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Come guys it took time to remap for videos.

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Time for videos that will work exactly like map out for motion graphics.

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Actually if you have a recomposition or a video it's exactly the same.

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Now here we have a very simple video of sushi plates running I don't we want to chase this into you

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know a run nonstop if you like.

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So the sushi plate will run and then it stops.

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You can see it then it runs again.

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And so on and so on for all the sushi plates or some of them if you'd like.

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Now this machine is very easy to do but it will give you a great example on how to use a timely map

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and control the timing of the code.

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Let's start first let's play our video and it's running normally.

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If you notice the players are just scrolling in front of us.

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Well this is interesting but not that interesting.

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Let's go to the beginning and what you want to do is to start from the first plate for example.

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I ran to the second plate stoppit here and then ran again to the third plate and then you know stop

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it over here and saw.

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So I start with this.

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I will introduce time map by right clicking you go to time and enable time any mapping.

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So you remember here we have two keyframes one in the beginning and one at the end of the video itself.

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So let's forget about the last round we don't need it now.

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And let's zoom in to see our frames one more.

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That would be good.

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You want to start your video by centering display.

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So change the time on this keyframe over here.

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So click and drag if you want to go slowly just press control or comment on the Mac and drag left or

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right it will go a bit slow.

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OK it's quite centered now.

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So we are at frame 7.

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Now we want this to stay for 10 frames.

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OK guys.

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So the best way is to come back to frame 7.

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So I would write seven.

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And of course keyframe is actually it and the next step here.

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We want the other players to run over here.

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So I will hold control or comment on the Mac and scroll up until the second plate is viewed at 100 percent

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in the middle.

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So now we have a stable here.

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Play it and then it runs to the second player.

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We want this play now to stay 20 frames on the screen here.

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You can make it anytime you like.

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So I would go to 20 frames then select this frame Control-C or Kamensky on the back and control the

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or comment on the.

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So now you are going from two seconds four frames to the same time and there is nothing happening here.

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After 10 frames you want the other one to come in.

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So I would just hold control or comment on the Mac and Scrabble like this and put this one just over

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here.

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Let's go now.

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After 20 frames and make sure this place is stable.

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So select this keyframe portal C and control V or Kamensky comment on the Mac.

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So I have something quite cute.

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If I play here you are.

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You are.

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And ok.

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Congeners of course.

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Then after 10 frames I want to begin the second plate.

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So I will go plus turn it moves here and I bring in the next plate.

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Our click and drag.

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So we have now the other player that has come in or the next play after 20 frames again.

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OK we want this to be stable.

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So select this keyframe control control V and here you have it very nice and cute video comes in and

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again and again.

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Let's go on for the next play that will be the last one.

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And then we go to timeframes.

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OK.

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We want to bring in the next split so we just scroll or click and drag music control.

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Here you are.

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OK.

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That's pretty cool.

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So let's look at our video and play.

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They're all coming in very nicely.

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Fun.

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So the last play is coming in but I want wanted to move any.

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I want to see it on the spit Well the best way to do it here is to take this keyframe right click on

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it and say toggle to halti flip.

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So after that is going to hold the position.

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And of course you have to make sure that there are no other keyframes overheat.

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See there's a keyframe here.

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Just delete it so it doesn't move for the rest of it either.

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In this case the last play here or the last frame is stable and the video continues you can write things

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on your machine graphics and do whatever you want.

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And if you cut the video here to stop Of course there will be nothing left.

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If I use the altar and right square brackets not this it will go black.

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That's not what you want.

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You want to keep this plate over here.

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Now let's select all the keyframes except the last one the Hartke frame and you can press F nine to

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make them ease then you can go to the graph and decide exactly how you want it.

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So I would zoom in a bit.

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OK.

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And for example you can do them something like this.

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So it comes a bit faster.

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Here you are and then it settles.

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If you look at the video now it has changed a bit.

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It's faster and maybe nicer.

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Maybe this is called next option that you want to explore.

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Here is how to add motion.

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Now the motion blur overhead of course doesn't work.

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This is for motion graphics.

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So we come to simply said.

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And as go down to time and you have two options here.

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There is this Sissi force motion blur and there is the pixel Motion Plus now the motion blur is somehow

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taxying on rendering.

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But it's the best and is first motion blur.

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It's very easy to use actually that Identica.

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Let's take these forced motion blur and just drop it in you'll notice a few play or animation.

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You'll have a shatter of samples.

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So let's play it.

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And of course we're going to be a bit slower here.

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You see the motion blur.

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So this is how you motion blurred a video.

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Why the effect doesn't have the option to motion blur.

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You can add that the number of samples for example let's make them 12.

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OK.

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And then we'll get more motion blurred.

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Now if you like to hear too you can see it on Sloma which we show better.

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If you want to try pixel motion blur.

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Take it and drop it and then disable the sissy force motion blur.

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And I have only picks and motion blur.

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She'll be intelligent to come over here.

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You do the pixel motion and give you a better Chabrier.

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But another is what's happened to the rendering Because become very slow.

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On full resolution also.

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So you need to give it time you need to be patient but of course you're going to get better results

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with the pixel motion of you.

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You don't see the results are very nice.

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Nicer than to see for small Shambler it's a matter of your choice what do you want to do.

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How do you want to deal with your videos.

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Thank you very much for listening.

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I hope this was very useful for you and I would hope that you are going to use timely map and create

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a video that is quite interesting.

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Uploaded to YouTube.

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Pistol in the queue.

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I'll be there to watch it and look at your work and maybe I can give you positive feedback on how to

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do it better.

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Thank you.

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I'll see you in the next lecture.