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Have guys and welcome to the shallows or Wolken to creating shadows whatever you like.

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Now if you want to follow along I now appreciate the follow longer you will learn much more.

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Please open the project file shallows that ATP in this lecture we gonna start creating cellos and then

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we play with them.

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Say exactly what lights you like and how to manipulate things.

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After opening the file you will notice that they're important.

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Here are some logo.

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If you open the logo cube you will notice that you have to ice cubes or a kind of logo if you like.

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Fine let's go back to the shallows here and if we want to take just part of the cube out take the open

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one and click on it bracket drop it here and scale it down to 50 percent.

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We are now in to this year.

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Now I want to create the background.

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I will use a solid layer.

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Give it a nice color.

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Grey will work for now.

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It will give us nice shadows.

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We click OK.

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Take the solid drop it under and we make them both 3-D.

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OK I only go to to view presenter's And let's not start the logo and the solid letter are on the same

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planet.

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Let's now add a light and create the shadows.

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Our right click a new and less ideal light to start with.

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We are going to use for example a point light.

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Now if use an ambient light you not as there is no shadows in all the others.

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There will be a shadow here.

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You can cast shadows the stars to the point light and of course you want to enable cast shadows intensity

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and fall off.

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It's OK we are going to work on that now as soon as I drop the light.

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Not this the light is in front but there is no shadow.

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There are a few things that you need to verify to get shadows.

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First of all there should be a layer that will accept the shadows.

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In our case this will be the solid laugh.

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Well let's cut the solid layer here and let's go to the material options.

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So I would say they are here can't accept cellos can change that to say chateaus only so that Sendler

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does not appear.

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But it only gets shallow and it became totally white or we can put shadows of shadows on.

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So now we have the scarlet letter accepting the shallows.

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God said we can't see any shadow that is because the logo itself should cast the shadows right guys.

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So if you come to material options over here you will notice that you have cast shadows off where the

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options are here off or on.

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So now we can have shadows or shadows only.

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It means the layer would disappear.

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And you can see only its shadow.

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Pedicle let's put it now on the shelves.

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Still we cannot see any shadow that is because the layer that is accepting the shadow and the layer

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that is casting the shadows that is the logo are on the same Z plan.

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So you need to move it a bit towards the light so the shadow has some distance to appear.

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And here is the shadow of this political right guys.

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So actually in summary you need the light to cast shadows.

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You need a layer that will accept the shadows and you need the object to also cast the shadows you are

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and that should be a distance on the zipline for the shallow to appear otherwise the shadow and the

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object will be merged.

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OK so there is shadows that are on the same plan but they are in motion.

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Ok so I put in front over here.

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Let's go to the light itself and start adjusting the shadows from the light.

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Light and light options.

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First of all you have the intensity.

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OK not this it does not affect the shuttle but this is the point.

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Light is burning somewhere and the even the shadow is getting burned if you notice.

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Just like this.

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OK so let's keep it at a reasonable figure of 100 will be OK.

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The falloff will affect the shallows we see that later.

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And of course you have shallow darkness Cameco shadows very dark and above 100 percent even though we'd

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be totally black and you can make the shadow diffusion now is zero.

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I would say that if fusion is like the blurring of the shuttle if you take it up slowly you will notice

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how the shallows are being diffused.

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Let's put it for example at 15.

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I like that so you'll have no shadows but they are diffused in the next lecture.

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Start moving around the light and the two layers here and see exactly what's the effect.

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See you in the next lecture.
