WEBVTT

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High there in this video we're going to make this rather hypnotic repeating pattern and Adobe Illustrator

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will get some more advanced features in this video.

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Also do things like this where we get it to kind of map around.

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That's meant to be a pocket guy.

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Terrible.

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OK.

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And but this is well where we can pull it and really kind of Wolper it right.

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We'll show you how to do that now in Illustrator.

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All right.

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So first up open up patents.

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I k there in your exercise files.

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Now you don't have to these are just some shapes we're going to use as an example you can totally use

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your own you can't use these particular ones for any other work because they are stuck library images

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made by the handsome Robert Philip spelt.

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If I like.

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P K so you can go to stock dot dot dot com and buy those if you want to use them.

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And what we're going to do is going to select the mon's kind of move them off to the edge and we're

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going to build our very first kind of repeating tile like guess or the beginning there was going to

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kind of make some sort of some sort of thing.

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Playing with laya order and just getting started.

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Now my advice always is to NOT IT'S BEEN TOO LONG kind of doing it here is to jump straight into the

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pencil case because you find that things just look different once they're actually getting repeated.

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So get started here get some sort of thing going OK and once you really select them all and you go to

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this thing here a window this is the most insignificant name that most awesome tools called Pen options.

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OK.

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Never click it but this option this thing opens and doesn't look like it's usable.

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Look on this option say make pen.

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It will need one to get going.

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It says it's put a swatch in my swatches pen over here you can kind of see a tiny version of it here

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my switches panel.

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So now is the pen making time we're going to give our name.

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We're going to call and we're trying.

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OK.

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Couple of things before we that playing around with sizes of weights and things is that I don't like

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it when it dims these extra copies just turn that off.

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I like to see it in actual fact.

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And the other things will turn off and on is we'll leave the Tiley edge on and we'll turn the size tile

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to art off move with art on.

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Just follow me.

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I'll explain it when we get out of here.

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Why we want to do all these things.

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OK so turn all those on off to match mine.

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And now we're going to play around with this.

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The important part.

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You know which of these kind of like ways is no more right a wrong way.

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I end up always using Hick's though Higgs by rote we'll call them gives me the basic kind of feel for

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what it doesn't matter.

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Just find something that works for you.

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OK I'm going to stop boy Hick's by column.

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Now what I want to do is decide kind of these two things I can do and say I want it to come in tighter.

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It's easy to use this tool here that Peten tile tool.

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Click on that.

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And then I grab one of the corners.

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Hold shift K and just kind of shrink it down so that it's a kind of resizes and gets in tighter again.

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OK up to you you're going to undo it like that but that's the way to do it.

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And what I'm going to do is just kind of start rearranging the stuff to kind of start maybe looking

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better.

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OK.

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I start feeling this get better.

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You can play around with size and scale just like you're working in Illustrator.

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OK.

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Now you can also bring other new pots and you don't have to kind of really decide at the beginning.

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Let's say I want to do it.

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It's kind of weird right.

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Click on done to kind of get out of here.

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And a couple of things happen as I will go.

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And these things here and the pen that is kind of like these guys are useless now and are useless but

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we don't need them anymore.

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Let's say we draw something else and we draw an ellipse and we draw.

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I steal the colors from this and in a couple of them and just steal the colors.

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Pretty exciting then Nice work.

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I mean I copy them.

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OK.

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And they are useless now again.

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And what I'm going to do.

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I'm going to jump back into this watch and you just double click it over here in the switches panel

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and it comes back to life you're in sound kind of like a no man's land and you go.

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Now I can pacemen.

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I could have actually just drawn them in here couldn't I.

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I guess I'm doing this.

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Why.

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Because I just want to fill in this I'm just some no man's land gets here.

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OK then I just want to kind of put in.

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You can play with the lay order.

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You can have that one.

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So once you're happy with everything there's a couple of things we need to do is play dumb.

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Let's apply it now because it doesn't exist anywhere.

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We're going to go with the rectangle to grab a nice big rectangle to cover the background and click

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them.

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Mine by default has filled it.

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Yours might not.

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You might click on this as well.

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You might be like yours might be filled with say white and you might click on the swatch to fill it

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and you go fill it in this little time it's actually filled the stroke.

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It was a tiny pattern on the outside to make sure the fill here has no stroke.

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OK.

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Sorry the stroke has no stroke.

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And fill this guy can probably do it have hidden and it's just easier to come fill in stroke stroke.

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All right so those options I kind of talked about earlier.

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Let's discuss those and what they mean.

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One of the options that say is resized to tile out it just means that when I resized this k it resizes

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comes along for the ride.

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A few have that tect it would try and stay the right size and that's fine.

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You might be a reason why you want that but it doesn't really matter.

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You can do it afterwards.

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Let's have a little look at that say Is this kind of two uses let's say this is a repeating pattern

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and say you're a fashion designer and that you want to resize something down say you're making a pockets

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or an insert something small but you don't want the patent to resize because it can't cause that the

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it's the fabric pattern and that's done.

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You can't resize it right.

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And so what you can do is you can turn it on and off by going to a window and going to transform.

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And in here there's some sneaky options in there big I mean you k and it's this group here.

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So by default it's on both means.

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When I transform the object which is the rectangle it transforms the pen as well.

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But you can say actually I want to transform when I'm transforming just the object came and when I scale

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it down you can see it just scales the object not the pen.

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So that might be useful for you and the trouble with that is that it's on forever.

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You've got to make sure just turn it off I go in and turn it off again because yeah causes later on

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get a headache like what's going on.

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So I turn it back on.

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The other one is transform object Peten only say I wanted to resize the pattern but not the box.

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OK.

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This doesn't do what you expect it does both again.

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It's well they kind of mean is that you have to transform the pattern early.

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You have to use this little box here.

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So the height and width here that say I want to divide it by two can and a click into the box.

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You can see I've divided the high and the width by two.

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The object hasn't changed just the pattern.

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Make sure was well when you doing that that is linked case what is the height and width together.

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Say it with rotation and he might do 20.

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And because I've got that option tacked on just the pattern that's only applying to that case going

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to get back to both.

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Another thing you might do is at the beginning we didn't put a background color Willington like the

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keys to the white of the page fill the gap.

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Again you can see here there's now space behind it.

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OK.

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The Grays coming through.

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Now I find is that a coloring it before you get into it.

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All you need to do is grab this and put the full color of pink and put it behind it and add that when

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you create your tile.

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OK.

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That will add a background color to it.

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I find it's easier.

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Probably probably.

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And I'd like to have a separate box separately.

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OK.

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To kind of show the stock color all the color behind it doesn't really matter I guess.

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All right.

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Other thing I want to do is let's have a little look at our shift.

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OK.

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And to my iPod to hold down the key drag out option key on the mic to get in your iPod.

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If you know the Apple tools that what I'd like to do now is first of all I want to get rid of the pink

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direct ground.

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Goodbye.

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And I want to kind of start distorting this panel let's say that you are doing it for a mock up of your

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patent on something or say you are a designer fashion designer and you want to kind of move it around

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the shape of a model.

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OK so let's look at both kind of a couple of ways of doing that.

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And one of the easy ways is that say you just wanted to store this go to it.

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Sorry.

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Object go to envelope distort.

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And we're going to.

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And one of the easy ones is make with what Casey if you've got to kind of really simple shape.

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It's going to stress your machine out a little bit.

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You can see it's kind of warped this way.

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If one of the shapes is going to work for you gay flags in waves and things like that then you can just

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use this option OK and you can see it's kind of destroying the world destroying it's kind of singeing

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your pattern.

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If that doesn't work for you let's say you want to really control what it does.

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It's the two ways I can use my courage to.

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OK so I'm going to create say a pocket and I'm going to draw make sure Phil is not Alpen that's going

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to freak us out.

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So it doesn't really matter what color this is a double click for a corner sequence for a curve to look

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for a corner.

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What we'll do.

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But look once for a curve to click on and click on it click once for a curve

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go wasn't so well got ugly looking pocket and this really bad feeling had the idea and you can do a

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couple of things.

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Let's look at two options so shift shift to zero OK to get my iPod to make another duplicate.

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So the first option is you might get away with this is slick that the two objects and you pocket needs

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to be at the front cases like both of them go to object go to envelope distort and there's an option

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that says make the top object.

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It just kind of tries to jam it in there.

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Again a bit stressful.

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And that might be enough for you.

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You just let the sheep do the work.

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And that could be quite cool and say you want a bit more control what you might do is select on the

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background shape.

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And we're going to go to an object we're going to go to object envelope distort and this one that says

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make with mesh.

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OK this is like full custom came through three it the more mesh you have the more detail you can control.

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But it's a little fiddly.

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Ok so like a great image looks ridiculous.

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So I'm going to play it first again quite a hardcore Peten.

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OK if yours is even more like you and your machine is old it's going to take a while.

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All right.

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Next thing I want to do is I want to bring Whateley I can send him to the back and that's really fast

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if I try and bring the patent to the front.

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It's been they just doing it.

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OK.

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What I want to do is actually just load the capacity of this don't lower the city of the pattern before

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you make it mesh.

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OK.

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It's really hard to turn the penalty back up it's easy this way.

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OK so I just want to turn it down for a little bit while I play around with it and use the white arrow

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tool when I'm working with the mesh.

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OK and what I might do to get started is going to slick these three points now it's really hard because

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I picked a blue blue kind of pocket and I've got a blue kind of textile.

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And there's also blue on this.

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Last was a little bit hard.

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You'll have to work it out.

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So I selected just the three guys.

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OK.

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Four people.

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OK.

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A dragon and little bit and give it a second.

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Can you can see it's kind of getting scrunched over the side.

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They'll do the same for this side.

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So this is just giving you the kind of customized shape you can kind of see what's happening.

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I can drag it out here.

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It's going to drag it in here and there's just a lot of fiddling around now to kind of push it the you

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know the way you want the fabric to fall and it's going to be a lot of and about so it's grabbed just

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this one point and I drag it in.

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What's the fix here.

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And and I zoom in you can see it you've got these little handles that control it as well.

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Hopefully.

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OK.

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I'm going to drag them around.

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Is this guy taking a little bit of time now.

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Are machines pretty hard core and it's still taking a lot of time.

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So we're kind of doing two things that are really kind of extreme.

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One is the pattern and the other is using an envelope mesh code so I'm not going to spend too much more

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time.

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But there's a lot of just grabbing these good points.

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Maybe the mesh is too complex.

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I put three by three.

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Maybe if you're doing this now try just to buy two.

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Mike if you had just enough control to be able to you know that's going to really distort it.

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Breaking it but say if you want a bit of a pinched fabric where you're measuring.

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You know you've got kind of like stock images and you want to match the kind of role and folds of the

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fabric you can stop pushing this around when you're done with a black error have a selected go up to

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the capacity and crank it back up.

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And the last thing we're going to do is send the back

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again I should've brought the shape to the front for some reason Kingham make sure he gets cropped in

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case and now with them both is selected.

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We're going to hit command 7 on a Mac or control 7 on a PC and it just kind of sticks it in the shape.

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And that's my favorite thing.

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All right one last thing you might do is let's say that you're actually designing this and you want

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to change the colors that are used in here.

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OK a nice way to do it.

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Like I've got it selected go to it go to it it colors and we did this properly in an early to tural

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who's going to be the short version here.

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OK so recolor at work ok and jumped to the it.

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OK link all the colors and then you can kind of drag this around in and out.

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Kind of expands them richer and Coola K and you can see it in the back in the back.

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And then I'm changing the colors making them terrible correct in case he might have some color options

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once you've got it in here or maybe just some huge changes or you get the fabric and you're like man

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it's not quite reflected well in my design or my.

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I just it.

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And if you want to go into more recoloring notwork I go that in a full tutorial or rights that is patent's.

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Hope you learn something new and tip.

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All right let's get on to the next video.
