WEBVTT

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OK so we're in the type Hunger-Free section and we get to do lots of tips and tricks and this video

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just like lots of little stuff that will help your workflow.

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And let's start with wrapping up the character Penno just because we can use whenever here on the side

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but it's just easier for the moment to have a separate panel go.

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So what I'm looking to do is this font here at the top here.

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I want to change.

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OK.

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So some of the nice things you can do is up the top here when I dropped down.

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OK there are some fillers on the top here.

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I want to change it to something like maybe a slide Sarath.

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So what it's going to do is somehow magically it knows all the fonts are in here that are celeb's tariffs.

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OK so just really easy to cut these things down.

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Case I want to use Henriot font.

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You can see I'm just hovering above it and it's updating on the lift there.

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Super handy.

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Makes you turn it off otherwise it stays on forever.

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And it looks like you don't have too many fonts.

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Favorites is a good one so you are mixing with fonts lots kind of playing around with brands and trying

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to fonts.

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But there's a few that you use all the time.

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You just stop them.

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OK so Muzio I use a lot to say let's use last.

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It's what you can do is you can come in to here and kind of go into the dropdown and just click on this

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option and it just lists your favorites.

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OK.

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So just a quick way rather than let's go let's go let's go.

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OK.

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Depending on how many fronts you have right now you want find similar is super handy as well.

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And for some reason Muzio can't doesn't work right.

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Sunger change just on the last.

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And so I'm using lost right and it's a nice big display font.

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And but I want to find something else.

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OK I've used it too much choice to find something different to open this.

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There's an option here this little wavy line is.

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Apply similar filter.

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So I want you to go and find some fonts to last and you can see here.

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Pretty cool it's got some.

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Whoa where was that one.

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That one.

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No you know let of use cause that's bad.

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And but yes some good ones in here are that are pretty close.

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And so that is quite Sify it doesn't look for them if I click on this guy Muzio and click on some of

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the girls can't find anything.

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OK so it doesn't 100 percent work.

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The next thing is type kit.

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OK.

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If you're not using it already dropped down and you have to have a pay Creative Cloud subscriber account

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click add funds from type kit and I won't cover this too much because you probably are already using

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it if you're not you probably can't.

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And I always come browse at the top here log in with your Adobe ID and I love you.

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An A Let's say I'm going to put my name in there.

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OK.

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And the cool thing about it is you can decide on what kind of fun you're looking for.

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And because it's part of your creative crowd subscription and it allows you to download these guys for

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free it's really easy to do say you like this one here you click on it you click sync all and kick back

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relax and Kotaro should appear in Illustrator.

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You see at the top there there he is.

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So now I can say cool Tado areas quite like them.

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And what I find quite handy is well up here is that I want to just search by this because it's the ones

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that have gone through and like pulled from type kits that's often stuff I've kind of really spent time

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trying to find.

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Wow.

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OK so those are the filters.

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It's to them all off.

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They stay on.

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So you remove it to turn them off when you're finished.

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OK the next thing to look at is and to do with open type phones and the ligatures.

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So there are some phones in here that have you see Teekay and all those good fonts though they're both

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open type fonts.

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The top ones all the ones say oh the ones that are not so good are these T.T. ones these old school

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true type fonts.

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The reason the difference sometimes you've got on your machine right two of the same funny-I.

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Why do I have lust and lust gayo lust MT or something else.

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Often it's to do with the ligatures and glyphs that come along with the font.

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What I mean by that is this font here was designed by a wonderful type designer.

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I love this font.

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But let's say I want to look at I don't like the way the x is flowery for me.

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I'm going to duplicate that a few times.

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What I'd like to do is because it's an open type font.

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I can see that or type good font.

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OK.

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T.K. or what I can do is I can highlight a letter and you can see it on the bottom here.

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There's alternatives.

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OK so it's just you know so the the the type designer type I prefer photographer the word bat that decided

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he or she has decided that they've got kind of two options.

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That's true of lot of the letters.

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OK slicked on it is a big floury version there.

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OK.

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There's actually two versions of this.

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Oh I might choose to use.

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OK.

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And yet it's a nice way of building up kind of complex looking things and not having to do the courage

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to all the with to get even better and say the designer has decided that and you know that if they call

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them Stylistics sets.

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So they've designed it with all these flowers get all these flourishes.

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And what you can do is with it selected.

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OK.

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We're going to go to this open type if you can't find that it's under a window type open type.

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What we want to do is down the bottom here.

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This is one called.

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So this is the one and you can see the same.

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Yes.

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So that's that's what the designer decided is the kind of first option.

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Second option is all these curly bits.

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OK.

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So three OK has them kind of coming back across.

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There's one here fall for looks the same as everything else say five.

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I'm just going through them all right.

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So they're often OK.

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It's an open type font or Kyp font.

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There are stylistic saints and you will find just kind of some extra glyphs and ligatures to use and

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you can copy and paste them from age to kind of build up something quite nice.

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Another new feature is called The technology has been around for a while but there's just so I'm going

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to use this body copy here.

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And these variable fonts which is kind of crazy right.

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There's only a few of them available at the moment and illustrator has included a couple in the this

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version.

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OK this is s.c 2018.

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But if I drop this down this is Chunkin here.

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Can you see his var.

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OK so it is open type variables and pick.

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There's not many to pick from.

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So we're going to pick from and use Ekuban OK because it has lots of things so click on that.

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Now what's going to happen is nothing except this little option here.

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Don't click on that and this magic Ignus happens.

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So watch this somehow what's striking.

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Keep an eye on that.

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Let's move this up here.

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OK.

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Watch this.

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You wait it just magically gets bigger.

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OK.

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So it's not just like adding a stroker on the outside the design has made some really kind of stylistic

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choices about how things grow where they grow.

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OK.

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So wait.

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Same with the with.

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It's pretty amazing that you can just go actually I want the you know is that a condensed or compress

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you can kind of find some kind of happy medium for what you need.

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Ok same with the slant.

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OK.

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Pretty Kohei.

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And there's not many fonts that are built into Illustrator and there are more you can go and buy and

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use if you need that kind of flexibility.

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Not all of them have the full.

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I picked that one as an example because it has weight with and sland some of the let's say like some

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of these verbal ones say minyon OK and I click on this.

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It only has white and optical size K so can the weight and the optical size is kind of interesting like

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it's not really making it wider or big it's just kind of like adding more volume.

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Some pretty cool stuff.

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All right my friends that is my tips and tricks for fonts.

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And type in Adobe Illustrator.

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Let's get on to some more.

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Type things in this section.

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All right.

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So in the next video.
