WEBVTT

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Hey they're in this video we've drawn something in Illustrator and now we need to use it in other Adobe

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programs.

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We'll start with the most common programs and work our way down to the weeds.

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OK so the probably the best way for all of them is if I select my folks here go to my libraries.

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If you don't have a library you can create one gwai new new library.

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OK.

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Who's going to grab him drag them in here.

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OK.

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I should give him a name.

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I never do.

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And there he is.

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And any program in let's say Photoshop.

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OK I can go to my library.

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There he is.

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There I go.

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I got a fox k ad that works for any of them in design.

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Go to my library's window to the libraries you are library or go to my lobbies and I actually got three

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just to confuse everyone.

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OK so there is a way to bring in these graphics.

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The pro is that I can double click this guy in my library now it opens it up in a separate window and

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illustrator and I can go through and recolored I can say I don't want to emulate it save.

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OK.

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And if I jump back into Indesign Now you'll notice that's updated Photoshop so dated and not this original

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Illustrator file to see you know it's kind of like a one way street once it goes in there.

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They're not connected.

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Hey I could drag it back out now and it will be ok so I've got kind of a link there.

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Now sometimes that can be problematic say you want to kind of not link to the libraries because you

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like Mantz connecting to libraries and it's causing Drum's what you can do is and it is dragging it

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out like that game.

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What you can do is you can hold down the option key on a Mac and drag out.

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OK.

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The difference between that and that is that not linked to me dragging it out.

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Just make sure you hold down the key on a PC or the option key on a Mac.

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When it comes out it won't be connected same in Photoshop.

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OK drag it out holding down the old washing.

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And now if I go back to that original jersey there is there and I go and change them to something else.

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OK.

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The ones that are linked will change the look in Photoshop.

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OK the link won't change but this one won't.

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OK.

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I often always drag mine out not connected.

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OK I like to kind of have them separate.

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So it's a great way.

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There's another way.

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Most of them you can just copy and paste rides instead of going through that drama.

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You can just click this copy it.

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Do I have my background I don't.

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So slick will copy it and go into actually go back to the original one.

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So you copy and paste.

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OK when you are using Photoshop let's do Photoshop now.

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So if I paste into Photoshop it's going to ask me this gay and most people get.

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Wow.

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Depends if you know or not.

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Caleb it would use pixels that make sense.

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This one he is the one you want to be using smot object.

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OK click on smot object.

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The cool thing about it is that I get to resize pixels means if I do it with pixels OK and I resize

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it afterwards it's going to potentially pick's light sources.

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If I resize this one now Keesey you start seeing the pixels.

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This one though because I said SMA object it's clever and keeps the vector in the case of it's the one

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to use.

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Let's look at and design you can do the same thing you can instead of using the libraries gave up our

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libraries you can just pace than here as well.

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Bring in the three vector.

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It's perfect.

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Doesn't connect anything and yet just copy and paste into InDesign.

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Let's look at some of the other ones say after fix.

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I do most of my drawing and illustrate it bring it animate it in after fix OK and in here you can.

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Let's say we want is a couple of things we need to do.

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Doesn't really matter how you get it and you can't do copy paste.

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You can file import the Illustrator file drag this guy in.

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That works too.

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OK but the only drama with this when you bring it in is two things you need to do.

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One is you need to.

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Often if you want to animate this in any kind of way and it doesn't like that this is an AI file.

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What you can do to get around that so you're doing some animation like an Illustrator files to start

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work go to Leah and go to this one that says convert shape's to victim.

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It kind of turns it into a shape that after effects the likes a lot more.

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And what it does down here is that was our original lab.

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It's created this new layer and turned the old one off into the eyeballs.

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We don't need him anymore.

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OK.

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So this one here is yeah.

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Often you can do a lot more a fix with it when it's being converted that way.

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The other thing to do is whenever I scale something up and let's say that I don't do it that way and

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I just bring in my graphic OK and it's just a logo I need to sit there but I decide to scale it up.

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You see it pixel lights.

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OK so whatever original size it comes through and it it is Victor but it just won't show you can will

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pixelate.

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So you got to click this little option.

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Make sure you're on this you can toggle switch.

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I know this might be hardcore this is for people that no aftereffects make or at least a little bit

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this magic button there.

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You can see it re-arranges.

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It can strip the machine out a little bit doing that.

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OK but if you need to make it smaller Don't worry about it but if you need me to make it bigger definitely

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click that option.

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Ok going out something like Namik say you're doing better at animation and all you need to do is copy

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and paste into this one as well.

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When you see a light breeze a new layer I'm going to paste it in and I'm going to leave illustrator

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import preferences K and there's my little graphic.

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And the cool thing about this is YAC and animated and it's a preview of cool little parallax.

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And we've run with Joe Fox's head.

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OK so here is your enemy does mainly for betterments.

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Well that's what I use it for anyway.

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Next one Dreamweaver.

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OK so you want to go to Dreamweaver this is probably the most complicated not complicated but it's not

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a copy paste job.

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So I've got my graphic I want to get this out into Dreamweaver because Victor we want to take advantage

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of the new format code SPG which is a scale of Rick the graphic to do that go to a window and go to

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this one called it export.

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What we do is drag it in.

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OK.

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And you can see drag that and all the pieces casing under that.

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You get a group at first then drag it in.

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So it's one unit.

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And down here you can say what kind of format you want it to be.

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So let's say you want to get it out just the same size it is as a PSG which gives you transparency.

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You might go that option for Dreamweaver or this is the kind of newer fancier scalable graphic.

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OK you can do that.

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HADDIX bought and you're going to get the file to use in Dreamweaver.

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Just go to your image.

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Cool so gay.

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The last one is dimension dimension is the new kind of 3D modeling kind of program.

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I'll do that in a separate home video.

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OK so check that out.

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We'll do that in a bigger kind of thing.

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That's a pretty cool little addition to Illustrator but it just wants to bring in a files before it

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goes my sales pitch.

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You can switch over next and say like the Photoshop I've got the same shows and an advanced course that

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I'm making right after this one.

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If you are in Indesign use a I've got an essentials for that as well.

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And the advanced ones of you enjoying like this illustrate the advanced cost that Indesign advance one

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and a photoshop advanced.

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Another thing you might do is and a good stiff you might be going to something like X D.

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K XTi we haven't really looked at yet.

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DS and basically a vict it's kind of like a simple drawing program but it allows you to draw a really

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kind of looks very like Photoshop Illustrator.

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It's very similar except it has this prototype option.

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You can kind of see here if I prototype this I can make it feel like this is a prototype we make in

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my XTi course.

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And so if you want to get into a UI design or user experience design XTi is a great step for you if

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you're at this level of Illustrator you're going to be able to do XTi quite quite well if you do my

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course.

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All right.

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And so this one here you can just copy and paste as well.

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And the victory comes in the QBE about it is you can double click on it and it's still kind of editable

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pieces and you get to build your Eckstine using the drawing tools from illustrator and just kind of

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adding the interactivity in here.

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You can see here and that's kind of web site and Mocca.

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I've also got courses on after effects as motion graphics and make better Ed's DROs Dreamweaver ones

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and so are not trying to sell you things.

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Let's get on to the very next video.
