1 00:00:01,110 --> 00:00:08,860 I guys will come to time you remop Tamim up the method in aftereffects it's extremely powerful. 2 00:00:08,970 --> 00:00:13,610 It allows you to play with time within your compositions and your layers. 3 00:00:13,680 --> 00:00:17,940 And the only thing that you need to make it longer in time or shorter. 4 00:00:17,940 --> 00:00:22,640 You can use timely map also has the ability to keyframe time. 5 00:00:23,130 --> 00:00:25,300 Let's see how it works. 6 00:00:25,410 --> 00:00:27,720 I will use this composition here. 7 00:00:27,720 --> 00:00:29,270 This is LTE too. 8 00:00:29,620 --> 00:00:31,730 And I will stay in the folder. 9 00:00:31,740 --> 00:00:36,550 82 Here's what effect the pickup stays within the folder itself. 10 00:00:36,870 --> 00:00:41,460 This is an animation that is an entry and has no exit. 11 00:00:41,550 --> 00:00:45,230 So lets double click and see exactly what's made from your notice here. 12 00:00:45,240 --> 00:00:48,020 You have three recomposition. 13 00:00:48,480 --> 00:00:54,690 So actually if you want to work on it with the techniques that we have used before it's gonna be hot. 14 00:00:54,690 --> 00:00:59,180 The best way is to use time any map I'll show you how. 15 00:00:59,340 --> 00:01:05,350 Let's look at the animation and you'll notice at three seconds here the animation has completed totally 16 00:01:05,550 --> 00:01:06,880 OK fine. 17 00:01:06,930 --> 00:01:10,900 So how about if you can pause and we take only three seconds. 18 00:01:10,980 --> 00:01:15,240 You remember how we did that in the previous lecture selected all our lives. 19 00:01:15,390 --> 00:01:22,950 We positioned at three seconds and we use the art or option on the Mac and the right square bracket 20 00:01:23,340 --> 00:01:27,460 to trim all the letters from the time indicators to the end. 21 00:01:27,630 --> 00:01:35,010 Then we came over here and we said OK let's create now a composition and you made sure that adjust composition 22 00:01:35,020 --> 00:01:38,830 duration the time span of the selected layer is checked. 23 00:01:38,940 --> 00:01:44,260 And of course it's going to take three seconds because this is the maximum time on the longest day. 24 00:01:44,530 --> 00:01:45,300 Click. 25 00:01:46,480 --> 00:01:48,650 Let's start applying the timely map. 26 00:01:48,770 --> 00:01:52,920 You come to your layer right click and good time and you have here. 27 00:01:52,970 --> 00:01:54,850 Enable time any mapping. 28 00:01:55,060 --> 00:01:58,510 That's the time map if you enable it. 29 00:01:58,750 --> 00:02:02,980 That's what happened to you the time remop method is already here. 30 00:02:02,980 --> 00:02:05,580 You can call it the property now but you're not. 31 00:02:05,640 --> 00:02:11,570 It does not belong to any group here it's not under effects or anything just by its own. 32 00:02:11,650 --> 00:02:19,310 And then two key frames have been created and the layer has been extended to the end of the composition. 33 00:02:19,340 --> 00:02:26,260 So what's the object of timely map family map will help you remap the time of the layer. 34 00:02:26,300 --> 00:02:30,590 In this case is the composition to the timeline that you are working with. 35 00:02:30,590 --> 00:02:33,760 For example let's take the last frame here. 36 00:02:34,010 --> 00:02:41,790 This keyframe is set at the end plus one frame of the composition is set at three seconds and 0 1 frame. 37 00:02:41,840 --> 00:02:50,300 So if you open pick up here OK you're not just that the end press and it's as three seconds. 38 00:02:50,380 --> 00:02:53,490 So there is an extra frame here is the blank frame. 39 00:02:53,510 --> 00:02:58,730 This is a very important frame in case you want to stop your animation or you wanted to disappear just 40 00:02:58,730 --> 00:02:59,770 like this. 41 00:02:59,930 --> 00:03:02,790 If you fix this one you put it to three seconds. 42 00:03:03,170 --> 00:03:07,910 Now of course you stop at three seconds and this extra frame is not include any more. 43 00:03:07,910 --> 00:03:12,090 You can see the layer after the keyframe. 44 00:03:12,140 --> 00:03:18,020 Let's take an example let's go for example to one second over here and take the Laski frame of the timely 45 00:03:18,020 --> 00:03:22,930 map and click and drag and put it on the time indicate. 46 00:03:23,030 --> 00:03:24,430 Now that's what's happening. 47 00:03:24,440 --> 00:03:29,470 The keyframes here are going from zero to three seconds. 48 00:03:29,780 --> 00:03:36,860 So actually you keyframe the time one at 0 1 at 3 seconds and you keyframe this time for one second 49 00:03:37,250 --> 00:03:38,370 in the timeline. 50 00:03:38,390 --> 00:03:39,220 This is zero. 51 00:03:39,230 --> 00:03:40,470 This is one second. 52 00:03:40,550 --> 00:03:44,990 So actually you were remapped here the three seconds to one second. 53 00:03:45,140 --> 00:03:46,680 As simple as this. 54 00:03:46,680 --> 00:03:52,060 Here you are of course if you play around the mission now you notice it's quite faster. 55 00:03:52,160 --> 00:03:59,450 So actually this is thymine him up through keyframes you can remap the time of the laser into any time 56 00:03:59,510 --> 00:04:00,590 on the timeline. 57 00:04:00,590 --> 00:04:06,190 For example take the Laskey frame and put it at six seconds. 58 00:04:06,200 --> 00:04:08,160 Over here something like this. 59 00:04:08,180 --> 00:04:09,810 Now what happened exactly. 60 00:04:09,830 --> 00:04:13,410 The first frame is zero the value is zero. 61 00:04:13,550 --> 00:04:16,940 And the second key frame the value is three seconds. 62 00:04:16,950 --> 00:04:22,680 So this player is going to play from zero to three seconds in six seconds. 63 00:04:22,710 --> 00:04:25,930 So actually you remapped the zero to three. 64 00:04:25,970 --> 00:04:30,810 That's three seconds to zero to six that is six seconds. 65 00:04:30,840 --> 00:04:34,470 So you're at three seconds into six seconds. 66 00:04:34,470 --> 00:04:39,990 If you come over and play your animation you know this now is going to take six seconds to play the 67 00:04:39,990 --> 00:04:43,930 three seconds of your pre-camp here or on your lap. 68 00:04:44,250 --> 00:04:47,760 This is a very powerful now. 69 00:04:47,800 --> 00:04:49,560 You notice that you can't play with it. 70 00:04:49,560 --> 00:04:52,180 For example let's take this one and just put it here. 71 00:04:53,530 --> 00:04:57,350 So now we have from zero to three seconds on the keyframes in one second. 72 00:04:57,550 --> 00:05:02,360 But let's change the value let's make zero to 1 second. 73 00:05:02,410 --> 00:05:10,280 So we have mapped one second into one second after trial frames and put it at three seconds just to 74 00:05:10,280 --> 00:05:11,520 play around. 75 00:05:11,830 --> 00:05:16,900 Now Nuki frame has been created of course so it's playing normally because the remapping is the same. 76 00:05:16,900 --> 00:05:25,140 But then in 12 frames here you'll have remapped you know from one second to three seconds. 77 00:05:25,360 --> 00:05:30,250 So it's quite nice to play with it and decide exactly how you want your animation to work. 78 00:05:31,080 --> 00:05:34,720 By the way guys if you delete the keyframes the timely map will disappear. 79 00:05:34,860 --> 00:05:37,440 So you have to go back and put it. 80 00:05:37,440 --> 00:05:39,480 OK enable it again. 81 00:05:39,480 --> 00:05:42,880 Now let's reverse this animation from 0 to 3. 82 00:05:42,880 --> 00:05:43,920 That's OK. 83 00:05:43,930 --> 00:05:47,300 And we wanted to stay some time on the screen. 84 00:05:47,790 --> 00:05:53,660 Of course we have to readjust this frame to put it at three seconds because we have very applied times 85 00:05:53,670 --> 00:05:57,710 the map lets say after one second you wanted to be stable. 86 00:05:57,840 --> 00:05:58,160 OK. 87 00:05:58,170 --> 00:06:00,190 Nothing happens the viewer can see it. 88 00:06:00,210 --> 00:06:01,900 So of course you keyframe. 89 00:06:01,950 --> 00:06:04,690 Now we also keyframes at three seconds right. 90 00:06:04,710 --> 00:06:07,780 The previous one was three seconds three seconds. 91 00:06:07,800 --> 00:06:09,410 So there is nothing happening here. 92 00:06:09,750 --> 00:06:10,410 Let's go back. 93 00:06:10,410 --> 00:06:15,250 For example at six over here I remap it to zero. 94 00:06:15,600 --> 00:06:17,100 So not to see what happened. 95 00:06:17,100 --> 00:06:20,670 You went from three seconds to zero seconds. 96 00:06:21,120 --> 00:06:27,540 So you had the three seconds to two seconds but also the map to inverse or towards the beginning of 97 00:06:27,540 --> 00:06:28,780 the composition. 98 00:06:29,070 --> 00:06:32,390 If you press the spacebar you are it's coming out. 99 00:06:32,400 --> 00:06:37,580 See how easy it is very simple to use the time the map. 100 00:06:37,600 --> 00:06:44,080 This is not only useful to invert the animations or to invoke a video or to play with it if you like 101 00:06:44,440 --> 00:06:51,010 but also it is important to use when you are tweaking for example the animation. 102 00:06:51,220 --> 00:06:56,100 Let's say you created this animation it's pretty slow pretty fast and you want to work on it. 103 00:06:56,190 --> 00:07:01,740 But if you come back to the programs it's a lot of work to do that just to adjust the keyframes any 104 00:07:01,740 --> 00:07:02,470 more change. 105 00:07:02,530 --> 00:07:04,220 You spend another day doing it. 106 00:07:04,240 --> 00:07:11,500 Time map will allow you to set the timing speed up slow down and stop the animation the way you would 107 00:07:11,500 --> 00:07:17,580 like using keyframes waiti map 0 to 3 in one second. 108 00:07:17,710 --> 00:07:26,210 The mistake this keyframe and give it some time to stay in you know like around 1 second then become 109 00:07:26,210 --> 00:07:31,930 two or three seconds and we think the Laskey frame which is 0 now is probably mapping inv.. 110 00:07:31,960 --> 00:07:32,580 Here you are. 111 00:07:32,710 --> 00:07:38,100 You have now fast in stay for a second fast out call. 112 00:07:38,320 --> 00:07:40,040 So you want to slow it in. 113 00:07:40,150 --> 00:07:43,310 You take these guys and just you move them over here. 114 00:07:43,450 --> 00:07:44,550 So it comes slow. 115 00:07:44,600 --> 00:07:49,620 You just the remapping stays in and comes first. 116 00:07:49,650 --> 00:07:53,510 Now also you can select your keyframes and obviously it is them. 117 00:07:53,710 --> 00:07:58,590 OK so you're using the animation in time and that's pretty cool. 118 00:07:58,590 --> 00:08:01,780 So you have here the glove you can come over and play with it. 119 00:08:01,890 --> 00:08:04,490 You know the way you would like something like this. 120 00:08:07,210 --> 00:08:09,270 OK let's see the results. 121 00:08:09,470 --> 00:08:12,860 Pretty cool stable go out fast. 122 00:08:13,660 --> 00:08:17,990 I would select all the keyframes clicking on time remop then I would control. 123 00:08:18,040 --> 00:08:21,950 Right click on one that all back to normal no you. 124 00:08:22,270 --> 00:08:29,450 So I would go to two seconds just over here and let's delete this keyframes and do it the right way. 125 00:08:29,530 --> 00:08:31,680 Now I will remap it to three. 126 00:08:31,870 --> 00:08:34,060 OK so two seconds in three. 127 00:08:34,290 --> 00:08:37,800 Let it go for one second on the screen so people can read it. 128 00:08:37,820 --> 00:08:43,240 They like keyframe again on the same time and then come back after two seconds for example that will 129 00:08:43,240 --> 00:08:46,620 be five and put it back to zero. 130 00:08:46,660 --> 00:08:49,410 And of course I created a very nice animation. 131 00:08:49,420 --> 00:08:50,880 I just add the way I like. 132 00:08:51,100 --> 00:08:54,290 And I can you know do all kinds of manipulation here. 133 00:08:55,070 --> 00:08:55,790 This is final. 134 00:08:55,790 --> 00:08:59,540 This is how you do the math to inverse an animation. 135 00:08:59,540 --> 00:09:05,360 Now let's go to the last few frame just over here and bring the work area and to this keyframe. 136 00:09:05,450 --> 00:09:08,870 And of course you want to trim your camp to work area. 137 00:09:08,870 --> 00:09:10,480 Let's go back to the main. 138 00:09:10,480 --> 00:09:11,400 It's pretty cool. 139 00:09:11,400 --> 00:09:14,930 Now this has become shorter non-problematic the last one I put it. 140 00:09:15,140 --> 00:09:21,590 And not just now the animation is so cool and so is it inverse with the time the map. 141 00:09:21,890 --> 00:09:23,280 Thank you very much for listening guys. 142 00:09:23,300 --> 00:09:24,500 I hope this was very useful. 143 00:09:24,500 --> 00:09:29,390 I hope others very clear do not hesitate to ask all the questions you want in the Q&A. 144 00:09:29,390 --> 00:09:31,140 I'll be there to help you out. 145 00:09:31,200 --> 00:09:36,240 Tamny map is essential for you to master timing in after effects. 146 00:09:36,250 --> 00:09:37,440 I see you at the next lecture.