WEBVTT 00:02.110 --> 00:06.760 Hey they're in this video we're going to do some introduction to 3-D We'll look at the re-evolve along 00:06.760 --> 00:11.250 the top left there and a couple of extrude and the 3-D rotate right. 00:11.260 --> 00:13.540 It's going in that now and Adobe Illustrator. 00:13.540 --> 00:13.930 All right. 00:13.930 --> 00:15.100 So let's get started. 00:15.100 --> 00:17.830 Let's look at the various 3-D options we've got. 00:17.840 --> 00:21.630 I'm going to start with type as the first thing we want to make 3D right. 00:21.670 --> 00:24.730 And I'm going to use a little exegete to make it super big. 00:24.730 --> 00:26.880 I'm using a phone called Rocket phone. 00:26.890 --> 00:28.600 It's a free to download. 00:28.600 --> 00:33.010 It's actually in your exercise files if you want it you don't have to outline it but to get the kind 00:33.010 --> 00:38.600 of full 3D effect it's best not to use black gay shadows and highlights to start up here. 00:38.800 --> 00:39.810 So pick any color. 00:40.020 --> 00:40.400 OK. 00:40.420 --> 00:44.840 And what I'm going to do now that's got to affect go to 3-D. 00:44.950 --> 00:51.310 And we're going to start with extruded Bayville and it's another way to preview on and that's how to 00:51.310 --> 00:56.230 kind of like extrude a little doesn't have to be obviously type it can be any shape as long as it's 00:56.230 --> 00:56.750 picked up. 00:56.770 --> 00:58.680 Now we're going to go through every setting in here. 00:58.690 --> 01:02.290 But the basics are extruding is probably one of the big ones that you want. 01:02.290 --> 01:08.260 OK so how far and back it goes then the easiest way to move this in 3-D space is not to grab the whole 01:08.260 --> 01:10.270 thing gets a bit kind of like crazy. 01:10.300 --> 01:13.330 And the trick is to just grab these ages. 01:13.360 --> 01:18.500 So this age here you can see just start doing the rotation. 01:18.520 --> 01:20.390 The x y and z. 01:20.560 --> 01:25.480 I find this is the kind of easiest way for new people to work out how to do in 3D. 01:25.480 --> 01:27.400 Rotation is anywhere on the outside. 01:27.490 --> 01:28.930 OK so just click in here. 01:29.180 --> 01:29.990 Get it where you want it's 01:36.100 --> 01:40.530 awesome what you might not see is you might be on fewer options or click on more options. 01:40.650 --> 01:43.440 And this is where the light is hitting this particular object. 01:43.440 --> 01:48.320 You might decide to shine the light from a different way and just drag the star around here. 01:48.540 --> 01:49.600 You can play around the settings. 01:49.620 --> 01:52.090 I'm going to go through all the surface and ambient lighting. 01:52.260 --> 01:53.200 OK. 01:53.230 --> 01:53.510 Yeah. 01:53.550 --> 01:57.780 This is more just an introduction will look at some more advanced stuff in the next video go. 01:57.800 --> 02:01.130 I'm going to turn down my extra depth to something a little bit lower. 02:01.260 --> 02:06.060 When I click OK now a couple of things is to edit this again once it's done because it's all tight right. 02:06.060 --> 02:11.010 I can double click on it the top 2 and call this one x d k and click out. 02:11.030 --> 02:12.850 So we kind of working in that mode. 02:12.870 --> 02:14.850 Wants to be 3-D but also flat. 02:15.120 --> 02:22.550 And the easiest way to do it is to go to outlie mode so you can go to command Y where are you going 02:22.580 --> 02:27.620 to preview or outline mode GZA does that work this way. 02:27.810 --> 02:33.210 All right so to get into it the 3D is with it's selected you need to find your appearance panel. 02:33.270 --> 02:36.200 Now here in this new version of Illustrator you can just click on it there. 02:36.200 --> 02:38.150 It opens back up to preview back on. 02:38.160 --> 02:40.490 And you can make your adjustments. 02:40.700 --> 02:44.760 And if you're an older version of Illustrator you might have to get a window and find a parents do the 02:44.760 --> 02:45.880 same thing in them. 02:45.900 --> 02:50.200 What are the drawbacks of 3D in Illustrator is that if you want a separate thing. 02:50.320 --> 02:50.720 OK. 02:50.760 --> 02:52.530 And they don't. 02:52.710 --> 02:56.520 You can't like put everything into the same ific So does this have on this guy. 02:56.530 --> 02:58.910 They're not connected in the same 3-D space now. 02:58.970 --> 03:03.540 OK if I go into this guy and change him and there's no I've kind of like having different groups and 03:03.540 --> 03:05.330 directing together casting shadows. 03:05.340 --> 03:08.290 But for kind of simple Victis stuff it's kind of cool. 03:08.400 --> 03:10.120 I'm going to make a duplicate of this. 03:10.230 --> 03:12.780 Send it to the back. 03:12.990 --> 03:16.330 Change the color for no reason. 03:16.550 --> 03:23.550 Stumptown to make it look go and let's have a quick look at the other two options for three day and 03:23.550 --> 03:24.850 the next one is. 03:24.870 --> 03:28.620 OK so I'm going to draw something and use the tool and draw. 03:28.650 --> 03:29.750 What am I going to draw. 03:29.760 --> 03:32.640 I'm going to draw something like that. 03:32.730 --> 03:33.900 It's got to fill. 03:34.410 --> 03:34.900 OK. 03:34.900 --> 03:38.410 So basically what you want is you want to stroke and no fill. 03:38.410 --> 03:42.140 So I've got a stroke of Blue K and I want no fill. 03:42.210 --> 03:44.230 The stroke doesn't really matter. 03:44.280 --> 03:48.340 It can be black but it looks better with a colored colored stroke. 03:48.630 --> 03:50.140 And then we're going to revolve it. 03:50.160 --> 03:52.480 OK so we're going to go up to effect. 03:52.500 --> 03:54.470 We're going to go to 3-D. 03:54.660 --> 04:00.060 We're going to go to Ruth Mitchell previously and on and it's going to kind of do the opposite of what 04:00.060 --> 04:03.420 I wanted to buy our depends on which side you draw. 04:03.420 --> 04:08.730 So you're drawing kind of like a cut away of the object you want to draw. 04:08.730 --> 04:14.170 I'm going to switch from left to right edge and that was my terrible they want to call it. 04:14.280 --> 04:15.890 I don't know what it is. 04:16.200 --> 04:21.200 When I was prepping for this video I tried to draw Weinglass but every time it came or. 04:21.570 --> 04:26.190 If you had the time you'd spend some time with the curvature to the pintu you could draw something quite 04:26.190 --> 04:27.110 nice. 04:27.480 --> 04:29.010 So that is the re-evolved too. 04:29.280 --> 04:30.510 OK. 04:31.280 --> 04:37.420 And one of the nice things about the revolt any extra tool is and the is two things in here. 04:37.440 --> 04:38.280 The offset. 04:38.280 --> 04:39.830 And you can break it. 04:39.850 --> 04:43.390 So how far kind of a pot they are in the middle. 04:43.620 --> 04:48.010 OK so that's a different thing for this one so that kind of separates them out to make them why don't. 04:48.150 --> 04:50.770 The other thing you can do is the re-evolve angle. 04:50.880 --> 04:52.510 OK so in here I can listen it. 04:52.560 --> 04:54.590 So it's kind of like a slice cut away. 04:54.780 --> 04:59.680 Let's do that one and then a revolved around so you can kind of see I've got a chunk missing and one 04:59.680 --> 05:05.310 of the other things I like where the revolve is the surface is plastic saying if you can't see it k 05:05.340 --> 05:10.530 and click on more options and down here we want to get a wireframe I like it's just kind of a cool effect. 05:10.530 --> 05:12.280 You know it just looks kind of. 05:12.330 --> 05:17.050 I use that kind of visual like maybe a big splash graphic or on the back. 05:17.130 --> 05:21.950 And I'm going to turn it back to chain and click OK. 05:22.230 --> 05:26.360 Let's look at the last of the fellows again command y. 05:26.430 --> 05:30.260 Outline can just kind of shrink this down and maybe move it across. 05:30.270 --> 05:34.820 It's still trying to do the 3D thing so it might freak out like it's running a little bit slower but 05:34.830 --> 05:36.410 it makes it easier to maneuver. 05:36.780 --> 05:42.540 So the next thing we're going to look at is type iconic type in them and their last option is not very 05:42.540 --> 05:44.800 exciting but we'll go through them all. 05:45.050 --> 05:45.720 OK. 05:45.720 --> 05:47.540 It does like extrude. 05:47.620 --> 05:48.500 OK. 05:48.570 --> 05:50.500 Except there's no depth to it. 05:50.610 --> 05:54.320 It's called rotate and you might find a good use of this in turn preview on. 05:54.390 --> 05:59.040 You can see the same kind of thing but there's no there's no extruding. 05:59.070 --> 06:02.710 OK so yeah it's kind of getting a bit of flip depth. 06:02.790 --> 06:07.560 Now the reason I've run through this one a little fast is that it's just a couple of better options 06:07.560 --> 06:08.440 for you to use. 06:08.520 --> 06:09.570 Like we love illustrator. 06:09.570 --> 06:10.530 That's why we're here. 06:10.620 --> 06:15.600 But there just some things that just look you know I just Pervis bill for three and there's two of them. 06:15.600 --> 06:18.270 Adobe has one and a half. 06:18.300 --> 06:20.140 Let's look at the first one called dimension. 06:20.160 --> 06:21.480 So this is dimension open. 06:21.480 --> 06:28.080 It's pretty like what it's for is it's for doing stills in 3D which could be perfect for us dragging 06:28.080 --> 06:29.640 out some pre-made stuff. 06:29.790 --> 06:34.350 Here is a coffee cup cake and remember that Fox we made earlier. 06:34.420 --> 06:37.650 OK just the the library I'm just going to drag it and attach it to it. 06:37.680 --> 06:38.930 It's really quick and easy. 06:38.930 --> 06:42.770 This program I love it and I can move it around wraps around the shape. 06:42.770 --> 06:44.090 It's all very exciting. 06:44.090 --> 06:47.360 It's probably I'm not going to go through a whole course on dimension now I'm just giving you kind of 06:47.360 --> 06:50.410 a teaser to say go off and do a course I don't have one yet. 06:50.420 --> 06:53.200 I plan to do one really soon so check that out. 06:53.220 --> 06:57.250 And yeah I mean mention one of the one of the coolest things about this is watch this. 06:57.260 --> 07:02.960 You can drag and backgrounds like your own background or that's what it's trying to map the Hicks on 07:02.960 --> 07:05.890 the ground here to the floor here. 07:05.900 --> 07:10.670 And it says would you like to match the image you say you please and this coffee cup will hopefully 07:10.670 --> 07:13.550 now match the perspective of the table. 07:13.670 --> 07:14.900 Pretty awesome huh. 07:14.900 --> 07:19.610 OK so am I going to scale this one down. 07:19.910 --> 07:21.630 Bring it forward. 07:23.200 --> 07:24.290 Go back. 07:24.450 --> 07:30.090 You can see what's really cool about it is try to mimic the lighting hasn't quite got a perfect you 07:30.090 --> 07:31.100 can it justice. 07:31.180 --> 07:31.430 OK. 07:31.440 --> 07:36.630 But it tries to mimic the image where the lighting is and how it positions in the world because that's 07:36.630 --> 07:37.930 pretty convincing right. 07:37.950 --> 07:44.440 Like it's it looks like it's part of the same kind of world as the same as the Vai's. 07:46.550 --> 07:48.840 I say base part and come on. 07:49.020 --> 07:52.550 So that's the super quick and dirty version of dimension above. 07:52.590 --> 07:58.230 You can just see how much nicer it is you can start with some of these pre-made objects you can buy 07:58.230 --> 08:04.380 them from the start the Adobe site and then there's lighting templates and backgrounds you can do graphics 08:04.920 --> 08:05.850 pretty cool. 08:05.850 --> 08:10.590 Now again the biggest drawback to this one is it's not it's not meant to be animated. 08:10.700 --> 08:12.340 OK so it's just for stills. 08:12.540 --> 08:18.540 OK so where animation comes in and maybe more motion graphics is that's why it's kind of point five 08:18.540 --> 08:19.970 it's not really Adobe's product. 08:19.980 --> 08:23.210 It's from a company called Mxs on it's called Cinema for. 08:23.220 --> 08:27.840 Now it's separate from your creative cloud license kind of there's a sneaky trick you can do. 08:27.870 --> 08:32.220 Like if you want to get into motion graphics and you want to start getting into 3D motion graphics which 08:32.250 --> 08:35.520 I love can't go to Sim 40 it's a great product. 08:35.640 --> 08:40.170 And what you can do is you can open up a light version inside after effects. 08:40.230 --> 08:45.570 So whatever way they've decided to license the product from Exxon and you can just open it right you 08:45.570 --> 08:46.560 can find it on your machine. 08:46.570 --> 08:47.460 Fair enough. 08:47.460 --> 08:50.820 It's called And before the light but you can't open it just won't open. 08:50.820 --> 08:55.740 So what you do is how open it is you open up after effects or just a blank document and then go to file 08:55.740 --> 08:57.590 new and open it here. 08:57.740 --> 09:03.200 OK it's not the full version not the full studio version but it's done a lot of what you need. 09:03.220 --> 09:10.440 OK most of it especially if you open it up and from here as long as after fix stays open some 40 opens. 09:10.440 --> 09:12.390 Now it's obviously an Adobe product. 09:12.390 --> 09:17.760 It looks completely different but if you do want to get into 3D but more excites you this is the iPhone 09:17.760 --> 09:22.650 this is such a good transition for somebody who's doing kind of more still graphic design and wants 09:22.650 --> 09:23.700 to start animating it. 09:23.700 --> 09:29.520 It's the learning curve here is high enough but nothing compared to something like Michael thirty's 09:29.550 --> 09:32.560 to the max or blend. 09:32.580 --> 09:34.160 OK this one here might vises. 09:34.180 --> 09:35.460 Yeah it's a great start. 09:35.460 --> 09:37.410 And again I plan to do a course on this. 09:37.410 --> 09:38.270 I don't have it yet. 09:38.370 --> 09:44.750 But what's really cool about it is and you can animator's K to just make sure my play heads back here 09:44.780 --> 09:47.970 0 in a set of keyframe they're further along. 09:47.970 --> 09:54.870 After maybe a second 60 seconds on the slide a little hint and another keyframe and I pull it back hit 09:54.870 --> 09:55.560 play. 09:55.560 --> 09:58.710 The thing about it is you can see it's got nice easing already. 09:58.710 --> 10:03.860 I know it's pretty simple animation but it's super quick and easy to learn. 10:03.930 --> 10:05.740 I can throw flora in. 10:06.270 --> 10:07.300 I'm going to stop now. 10:07.330 --> 10:08.880 I'm going to stop in a second. 10:08.880 --> 10:10.980 I really want to try and I'm not trying to sell. 10:10.980 --> 10:17.700 And before the I guess I'm just kind of like saying it's a lot easier like to try to learn this one 10:17.700 --> 10:23.470 than say something like you know Maya is amazing and way better than 40. 10:23.520 --> 10:29.220 But if you're just looking for motion graphics it doesn't have to be that hard core trying to think 10:29.220 --> 10:31.900 of what the shapes Nuki will do. 10:32.220 --> 10:32.660 All right. 10:32.670 --> 10:34.570 Fire into this one command. 10:34.650 --> 10:39.530 You can see it's kind of ugly 3-D thing but at least it's animated. 10:39.540 --> 10:45.240 And that's the kind of the real big difference between say something like dimension and say something 10:45.240 --> 10:47.100 like cinema 4D dimensions. 10:47.130 --> 10:51.290 All about premade stuff and said before these all making stuff from scratch. 10:51.300 --> 10:53.630 The Rassam models and stuff you can use but yeah. 10:53.760 --> 10:57.950 Yeah that's my introduction to 3-D using illustrator. 10:57.950 --> 11:03.770 And yeah let's get on to doing some more kind of practical 3D stuff some semi flat design. 11:03.870 --> 11:04.380 Yeah. 11:04.380 --> 11:09.330 Next video will be a little bit more exciting or at least a finished product. 11:09.330 --> 11:09.670 All right. 11:09.720 --> 11:10.360 Jump into it now.