Okay guys I hope my explanation in the last lecture was pretty good for you to understand very well
how to anæmia the path options and how to put your takes on path.
Please feel free to ask all the questions you want to ask and master this option later on you might
find it extremely useful to do your motion graphics.
We are now in any meeting on path 1 composition.
Also the perfect file is text edit format.
You will find it in the project folder that you downloaded before.
Let's start by creating the path or the mask.
Select a school on line of course and use the pen tool and started clicking and dragging maybe and over
here.
I hope the color is good for you.
I make it straight here.
Let's now take the bath and apply the mask one so the tax has jumped here.
Let's do a mission here.
First for force alignment.
I'll put it on SAW THAT IS stretch all along the path.
I will come to the first margin and last Magin I would just keyframe them take the lowest margin and
bring it in you not see what's happening.
I'll show you another option here.
If you point at the end here you will notice that the Marsport and I changed into a bar was a left arrow.
This is the last margin that you are using here.
Of course you have the same before the first margin.
You can just move them over here sometimes wizard is better.
I take the last major and just Bucha just overdye all of them on top of each other.
I'll come after 1 second and simply take back the last margin to zero.
OK not this but in the same time I will bring in the first margin.
Here you are OK in a certain way where the text looks natural you know without tracking you I created
this simple animation.
It's cool but you can do it better.
This is how you select the first Marjan keyframes and take them a bit to the right if got through.
Now you notice this is the last margin playing.
Now this is the first margin coming in.
It's pretty cool animation if I play it here you are to adjust this animation not to see this packing.
Of course you want to use the opacity besty for a patsy keyframe the opposite at 100 or 0 percent here
a bit over here and put it back to 100 percent.
It's up to your taste now how you would like to do it.
Let's press you to see all the keyframes.
Here you are.
You create a very nice and smooth animation.
Well you can increase the opacity if you like.
Yes but it's cool and you need to adjust so now that you know about this kind of animation the force
alignment is not good for you.
It looks very nice and you know how to use.
Let's take now the other composition here.
There is a new composition mid-foot you leave this one.
This animating text on serpent.
So obviously I have no path here.
I have just the school online text find little reclose the one.
No confusion.
Let's take for example the ellipse here.
Take the leaps and come in the middle and click and drag to create the path itself.
The first one that's good for me over the sonatas this has acted at the mosque.
You can go up to the mosque one for example say none.
Meaning not active but you can still make it a path where you can come over and rename it or press enter
and call it circle and you notice here it has become.
This is the circle you're walking on.
So what do we notice first.
The text is inside the mask.
If you reverse path here you are.
It comes outside.
Depends on what you want to do or how to work here.
I'm going to leave us.
That's one you'll notice also in the collector panel the best night shift is zero.
So if I increase it it will move away from the mosque.
And then if I decrees it is going to go inside I will leave it to zero simply.
So I start creating an animation here what I would like to do is a school online start appearing from
here.
And stretches to make the half circle.
How are you going to do that.
Well first of all I'm going to give him the first right now.
OK.
And then I'm going to put forth an event on first I will adjust the last Martian.
I will take it down and just put it over here.
This is where I want this text to start and then I would take the first margin and move it to the site.
OK.
Here you have the choice how you want to go about it you can do it you know squeeze on and squeeze the
way you would like I would go squeezed just a quarter of a nounless create the animation.
After one second or 20 frames it will be nicer.
I will move the last margin just to come to the quarter of the circle on the other side.
OK just over here.
Would be nice.
Then I would take the first margin and let it flow if you could.
So I have a nice animation here.
It's pretty nice but it's showing all over the place.
You know it's not interesting.
It's not because you did a mask must make it a path doesn't mean that you cannot at another mosque.
I would take the a rectangle and add a mask on the last selected and just come over and a nice mask
just over here.
But that's good.
But then the mask and I wanted it.
I'm going to use it subtract.
OK.
Or you can even inverted if you like to know or not.
The animation has become pretty cool.
OK.
Now with some imagination you can already say I want the feathering but the three of them.
Make sure nothing is appearing.
And here you are.
You have a very cool animation right guys.
Now of course you can come and play with the keyframes over here.
You decide you want the last margin to be delayed for example or even the first margin to be delayed.
So there is a stretch first then coming in here you are not bad at all.
Very cool animation and very static is lovely you know.
So guys I hope you really enjoyed this lecture and you learn a lot about how to put text on path.
I almost showed you most of what you can do but you can add even more.
And later on you will learn how to animate a collector and you can come and apply them even here.
Thank you for listening.
I will see you in the next lecture.