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So let's start admitting the airplane.

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Not is there pain is a layer of course you can click on it in the viewer and move in and put it anywhere

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you want.

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So I want to start it from the outside here.

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Now to start a new mission you need to click on the stopwatch of the property in our cases position.

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You click on the support and you have a key frame created for you.

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The key frame is at this time 0 0 in our guest position the layer at these coordinates let's go to one

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second.

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Now of course we are working in time here.

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So after one second I can click on the layer and just move it to over here.

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So now we moved in time and we moved the layer in your key frame has been created.

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Let's move again to two seconds less position and for example just over here you can actually click

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and adjust the key frames the way you like after three seconds.

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Just over here let's put on this side and that's four seconds.

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Let's do it.

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Just here.

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Let's notice what happened on the viewer here.

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First of all a motion path has been created for you if you scrub.

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You'll notice that the layer is moving on this motion path and then you have some squares on the motion

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path that represents the key frames.

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So we created a certain animation that is not so nice because the airplane is moving in a funny way

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and really the motion pass is not that nice.

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So we need to adjust it first of all let's adjust the orientation of the airplane.

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So not just over here look at airplanes going up from the middle actually wanted to be oriented on the

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path to do that.

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It's very easy just right click on the layer and go to transform.

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And here you have auto Orient.

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In fact this is the first deep you are already learning if you play your animation.

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Now the airplane is quite oriented on the motion path.

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That's one and select the layer again and you can see the motion path.

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If you don't try to play with the toggle over here it says a toggle mask and ship path visibility if

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you select a key frame now and you notice you have these two circuits.

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These are what we call the handles for a continuous busy achy frame.

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So now you can adjust the motion by the way you'd like.

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You can click on the key frame and move it around in space.

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Okay.

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We didn't touch anything in time.

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This one for example we can adjust it over here and work on the one hand there's two halves.

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Most motion path and if you bring our plane here we can see the key frame and adjusted the way you would

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like.

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Now we have somehow a better animation.

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You notice guys if you press spacebar to play it

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is really quite cool.

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Now that we have this animation we can go back.

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We can start adding maybe more key frames.

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Okay I'll come to five seconds.

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I will select the layer to see what the airplane is and maybe I'll put it over here another loop and

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a six.

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I'll just take it just over here maybe and then at 7.

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I want to exit I can come back and adjust the motion path the way I would like and the position of the

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key frames.

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If you want to Oculus make this more looping now let's go back to the beginning.

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Press this select by pressing in an empty space.

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Press the space bar to start our animation.

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Here you are guys in few minutes you have created quite an animation and you can adjust it the way you

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would like.

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Now let me show you a few things here.

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For example you select the layer and I would like it between this key frame and this key frame to move

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a bit at a higher speed.

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So we're talking about this key frame and this one.

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So all I have to do is to make the distance in between the key frames a bit smaller.

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And here you are if you try to play it now you notice that in between the section it's now smaller political

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by the way.

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Let's do the same for another.

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For example bird when it comes up or it comes down here.

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Let's make this distance smaller.

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So actually we're reducing the time in-between key frames.

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And here you are.

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You can now notice that is going to go faster over here of course which is pretty good.

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So actually it's very easy to create an emissions in After Effects and it's very easy to manipulate

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the motion pass as you have seen so guys.

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Now it's your turn.

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It's up to you now to open after effects if you haven't done so yet.

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This kind of animation make it for example moving left to right.

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I don't know.

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You know be very creative.

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Play with the key frames adjust them over here adjust the motion path.

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It's very important that you get to be very comfortable with these kind of animation and the key frames

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mainly with position and also the motion path itself.

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Okay guys so I'll see you in the next lecture.