WEBVTT

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Hey there and this video we're going to make charts and graphs and pie charts and things will even make

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in 3D like this guy down the bottom here.

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All right let's go and do that now in Adobe Illustrator.

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All right.

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So I've just started with a blank document.

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And you want to go and find that all you want is this tool here.

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OK so hover down yours might look slightly different depending on which one was last used.

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We can use the column graph too even though I consider that a Barcott parting shot goes all bar Biograph

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goes left to right when you use this one.

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Now when I create my graph you really need to decide how big you want it.

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Surprisingly hard to resize afterwards.

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I'm going to click hold and drag out a kind of rough size y graph.

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You can realize it but easy to do here.

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And what we want to do now what you mean to do is to click this option.

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Import data and data and from your exercise files pick charts bar to open and it freaks out.

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OK so basically it has to be such specific the formatted data that is pretty much useless.

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So the easy way it's not useless but it is yes quite specific so open it up and something like Excel

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or Google sheets or what have you.

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Access to the default for Mac.

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Remember anyway and I'm going to copy and paste the data I need now be very specific about what you

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copy and I'm going to copy this excluding the title clean and that afterwards it's not.

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It's not that clever like Excel is copyright.

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And I'm going to go to illustrator and click in the first field here and paste it in this tick box that

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little tick kind of says Go and look at it again.

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And it's pretty good huh.

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Now there's a couple of things you got to want to do.

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One is let's say I click on this and I accidentally one accidentally close that column.

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I'm finished with that called the Data panel.

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Now I want to go and adjust this.

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OK so let's say I want to change the fonts can grab my.

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It's nice to work with the direct selection to try to ungroup it because at the moment it's a dynamic

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chart that I can adjust afterwards.

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But if I ungroup it it kind of turns into shapes and pieces.

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So I was going to select actually what I do with black arrows like the whole thing.

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And you can see here my character panel I'm just going to pick Musea.

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So this is where you edge your and I guess your niceness.

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Niceness and not all the way I want but you know and six it up a little bit.

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Another nice word with that I didn't want you really.

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Am I going to go through.

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And I'm using the why are there direct selection tools really handy for just going through and going

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I want you.

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When you say pick you call them all please hold this last one.

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So yeah we've customized it a little bit.

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Now let's say we want to change it.

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K as in some of the maybe it's the sales report so next month that's a little different.

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Now to update it.

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We want to do is with it selected on the new version of Illustrator you can just that graph data and

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it pops back up.

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You can go and either copy and paste it and replace it or what have you want to do let's say that things

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change and it's no longer under 50 it's 110.

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Things were going bad for Bernie.

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Click on the little tick and it's adjusted.

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And another thing you might do is you might adjust well that's on the new version I'll just quickly

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explain for people in the old version you go into object graph and data brings back the same thing data

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and let's say you want to change the chart.

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OK so in that option over here on the properties go to graph type we just go through and say is all

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these options along here.

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We're going to pick a pie chart.

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Actually let's look at lunch.

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No to do that.

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OK.

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Now the way I think about pie charts is that you need to have that data in the right kind of format.

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So I'm going to go to graph data and basically what we need to do is here we transpose Rohin height.

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It wants to see the information kind of going that way which this eclectic in life is good again.

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Do my clothes are gone which I couldn't live with so I've gone and colored it.

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And so there are a couple of things you can also do now is with the white arrow we can select on this

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and what we're trying not to do is breaking that link between it being like an active graph or so we

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can update it and change it easily.

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So I'm going to grab my arm and we can do cool stuff like this where I drag it out to maybe have like

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a pull out where I explain a little bit more.

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And the cool thing about it is if I click on with my black again this data is alive when I can go through

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and say actually this is back to 350.

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I made a mistake here.

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OK an eclectic.

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And everything adjusts to keeping that can the connection to the data.

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But there are times where you do need to kind of break that and I'll show you a couple of reasons why.

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And then he closes down one cheap trick actually going to undo it.

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So that's back in the there.

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Cheap Trick is I want to make it like a donut like you saw at the front then on the intro and you could

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cut a hole in it or etching in a start from the scene to here.

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OK.

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Hold down the shift and the old draw circle from the center.

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And I should knock a hole in it and make it a compound shape or just put a white circle in the cane

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looks like a donut shape.

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The other thing I want to do is I'm going to click a and I want to get rid of the stroke or on the outside

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game I can do that easy enough stroke to I'm guessing here and can you do that you can totally awesome

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that circle also needs a coach.

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Now it's looking OK.

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So we've still retained all that and I guess a connection.

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OK so what I want to do now is I want to actually break that connection because it will do some cool

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3D stuff like this or at the beginning.

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So making a copy of my good one with all the data still connected.

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There are times when you want to say I actually want to smash this to pieces so I can do some cool things

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with it and do it feel like you want to object expand but you can click on that for ever and it doesn't

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work.

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You need to actually go ungroup in this case is a little strange as it's going to break that link.

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I say yes because I got some stuff to do and what I might do.

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First of all is I might do a proper compound shape k where I select all of us.

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These are all connected.

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They.

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I'm going to have to ungroup them get them again.

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But some pieces are really still connected.

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Stop being connected and grouping lots.

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Now they're all separate pieces.

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So I'm going to click all these and I grab my shape builder to K and membra I hold them my option key

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on a Mac or PC or a little circle.

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And now there's a hole in the middle.

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How do I know there's a hole in the middle.

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I can use my shortcut command shift the K to see the transparency grid and turn it off your PC is control

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shifty.

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Why do we need an actual hole.

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Because we want to make that 3D shake.

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So with this selected what it might do is make another copy of this.

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I have copies everywhere.

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Let's go to effect.

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Let's go to 3-D and extrude and bevels going to do the look we want.

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Now this click on preview and it's not Groote.

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So that's going to do really weird stuff which this.

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Can so.

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So we need to group it and also make sure there's no striker on the outside.

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If you have a black stroke or on the outside it makes it look a little lame when it gets into 3-D.

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We just have black edges.

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So back into effect 3D extrude click on preview and now I get to do some fun stuff.

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Well Fun is fun with graphic.

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It's pretty cool though.

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I like it.

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Anyway let's click.

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Oh.

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OK.

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And one thing you can do is you can go to outline view so command Y or control y k or you it's this

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one here to that in and out and you can kind of look at it still in plain view.

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And what you might decide is grab the black arrow.

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It's grouped.

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Double click it to go inside the group.

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Now I'm going to click this one chunk going to be a little slow because it's doing 3D stuff in the background.

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I'm going to click this error loads of times until it disappears.

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I mean c'mon Wagen to go back and you can kind of do this like 3D pull out thing you feel like it needs

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to be rotated around.

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I should have done this in the 3D view because it's really weird if you try and rotate it it's rotating

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it but then going back to the 3D and doing some weeds but we're not going to cover a line charts and

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graphs it's all basically the same dump in the data and you might as clean the data up a little bit

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and then it's been it's kind of making it look nice.

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Now I've like these are some examples of things I've done that are not beautiful but it's you know it's

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kind of like fancy app.

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Hmm.

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Yeah.

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Graphs and data for and you reports those types of things.

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All right.

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There is going to be it about how to do it.

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There's a couple of other things I want to show you.

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And one.

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Yeah actually let's go and jump to the other stuff now.

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All right well we we are in the middle of a sales pitch kind of and I guess I want to show you.

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We'll take it from now so I often get my kind of graphs to a certain level and then I want to animate

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them right and illustrate is not the tool to do it.

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It's really after effects and I've got a cost for that and I'm going to kind of show you not to sell

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because kind of the selling goes.

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But this does show you like what you can do with graphs.

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So it's called Out of his realization and it made it in for graphics and there's lots of pictures of

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me.

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I shouldn't shave.

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But it does a lot of things that we transform graphs from say excel or Illustrator and we do really

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like an immediate being kind of see those same graphs with a little bit of I don't know a little bit

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of animation just kind of brings them to life if you're doing PowerPoint presentations and you know

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things for YouTube.

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Yes.

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So it just covers any other nice looking things like just me.

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And so you check out that or you don't have to do my course but go and check out check out the after

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effects for animating that sort of thing.

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Now don't go yet.

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OK the next one is not a sales pitch but it is future awesomeness.

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Let's jump to that now.

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All right.

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Where have I brought you.

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I want you to watch U.S.-EU with me.

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It's worth watching.

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I promise you I'm gonna.

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You can go and just go look at project Lincoln Binod Kerr.

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He's a Kiwi guy and this is Max right there big conference they have every year.

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I'm lucky enough to speak at it.

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And if you ever get to go this is in L.A. last year was Vegas fery exciting ride twenty thousand creatives

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doing cause I'm doing presentations and awesome things.

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Come check it out.

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And but they've got this thing called it dobi snakes and all it sneaks out is like what Adobe are doing

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in the background is not released yet but that stuff they're trying to work on and off talking.

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I'm just going to let this play out.

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This is me ending the video.

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You don't have to watch anymore.

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It's six minutes long.

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You can watch it.

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You don't have to buy it.

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Man it's cold.

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I hope it's going to be out soon.

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OK let's play.

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Don't mind me saying Everybody welcome Bernard her with Project Lincoln.

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My microphone also.

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Hello Max.

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Good of you out there.

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If I had to make a nice looking chart or data visualization counting you're right.

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Have you found the process painfully slow and frustrating.

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Yes.

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Would you like some super powers able to do it at lightning speed.

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All right.

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I get to say this is the first time I've heard a crowd cheer for data visualization.

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All right.

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In the past you're probably going to use one of three different approaches that have tried doing something

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from scratch you might have found a template that was close but not quite exactly what you wanted.

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Boy you went off and learned how to code or some combination of the three.

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So all these approaches start with data that sort of stops them from machine and sprits how to visualize

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zation project Lincoln flips inside on its head and says What if you could sketch first and then bind

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your drawing to data.

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So that means any of the visual properties of something you've drawn could be down to data that could

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be its position its size its color even takes to be bound to data.

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And these data driven drawing tools live on top of the drawing tools you already know and love.

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So let me show you how this works by trying to build you a poster for my friend Kim Chambers.

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You may remember him for the first the last couple of years.

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No no need to seek social Sourcery an extraordinary swimmer and I knew that one of seven people on the

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planet to have swum the oceans seven grueling marathons swims all around the world.

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So I'm going to make a post for her.

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So we're going to do here in Lincoln I'm going to bring in a simple spreadsheet.

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And this is for the North Channel swim.

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OK.

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So from this trip we're going to grab these variable names from the top of the spreadsheet and put it

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into this pallet.

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This is what we're going to use to find out doing the data.

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So if I want to make a batch I just make a bar the size and shape and color that I want and then when

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I had to repeat grid I get a Barfy each of those swimmers.

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Now if I want to set the length of this bar I can select the right hand side and bind it to the time

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variable.

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And that all these points are bound to time and I can adjust them with his axes control.

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If I add some

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this I just had to take it at this point it's the same all the way down but I can find that two names

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I could do the same for time and I'm going to another I said why be here and grab a swimmer.

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So I'm sitting here repeated the same way all the way down.

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But I've got this new concept which I call a sticky Anca.

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We showed up her relationship to the anchor point of one object and the point of another.

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And now I head this offset

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now I'm going to throw in a flag.

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Obviously you know all these swimmers that from New Zealand like me and can really the country variable.

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Sorry.

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Fill that in.

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OK.

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So here is Kim and she looks like you're in the wrong bathing suit so let me find that swimmer so the

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variable i now have three women have done these crazy swims and they look 17 hours in the water is a

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long time right.

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OK.

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So now I'm sort of happy with my design here.

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I came to play like all these finding for each of the other swimmers now.

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So now they automatically get regenerated based on the data

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I can also throw these all on the same page at the same time.

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So small multiples and I can control the spacing between them too.

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So maybe not your cup of tea then we will try something a little more sophisticated right.

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So now I'm going to do a with a radial.

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Now if you know what a way the radio is it's actually a crystallization of where they're showing you

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the high and low temperatures every day of the year for an entire year all in one go.

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So this would be really useful to know about when she's planning the swims to know what time of the

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year to go for these crazy swims.

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So this time I'm going to find the right hand side of this part of the high temperature for the day.

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The left hand side is going to be down to the low.

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And now when they hit the repeat grade I have 365 of these files and then arranged chart and now I'm

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going to find the color of this bar to the average temperature with this new color control.

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So these guys are running off the page 365 and now I'm going to throw them into a radio pad and then

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we have a

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of course we can apply these findings to all those different cities.

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It would be something fun to work out what we have to go so I don't have time to do a full post here

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but here is this is a design that I worked on earlier.

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He taught

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so I just built 14 data visualisations simple and complex ones with total creative control and freedom

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in less than four minutes.

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Cool guys.

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I'm hoping we're all going to do a class very soon on how to use Lincoln or whatever they end up calling

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it.

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Yes.

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All right.

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That's the end of this one.

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I'm having fun watching YouTube with you.

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We should do it again or in the next video we'll do something a little little bit or Illustrator.

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Don't do that now.
