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This lecture guys I want to show you some tricks and tips if you say to use the adjustment layer outside

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it's ordinary use and I use these techniques a lot.

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And I love them and I hope you learn them and ask me all the questions you want to ask me.

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I wanted to become a top aftereffects animator and that visual effects artist.

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So we are now in adjustment they had one good tricks and tips.

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Number one this is decompositional we're open and we have it nice got over here.

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So let's add an adjustment there.

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All right click Continue an adjustment there.

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But I don't want the adjustments to be that big.

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I just wanted a sleep over here so you can change it using the scale you're not sure at the scale from

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me.

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And you can just get it from here.

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But I don't like descaling because it gives you want to animate.

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It's already messed up here.

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So the best way to do is to go to layer and solid settings and let's put the width at 200 for example.

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This will do a click OK.

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So this is the material.

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Now there is a very nice effect in aftereffects for transformation.

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It is called the transform effect.

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Obviously it has to be transform now not as this effect has been sped up.

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It means it's rendered very fast and also it's 32 bit color that is threatening colors.

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It will render the highest composition.

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Let's click on it and get on top of the adjustment there.

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Now to use it is very easy.

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You have the transformation of a shape itself.

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You're not chefs who as you Xs rotation opacity you have the shutter angle and subsampling that's been

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around with this game.

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First of all let's put it at one hundred twenty so not just what's happening.

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Every layer that is under the Shepler will take the transform effect that's one.

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And this is that is not as big as this composition.

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Then you have only a kind of steep if you like.

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Now if you rotate what's happening everything is going to rotate.

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Pure geyser you can carry a double hand stories like this if you can image now is going to be very interesting.

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Let's go back to the beginning and let's give frame the position.

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This is just a normal layer and we take it for example to the outside just here that's come after three

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seconds so you can see it or two seconds I think would be nicer.

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Click on it and just put it over here.

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So it really created a very nice animation here you are.

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You notice that it is pretty cool animation.

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That's how it's coming up.

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So just imagine the effort you can do with this come over and rotate the layer itself.

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We are I am rotating the layer itself.

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I'm going to stretch it now.

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I have no choice I'll make it bigger.

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Not just now the animation is also very cool let's take it outside more.

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And I guess on the other side we need to adjusted.

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Yes.

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So let's come over here and just take it to the outside.

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So you have now a very nice animation.

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What you can do now is to put many of them for example if I take another adjustments or duplicate this

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one of course is going to affect all the others.

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But what I will do is just move it.

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And now let's play the animation Let's make this one longer.

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Here you are the first one comes and the second one comes.

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And so on.

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I am sure you have seen this in very many places.

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Let's add another one.

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I'm greedy.

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Let's move it over here to a second.

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I just am a bit.

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And let's play the animation from the beginning.

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Look guys you have a very nice effect and you can use it all over to oxygenate something to make it

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you know quite beautiful Why not adding even a glow.

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It's like the glow.

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I would stop the animation over here.

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And let's go for glow and let's see what is the glow effect on one of the labs.

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Not all of them.

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And let's hike the glow here Gloria.

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Yes.

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And the glow intensity would hike it.

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Let's scrub through or play.

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What is the effect of the glow.

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Pretty interesting animation actually using motion graphics with a combination of visual effects.

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This is really after effect here.

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Now guys it's up to you to come and play with the transform.

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Here are other effects.

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For example I'll go back to the tri tone which could be very interesting and I would take the right

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tone and apply to one of them only.

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OK.

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And here you are.

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And that's what's happening.

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Now this is the one with a right tone.

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OK let's stop it here.

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You know the one with the title.

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Of course you can do a lot of other effects but actually here you got the concept of meeting the adjustment

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layer which will affect all the other layers.

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Thank you very much guys for listening.

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I hope this was interesting for you and I will give you an assignment to make the cut here the head

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a bit smaller which you will see in the next lecture.