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So let's go back to our costs.

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OK.

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This thought and the meeting in Damascus that you said she had for the videos first of all let's start

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with the big mosque over here.

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But the point here for the last corners are going to become a problem for now I'm going to remove them

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to remove them.

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You come to the mosque itself.

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And you told the mosques and in the mosque but you have shape you click on shape and you reset it to

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a rectangle.

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That's it is done.

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It has removed the other point.

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The statue is a very simple mission and make it long let's say one second and then to start the mission

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for the mosque of course you click on the stopwatch and go back to the beginning.

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And I would do a very simple animation.

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It was a selection tool.

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Just click inside the layer and click on this border and take it out just over here for example shift

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to make a street take the other one and just move it outside because we are going to see the shadow

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of the scrub through and see exactly you have here a very nice swipe for the video there.

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Very interesting.

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So this is your animation quite different from the position animation where the cast will have moved.

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Here is just opening the air or revealing the video.

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Pretty cool right guys.

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Let's go to the Laski frame.

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I will use key and delete the first key free comebacks at the beginning.

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And now let's move point by point.

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OK I was moving a whole site to look inside.

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And then I will take this point for example and just put it outside here take this one and just put

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it over here.

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OK.

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Make it big something like this.

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And in fact I'm going to take these two and put them behind.

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OK.

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Just like this.

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Let's see what's going to happen.

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If you animate here you are not is that Nimish is pretty nice.

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Not just the mosque movement.

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If it's too far for example you can double click on it and just move it over here.

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You can look at just certain points make it stated if you like to you know and then hold this point

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and make it straight just like this.

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OK.

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Play.

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You have done your first animation through points.

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This is pretty good right.

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This from the beginning and decide this is going to be the first Virtex I right click see mask and ship

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path.

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Put this as the first vertex.

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I would jump with K and not this.

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This is the first vertex on this one.

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And this is the lower one is going to try to match them and match all the other points.

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If you play now you have a very nice and also a quite cool animation if you like to you have really

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started animating the masks pretty easy by the way.

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Because I said if X is doing the big job you are just proving the point that are good.

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Of course you can come and play with it to do whatever you want and let's do something else.

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Here a point which is not in the fineness that if you don't stick this one behind.

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Let's add another one just over here.

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OK and let's skip through and see exactly what's happening.

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Not this.

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It's quite cool.

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If you play now you have a different kind of animation.

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So actually you move the points.

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Now there is another way to do it.

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Of course you know that there's all these mosques here and we pick the mass path after one second you

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are going to give them to you guys and come to the beginning and with the selection tool we just double

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click and take one of the corner you're going to need less control and make it nothing.

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I would use shift also and tried to make it as small as possible.

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Sometimes I still have a point.

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OK.

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Something showing no problem.

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You can take care of that with the past.

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Now if you play not this expanding very nicely good guys.

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Now let's do the same for the last layer here.

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I double click.

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Now there is a shortcut here that I forgot to tell you from the beginning you could have used that if

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you press and you get the mask but if you press twice like this you will get all the properties.

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I press mask but that's what M and keyframe is at the end over here.

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I will keep it to go back to the beginning.

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DoubleClick on the mask path.

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Here you are.

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And then I will just stretch it using control and shift make it as small as possible and you'll have

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a very nice and image to select all the letters press you again to see all the keyframes select all

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of them.

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Stop the animation a bit.

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Just over here press F 9.

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Here you are.

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That all is easy.

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And I come over here just make it you know something quite nice.

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They grow fast and setters maybe also I'll increase the timing here.

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Let's take this one two three seconds.

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Here you are.

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Let's play from the beginning.

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We give it time to render this select here are quite nice animation.

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So this is about animating the masks of course here the possibilities are enormous and you can do so

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much and you can do so much.

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This I would say was a simple introduction complicated one but quite simple for you to understand mask's

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thank you very much for listening.

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I would see you in the next lecture.