1
00:00:00,930 --> 00:00:08,880
Now it's time to start animating the position and create a path and see how the motion path will appear

2
00:00:09,180 --> 00:00:12,650
in the active come of you in the Castleview 1 and 2.

3
00:00:12,870 --> 00:00:17,560
And that may be the front and back view left you right Few all the use they want.

4
00:00:17,590 --> 00:00:22,590
Not just that the bush path will play tricks on you when you change your views.

5
00:00:22,590 --> 00:00:23,910
So let's start here.

6
00:00:24,090 --> 00:00:25,250
Let's go to three seconds.

7
00:00:25,250 --> 00:00:29,340
We're going to make a very slow animation later on would make it speedier.

8
00:00:29,340 --> 00:00:32,480
Now I would select both leaders and I would keyframe them.

9
00:00:32,890 --> 00:00:36,210
Let's start by meeting the next day here.

10
00:00:36,420 --> 00:00:41,430
The first thing that you'd like to do for this experience is to animate these oxes.

11
00:00:41,700 --> 00:00:47,580
Well I can can't kid and work on it or I can come to this Zed access which is better or the value but

12
00:00:47,580 --> 00:00:51,640
then we're going to use this one click and put it in front of the camera.

13
00:00:51,830 --> 00:00:52,290
OK.

14
00:00:52,470 --> 00:00:53,900
So this is the beginning.

15
00:00:54,210 --> 00:00:56,820
And you know is the value is negative here.

16
00:00:57,270 --> 00:01:02,600
Then I'm going to zoom in here using the mouse and simply click on the layer and move it around.

17
00:01:03,030 --> 00:01:08,820
So now I don't have to use the Y and X axis because you know how to use them then you know there's you

18
00:01:08,820 --> 00:01:11,290
have a busy motion path.

19
00:01:11,470 --> 00:01:16,870
If it is a linear motion path that you have then you know how to change it in the provinces.

20
00:01:16,870 --> 00:01:22,310
So I come over here and kind of you know some this is how I wanted to happen.

21
00:01:22,530 --> 00:01:23,230
Good.

22
00:01:23,290 --> 00:01:25,270
Now look at the motion path over here.

23
00:01:25,280 --> 00:01:28,120
It really doesn't look like the motion path over here.

24
00:01:28,300 --> 00:01:32,420
But actually here is more representative of how the text is going to come over.

25
00:01:32,450 --> 00:01:36,020
Let's cut through and see exactly how it's coming.

26
00:01:36,250 --> 00:01:39,340
Well it's pretty cool over here.

27
00:01:39,340 --> 00:01:41,650
Now let's have an active camera view here.

28
00:01:41,770 --> 00:01:42,290
Look at it.

29
00:01:42,290 --> 00:01:43,370
Is it pretty cool.

30
00:01:45,480 --> 00:01:47,050
Now I wish I could have this one.

31
00:01:47,150 --> 00:01:53,140
But nevertheless you understand the difference in the motion path with the views.

32
00:01:53,140 --> 00:01:56,750
Let's go to the beginning and now take Shipler one.

33
00:01:56,850 --> 00:01:58,470
All right I'm going to start from.

34
00:01:58,490 --> 00:01:59,780
Away from the camera.

35
00:01:59,770 --> 00:02:00,540
Here you are.

36
00:02:00,790 --> 00:02:01,880
I like this one.

37
00:02:01,900 --> 00:02:07,780
Now we start designing here the motion path is going to be a bit terrible because it doesn't look like

38
00:02:08,080 --> 00:02:09,250
the Active Camera.

39
00:02:09,430 --> 00:02:15,460
So I better start over here maybe one day you'll be very good at this and you can really work in the

40
00:02:15,460 --> 00:02:17,410
custom view or if you want.

41
00:02:17,440 --> 00:02:19,770
So click over and just put it over here.

42
00:02:19,840 --> 00:02:22,740
Not just how much but it's really different.

43
00:02:22,890 --> 00:02:28,430
Let's play it with the hundreds here to make it you know like kind of Islam or something like this the

44
00:02:28,460 --> 00:02:30,180
way you would like this.

45
00:02:30,280 --> 00:02:32,410
There is no rule here just demonstration.

46
00:02:32,800 --> 00:02:34,330
So I click and skip through.

47
00:02:34,370 --> 00:02:39,280
Now these guys when you play it doesn't move in the custom view but if you scroll up it does move.

48
00:02:39,460 --> 00:02:43,610
So this is the motion path and not is the difference in views.

49
00:02:43,840 --> 00:02:47,610
If you look at our animation now in real time here is not bad.

50
00:02:47,650 --> 00:02:50,050
Ok this is cool but not that cool.

51
00:02:50,220 --> 00:02:56,850
I suggested let's take this path and let's move it just over here for example and bring it down a bit.

52
00:02:56,990 --> 00:02:57,440
OK.

53
00:02:57,460 --> 00:02:59,640
Just over the nuts what's going to happen.

54
00:02:59,820 --> 00:03:00,230
OK.

55
00:03:00,370 --> 00:03:02,180
But it's still there still.

56
00:03:02,230 --> 00:03:02,790
OK.

57
00:03:02,830 --> 00:03:04,380
So it's going to take some work here.

58
00:03:05,290 --> 00:03:08,160
Let's look at the motion path from different views.

59
00:03:08,200 --> 00:03:15,460
Click here to select this panel and then choose from custom view to front view OK the set of both layers

60
00:03:15,460 --> 00:03:15,970
here.

61
00:03:16,180 --> 00:03:21,300
And actually we have exactly the same as go back to the left view.

62
00:03:21,490 --> 00:03:25,850
So you're looking from the left of the camp toward the camp.

63
00:03:26,030 --> 00:03:26,260
OK.

64
00:03:26,270 --> 00:03:30,500
There's not much here if I zoom in but the motion doesn't look the same.

65
00:03:30,700 --> 00:03:33,230
Let's go now to the top view.

66
00:03:33,280 --> 00:03:40,280
This makes more sense you can see exactly how it has been done so let's adjust here.

67
00:03:40,300 --> 00:03:45,020
I think it's the Z that's making the problem is de-link a lot to come in.

68
00:03:45,340 --> 00:03:50,440
And over here also the zeal bring it in but it's coming inside the camp.

69
00:03:50,530 --> 00:03:52,520
So I would leave it just over here.

70
00:03:52,760 --> 00:03:58,090
OK maybe I play with the X and bring it in is not working is going to show.

71
00:03:58,150 --> 00:04:00,900
So I will and do just leave it to.

72
00:04:01,030 --> 00:04:01,760
That's fine.

73
00:04:02,020 --> 00:04:05,380
And then you can play with the other views if you like the right view.

74
00:04:05,530 --> 00:04:11,460
And the bottom view to adjust your motion path and this is going to take some practice from you guys.

75
00:04:11,500 --> 00:04:19,190
So let's throw a little animation and see here you are not very beautiful but actually it shows you

76
00:04:19,430 --> 00:04:22,010
how the motion path is working.

77
00:04:22,720 --> 00:04:26,920
Of course you can select the Laski frames and bring them to one second for example.

78
00:04:27,080 --> 00:04:34,090
So give them some time over here and then press 9 to is them and let's play the motion and see exactly

79
00:04:34,610 --> 00:04:36,080
now but it's ok.

80
00:04:37,000 --> 00:04:41,890
This is the way to work with the motion path and the position I'm really focusing on showing you the

81
00:04:41,890 --> 00:04:46,600
motion path you need to adjust that you need to tweak it you need to play with it and it is something

82
00:04:46,600 --> 00:04:50,520
that you really want to have thank you for listening guys.

83
00:04:50,630 --> 00:04:56,430
Please go to aftereffects and start playing with a position create all kind of wrong or right and is

84
00:04:56,460 --> 00:04:57,410
really doesn't matter.

85
00:04:57,560 --> 00:05:03,320
But it's important that you get a perception of how this more surpasses working with different views.

86
00:05:03,320 --> 00:05:08,350
So later on when you're creating a real animation that's useful you know exactly what you're doing.

87
00:05:08,510 --> 00:05:09,090
Thank you.

88
00:05:09,170 --> 00:05:10,350
I will see you in the next election.