WEBVTT

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High there in this video we are going to take the whip to to the next level.

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We're going to take this hand-drawn logo and amazingly vectorize it.

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Same with this one here we're going to take this pencil drawing and Dule is kind of cool with the blobby

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bits to the ends.

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All right.

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Let's go and learn how to do that now in Illustrator.

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All right.

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So I've got open the width to one door I file.

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And we're going to draw this kind of curve in the middle.

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Here's the logo that I made a really long time ago for a company called Arctic Kiwi and it just has

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this really nice kind of like coral New Zealand currish shape in the mountains.

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That's what is meant to be anyway.

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But we want to get this curve.

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We're going to use the with Tool and we'll look at some of the advance with Tool features.

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So first of all we need to get that kind of curve shape now that can be the hottest bit right when you

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use the curvature too.

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And it gives me the kind of nice coastline.

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And we're practicing the courage to remember something like once.

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Now if you kind of put two not enough curve points on K I'm trying to be really sparingly.

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And if you know like the least amount of anchor points Gemini gives you a nice curve and that's good

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but it's not kind of following the line as I wanted it.

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So what we might do is I'm going to undo and just kind of add one or two more extra points so instead

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of going all the way down to here I'm going to kind of maybe get there maybe you can

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you you'll see like that kind of comes around.

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It kind of reaches back and influences the line.

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Thank you guys.

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Now if you get a close look actually it's kind of close but not what I wanted.

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You can use the White Hart to adjust it.

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Or let's say it's really bad and you've got like something that's not what you wanted.

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Actually let's do a duplicate over here.

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A nice little trick.

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And before we do that with toe is with it's selected if you've got something that just doesn't flow

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very nicely.

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You can use the object path.

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Simplify doesn't always work.

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You can see there is just a tiny adjustment.

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And I feel like it has a nice curve there now especially across the top here it's kind of peeked across

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this.

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You can play around with curved precision can decide on how much or how much.

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Don't worry too much about like where it is on the slider because you know it just kind of changes the

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shape so I am just kind of drag along until you find like actually I think that's quite nice so I kind

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of liking it about there.

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And Mitchell previews I'm game and also know that sometimes I use it and it just makes a big mess of

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it.

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But no I'd say it was the time it makes a little bit better.

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You can see I'm looking to get more.

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Goodbye.

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Your in it in the background on trend line.

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Back up again.

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And when you are doing this don't worry too much about the background drawing because that's just hand-drawn.

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Like it was my good guess at trying to get it nice and curvy.

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But we want to get something that looks perfect and Victor.

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OK so you don't worry too much about it.

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So now we're going to look at the width too.

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So what so is this one here.

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So it's like a hop something on him.

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And the easy way to do is find somewhere kind of the fairest point of that line I'm going to just drag

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it out.

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OK so that's a pretty cool thing if you've never used it before.

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But a lot of people have.

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So there's a few things you need to watch out for is if I zoom in because I used a font size of one

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I had a stroke width of one point to start with you can see it's kind of like flat and it's not what

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I wanted.

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OK so afterwards you can do one or two things you can just grab it and just drag this and get it to

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be nice and tight OK at both ends.

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Or you can to start with a really small white font to start with before you start drawing it up to you.

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All right other things to know about the width to which you can have more than one point you can see

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you can kind of adjust this when and having what sort of points if you get something in the wrong place

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you can click hold and just drag the center of it and you can see you can kind of move it around and

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I'm going to delete these by clicking it and on my keyboard.

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Great views as well.

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Another thing you can do is let's say I want this outside to be up just a bit bigger.

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OK so how I want to know about them.

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You can hold down the key on a PC or an option key on a Mac and you can grab either of the sides and

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you can see they work independently of each other.

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Let go of it.

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They start working together.

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Why I'm holding down the option key or the OK on a PC.

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I can kind of adjust just this one get it kind of how I want it to be.

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OK so lots more awesome with two action to come let's just finish this off.

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And I want to run into one of the problems that people do have and a little cool shortcut to fix it.

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They say I'm using the with two carriages.

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Sorry I'll draw these lines but I want to draw them as separate lines because what happens is click

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once again like there and I joined up.

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That's easy I can play golf.

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Now I want to click down here you and I don't want this to join up because it does kind of weird stuff.

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I just wanted to do separate lines.

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They kind of quickest way to fix that is with the selected the black are hold command on a Mac or control

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on a PC.

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That just locks it.

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It's kind of locked in the background now.

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Back to the coverage a toe pick once like once and then up the top here it's not going to try and join

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it.

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OK.

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If you hold command to it just looks it again.

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So it's kind of like easier than putting him on its own layer when you stopped doing that.

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I'm going to go.

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Come on to throw a lot so I can just continue on my merry way.

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You want to join some of these lines.

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OK.

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So you my friend come on too.

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And then I grab my courage to

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once again back on the top there now you're thinking these are all joined.

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OK so nice little trick is let's make sure unlock them all.

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So the object is unlock all some reason that shortcut doesn't work on my machine.

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It's being done by something else but what we can do is grab all of these blank of points of the top

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here.

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So I've used my white arrow I've just select them all OK.

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And then I can go over here the line pen to say I want you to line there and line vertical lines into

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horizontal and they just kind of overlap each other now.

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Perfect.

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So let's move on to our next with Tool example.

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OK so the second example is open up with two to do these kind of like Sayce Scott's style kind of.

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Check out sy Scott is I Scott for he's got amazing stuff like it's total and kind of copy of that type

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of effect.

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And what we're looking for is we're looking for these kind of like teardrop genes and these nice curves.

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There's two things we're going to do is do the teardrop one.

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So I'm going to grab my.

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Here is the courage to talk.

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I find it's easier for doing these curves.

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Like once click twice how many do I need.

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I've practiced this a couple of times teaching it so I kind of know I need a little bit more than I

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normally do.

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OK.

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I want to kind of come around here and then maybe Irish k now I could use the white arrow to tidy up

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I'm happy roughly how it is so.

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And what you might have run into problems is mine didn't have a fill view of funding it had to draw

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just enough to fill before you start drawing.

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Next thing I want to do is turn the story quite way down so it's nice and thin and let's grab the with

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two areas.

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We're going to have a couple of things.

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One is the start point.

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Now what you find with the style point sometimes you drag it the wrong way and it's like it seems to

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not work.

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Just get kind of the opposite ways I'm breaking down.

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And so that's my kind of first part is doing a pretty good job right.

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And then it's because I want that teardrop at the end.

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OK so what we'll do is I'm going to zoom in close on this tip and you need to pass out one part.

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OK.

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And now it's just kind of looks like a regular line but just behind it you drag it in a skinny bit and

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it kind of makes like a little Chuba thing and you might be working by before it's probably not OK but

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if you click on the line go to hit a stroke and click on the word stroke.

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And by default it sits the Unfortunately named but gap.

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You want to go to the next phone call around cap and it will give you that kind of look.

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Mick Rik's the same but we can fix it and easy by lobbing it off by give you that nice kind of teardrop

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shape and that's kind of what we're looking for for this drawing.

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Now you might be a mass with the Pinto and spend a while getting this curve is pretty good right.

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But it's not perfect.

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I'll show you a way say this when he has quite circular.

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I want to kind of I'll show you a trick that I use to kind of get us reasonably perfect circle.

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So let's start with the lips Casey might have to hold down the rectangle to grab the ellipse to and

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then draw an ellipse now shook out if you hold down the key on a PC or the option to make it starts

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from the center and don't shift and we'll give you a perfect circle.

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That's what I'm looking for right now.

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But my thing underneath is just a hand-drawn one so it's never going to match up perfect it don't.

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I guess we're not looking to try and do that or I would just yeah we're looking to kind of get a close.

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So and what I want to do is slice this into bits.

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Now I don't use the knife tool very often sees the short cuts this little scissors till I said knife.

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I mean it says so if you can find it it's hiding underneath the race at all.

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And he's really good at going click once and click again.

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And what it's done is if I just hit the delete key on my keyboard twice it deletes that kind of chunk

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you might have the wrong bit deleted you this like with a black error and delete the bit you need to

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go on.

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You can see how kind of got the beginnings of this going.

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Now I want to continue it on.

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And so I'm going to use the pintu all the courage to use the carriage all.

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And I want to show you something like.

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It was like I want to be the side because that was last point drawn you know like I know I don't want

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you to beat this side and grab my why are you when I say click on you.

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Now if I go back and my wife says I defy you and do whatever I want to go back.

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That first one so I find this is a little bit of a bug if you can think of a better way than this.

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Heck what I do is I click on this thing once and then go back to my Courteau and it goes Ah did you

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mean this guy.

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Yes I did.

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So I used the pain to just cook at once.

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So what I'm looking for now is probably one about there.

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I'm going to follow this guy down the middle.

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Now I wanted to kind of follow down the same.

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So I want it to be straight.

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I don't want a big curve like this song in a double click and then hear double click ok then do a great

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job there song and I go back and maybe just adjust it.

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OK.

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And I want to record too much looking.

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OK.

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You might now go with your white arrows and just kind of tidy this up.

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There's a couple that's old man stuff and not getting perfect circles with two apps.

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OK I'm using the why are the direct selection told us to cantare it up.

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I feel like I'm kind of the need a little bit of work across what I might do as well as tune this one

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underneath off because it's kind of influencing where I think it should be.

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You know the same thing again.

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So if I use the source code to get the kind of bulk of it done now I'm going to turn down my stroke

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to something really light and I'm going to grab my With two and I'm going to might need to turn it back

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on now.

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And that off is I want a big chunk.

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And probably want to match it about here because I want the fun to kind of be the same with two about

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there before it gets kind of skinny and my doing it gets a bit thinner across here.

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So I'm going to tighten it up there and then I want to do this like a little blob.

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Remember it's practice that.

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So when I go you k to get that kind of in place and then just a bit further back on that last part of

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the answer.

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And then for the back.

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I'm just going to tie it in and you might find like holy moly.

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Gay goes to or maybe a bit too big.

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You just tuck this in or so I'm happy enough.

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What am I doing.

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Trim it up I want wanted to be but for the back.

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So c c o McKey this is to say snap like air.

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Grab that chunk.

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Don't need them.

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In my block back here and I'm kind of it's a work in progress right.

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I'm drawing a little circle here which these guys arounds.

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It's kind of the thing I'm looking for.

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How perfect is it.

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It's pretty good.

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Pretty good.

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So what we're not going to do now is draw these letters.

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You could totally easily draw these but you draw them separately OK.

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L draw with just the paint all the courage to a draw.

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These two things separately using the with two and we'll join them up in an episode and probably two

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videos after this one.

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Actually no the very next video where we kind of start merging different kinds of shapes like this with

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two with just regular shapes.

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So what I'd like you to do is keep practicing on a few of these.

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OK there's a few of them that change direction OK in this case I probably just do two separate lines.

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The one that came out here and stopped there.

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OK.

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Now it's the luck of your answer.

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And draw another one.

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OK that will be really easy to do with a circle.

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Should done that one would have been real easy.

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I did this one that kind of curves as well but you get the idea.

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OK some of these ones change direction and I totally do that in one big long line.

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OK.

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And yeah I'd like you to practice on a few of these and we'll finish it off in a future video.

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All right onto the shape of the tool which I keep talking about and finally finish off a few of these

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drawings in the next one.

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All right.

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Let's go.
