1 00:00:00,930 --> 00:00:06,760 I Guys welcome to this new lecture about Stancil Alpha sensorial phi is really special. 2 00:00:06,770 --> 00:00:12,570 In fact all this category is quite special and its use will need some training from you. 3 00:00:12,740 --> 00:00:19,370 So you can get to see the effect really and to understand the manipulation Stancil Alpha and all this 4 00:00:19,370 --> 00:00:24,440 category you can play a lot of tricks with them and a lot of useful tricks. 5 00:00:24,440 --> 00:00:25,920 Let's see what we have here. 6 00:00:25,940 --> 00:00:28,360 I have my text that says that Alfon. 7 00:00:28,450 --> 00:00:29,180 That's one. 8 00:00:29,330 --> 00:00:32,400 I have my gloves they're fine and I have the five. 9 00:00:32,660 --> 00:00:37,130 Well I would like to do is to apply and multiply and the blended clouds of fire. 10 00:00:37,130 --> 00:00:38,490 Let's do that. 11 00:00:38,720 --> 00:00:45,140 And I'm very happy with the multiply you can use something else and I want to do math to these two layers 12 00:00:45,200 --> 00:00:47,580 inside the extensor Alpha arc. 13 00:00:47,780 --> 00:00:50,440 Now if I use that might not is what's going to happen. 14 00:00:50,510 --> 00:00:51,680 It's very beautiful. 15 00:00:51,710 --> 00:00:55,070 It has to like my dad the closet Stansel Alpha. 16 00:00:55,190 --> 00:01:00,140 That's very fine but it kept all the fire outside. 17 00:01:00,140 --> 00:01:07,070 And this is not exactly what I wanted I wanted everything inside the characters so I would get the multiply 18 00:01:07,070 --> 00:01:10,800 here but I will remove the alpha but not track month. 19 00:01:10,910 --> 00:01:14,730 Now to do that I will go and use that said Alpha. 20 00:01:14,990 --> 00:01:16,250 That's exactly what I want. 21 00:01:16,250 --> 00:01:22,620 I have nothing outside and only the Blanding is showing within the text there and I can play the videos 22 00:01:22,620 --> 00:01:24,140 and very beautiful. 23 00:01:24,140 --> 00:01:25,530 Now not just what's happened. 24 00:01:25,640 --> 00:01:31,390 Stencil Alfar will cut through all the layers below or there underneath. 25 00:01:31,430 --> 00:01:33,350 So it's very important you notice that. 26 00:01:33,350 --> 00:01:37,620 Let's show you an example let's take the stone background and drop it. 27 00:01:37,640 --> 00:01:43,610 Now we know there's nothing happened here even if I do screen for example I can see the storms now also 28 00:01:44,390 --> 00:01:47,410 but the Stancil mode also cut through the stone. 29 00:01:47,420 --> 00:01:49,680 That's not really what I wanted what I wanted. 30 00:01:49,670 --> 00:01:55,090 It's just going to be a background for this I'll the background to this. 31 00:01:55,160 --> 00:01:56,230 How do I do that. 32 00:01:56,240 --> 00:02:03,720 It's very easy all you have to do is to recompose and you say click on pause and you move everything. 33 00:02:03,950 --> 00:02:07,460 Now if you go back to my layer it is working very fine. 34 00:02:07,460 --> 00:02:09,630 This one we have to show here you are. 35 00:02:09,770 --> 00:02:17,420 So you have the composition that contains the stencil Alfar the clouds the fire and it's not cutting 36 00:02:17,420 --> 00:02:22,610 through anymore so the stanza has no effect except within the composition. 37 00:02:22,610 --> 00:02:28,650 So that's one way to use Stansel alpha and I will show you another way in a second. 38 00:02:28,670 --> 00:02:32,180 Now you can also use the stencil Alpha on Shepler's. 39 00:02:32,420 --> 00:02:35,590 And let's try to do another example. 40 00:02:35,630 --> 00:02:44,750 If I come in have a shape here just a circle and take it down and I want just the candle to appear within 41 00:02:44,750 --> 00:02:45,320 the circle. 42 00:02:45,360 --> 00:02:46,080 Right. 43 00:02:46,160 --> 00:02:48,930 Just the kind that you see the counter where it is from. 44 00:02:48,960 --> 00:02:50,380 Now what will I do. 45 00:02:50,400 --> 00:02:51,860 I'll apply Stansel Alpha. 46 00:02:51,860 --> 00:02:56,390 First of all let's look at our alpha channel and see exactly what we're doing. 47 00:02:56,390 --> 00:02:58,640 Of course we don't want to see this. 48 00:02:58,730 --> 00:03:04,240 And the other two videos we don't see them because that I've attended obviously is as big as the comp 49 00:03:04,580 --> 00:03:08,370 but that's the alpha channel of the circle and I can use this one. 50 00:03:08,390 --> 00:03:12,460 OK fine let's go back to our G-B and put on the two layers. 51 00:03:12,470 --> 00:03:17,030 Now what I can do is to come to the mods here and assistance at Alpha. 52 00:03:17,030 --> 00:03:18,450 Now that is great. 53 00:03:18,470 --> 00:03:23,440 It's very sharp here of course what you can do is to use the radial bluff. 54 00:03:23,600 --> 00:03:26,190 Let me show you here how to use radial. 55 00:03:26,600 --> 00:03:27,360 And I want. 56 00:03:27,440 --> 00:03:34,250 Of course I can use rigid bloodies OK or it'll bit less accuracy here and drop it in. 57 00:03:34,310 --> 00:03:42,200 Now you have the centered and you know this if you make this run bigger is going to be even nicer and 58 00:03:42,200 --> 00:03:43,640 the amount I can blur it. 59 00:03:43,640 --> 00:03:50,360 Here you are of course it's going this way because the center is not set at the center of the circle 60 00:03:50,360 --> 00:03:50,670 here. 61 00:03:50,690 --> 00:03:54,230 I would set it just to show you here just in the middle here you are. 62 00:03:54,230 --> 00:03:59,290 You created the effect of the feathering without even touching the inside but you have a difference 63 00:03:59,290 --> 00:04:00,500 of color here. 64 00:04:00,500 --> 00:04:03,670 So this is one way to do it. 65 00:04:03,860 --> 00:04:05,240 Thank you very much for listening. 66 00:04:05,240 --> 00:04:06,560 I'll see you in the next election.