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Guys in this lecture I will introduce you to very important very practical and very useful presets.

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Anytime you want to do a video transition using the fade in or fade out please jump and use these presets

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and start creating keyframes on the past year to create a fit in or fade out.

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You can use this presets and they are extremely practical to use.

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Let's try the fade in over layer below so the top layer is going to fit in over the lead below.

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So actually they should be like this.

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So the top layer is going to come into appearance fade in over the Biloela area.

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Let's take the preset and drop it on top of the layer itself.

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Now not here we have only one effect is the solid composite the solid composite is very easy.

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The source opacity here is about the opacity of the layer the color and the opacity here is about a

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solid layer that you can use.

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We see some examples later on and there is the blending mode of the surface layer which is white here

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with the source layer which is the video in our case you know let's focus on the source or by sea only

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if you play now what's happening here.

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It's already fading in the top layer.

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So it's bringing it in appearance.

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I'm going to play it now.

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You're not fitting in very nicely.

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Now tell me why I'm using this preset I can put my key frames here and so on.

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That's your right.

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But there's something more important you know.

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There is this overlap.

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And if you have keyframes and you change the overlap then you have to come and change the keyframes

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like most of the time you forget to do that or most of the time you get tired of doing that because

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we don't know exactly where we are starting and so on.

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But with this pace set whatever the overlap is it will work from the imprint of the top layer to the

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point of the bottom layer.

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Let's play and see not just how it's going slowly and it's taking his time now it's two seconds or something

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and it will fit in.

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It's not in time but you get the picture the facts better.

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Let's play that game.

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You know the video is happening if you change the overlap now the timing also is still working from

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the import of the player to the outpoint of the bottom line.

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You can see it's very cool.

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Not only that.

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Let's say you decide that you don't want your video to start from here.

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You want to click and drag in the important.

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And this guy.

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So you want to click and drag in the outpoint and overlap them just a little here.

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Is Now when you play is going to still work the same from the import to the outpoint and you have your

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transition.

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OK.

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It's so easy.

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There is here of course an expression that is used which is pretty heavy by the way.

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But if you are good in expression and Javascript you will not set it's very easy.

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It uses the in point the outpoint the index of the lead.

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That is the number of the lead over here and it it turns 100 or it catches an out or something like

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this.

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But it's actually you don't get about the expression it's working and it's working fine.

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There is even more interesting this fit in or out with friends.

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I will delete this one.

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And returned the importance and options for both leaders.

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I can just put them something like this.

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Now I want to use the fit in plus out flames.

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Click on it and drag it and put it on top.

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Of course here I'm going to use the fit in so the top layer is going to fade in existence all in view.

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That is the preset bit here.

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First of all you have the set itself which is in the form of an effect it has fade in duration or fed

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duration not both of them of course and you have the solid composite with the source opacity that has

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an expression.

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The federation here is in frames.

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If you say for example 15 frames so let's come to the important and you add 15 frames.

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OK it will jump Matis.

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It's already over the Fed in its feeding in for 15 frames.

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That said if you decide now I want to make it 30 frames now again it works from the point to plus 30

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frames.

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Nothing to do with the point of the bottom layer.

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So the fade in is restricted to 30 frames.

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Extremely useful when you're doing some sensitive animations and it's just about fading in.

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You want the exact number of frames.

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Very useful.

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Another one that you can use.

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I will come over here and to remove all the presets you can use affect and remove all it will remove

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all the effects from the controls.

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If you click on it they are all gone.

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I usually use the shortcut control shift key or command shift on the Mac that's now the fig in in.

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That will be interesting and drop it on the top floor.

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Now it gets extremely sensitive what it says.

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How many milliseconds you want 500 milliseconds will be half a second.

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That puts at 1000.

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It will be one second as Quincy come to the point here.

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Add one second plus 100 press enter.

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Here is the one second notice the fading is just 1000 millisecond or 1 second.

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So it's pretty useful to do that control shift each remove them and let's explore the last one which

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is phased out.

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Overlayed below fade out over the layer below.

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Of course you need the LED that is fading out to be on top of the layer that is fading in somehow.

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If you click and drag and drop it over here that's what's happening here.

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It's fading out totally.

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So it depends on what you're working and wish that you want to put you know on top.

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Now I prefer to use always the fade out and the Fade in.

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Forget about fit in in frames.

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I am never so meticulous when it comes to faith in.

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Now if you reduce the overlap the fade out would still work as the fit in.

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Now these are very useful presets.

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You know these guys I'm sure you have not already.

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If it's already in fadeout use these presets.

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If you want to add more you can come over and add other effects if you like and keyframe them that would

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be also pretty good.

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Thank you very much for listening.

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I hope I was not very speedy and any comments for you to come and use these for presets here so your

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videos and your work will get speedier shorter and you look like a pro.

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Thank you very much for listening.

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I will see you in the next election.