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I guys will come to text on path I have created here a motion path for this text using the position

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simple path.

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It's working fine.

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Maybe you don't want to do this.

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You want to create a special path for the text layer and use the position animation for animating for

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example in 3-D.

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Well this is possible with the text that.

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Let's consider an image on the position by clicking on the stopwatch here and tore down the text there

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you know to see if you have text.

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And we have seen source text and you have the path options straight on it's emptied on you has a path

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fine let's create a path for this text first of.

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I would like you to go to paragraph and make sure that you align the text in the center sort of text

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then come to the correct that pattern and make sure your baseline here.

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I will explain this.

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The letter is set to zero is very important otherwise you're going to have fluid things appearing.

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Doesn't matter the size of the font you can so that the way you like.

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Let's create a path to create a path for a text where you can use the pen tool or any shape player.

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Let's use the pen tool here and start creating the path.

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Click once then click and drag.

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Now that's a simple path that is pretty cool here.

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And I go straight at the end here.

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So now in your letter you had him ask if you took down your note is that Miss mask is not even active

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It doesn't have any property here or intersect or anything that's in the path here.

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If you turn around you have mask Now if you click your text will jump on the path that you have created.

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So in concept you have taken a mask and made it a path.

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Here you are actually mask and path that interchange not is exactly where the text on it was dumped

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in the middle of the path itself.

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The center of the text or the middle of the text is now in the middle of the path.

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OK that's important.

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You have now new properties that appear on that path.

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The first one is reverse path.

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The default is off and not just where is the text.

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If you pull it off it's like reversing the path that you've drawn into from the right to the left.

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I put it off.

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But Banneker's the path is an option that is ugly but sometimes you can use it.

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Notice how the characters are all set up and they are perpendicular to the path somehow.

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OK let's go back to 100 percent.

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Now you have forced alignment it is off.

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If you put it on it will force the alignment of your text from the beginning to the end of the path.

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Now you say oh what how I'm going to use this.

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I will show you it's very nice.

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I would put forth and Eyemouth of the first Martian and the last Martian is the way you are going to

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animate the text on this new path.

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I repeat please make sure the paragraph is center.

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If it's not one of them would not work.

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Let's look at the first Martian if you scrub it nigga.

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If you are going towards the beginning of the path if you exit is going to go in a straight line which

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is very cool ok.

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It's like an airplane coming and it goes up and the as you if you take it positive it's going to go

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towards the end of the path.

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So put it back at zero and then let's check the last machine.

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If you take it negative it's going to go towards the beginning of the path and positive towards the

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end of the path.

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Pretty easy right guys.

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Let's see exactly why I asked you for the center tax.

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If you put it on the left here use the last margin you're not this is not operating at all.

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If you're the first measure now it's working.

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So for alignment left only the first margin will work good.

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I will undo all this and return it to center.

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Now I'm going to put it on the line aligned text and I'm sure you guessed it the first version now is

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not working anymore.

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It has its reasons.

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Makes a lot of sense for the animation.

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And the last margin is the one walking negative values would take at the beginning.

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Positive values or more even will even take you out from the path.

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So this is the effect of that left and right discreate is simple animation over here.

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For example the first Martian to stick it up to over here and then keyframe it and after the second

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we put it for example anywhere you want so we're going to go positive.

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You can use the shift and scrub it up faster.

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Here you are for example you can stabilize it or take it out.

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OK let's put it just over here.

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Now if you play around the mission is a very cool animation over here.

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If you don't like your path now that's very easy come to the path over here you can use the selection

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tool and move the knot if you like or the Post like we have seen before and you can use the continuous

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busy to design your path the way you would like.

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Also if you come to the convert vertex tool you can use now the busy itself and start playing with the

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hand.

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You can also convert the point from a continuous busy or busy to linear.

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Not it's linear and you can really manipulate the path the way you would like.

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I have also asked you to set the baseline shift over here to zero.

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I just move the text in the middle of the path.

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Now not just the effect of the baseline shift.

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If you go positive it's taken the text over the path.

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It's putting it at a certain distance.

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You notice if you take it negative it's going to put it under the path.

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This is pretty cool and pretty useful.

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But please you know be careful to set the zero when you start at least when you start learning about

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the bad options.

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So you know exactly that it is the baseline shift I would take it up or down the way you would like

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if you go on to other options in the contract that they don't have much influence on the path itself.

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You know whatever you do with the landing here or even the tracking it affects the text but not the

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way it's working on the path itself.

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OK I will undo all this.

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Now in the next section I'll show you some very interesting animations that you can do with the path

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options and with takes on path.

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I'll see you then.