
grouped on the bottom here.
And it's this group of icons here so you can say you often use that one.
I don't often use the coloring option you see there you shortcuts for kind of adding a color adding
a gradient or a moving colors.
I use that one all the time.
The backslash really handy if you just going off on a tangent a little bit so I'm gonna grab this and
move the stroke or just hit the back slash.
Notice the slash on the bottom right of your keyboard.
And even that can move around.
So look for the for the slash key and it just kind of removes the strike as a handy shortcut.
I never use this little icon there so I'm going to just turn that off.
I don't use these during options either side and I don't use that presentation option.
I want to tidy it all up like my sweet tuba clean and tidy.
So if you are missing anything that's how to get there and get them back.
All right.
So we can finally get on to the puppet Pinto now.
If you you're like hey didn't that come out last year and it did.
But what they've done is they've made it a whole lot easier to work with.
So black era of slick this first while here and click on the puppet to an iPhone you got to give it
a second.
My one work really fast it normally takes forever.
But the difference is can you see it's actually added pins for me.
Grab any one of them go on.
OK so the rubber Pinto just becomes a whole lot more usable have a practice with this one.
So black are like that all grab the puppet Pinto.
If you've never used the Pinto it's added some.
I'm going to add a couple of extras.
You just click any way to add them.
And we can kind of cool this of rounds.
Amazing.
I was going to add them to add a bit of structure to it if you need to delete them.
Click on one of them and delete if you need to click on one and rotate it.
K it's just like this little dotted line around the outside kind of similar to that gradient thing.
But you can rotate this one here and you're going to rotate them.
But I find it really useful is character animation we draw something you can re organize about it for
lots for this sort of stuff as well.
I don't think it has to be characters or puppets.
It's like this move to the front whether it was selected puppet Pinto.
And it's just really good for like the farming stuff.
Can you just keep adding to Victor which is cool and you can look at it.
Sometimes you need a couple of pens for it to work.
To get it to do what you want you get maybe Ed weapons first then before you start dragging it around
you get the idea.
All right and you can turn them off as well.
It's not that useful.
I find this is easy to work without it.
All right.
Next feature the next features to do with the properties panel.
So what they've done is try to streamline these panels so there's some helpful stuff in here just to
kind of make us a little bit easier to work in Illustrator while we're working them makes.
There's one to show you is the direct selection tool.
I've got properties.
I open.
I'm going to click on the anchor point in the air here.
OK.
And what they've done is they've dragged out the corner option wasn't even sure where that was before
but now it's nice and easy here.
I can kind of increase it and do some actual physical measurements for corners to make sure they all
met top of say disinterment is at the moment but you can just type in Twin Peaks and just click return
and it will do the justices for us.
All right.
Next modification is the people that use the width tool a lot.
I love it.
I am going to click on this guy.
I am going to grab the what the tool is like the little hop will bow and arrow over here.
If you haven't used it before man it's cool.
But you probably have casing grab any of these lines here or just drag them out and what they've done
for the adjustments though is actually bought the with Pro out now so we can see it and work on it before
and the last version.
So this is the 18th version and the last one with toe grab here where do they hide it.
I think they hide it.
And so it's not here you had to go into a stroke and it was kind of odd to hear not a big drama but
all of this useful stuff out it's the profile that is using you can kind of reset it back to normal.
Well normal ish.
OK.
And you can flip it.
Let's have a little look at the new version.
So with it selected here you can see I can rotate it around the line around my shape.
What else have they done with the properties paino open up blending options.
If you are Blinda like this kind of like Lion-O cut thing I've done here sort of two separate shapes
I use my With Don't just Hensen them up a little bit and look at that to bend them both together in
the background so the de-selected grab the blind toe and so on the little squares to circles and then
up here magically keep clicking until you see that little Plus you see Mark on his plus.
So I've done it like a One-Step blend and what used to have to do is double click the tool.
Now you've got any options here and you're probably peno I can say specify steps.
Let's have 10 of them maybe eight of them previewed it maybe maybe 11 of them.
Yeah the idea that cholic line are kind of faked.
Now with these of cats here and they can look it with a bit of a drop shadow totally just adding a drop
shadow so I can show you the next effect case effect.
Stylize drops yellow to preview on K and I'll turn my way down so I've got it like one point by one
point by one point.
And of load the capacity to 40 percent to make it less horrible.
OK.
What you can now do is if you've got something you can now if you've got an effect over here you can
see I've got a job should have applied Maalik mini appearance Penhall you can actually delete it from
here.
We used to have to do is you have to go up to here and find it and delete it.
OK that was the long way.
Now what you can do is just find one like this fellow rebels through these guys and because there is
an effect applied.
You can hit the trash can.
That only works if there's one effect applied.
If you had loads different effects you still have to go into the appearance panel.
All right last update for the properties panel is for the variable Faunce member we looked at this last
time right.
So I've just made a text box and I'm going to pick any of these.
You see these open type fonts here that the like on his vah next to it.
I mean this is a variable type font.
They are magic to pick any of the ones that have them.
The vase came in a pick this acumen.
And the cool thing about it is because is a variable font.
Now it's really easy with this little icon.
This wasn't there before if you click on it it gives you this nice slider.
If you've never seen a variable font before this is pretty magical watch thin and there's no like thick
thin normal medium bold black letter.
It's just everything in between.
I can't believe how this works.
OK so every sort of weight and then same with with k so you can big super condensed all the way out
to these really long extended versions.
Then the here.
OK so tell us izing it over.
And I picked this one because it has the weight width and slot not all variable fonts some of them just
have white some of them just have width and the most we only have a few built into these come with Illustrated
kind of show it off.
But if you've fallen in love with variable fonts and you know it'll help you with your crazy job that
what have you doing.
Go see if you can find some open type variable fonts and pay for them.
There are more out there.
All right so that's it for the updates to the properties panel.
Let's get to the next update or the next one is good.
Kind of weird kind of good.
There is something to do with actual size so I've opened up actual sized or from the exercise.
And if we get a view I don't see claims of like Lygon actual size.
When I click on this now what size is it really in the real world.
They say that that is using a fork because I am in Europe at the moment and everything I do is a full
Blits is us led it doesn't matter whatever size it says it is.
Your screen should actually be that size right now.
It's going to hit the F key a couple of times if key twice that kind of gets it into sort of a little
wires and stuff.
And I'm going to jump to real world Dan to grab a bit of paper and check that this is actually a for
in the real world.
All right so I'm here.
This is the live you don't believe Adobe.
My mike friends he is it might get to it quite as I had off but A4 paper is I in.
It is totally a 4.
Exactly.
So how that works.
Let's get back into the computer and move onto the next thing.
All right.
I don't know why I didn't trust Adobe but it was nice to get out of the seat walk around grab some paper
real stuff.
OK so let's move onto one of the other new updates.
This one is presentation mode.
So just a second ago I had the key a couple of times and it kind of gets it into a similar kind of presentation
mode but it's not.
So I tapped the key twice on my keyboard.
It just kind of removes the background.
You can still work but you can see these guys side by side.
So I was wondering why the presentation was different.
So I tested it and basically what it does is you get a view and go to presentation mode.
What it does is excludes everything else a way makes this fullscreen So it's more like a PowerPoint
slide.
You can use your curses I can afford forward and back and you could design you instead of using Powerpoint
you could use Illustrator to kind of design a really nice presentation and present it straight from
your computer onto a big data project or a big TV screen and not have to kind of do that hop through
either PowerPoint or Mxs keynote.
It might be just pitching your design ideas to a client on your computer.
Cagy sort of all the stuff in the background you can cycle through it.
Escape gets you out of it.
One of the other ones that is new and is quite cool is this document here is being set up with bleeding.
See in the corners here case or my Eifel page actually ends at that.
Let's get it.
Let's close that black line there.
So this stuff here is bleed it's getting it trimmed off and thrown in the bin so it's handy while you're
working but it's kind of a pain you want to just get rid of any stuff that's over the edges here.
You can do that by going to view this one.
This is trm says some way trom.
There it is.
Trim view.
OK and I just cuts down everything that's in your pasteboard and only shows you everything on board
well the canvas I hate disappears just like in design view ever done.
Get the W key to go into Preview mode simply here an illustrator.
You might even say that they same to cut there's no cover at the moment.
If you love it can go in shortcuts and make them all right.
You're probably looking at the time of going man this is long.
How much more can there be just a couple more hanging around for a little bit more.
I'll show you the last ones and you will be truly up to date for the next update is kind of a UI update
just to make things easier to work with gradients so different from the freeform gradient this one got
lumped towards the end of the video because it's good but not life changing it's going to get a window.
You know one of the gradients Penno find a gradient.
So it looks different from the last one I've actually done a screenshot and put in this guy as the old
version so we can compare that to your Nerdist the big change is done the bottom here you get the circles
instead of the little houses which are just better represent the colors to remember that thing doesn't
work.
Now click on this.
That's my gradient to add ones is the same click anywhere in here.
But what's really new and quite helpful is not just changing the colors or changing into circles this
Chapa didn't exist before.
Now though I can go.
Or is this.
There's McCalla I can go actually I want I've got selected I want that to be that color.
So it's just a really easy way to pick colors and swatches from different parts of the document OK rather
than double clicking them and going inside and missing around and hear what else has changed their icons
on the top instead of a dropdown and in the old version of Illustrator you can see that I've what the
grading tool selected here and it gives me this white blob and the square blogged on the end and it's
not like a hover above it till it gives me that kind of color stops.
Whereas in the new version it's a lot easier to use props to illustrator for making these tiny changes
just to make life a little bit easier.
All right.
The last one is they've updated the outline view.
If you love working in Outline view which is command y on a PC or control y on a Mac or the way view
outline.
Hey I love working in this mode especially when kind of dealing with trying to connect anchor points
and lines.
You'll notice in the new version of 2019 it is super smooth.
At the end and zoom in on a bit.
OK so it looks really nice as compared to the other version of the older version.
Look how crazily that is so we're going to go from one version to the version I couldn't get them to
quite line up.
But you get the idea and it's a little hard to show you here but if you're working on really complex
lines you've got like strokes everywhere.
It just runs really fast when it's an outline mode now.
Basically the deep use helping out where it wasn't before.
All right so that's the last tip if you've made it this far.
Hang about for a sec and we'll do a bit of next steps what you can do but I'll do it in real life.
Let's jump out now.