1
00:00:01,180 --> 00:00:07,390
Guys before you start changing the type of light that we are working with I would like you to explore

2
00:00:07,390 --> 00:00:12,010
more about the position of the lights and how it affects the shallows.

3
00:00:12,010 --> 00:00:19,210
Here we have a simple spotlight call we can see the spotlight here and this diffusion is making the

4
00:00:19,210 --> 00:00:20,250
shadows.

5
00:00:20,260 --> 00:00:23,530
Now what happens if you take the light on off for example.

6
00:00:23,520 --> 00:00:26,470
Here now is showing on the bottom left here.

7
00:00:26,770 --> 00:00:34,170
And then what would happen if you move it just parallel to the layers themselves that are casting shadows.

8
00:00:34,200 --> 00:00:36,460
You notice what's happening to shallow here.

9
00:00:36,550 --> 00:00:42,320
Now of course what will happen if you take it behind the layers and that's the most interesting.

10
00:00:42,520 --> 00:00:47,540
That's when I want to get to say we take it down and that's what's happening here.

11
00:00:47,620 --> 00:00:55,000
Now coming up you know over here if you use the X because we don't have X on the other view and that's

12
00:00:55,000 --> 00:01:02,460
what's happening the shadows now at in front of the layers that are casting the shadows and not behind

13
00:01:02,460 --> 00:01:03,750
on the wall.

14
00:01:03,760 --> 00:01:08,410
This is pretty interesting and this is how to get the shadows in front.

15
00:01:08,420 --> 00:01:08,670
OK.

16
00:01:08,680 --> 00:01:13,990
I invite you to play with this slide there are so many possibilities but it's very important to notice

17
00:01:14,020 --> 00:01:16,130
why this happened.

18
00:01:16,130 --> 00:01:17,020
Select the layer.

19
00:01:17,080 --> 00:01:22,140
And if you remember we came to the material options over here and accept lights.

20
00:01:22,150 --> 00:01:23,620
We put it off.

21
00:01:23,620 --> 00:01:30,090
If you put it on obviously is going to be affected by the light and it's going to turn into a black

22
00:01:30,100 --> 00:01:31,850
because the light is behind it.

23
00:01:31,930 --> 00:01:33,310
So you can't see it.

24
00:01:33,310 --> 00:01:41,020
So this is a combination if you like of the position of the light plus the position of the layers that

25
00:01:41,020 --> 00:01:42,260
are casting the shadows.

26
00:01:42,430 --> 00:01:46,360
Plus accepting or not accepting the lights.

27
00:01:46,360 --> 00:01:48,210
Now this is pretty cool.

28
00:01:48,370 --> 00:01:55,870
And I'm just going to do certain tricks and I want to get you to explore even more and explore the possibilities

29
00:01:56,230 --> 00:01:59,570
that go look at the video on YouTube and get so embarrassed.

30
00:01:59,590 --> 00:02:04,690
And then you can replicate it and you almost learn nothing from these guys trying to do very magical

31
00:02:04,690 --> 00:02:05,470
things.

32
00:02:05,500 --> 00:02:08,430
So positioning the light is very interesting.

33
00:02:08,560 --> 00:02:12,820
Plus the combination inside the material options.

34
00:02:12,820 --> 00:02:13,390
OK guys.

35
00:02:13,390 --> 00:02:16,220
So for example this is not bad at all.

36
00:02:16,450 --> 00:02:19,520
If you put the light here you have something very beautiful.

37
00:02:19,660 --> 00:02:23,280
You can now rotate the laser maybe a bit more or less.

38
00:02:23,610 --> 00:02:25,620
OK let's go and rotate it.

39
00:02:25,630 --> 00:02:27,520
We are at minus 71.

40
00:02:27,520 --> 00:02:29,510
Let's make it a bit more nuts.

41
00:02:29,620 --> 00:02:35,210
What's happening to the lights you can now position it again or position the light again.

42
00:02:35,350 --> 00:02:37,610
So you can get the effect that you want.

43
00:02:37,750 --> 00:02:39,890
So it's not miraculous.

44
00:02:39,910 --> 00:02:45,180
It's very easy and pretty simple if you try to dig in.

45
00:02:45,190 --> 00:02:50,000
So if you're trying to do a project and you want certain results well it going to be hot.

46
00:02:50,140 --> 00:02:56,860
But if you set up this kind of environment here and the light and the cubes and to start moving the

47
00:02:56,860 --> 00:03:02,830
lights and really take note you will notice that later on when you're doing a good project things will

48
00:03:02,830 --> 00:03:05,220
become really easy for you.

49
00:03:05,470 --> 00:03:08,050
OK guys so I hope this was interesting.

50
00:03:08,050 --> 00:03:09,730
I just wanted to point it out to you.

51
00:03:09,880 --> 00:03:15,560
Please pray with the lights the Mattila option studies like this you don't get to see it.

52
00:03:15,610 --> 00:03:21,940
This is already a very nice environment much nicer than having the light in front of the lights.

53
00:03:22,210 --> 00:03:23,070
Thank you.

54
00:03:23,080 --> 00:03:26,830
I hope this was very useful and I will see you in the next election.
