1
00:00:00,800 --> 00:00:07,580
And this lecture guys you and I we are going to discover about the adjustment class take it seriously.

2
00:00:07,600 --> 00:00:10,930
This is a very important they are much more important that shapes.

3
00:00:10,930 --> 00:00:18,890
Now I'm just getting so important to apply effects and even some interesting motion graphics with this

4
00:00:18,890 --> 00:00:19,290
plan.

5
00:00:20,270 --> 00:00:26,430
Let's see exactly what some adjustments are become to the timeline and Right-Click you have here.

6
00:00:26,450 --> 00:00:31,420
And you know that we can add an adjustment to this click and add an adjustment there.

7
00:00:31,680 --> 00:00:34,000
And that's just that has been added on top here.

8
00:00:34,920 --> 00:00:39,450
But in the solids folder over here an adjustment layer has been created.

9
00:00:39,750 --> 00:00:42,690
And if you look over here you'll see it's white.

10
00:00:42,790 --> 00:00:46,020
What I just built there is a white solid layer.

11
00:00:46,020 --> 00:00:48,810
The only difference is this small switch here.

12
00:00:49,020 --> 00:00:52,110
If you look at it this is a switch for adjustment there.

13
00:00:52,260 --> 00:00:57,920
If you pull it off you have a white a solid here you put it on the collar with disappeared.

14
00:00:57,960 --> 00:01:00,740
You notice the lead does not disappear just over here.

15
00:01:02,020 --> 00:01:04,070
And it will act as an adjustment.

16
00:01:04,090 --> 00:01:08,370
So actually you can take any solid lead and turn it into an adjustment there.

17
00:01:08,770 --> 00:01:14,680
But preferably for the beginning please always create an adjustment just from here.

18
00:01:14,920 --> 00:01:19,600
Of course you can go to layers and come to new and you have the adjustments.

19
00:01:19,660 --> 00:01:20,640
Just over here.

20
00:01:22,210 --> 00:01:26,850
If you select the adjustment there and go to layer solid settings OK.

21
00:01:27,150 --> 00:01:29,940
You will notice that it has the solid settings here.

22
00:01:30,120 --> 00:01:31,540
The name is adjustment.

23
00:01:31,740 --> 00:01:33,790
It is as big as the composition.

24
00:01:33,810 --> 00:01:40,410
Of course you can change the width and height and it has the white color and you can preview it as simple

25
00:01:40,410 --> 00:01:43,890
as that so it's a solid lead with the switch on file.

26
00:01:43,890 --> 00:01:47,370
So what can you do with the adjustments and what's its purpose.

27
00:01:47,370 --> 00:01:50,260
The concept of an adjustment there is very simple.

28
00:01:50,550 --> 00:01:57,230
Any effect you add on the adjustment layer will also reflect all the layer below.

29
00:01:57,470 --> 00:02:03,250
OK the last that we have here is a solid layer but the color of the composition.

30
00:02:03,330 --> 00:02:08,940
If you come to composition setting I said that this color and I put this led off for reasons I will

31
00:02:08,940 --> 00:02:11,130
tell you in just a few minutes.

32
00:02:12,800 --> 00:02:18,230
So any effect you apply to adjustment layer will be applied to all the layers below.

33
00:02:18,320 --> 00:02:26,490
As simple as this good to effect simply said and here for example let's go for noise Anglians let's

34
00:02:26,550 --> 00:02:27,520
add some noise.

35
00:02:27,520 --> 00:02:30,690
We take the noise effect and we drop it on the adjustments.

36
00:02:30,990 --> 00:02:34,160
Now we hike the amount of noise a bit.

37
00:02:34,200 --> 00:02:35,000
Here you are.

38
00:02:35,250 --> 00:02:43,260
You notice that the noise has been applied to all the layers below as simple as this because the adjustment

39
00:02:43,260 --> 00:02:45,450
layer is on top.

40
00:02:45,450 --> 00:02:46,870
What's practical about this.

41
00:02:46,920 --> 00:02:49,860
Imagine you're doing color correction and you have five videos here.

42
00:02:49,920 --> 00:02:52,710
Do you really want to Caracara correct each one of them.

43
00:02:52,710 --> 00:02:54,650
No you will put an adjustment.

44
00:02:54,750 --> 00:02:56,850
Apply one single color correction.

45
00:02:56,850 --> 00:03:02,830
Hopefully your videos are near each other in terms of color and then you just do color correction on

46
00:03:02,850 --> 00:03:08,080
the adjustments that it will color correct or the videos under the adjustment.

47
00:03:08,340 --> 00:03:13,710
In this case we just applied the noise effect now that adjustment that is on top.

48
00:03:13,710 --> 00:03:19,530
How about if you take it on bottom just here you notice that the first video now is above the adjustment

49
00:03:19,530 --> 00:03:22,530
center and there is no effect applied.

50
00:03:22,530 --> 00:03:26,470
This is because obviously it's not under G adjustments.

51
00:03:26,880 --> 00:03:30,560
So actually you can position your adjustments led the way you would like.

52
00:03:30,570 --> 00:03:32,740
You can also add more adjustment last.

53
00:03:32,820 --> 00:03:39,870
If I add new and I come adjustment layer and adjustment that is glazed over here I can put it just above

54
00:03:40,050 --> 00:03:44,420
all of them and let's go find something very obvious like the title.

55
00:03:44,460 --> 00:03:44,730
OK.

56
00:03:44,730 --> 00:03:47,750
These are easy to apply and to monitor.

57
00:03:47,910 --> 00:03:50,280
So I'll apply it on the top one.

58
00:03:50,310 --> 00:03:55,050
Now notice if I take the tune I make it very ugly for you to see.

59
00:03:55,050 --> 00:03:55,990
Sorry guys.

60
00:03:56,830 --> 00:04:03,580
You're not is that any effect applied to the adjustment layer that is on top has the effect on all the

61
00:04:03,640 --> 00:04:07,520
other players including actually of the adjustments that in between here.

62
00:04:07,750 --> 00:04:10,210
So let's hide the nose here to make a difference.

63
00:04:10,210 --> 00:04:11,920
You can see it could.

64
00:04:11,980 --> 00:04:17,830
So the first adjustment layer has either that right around the second adjustment that has added the

65
00:04:17,830 --> 00:04:18,310
noise.

66
00:04:18,370 --> 00:04:26,120
And these two videos that are on the bottom here have also the tri tone and the noise from the two adjustments

67
00:04:26,170 --> 00:04:29,500
that as simple as this is actually very simple.

68
00:04:29,500 --> 00:04:34,910
Now let's take the last layer here and put it on make it visible.

69
00:04:34,960 --> 00:04:39,670
You notice that the two adjustments layers with their effects have affected the last lap.

70
00:04:39,710 --> 00:04:46,300
Obviously by just I mean I don't want to have the background of having any adjustment on it.

71
00:04:46,300 --> 00:04:52,330
I just wanted the weight it was the solution to this is to frequent pores as simple as this.

72
00:04:52,330 --> 00:04:53,320
You select all of them.

73
00:04:53,320 --> 00:04:54,500
I'm giving you a tip.

74
00:04:54,820 --> 00:04:55,960
And you say OK.

75
00:04:56,010 --> 00:04:57,640
Brief pause here.

76
00:04:58,480 --> 00:05:03,080
I would call it cuts and cuts the background there is not you.

77
00:05:03,290 --> 00:05:05,710
Let's go to the composition setting.

78
00:05:05,870 --> 00:05:08,650
Remove this color so you don't get mixed up.

79
00:05:08,660 --> 00:05:09,460
Cool.

80
00:05:09,500 --> 00:05:10,130
OK.

81
00:05:10,170 --> 00:05:11,950
Fact let's show your transparency here.

82
00:05:12,140 --> 00:05:15,970
And you notice the adjustment layers are working on the layers as usual.

83
00:05:16,130 --> 00:05:21,500
But if you come back to the original you notice there is no effect applied to this glass because the

84
00:05:21,500 --> 00:05:24,960
adjustment layers are all inside the speaker.

85
00:05:25,400 --> 00:05:30,160
So your solution to undercut an adjustment there is to be composite.

86
00:05:30,170 --> 00:05:33,520
Now there are a few things that don't work they come to cuts.

87
00:05:33,740 --> 00:05:37,820
So if you take this three for example and you say I would pick them pose.

88
00:05:37,880 --> 00:05:39,070
So this adjustment.

89
00:05:39,110 --> 00:05:40,520
The first one does not apply.

90
00:05:40,520 --> 00:05:41,610
It won't work.

91
00:05:41,810 --> 00:05:42,410
Let me show you.

92
00:05:42,410 --> 00:05:46,610
Of course it won't work if you play compose a click OK I'm going to undo.

93
00:05:46,790 --> 00:05:48,030
It didn't work at all.

94
00:05:48,030 --> 00:05:49,780
Let's go back to cats.

95
00:05:49,880 --> 00:05:52,880
They still have the effect of the adjustment there too.

96
00:05:53,030 --> 00:05:57,430
And of course inside the pickup you have the adjustments they are on.

97
00:05:57,500 --> 00:06:00,610
So I will undo this and will call back.

98
00:06:00,740 --> 00:06:03,800
So actually this is how to work with the adjustment left.

99
00:06:04,100 --> 00:06:09,690
But then there are very nice motion love is that you can do that you will sit together in the next lecture.