Hi guys and let's explore the most important type of light which is the spotlight.
So there's got to point a light one on it and then you changed the type from point to spot.
Now not is that the properties here have the same values of the previous light.
If you change it or not or recreate in you light you will always have the properties of the previous
light you have used whatever light you have used.
So I'm going to change the color to white.
OK.
And we start noticing here how this light is it.
I click OK and come over to the light options and start you know changing them just from here.
What's interesting about the spotlight.
First of all I would like to make sure maybe I forgot to mention it before in the composition just over
here.
Many of the composition you come to view options and make sure that spotlight wireframe is always on.
Remember we did that for the camera.
So now you don't want that when selected.
You don't want that.
Or if you want it always on so we can see the light later on you can decide on your project how to use
it.
So the spotlight has a cone.
You notice there is a cone over here and it has a point of interest which is very important.
The point of interest is where the light is focused.
And this pretty interesting notice when I move it around.
You know you can see exactly how it's just focusing and it's pretty interesting by the way guys I will
undo this.
Then you can come to the Active Camera and also move the point of interest to it you know to go anywhere
you want.
Let's put it over here.
Now you can use the Access to move it so you can move it left or right as usual like the camera in an
out or just up and down if you like to go.
Also what you can do is to click on the light itself.
This is when the mouse pointer is not showing X or Y or that.
Just click on it and you can move it around the way you would like.
OK.
Notice how the cone is working and petticoat.
So let's pull over here.
That is how the light now is really following the cone according to x y is that you notice you had the
point of interest here and you have the position.
So I'm trying to adjust that here that's going out to the cone angle the cone angle is how wide is the
cone here or the spotlight.
If you would take it down you notice usually have a very small spotlight down on the Zed.
OK that's what's happening.
It's pretty cool.
You need to come and play with it guys.
So I'm going to make the corny bit bigger.
I think the point of interest I just put it down on the floor just over here.
Now you have the confidence in man actually now you are really feathering is at 100 percent.
You can reduce it to zero and you have a very sharp flight.
And not notice over here is still shaded so the confederate with the falloff off distance it means when
the light will stop giving light if you like.
I'm going to take the fall of distance and put it to zero.
Not just now it's very sharp.
You get the difference guys.
So you have the feathering and you have the fall off distance.
OK.
So let's put it over here.
Let's zoom in a bit and then we increase the intensity of the light a bit.
OK.
Let's take the light from the view and just put it on top.
Here you are.
OK that's fine.
That's what's happening to the girl here.
And then I'm going to increase the falloff.
This is the falloff I'm going to say the fall of distance you know make it bigger and much more.
So the light is really spending but I want to see it in one viewer to show you.
So now you have a very interesting lighting.
So let's increase the intensity here.
And you have a you know very nice.
Now this is really cute.
This is how would you manipulate the spotlight.
It's pretty interesting by the way guys I know the thing about the spotlight.
If you notice it has an orientation and or rotations.
Now I will use the wire rotation and move it but not as will happen now.
The point of interest stayed alone and the light moved.
Exactly like the camera.
I don't advise you to do that.
I don't see the point of doing that.
By the way why would you rotate it.
In fact try to and he made the point of interest and forget about the rotation here.
You notice the point of interest animation is really nice.
We put a spotlight but everything else has become very dark at your opinion.
What light will I use to give some light to the surroundings.
Now we want a bright light on the girl if there is light on top of her we can pick it up even more.
OK.
Just like this.
So the light is just above.
OK.
And then we want to light the environment.
So what light would that be.
Well let's see actually we can rightly say new and see light and as simple as this instead of spotlight
Let's put for example an ambient light can click OK.
Here you are.
Now this ambient light is very very strong.
That's one way to do it.
By the way guys.
And then I'm going to reduce the intensity here.
Now that makes sense right guys.
OK.
And you know there's the kind of visual effects and animation you can do.
Now what is amazing here that you can change the color of the ambient light and stick it to something
very obvious so we can see it now.
This is very nice visual effects.
You have the yellow.
Mixing with the lights of the spotlight itself.
Just over here.
Pretty cool.
Now if you want to go to be much brighter for example I would come to intensity and you know increase
the intensity.
And I'm starting to lose some details from the image but this is quite cool down.
OK now you're making a very romantic scene or very emotional scene.
The yellow light is not very appropriate here.
You might want to choose a different kind of light for example.
I don't know.
I will go just over here.
That looks better.
OK.
But you can see the details from the other side.
You can increase the intensity.
And here you are.
Have you seen so now the spotlight is the most practical.
And also you can use it with the other lights.
Thank you very much for listening.
This was about a spotlight and I hope it does very useful for you.
I will see you in the next election.