Guys in this lecture I will introduce you to very important very practical and very useful presets.
Anytime you want to do a video transition using the fade in or fade out please jump and use these presets
and start creating keyframes on the past year to create a fit in or fade out.
You can use this presets and they are extremely practical to use.
Let's try the fade in over layer below so the top layer is going to fit in over the lead below.
So actually they should be like this.
So the top layer is going to come into appearance fade in over the Biloela area.
Let's take the preset and drop it on top of the layer itself.
Now not here we have only one effect is the solid composite the solid composite is very easy.
The source opacity here is about the opacity of the layer the color and the opacity here is about a
solid layer that you can use.
We see some examples later on and there is the blending mode of the surface layer which is white here
with the source layer which is the video in our case you know let's focus on the source or by sea only
if you play now what's happening here.
It's already fading in the top layer.
So it's bringing it in appearance.
I'm going to play it now.
You're not fitting in very nicely.
Now tell me why I'm using this preset I can put my key frames here and so on.
That's your right.
But there's something more important you know.
There is this overlap.
And if you have keyframes and you change the overlap then you have to come and change the keyframes
like most of the time you forget to do that or most of the time you get tired of doing that because
we don't know exactly where we are starting and so on.
But with this pace set whatever the overlap is it will work from the imprint of the top layer to the
point of the bottom layer.
Let's play and see not just how it's going slowly and it's taking his time now it's two seconds or something
and it will fit in.
It's not in time but you get the picture the facts better.
Let's play that game.
You know the video is happening if you change the overlap now the timing also is still working from
the import of the player to the outpoint of the bottom line.
You can see it's very cool.
Not only that.
Let's say you decide that you don't want your video to start from here.
You want to click and drag in the important.
And this guy.
So you want to click and drag in the outpoint and overlap them just a little here.
Is Now when you play is going to still work the same from the import to the outpoint and you have your
transition.
OK.
It's so easy.
There is here of course an expression that is used which is pretty heavy by the way.
But if you are good in expression and Javascript you will not set it's very easy.
It uses the in point the outpoint the index of the lead.
That is the number of the lead over here and it it turns 100 or it catches an out or something like
this.
But it's actually you don't get about the expression it's working and it's working fine.
There is even more interesting this fit in or out with friends.
I will delete this one.
And returned the importance and options for both leaders.
I can just put them something like this.
Now I want to use the fit in plus out flames.
Click on it and drag it and put it on top.
Of course here I'm going to use the fit in so the top layer is going to fade in existence all in view.
That is the preset bit here.
First of all you have the set itself which is in the form of an effect it has fade in duration or fed
duration not both of them of course and you have the solid composite with the source opacity that has
an expression.
The federation here is in frames.
If you say for example 15 frames so let's come to the important and you add 15 frames.
OK it will jump Matis.
It's already over the Fed in its feeding in for 15 frames.
That said if you decide now I want to make it 30 frames now again it works from the point to plus 30
frames.
Nothing to do with the point of the bottom layer.
So the fade in is restricted to 30 frames.
Extremely useful when you're doing some sensitive animations and it's just about fading in.
You want the exact number of frames.
Very useful.
Another one that you can use.
I will come over here and to remove all the presets you can use affect and remove all it will remove
all the effects from the controls.
If you click on it they are all gone.
I usually use the shortcut control shift key or command shift on the Mac that's now the fig in in.
That will be interesting and drop it on the top floor.
Now it gets extremely sensitive what it says.
How many milliseconds you want 500 milliseconds will be half a second.
That puts at 1000.
It will be one second as Quincy come to the point here.
Add one second plus 100 press enter.
Here is the one second notice the fading is just 1000 millisecond or 1 second.
So it's pretty useful to do that control shift each remove them and let's explore the last one which
is phased out.
Overlayed below fade out over the layer below.
Of course you need the LED that is fading out to be on top of the layer that is fading in somehow.
If you click and drag and drop it over here that's what's happening here.
It's fading out totally.
So it depends on what you're working and wish that you want to put you know on top.
Now I prefer to use always the fade out and the Fade in.
Forget about fit in in frames.
I am never so meticulous when it comes to faith in.
Now if you reduce the overlap the fade out would still work as the fit in.
Now these are very useful presets.
You know these guys I'm sure you have not already.
If it's already in fadeout use these presets.
If you want to add more you can come over and add other effects if you like and keyframe them that would
be also pretty good.
Thank you very much for listening.
I hope I was not very speedy and any comments for you to come and use these for presets here so your
videos and your work will get speedier shorter and you look like a pro.
Thank you very much for listening.
I will see you in the next election.