Guys and will come to any meeting with mosques and community leaders and only meeting mosques I know
you went through lots of editing stories and could mass creation.
It's time now to put them in practice.
And if you went through the previous lecture you are meticulous.
From now on it's going to become very easy for you.
You have a very strong base.
So let's start creating new composition putting layers adding masks and then imaging when you want to
animate.
Of course you start with really out.
So let's start.
I will take this cut.
I like it very much and create a new composition from the cut and this got is very nice but actually
is too big here.
Well I want to create a mask on this cat.
I will use now the rounded rectangle tool.
You see how it works.
So I'll come over here because I can see where I want to go.
And then click and drag to create the mask.
Here you are.
OK.
That looks fine for me.
You notice that these points are busy.
You can really come over.
I will zoom into the maximum and you not just you can play with them create your own kind of corners.
OK.
It's quite cool to play with.
I will undo that.
I'll leave it to you.
Go back to 100 percent.
I want to align earlier.
I would click on the align left is still big out press as to scale it and let's go to 75 percent.
That's not bad.
And put it on the left to align it.
Good.
Let's give it the background but not the decomposition background a real background so I would go to
a rectangle though it's better to use solid layers.
But since you haven't covered so many layers I'm going to use a simple shape.
I will double click and the shape is created.
Go to the feel and make it 100 percent and click on the shiploads raggedy and put them on the bottom.
And look at this one will be our background.
Let's take the other two.
We have this cat and we have another beautiful cat just over here this one.
So take this cat and just click and drag and drop it inside the composition.
I want to have the head of the cat.
So I would go for the elipse tool and come to the middle over here.
Click.
Press Control and shift and make it bigger here.
Then using the space bar I would just move it around.
OK I think this is good of course I have to scrub immediately to see exactly if the head doesn't go
outside but it's very big right guys.
So I'm going to come to the skin and scale it down.
OK.
Now you need to put the anchor point in the middle not.
Then it does not follow the mask to put that up into the middle you have a short cut which Control Alt.
Whom That's one.
Or simply use the pen behind tool while pressing control it will stop it.
I go back to the section to click and put the player or the now I don't want to take the other cut it
is this one I want to create a mass that's identical to this one so the two layers are the same size.
How do I do that.
I'll take the lead drop it inside the composition come over to the previous one let's put this one off
to show you OK.
And then open mosque and you have here mask path the mask pass is the mask itself.
It's a path in fact sort of selected press control-C or Kamensky on the mark and then go back to the
previous layer.
Just put it on and actually just control V as simple as this.
If you turn down you'll find that I have another Masters identical to other one but of course we played
with the scale here.
OK so we have skill at 48 percent come over here press S and you have this get a 48 percent.
And now I have two identical size layers but we need to move this RASC.
I will Doubleclick the easiest way and just put it over here.
Something like this scrap through to see the cut is not coming out.
Seems OK fine.
Now select the layer itself and put the anchor point in the middle.
I can use the shortcut control alt form or comment option on the map.
OK.
Click and drag and put it over here.
So both of them and the line the.
So now I have very beautiful lay out and I want to animate the masks or the layers I would see it in
the next lecture with animating the masked lamps.