Hey they're in this video we've drawn something in Illustrator and now we need to use it in other Adobe
programs.
We'll start with the most common programs and work our way down to the weeds.
OK so the probably the best way for all of them is if I select my folks here go to my libraries.
If you don't have a library you can create one gwai new new library.
OK.
Who's going to grab him drag them in here.
OK.
I should give him a name.
I never do.
And there he is.
And any program in let's say Photoshop.
OK I can go to my library.
There he is.
There I go.
I got a fox k ad that works for any of them in design.
Go to my library's window to the libraries you are library or go to my lobbies and I actually got three
just to confuse everyone.
OK so there is a way to bring in these graphics.
The pro is that I can double click this guy in my library now it opens it up in a separate window and
illustrator and I can go through and recolored I can say I don't want to emulate it save.
OK.
And if I jump back into Indesign Now you'll notice that's updated Photoshop so dated and not this original
Illustrator file to see you know it's kind of like a one way street once it goes in there.
They're not connected.
Hey I could drag it back out now and it will be ok so I've got kind of a link there.
Now sometimes that can be problematic say you want to kind of not link to the libraries because you
like Mantz connecting to libraries and it's causing Drum's what you can do is and it is dragging it
out like that game.
What you can do is you can hold down the option key on a Mac and drag out.
OK.
The difference between that and that is that not linked to me dragging it out.
Just make sure you hold down the key on a PC or the option key on a Mac.
When it comes out it won't be connected same in Photoshop.
OK drag it out holding down the old washing.
And now if I go back to that original jersey there is there and I go and change them to something else.
OK.
The ones that are linked will change the look in Photoshop.
OK the link won't change but this one won't.
OK.
I often always drag mine out not connected.
OK I like to kind of have them separate.
So it's a great way.
There's another way.
Most of them you can just copy and paste rides instead of going through that drama.
You can just click this copy it.
Do I have my background I don't.
So slick will copy it and go into actually go back to the original one.
So you copy and paste.
OK when you are using Photoshop let's do Photoshop now.
So if I paste into Photoshop it's going to ask me this gay and most people get.
Wow.
Depends if you know or not.
Caleb it would use pixels that make sense.
This one he is the one you want to be using smot object.
OK click on smot object.
The cool thing about it is that I get to resize pixels means if I do it with pixels OK and I resize
it afterwards it's going to potentially pick's light sources.
If I resize this one now Keesey you start seeing the pixels.
This one though because I said SMA object it's clever and keeps the vector in the case of it's the one
to use.
Let's look at and design you can do the same thing you can instead of using the libraries gave up our
libraries you can just pace than here as well.
Bring in the three vector.
It's perfect.
Doesn't connect anything and yet just copy and paste into InDesign.
Let's look at some of the other ones say after fix.
I do most of my drawing and illustrate it bring it animate it in after fix OK and in here you can.
Let's say we want is a couple of things we need to do.
Doesn't really matter how you get it and you can't do copy paste.
You can file import the Illustrator file drag this guy in.
That works too.
OK but the only drama with this when you bring it in is two things you need to do.
One is you need to.
Often if you want to animate this in any kind of way and it doesn't like that this is an AI file.
What you can do to get around that so you're doing some animation like an Illustrator files to start
work go to Leah and go to this one that says convert shape's to victim.
It kind of turns it into a shape that after effects the likes a lot more.
And what it does down here is that was our original lab.
It's created this new layer and turned the old one off into the eyeballs.
We don't need him anymore.
OK.
So this one here is yeah.
Often you can do a lot more a fix with it when it's being converted that way.
The other thing to do is whenever I scale something up and let's say that I don't do it that way and
I just bring in my graphic OK and it's just a logo I need to sit there but I decide to scale it up.
You see it pixel lights.
OK so whatever original size it comes through and it it is Victor but it just won't show you can will
pixelate.
So you got to click this little option.
Make sure you're on this you can toggle switch.
I know this might be hardcore this is for people that no aftereffects make or at least a little bit
this magic button there.
You can see it re-arranges.
It can strip the machine out a little bit doing that.
OK but if you need to make it smaller Don't worry about it but if you need me to make it bigger definitely
click that option.
Ok going out something like Namik say you're doing better at animation and all you need to do is copy
and paste into this one as well.
When you see a light breeze a new layer I'm going to paste it in and I'm going to leave illustrator
import preferences K and there's my little graphic.
And the cool thing about this is YAC and animated and it's a preview of cool little parallax.
And we've run with Joe Fox's head.
OK so here is your enemy does mainly for betterments.
Well that's what I use it for anyway.
Next one Dreamweaver.
OK so you want to go to Dreamweaver this is probably the most complicated not complicated but it's not
a copy paste job.
So I've got my graphic I want to get this out into Dreamweaver because Victor we want to take advantage
of the new format code SPG which is a scale of Rick the graphic to do that go to a window and go to
this one called it export.
What we do is drag it in.
OK.
And you can see drag that and all the pieces casing under that.
You get a group at first then drag it in.
So it's one unit.
And down here you can say what kind of format you want it to be.
So let's say you want to get it out just the same size it is as a PSG which gives you transparency.
You might go that option for Dreamweaver or this is the kind of newer fancier scalable graphic.
OK you can do that.
HADDIX bought and you're going to get the file to use in Dreamweaver.
Just go to your image.
Cool so gay.
The last one is dimension dimension is the new kind of 3D modeling kind of program.
I'll do that in a separate home video.
OK so check that out.
We'll do that in a bigger kind of thing.
That's a pretty cool little addition to Illustrator but it just wants to bring in a files before it
goes my sales pitch.
You can switch over next and say like the Photoshop I've got the same shows and an advanced course that
I'm making right after this one.
If you are in Indesign use a I've got an essentials for that as well.
And the advanced ones of you enjoying like this illustrate the advanced cost that Indesign advance one
and a photoshop advanced.
Another thing you might do is and a good stiff you might be going to something like X D.
K XTi we haven't really looked at yet.
DS and basically a vict it's kind of like a simple drawing program but it allows you to draw a really
kind of looks very like Photoshop Illustrator.
It's very similar except it has this prototype option.
You can kind of see here if I prototype this I can make it feel like this is a prototype we make in
my XTi course.
And so if you want to get into a UI design or user experience design XTi is a great step for you if
you're at this level of Illustrator you're going to be able to do XTi quite quite well if you do my
course.
All right.
And so this one here you can just copy and paste as well.
And the victory comes in the QBE about it is you can double click on it and it's still kind of editable
pieces and you get to build your Eckstine using the drawing tools from illustrator and just kind of
adding the interactivity in here.
You can see here and that's kind of web site and Mocca.
I've also got courses on after effects as motion graphics and make better Ed's DROs Dreamweaver ones
and so are not trying to sell you things.
Let's get on to the very next video.