So let's start admitting the airplane.
Not is there pain is a layer of course you can click on it in the viewer and move in and put it anywhere
you want.
So I want to start it from the outside here.
Now to start a new mission you need to click on the stopwatch of the property in our cases position.
You click on the support and you have a key frame created for you.
The key frame is at this time 0 0 in our guest position the layer at these coordinates let's go to one
second.
Now of course we are working in time here.
So after one second I can click on the layer and just move it to over here.
So now we moved in time and we moved the layer in your key frame has been created.
Let's move again to two seconds less position and for example just over here you can actually click
and adjust the key frames the way you like after three seconds.
Just over here let's put on this side and that's four seconds.
Let's do it.
Just here.
Let's notice what happened on the viewer here.
First of all a motion path has been created for you if you scrub.
You'll notice that the layer is moving on this motion path and then you have some squares on the motion
path that represents the key frames.
So we created a certain animation that is not so nice because the airplane is moving in a funny way
and really the motion pass is not that nice.
So we need to adjust it first of all let's adjust the orientation of the airplane.
So not just over here look at airplanes going up from the middle actually wanted to be oriented on the
path to do that.
It's very easy just right click on the layer and go to transform.
And here you have auto Orient.
In fact this is the first deep you are already learning if you play your animation.
Now the airplane is quite oriented on the motion path.
That's one and select the layer again and you can see the motion path.
If you don't try to play with the toggle over here it says a toggle mask and ship path visibility if
you select a key frame now and you notice you have these two circuits.
These are what we call the handles for a continuous busy achy frame.
So now you can adjust the motion by the way you'd like.
You can click on the key frame and move it around in space.
Okay.
We didn't touch anything in time.
This one for example we can adjust it over here and work on the one hand there's two halves.
Most motion path and if you bring our plane here we can see the key frame and adjusted the way you would
like.
Now we have somehow a better animation.
You notice guys if you press spacebar to play it
is really quite cool.
Now that we have this animation we can go back.
We can start adding maybe more key frames.
Okay I'll come to five seconds.
I will select the layer to see what the airplane is and maybe I'll put it over here another loop and
a six.
I'll just take it just over here maybe and then at 7.
I want to exit I can come back and adjust the motion path the way I would like and the position of the
key frames.
If you want to Oculus make this more looping now let's go back to the beginning.
Press this select by pressing in an empty space.
Press the space bar to start our animation.
Here you are guys in few minutes you have created quite an animation and you can adjust it the way you
would like.
Now let me show you a few things here.
For example you select the layer and I would like it between this key frame and this key frame to move
a bit at a higher speed.
So we're talking about this key frame and this one.
So all I have to do is to make the distance in between the key frames a bit smaller.
And here you are if you try to play it now you notice that in between the section it's now smaller political
by the way.
Let's do the same for another.
For example bird when it comes up or it comes down here.
Let's make this distance smaller.
So actually we're reducing the time in-between key frames.
And here you are.
You can now notice that is going to go faster over here of course which is pretty good.
So actually it's very easy to create an emissions in After Effects and it's very easy to manipulate
the motion pass as you have seen so guys.
Now it's your turn.
It's up to you now to open after effects if you haven't done so yet.
This kind of animation make it for example moving left to right.
I don't know.
You know be very creative.
Play with the key frames adjust them over here adjust the motion path.
It's very important that you get to be very comfortable with these kind of animation and the key frames
mainly with position and also the motion path itself.
Okay guys so I'll see you in the next lecture.