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Hi guys.

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So what are solidly useful for besides you know having them on as a background.

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And I did a couple of I think it was solid labs are meant for you to apply effects on them also that

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are meant to be masked and apply effects on them.

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Let me show you an example that would convince you that suddenly there's a made for it to come to the

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perfect simplicity if you have any machine presets.

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There are so many of them hundreds of them here.

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Let's focus a bit on the background let's take for example the blocks.

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If you click on drag and not notice and dropping it in a composition that is totally empty there are

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no layers here.

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And then our release immediately.

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It has created a solid layer and in this solitaire it has added all the effects that are used by this

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preset here.

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If you're on your animation now you're not.

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The ethics are being an idiot.

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This is pretty cool as a background.

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Of course you can work on it change certain properties here to make it the way you would like as they

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did this one.

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And try another one just to convince you to stick to it.

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It is a nice one.

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Drag and drop it inside the composition here.

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Again a solid two has been created so we have sold one on the other side and you have all the facts

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applied to the sort of player if you want to get rid of all the effects at once or remove all the ethics

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from a player.

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You select your player and you press control shift.

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Or on the market you will be now command shift.

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And it will clean up all the ethics if you remove them or goal.

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So it's a proof to you now that the effects here rely on a sort.

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Now besides that what can you do.

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Let's go to the project here and let's put our nice video.

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I think it's this one let's drop it under the slide and let's go to the Shipler and start creating masks.

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I would select the supplier and just click and drag to create a mask just on the Salida And that's what's

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happening.

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So now you have a solid lead with a mask.

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PLEASE GUYS THIS IS NOT A shape this is not a rectangle.

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This is a solid player with a mask.

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It looks like a rectangle but it's not animated like a rectangle.

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It doesn't move like a rectangle.

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And it's not unlike that.

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Totally not a shape.

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So it just a solid lead with the mask.

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Please take that in consideration.

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Now you have your solid layer that has a rectangular mask under here.

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I will take the for example the ellipse to I'll click and create an ellipse just over here.

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Press spacebar and take it up.

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I have a solid lead with a mask.

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I don't want to apply any effect on the video.

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I want to use a solid lead because doing that I can duplicate what ever I have done over here which

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is much more portable than having it on the video itself.

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One nice effect that you can apply in this context I think is the fog lights.

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Click on the dragon and drop it on the mask.

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Sorry.

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No not just what's happening here.

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The effect has been applied to the lab itself.

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This effect is complicated is a preset menow you can come over to Moscow for example and extend the

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federating you are and maybe reduce the opacity.

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Here you are and of course you can move it around if you like or change shape the way you would like

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with the Bentwood or the selection to do it like this.

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OK.

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So it looks like some kind of a smoke that's coming out.

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Now you have the solid lead that has a certain effect on it let's fix the keyframes or put it outside.

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So I would select them all and just bring them inside here so I can see them all the time.

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So now if I play here you have certainly Micheaux certain inclusion certain visual effects over here.

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Now you can of course come to the masked you can expand it.

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You can reduce the opacity you can play with the feathering and so on.

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Now remember you have all the transformations for a layer itself so you need not bind to the mask you

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have the transformations and you can only make the way you would like let's say you can move the position

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if you'd like to.

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For example I'm gonna stop it here.

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Keyframe the position over here and maybe take it to the other side here.

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So I'm doing it very naive and very naive effort just to show you how to work.

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I will come at the end here and just position and just over here for example let's do it like it's moving

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around.

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I would use the selection tool is going up and down something like this.

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If you play now you are admitting the player and creating nice visual effects not fantastic one for

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now.

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OK guys we agree on this one.

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We'll work on this.

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But just to let you know how the solid layer can be very helpful for the some other things you can do.

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Let's delete this one and I'm going to use the same for effect I have here the river.

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I will unlock it and let's create a solid layer.

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In fact let's go back here.

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We have one and two.

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There's the lead story to take it down and put it on top of the video.

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Here it is.

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Now I can use the pen tool and I want to create a mask that will give me not just the sea over here.

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So I put off the solid layer but I select it and then come and draw the mask.

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Remember we have drawn this will be very simple here.

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OK then let's go down and do something like this.

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OK.

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That's excellent.

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I'm giving space here so I can play with the feathering.

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Then I take the time line to zero because this guy has some keyframes take the fog and drop it over

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here and of course we want to show the laya I could simply now use the opacity of the layer take the

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or pass it down so the water is seen or I can use the opacity or the feathering from the mask itself.

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I will feather it.

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OK.

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Make it beautiful just like this.

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And then I will reduce the opacity.

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OK maybe too much of weathering is too high.

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Here you are nuts.

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Now you have some kind of boiling water over here.

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It's pretty cool guys.

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Now I didn't touch the river.

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I can now add some effects on the river color effects if I like and so on.

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So this is how you would use the sunny days with masks and effects.

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Thank you very much.

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I would see you in the next lecture.