1
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Hi guys and let's explore the most important type of light which is the spotlight.

2
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So there's got to point a light one on it and then you changed the type from point to spot.

3
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Now not is that the properties here have the same values of the previous light.

4
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If you change it or not or recreate in you light you will always have the properties of the previous

5
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light you have used whatever light you have used.

6
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So I'm going to change the color to white.

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OK.

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And we start noticing here how this light is it.

9
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I click OK and come over to the light options and start you know changing them just from here.

10
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What's interesting about the spotlight.

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First of all I would like to make sure maybe I forgot to mention it before in the composition just over

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here.

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Many of the composition you come to view options and make sure that spotlight wireframe is always on.

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Remember we did that for the camera.

15
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So now you don't want that when selected.

16
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You don't want that.

17
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Or if you want it always on so we can see the light later on you can decide on your project how to use

18
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it.

19
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So the spotlight has a cone.

20
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You notice there is a cone over here and it has a point of interest which is very important.

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The point of interest is where the light is focused.

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And this pretty interesting notice when I move it around.

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You know you can see exactly how it's just focusing and it's pretty interesting by the way guys I will

24
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undo this.

25
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Then you can come to the Active Camera and also move the point of interest to it you know to go anywhere

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you want.

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Let's put it over here.

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Now you can use the Access to move it so you can move it left or right as usual like the camera in an

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out or just up and down if you like to go.

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Also what you can do is to click on the light itself.

31
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This is when the mouse pointer is not showing X or Y or that.

32
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Just click on it and you can move it around the way you would like.

33
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OK.

34
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Notice how the cone is working and petticoat.

35
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So let's pull over here.

36
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That is how the light now is really following the cone according to x y is that you notice you had the

37
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point of interest here and you have the position.

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So I'm trying to adjust that here that's going out to the cone angle the cone angle is how wide is the

39
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cone here or the spotlight.

40
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If you would take it down you notice usually have a very small spotlight down on the Zed.

41
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OK that's what's happening.

42
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It's pretty cool.

43
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You need to come and play with it guys.

44
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So I'm going to make the corny bit bigger.

45
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I think the point of interest I just put it down on the floor just over here.

46
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Now you have the confidence in man actually now you are really feathering is at 100 percent.

47
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You can reduce it to zero and you have a very sharp flight.

48
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And not notice over here is still shaded so the confederate with the falloff off distance it means when

49
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the light will stop giving light if you like.

50
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I'm going to take the fall of distance and put it to zero.

51
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Not just now it's very sharp.

52
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You get the difference guys.

53
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So you have the feathering and you have the fall off distance.

54
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OK.

55
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So let's put it over here.

56
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Let's zoom in a bit and then we increase the intensity of the light a bit.

57
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OK.

58
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Let's take the light from the view and just put it on top.

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Here you are.

60
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OK that's fine.

61
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That's what's happening to the girl here.

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And then I'm going to increase the falloff.

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This is the falloff I'm going to say the fall of distance you know make it bigger and much more.

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So the light is really spending but I want to see it in one viewer to show you.

65
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So now you have a very interesting lighting.

66
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So let's increase the intensity here.

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And you have a you know very nice.

68
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Now this is really cute.

69
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This is how would you manipulate the spotlight.

70
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It's pretty interesting by the way guys I know the thing about the spotlight.

71
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If you notice it has an orientation and or rotations.

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Now I will use the wire rotation and move it but not as will happen now.

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The point of interest stayed alone and the light moved.

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Exactly like the camera.

75
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I don't advise you to do that.

76
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I don't see the point of doing that.

77
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By the way why would you rotate it.

78
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In fact try to and he made the point of interest and forget about the rotation here.

79
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You notice the point of interest animation is really nice.

80
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We put a spotlight but everything else has become very dark at your opinion.

81
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What light will I use to give some light to the surroundings.

82
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Now we want a bright light on the girl if there is light on top of her we can pick it up even more.

83
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OK.

84
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Just like this.

85
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So the light is just above.

86
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OK.

87
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And then we want to light the environment.

88
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So what light would that be.

89
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Well let's see actually we can rightly say new and see light and as simple as this instead of spotlight

90
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Let's put for example an ambient light can click OK.

91
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Here you are.

92
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Now this ambient light is very very strong.

93
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That's one way to do it.

94
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By the way guys.

95
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And then I'm going to reduce the intensity here.

96
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Now that makes sense right guys.

97
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OK.

98
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And you know there's the kind of visual effects and animation you can do.

99
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Now what is amazing here that you can change the color of the ambient light and stick it to something

100
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very obvious so we can see it now.

101
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This is very nice visual effects.

102
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You have the yellow.

103
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Mixing with the lights of the spotlight itself.

104
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Just over here.

105
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Pretty cool.

106
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Now if you want to go to be much brighter for example I would come to intensity and you know increase

107
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the intensity.

108
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And I'm starting to lose some details from the image but this is quite cool down.

109
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OK now you're making a very romantic scene or very emotional scene.

110
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The yellow light is not very appropriate here.

111
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You might want to choose a different kind of light for example.

112
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I don't know.

113
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I will go just over here.

114
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That looks better.

115
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OK.

116
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But you can see the details from the other side.

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You can increase the intensity.

118
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And here you are.

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Have you seen so now the spotlight is the most practical.

120
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And also you can use it with the other lights.

121
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Thank you very much for listening.

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This was about a spotlight and I hope it does very useful for you.

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I will see you in the next election.