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You're already learned how to use the pen tool to modify umask.

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This was the easy part of using the pen tool.

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It has a lot of options.

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And this lecture I will show you how to create a new mask using the Bantul.

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Now the techniques here are very obvious and very simple.

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But to be meticulous and to create a mask that will really mask the area that you want.

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You have to be very meticulous and very patient.

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This is how it works.

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And you know take it easy step by step and don't be afraid of correcting.

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Let's take an interesting video here.

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Let's take for example the under the bridge that will be interesting.

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I'll click on track to create a new composition.

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Of course you select your pen tool you select your layer and you can start clicking and creating the

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mask.

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I would start by showing you the first method then the second method then we combine them to create

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a mask for the water here.

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The first method is to click once.

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So he created not now not just the color of the mask.

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We can't see you or me.

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If you come to a mask here.

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You're not is that you have the color of the label here.

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This small square if you click on it you can change the color to whatever you want.

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For example I'm going to take the yellow that is that the next mask is not going to come yellow.

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They are going to cycle through the colors.

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OK.

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So I created the first point by just a single click and then move the mouse.

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If you click again single click and move the mouse you created a point that is linear.

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If you click again you create another point that is linear just a single click.

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You can come over and change the position of the points.

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OK that's one way.

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Now I notice if I want to continue doing them ask why not having the last one selected.

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So I selected the middle one effect click.

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Now here I am creating a new umask.

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You'll notice the new mask has been created to continue don't get a mask.

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You need to select the last one I selected the last one then I can continue creating the mask.

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Now if you want to close the mask you select the last point and close on the first point and it will

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close the mask.

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That's undo.

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But now you find out that this first point you want to move it.

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If you have the last point selected is going to close the mosque.

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That's not what you want.

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You just want to move this point and continue put the mosque later on.

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So select any point.

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OK.

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Any and then if you come to the first point is not closing the mask because you didn't select the last

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one is obvious now.

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And you can move it the way you like.

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Now you want to continue drawing the mask not as if you select the last point is going to cross the

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mask because you have the first point selected.

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So the way to do it is to select you know any other point.

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Not the first one and then select the last point to continue on with the mask and you can continue throwing

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the mask.

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OK so now after drawing the mask with linear notes it can come over and move them the way you would

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like.

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It's now editing the mask using all the tools that you have seen before.

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I would did it this mosque shows some tricks with the linear mask if you click that's fine.

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OK.

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The color is disastrous again.

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Let's change it to bright yellow so you can see very wide.

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And then if you press shift and you are almost on the same presented here it will create a straight

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line.

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If you press shift and you are almost on the vertical you create a vertical straight line under the

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last one and let's move the point here.

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So you see but now if I go Orientale And for example to the right then press shift and I click once.

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Not that it created the point not where my pen tool is but it created a point that is at 45 degrees

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from the vertical from where my pen tool was.

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So this angle here is 45 degrees.

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You can see it better if I do something like this shift and click.

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You're not as you have 45 degrees from the presenter.

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In fact let's go straight.

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OK.

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Then come over here and click with the shift pressed you'll have 45 degrees.

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So using the shift you can create straight lines and you can create 45 degrees lines.

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Now let's look at the other method.

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I remove the mask leak and then instead of releasing the mouse I was just druk.

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So it's not that simple click click and drag you create a continuous busy point.

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OK.

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And the next one is to continue creating a continuous busy mosque.

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You click and drag.

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Here you are.

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And X-1 click on blog.

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And this click and drag and here you are enclosed.

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So now you have the headers and you can come and play with the mask verify.

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Now let's take the second point press shift and click once.

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So I created here a linear point but the previews like if you like is good.

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This is because this is a busy.

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If it was goes straight you can see the busy.

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Now if I press shift and single click I have two linear points and you can continue linear until you

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cross the path.

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Let's do it practical thing.

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I will delete this mosques.

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Now we want a mosque that will include only the water over here.

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Well here you have to be patient and meticulous and you're going to use the controls that are that on

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the Mac a lot.

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So I press the spacebar move appear and I'm going to zoom a bit.

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So I press alt and point whatever I want to zoom you notice it's zooming exactly where the hand is.

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I would take the pen to start by creating in this example just a linear north over here.

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So I click once and then I click over here from here.

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Maybe if you don't want to read that's OK with you you can still have it Ninio.

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That's fine.

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And then that's good to hear.

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And then maybe you click and drag.

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OK we are just fine.

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Let's just the color again of the mask and take it to yellow.

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So you can see it and I can see it.

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I want to continue drawing.

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Now I need to select the last point Gafsa I selected.

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Here you are to click on it and I want to continue drawing the mask.

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So I would come over here and maybe curve it like this is not really working.

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OK.

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I need to you know break the busy and I want them to work together to break the bases.

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This is editing.

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You can press the key and here you are.

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You're not does it change to the convert to it.

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And you can just adjusted the way you would like this create another point.

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Let's come over here.

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Let's go straight just not to complicate things.

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And we click and drag fine is not working I press alt and take one down to have almost a curved straight

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line.

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So I broke the continuous busy into busy and press the spacebar to move along.

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And here let's do this.

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This is working.

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Let's take this one's up.

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This is not working.

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So I use the Alte and come back to this point I just find.

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Still have the last point selected.

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So I can continue with a mask for example and put it over here click and drag adjusted the way I like.

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Cool Askham let's say to the outside just from here.

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Is working fine not really pressed and adjusted.

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Still pressing on it and I'll change it like this.

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Here you are.

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Now you can close your mask.

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I will zoom out here another one and I close the mask.

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So actually this is not bad.

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I asked Could that be very meticulous.

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But I want don't want to get you very impatient so I created the kid using the pen tool linear notes

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and bezique nods and continues busy not by using the alt or the option key on the mat to change the

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way the hands on this job is not about you know learning it is about practicing it and believe me you

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need 50 100 mosques to say OK I can throw a mask in one minute.

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Even if it's complicated but sometimes it gets so complicated that you want to mask a very special area

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for example let's say you want to mask the sky over here.

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So really you have a lot of work to work over here and a lot of feathering and story is to get the mask

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at 100 percent Dombey's get from it.

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This is a professional job and more meticulous you are more patient you are you will get some really

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awesome mask where you can apply certain effects.

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This point is not good.

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Over here let's correct this because of the Xun take this handle and just move it over here.

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OK.

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And you know this is how I looked at that point is not very good.

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This is going to happen to you.

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Thank you very much for being very patient and learning about how to create masks with the bench.

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See you in the next lecture.