High there in this video we're going to redraw this whale in this weird flowery thing that I made K
and redo it like this not using the pintu.
We're going to use the new fancy improved care of the title.
OK.
You got to test it.
You might fall in love with it like me and you might be abandoning the Pinto.
No I take that back.
Pinto I'm sorry but you are very hard to learn.
I encourage you to go pretty easy.
All right.
Let's go and learn how easy it is in this video.
OK so we want to work with.
We're going to show you the difference between the two in the curve too.
We're going to focus on the budget talk because probably most of you doing this in class is at least
got the basics of the Pinto will do an advance video right next so we can get your skills up with the
Pinto but for the moment we're going to look at why you should give the coveted tool a goat.
Now if you are handy with a Pinto like I am and I found the courage to like the beginning I was like
What do I need in the painting.
But it's quite amazing what it does so far out this course my request is just to give the coverture
to go throughout this one is pretty cool.
First of all it's look at the Pinto which we know and love I'm going to draw on.
We're going to start with this guy on the right here we're going to draw the basic So let's say I want
to draw the circle k pinhole is click and drag for a curve and click and drag for a curve click and
drag for Kev I'm trying my bicycle like a big circle circle.
OK so it's OK.
Let's do the same thing with a curvature tool.
Now Kevin just so you just click once for a curve click once for a curve you can see once a kind of
finish my first you know I've got more than two points here.
It's just doing an ugly curve.
So now it's like another time and another time ruffing the code is here you can see it just does by
default Nysa curves.
And let's have a look at kind of some of the pros and cons for coverage at home.
So remember the circle here we clicked once for a cove blitz so we want a corner.
OK so what we do is we double click for a corner OK and along here this long big curve here about halfway
along and I click once because I want to curve and then you can see once I start dragging out OK I get
roughly where I need it to be.
And I can say about this as a corner point as well because it's a change of direction.
I double click go up here and I've got two kinds of curves cases one going this way and then one kind
of being around so I want one there for a curve and maybe one there for another I've missed it totally.
That's right.
And back to the beginning here.
This is the way that when it joins back up and you just click once to kind of finish it off whether
it's a corner or a curve just kind of click wants to kind of doin it or back up what you'll first of
all notice is that it's a pretty sweet curve right.
I need some adjustments.
OK and you can adjust it.
And the cool thing about adjusting this is probably its biggest awesome trait is watch this if I saw
dragging this one.
What you'll notice is can you see the line underneath here kind of point to it.
Watch this line while I'm dragging this one.
Can you see it actually flexes.
This is not only adjusting.
And this one is actually adjusting the next one to continue a nice you know nice smooth curve.
I can drag this one cage to try and get a little nicer drink this one and when I do.
I guess the difference would be is if I tried to do that in the Pinto.
OK.
So Pinto I'm going to click once for a corner and click and drag for a curve click once.
It's not going to be too bad like you know it's not a hard shape to do.
I should get rid of the fill once.
The difference is if I got the y area and then adjusting this you can see it does nothing to affect
this line and you end up with these kind of like really kind of well just not as balanced curve.
So I find that the curvature toe just ends up making my drawings look a little nicer.
Now if you love this control with the leaves handles.
Never fear that Astill here which I can click on these corner points they asked Leah.
OK.
They just kind of hidden from you.
And remember the biggest thing is that if I change this one it influences the one above it and things
just end up looking nice.
All right.
So remember double click for a corner click once for a curve double click for a corner of a note and
double click.
So if I accidentally do it that's fine I can double click it again and it goes back to being a code.
So there's a curve double click corner double click cover kind of toggles in and out go back here and
it's a curve.
Now it's a corner that will click OK and I should get rid of the fill here.
I will for this one.
And there's a curve.
Click once for a curve once again and you can see pretty nice curves.
All right.
So what we're going to do now is redraw.
This whale can we can use the curvature and we're going to work our way around there's nothing really
new from what we've done here.
But this is the shape we're going to use for this class so this is the one I really want you to do if
you've skipped this one I really want you to do the shape.
So we put that story together.
OK so double click for a corner and maybe halfway down here.
Click once for a curve.
We can adjust that later on K and I get a double click for a corner.
Now this fill his driving me mad go to properties and say Phil Neville you should have done at the beginning.
That's what I said I was going to do.
All right so curve like once double click click once for a curve that will click for corner these curves
just kind of slight here.
Case I'm going to click once about here and maybe once and the and you're like well what does it do
when it's not so you kind of like go out here.
Hey we're looking for the change of direction because it changes there right.
So I was kind of halfway in there looking for the apex really going to click once like once men look
good it's looking OK double click and you know if you're like me the Pinto you get good but you've got
to really fiddle with the afterwards using the direct selection toward any sort of like lovely kids
through here.
And this one has a slight dip so click once a bit of a corner the I click once and double click for
a corner that's coming up pretty nice.
I do say so myself that will like click once that will click the curve probably.
What are you doing there.
And then that's when he probably can't go all the way I hear a song and a double click for the corner.
And that's probably what I'm going to have to tidy up and or I a double click.
There's a slight curve here once again.
All right.
And give it a fill color and I'm going to give this one a full color all blue just because it's a white.
And yeah I'm going to continue on during this now with the curve too.
Let's have a look at adjusting this thing.
OK so there are times you're like actually you just didn't do what I want.
You can grab the curve too ok and go in and go.
Actually this guy just needs to be maybe up here and you can try and get him to blend a bit nicer.
OK.
All I can undo.
Grab my white arrow.
Goderich selection to grab this guy and go What's going on here and go.
This guy needs to be coming straight out of the back of this one and this one guy needs to go higher.
So it's up to you how you want to do it.
Yeah.
Let's continue on.
All right.
Double click click once.
Double click click once look pretty nice double click for a corner like who wants to look and I'll show
you one little check because this is getting boring.
It's great.
So but let me show you a little trick you can do is say you want these like some reason I draw these
leafy things all the time.
If you watched too much towards too many leafy kind of things.
Anyway this is going to be water by the way.
But what I can do is say this guy here I can grab the courage at all.
I remember if I want to change it from a curve to corner and if I've got it wrong I just double click
it.
I find that's kind of cool.
Like especially that one like that kind of like leafy shape with one end and pointing.
Specially if it's balanced.
It's quite tough to do.
Now if you're getting bored you can skip to the next video.
I'm going to delete that and just get double click click once.
Double click click once click once.
Doglike to then double click.
Plan click click once it will take driving myself mad.
Now look once.
I'm just going to do it inside.
That's OK.
You get the idea right.
How awesome a way.
OK this one needs a little bit of adjusting and a grab the courage a tone to say you my friend come
down a little bit.
It feels a snapping.
That's one of the things it's like oh my what are you doing.
All of these things and napping is two ways of getting around that you can zoom right in.
OK.
So I've had command plus all control plus on PCs.
Zoom right in gives you a lot more control you can see it's not trying to snap now just because it's
kind of filling in the screen or you can get a view and turn off smart guides.
I use the shortcut all the time it's command you on a Mac or control you on a PC and even if you fell
far further out it's not going to try and snap as much.
OK so I don't turn it back on my guides and do some adjustments.
All right.
The only thing I need is my I will.
The last of it.
And what are we going to do.
I'm just going to get rid of all drama of all you like.
He's not going to use the coverage does all.
I am.
You should use the clip still.
But we're proving a point.
Click once click once click once click once once.
It's not a perfect circle.
It's not what I'm looking for this guy I'm just looking for a little bit of sweetness.
OK.
You got a stroke.
OK I've got a stroke and a fill in on this one.
Back in.
Going to get my black arrow and when I my eyedropper told just to steal the cup from him.
All right.
That my friends is the courage to add the next video.
Let's get into some super advanced pintu stuff.
But if you're like me can you could add the Pinto.
Try the coach or two at least for this class.
Bitch are you're going to find some nice things about it.
All right.
I'll see in the next video.