You're already learned how to use the pen tool to modify umask.
This was the easy part of using the pen tool.
It has a lot of options.
And this lecture I will show you how to create a new mask using the Bantul.
Now the techniques here are very obvious and very simple.
But to be meticulous and to create a mask that will really mask the area that you want.
You have to be very meticulous and very patient.
This is how it works.
And you know take it easy step by step and don't be afraid of correcting.
Let's take an interesting video here.
Let's take for example the under the bridge that will be interesting.
I'll click on track to create a new composition.
Of course you select your pen tool you select your layer and you can start clicking and creating the
mask.
I would start by showing you the first method then the second method then we combine them to create
a mask for the water here.
The first method is to click once.
So he created not now not just the color of the mask.
We can't see you or me.
If you come to a mask here.
You're not is that you have the color of the label here.
This small square if you click on it you can change the color to whatever you want.
For example I'm going to take the yellow that is that the next mask is not going to come yellow.
They are going to cycle through the colors.
OK.
So I created the first point by just a single click and then move the mouse.
If you click again single click and move the mouse you created a point that is linear.
If you click again you create another point that is linear just a single click.
You can come over and change the position of the points.
OK that's one way.
Now I notice if I want to continue doing them ask why not having the last one selected.
So I selected the middle one effect click.
Now here I am creating a new umask.
You'll notice the new mask has been created to continue don't get a mask.
You need to select the last one I selected the last one then I can continue creating the mask.
Now if you want to close the mask you select the last point and close on the first point and it will
close the mask.
That's undo.
But now you find out that this first point you want to move it.
If you have the last point selected is going to close the mosque.
That's not what you want.
You just want to move this point and continue put the mosque later on.
So select any point.
OK.
Any and then if you come to the first point is not closing the mask because you didn't select the last
one is obvious now.
And you can move it the way you like.
Now you want to continue drawing the mask not as if you select the last point is going to cross the
mask because you have the first point selected.
So the way to do it is to select you know any other point.
Not the first one and then select the last point to continue on with the mask and you can continue throwing
the mask.
OK so now after drawing the mask with linear notes it can come over and move them the way you would
like.
It's now editing the mask using all the tools that you have seen before.
I would did it this mosque shows some tricks with the linear mask if you click that's fine.
OK.
The color is disastrous again.
Let's change it to bright yellow so you can see very wide.
And then if you press shift and you are almost on the same presented here it will create a straight
line.
If you press shift and you are almost on the vertical you create a vertical straight line under the
last one and let's move the point here.
So you see but now if I go Orientale And for example to the right then press shift and I click once.
Not that it created the point not where my pen tool is but it created a point that is at 45 degrees
from the vertical from where my pen tool was.
So this angle here is 45 degrees.
You can see it better if I do something like this shift and click.
You're not as you have 45 degrees from the presenter.
In fact let's go straight.
OK.
Then come over here and click with the shift pressed you'll have 45 degrees.
So using the shift you can create straight lines and you can create 45 degrees lines.
Now let's look at the other method.
I remove the mask leak and then instead of releasing the mouse I was just druk.
So it's not that simple click click and drag you create a continuous busy point.
OK.
And the next one is to continue creating a continuous busy mosque.
You click and drag.
Here you are.
And X-1 click on blog.
And this click and drag and here you are enclosed.
So now you have the headers and you can come and play with the mask verify.
Now let's take the second point press shift and click once.
So I created here a linear point but the previews like if you like is good.
This is because this is a busy.
If it was goes straight you can see the busy.
Now if I press shift and single click I have two linear points and you can continue linear until you
cross the path.
Let's do it practical thing.
I will delete this mosques.
Now we want a mosque that will include only the water over here.
Well here you have to be patient and meticulous and you're going to use the controls that are that on
the Mac a lot.
So I press the spacebar move appear and I'm going to zoom a bit.
So I press alt and point whatever I want to zoom you notice it's zooming exactly where the hand is.
I would take the pen to start by creating in this example just a linear north over here.
So I click once and then I click over here from here.
Maybe if you don't want to read that's OK with you you can still have it Ninio.
That's fine.
And then that's good to hear.
And then maybe you click and drag.
OK we are just fine.
Let's just the color again of the mask and take it to yellow.
So you can see it and I can see it.
I want to continue drawing.
Now I need to select the last point Gafsa I selected.
Here you are to click on it and I want to continue drawing the mask.
So I would come over here and maybe curve it like this is not really working.
OK.
I need to you know break the busy and I want them to work together to break the bases.
This is editing.
You can press the key and here you are.
You're not does it change to the convert to it.
And you can just adjusted the way you would like this create another point.
Let's come over here.
Let's go straight just not to complicate things.
And we click and drag fine is not working I press alt and take one down to have almost a curved straight
line.
So I broke the continuous busy into busy and press the spacebar to move along.
And here let's do this.
This is working.
Let's take this one's up.
This is not working.
So I use the Alte and come back to this point I just find.
Still have the last point selected.
So I can continue with a mask for example and put it over here click and drag adjusted the way I like.
Cool Askham let's say to the outside just from here.
Is working fine not really pressed and adjusted.
Still pressing on it and I'll change it like this.
Here you are.
Now you can close your mask.
I will zoom out here another one and I close the mask.
So actually this is not bad.
I asked Could that be very meticulous.
But I want don't want to get you very impatient so I created the kid using the pen tool linear notes
and bezique nods and continues busy not by using the alt or the option key on the mat to change the
way the hands on this job is not about you know learning it is about practicing it and believe me you
need 50 100 mosques to say OK I can throw a mask in one minute.
Even if it's complicated but sometimes it gets so complicated that you want to mask a very special area
for example let's say you want to mask the sky over here.
So really you have a lot of work to work over here and a lot of feathering and story is to get the mask
at 100 percent Dombey's get from it.
This is a professional job and more meticulous you are more patient you are you will get some really
awesome mask where you can apply certain effects.
This point is not good.
Over here let's correct this because of the Xun take this handle and just move it over here.
OK.
And you know this is how I looked at that point is not very good.
This is going to happen to you.
Thank you very much for being very patient and learning about how to create masks with the bench.
See you in the next lecture.