Hi guys.
And welcome to the challenge.
Before we go through this lecture I hope you're onto aftereffects and tried to do the challenge from
the previous lecture and I'll be trying your best to follow along with me here.
You can open the file motion tracking bulb's that's challenge that AP solaced started.
We have three balls and they are just 18 left and right.
It's pretty cool by the way for tracking.
Let's start establishing the track points.
Ok I'll come to the beginning.
Select the layer and within the tracker here I can select dancing bulbs and immediately it jumps to
the last panel and you are ready to add a truck.
Then you select the layer over here and you click on truck motion to talk.
Let's start by tracking the first one in the middle here and adding the effect I would select the track
point.
Here you are and move just over here.
I would zoom in using the Mascotte and resize the search region that would be cool if I take it up.
I think it's OK.
And also the region of interest.
In fact I need more.
So I would do like this you know a push you get.
So I think this will be good.
Let's zoom in.
So we start analyzing now not this we already have a problem here.
Well I want to continue.
I don't like it.
In fact I will undo and go back here to settle at the truck point.
Let's make it bigger from here and from here and make this one a bit smaller and zoom out and just start
analyzing again and see if he's going to do well.
It seems it's OK.
OK.
It has completed the tracking and it seems is pretty cool.
It has done a good job by the way.
Let's go for the effect now we have the light or the search for it.
You have Sissi light rays and you will click and drag and drop it on the layer itself.
So let's first attach this lightweight.
I would come back to the rocket panel and we'll choose the current track that would be tracker one and
we added the target.
As you know it's checkpoint control.
OK.
So we call it that and we see it applied.
Is it applying that mission to x and y.
You say OK now there are few Palamedes here we can play with for example the intensity you can HYGD
the intensity.
We can hide the betrayed yes it's cool if you notice.
Let's keep it around or we can take square.
I don't know it's year this year.
Transferral mode is nice.
Let's play and see exactly how it is.
What that seems good enough.
Let's move on.
Let's go back to the last panel and from here we want to add another track so I can click on track motion.
I will get a new track on this game where the previous one was.
If I click and drag.
Here we are.
Now you might ask yourself Is this the TAC point one.
Actually we are in tracker 2 so there is no way it is the same track.
We were in tracker one that is tracker know difference.
Could this be the same as zoom in and make it a bit bigger We dig the search engine and make it bigger
just like this.
OK that will do.
And the region of interest you are I'm trying to grab it and make it bigger.
OK let's take them down.
Let's make this a bit bigger.
I think this will do.
Yeah I think so at least let's now start tracking.
I click on Annelise for word and see what's happening here.
Well until now it seems he's doing well.
I think he has done a very good job.
OK let's go back to the beginning.
And for me this Did the target.
First we need to take the skull and put it inside.
Our composition is very big so I'm going to make it smaller just like this put it inside the bulbs.
That looks good.
By the way come back to the lab panel and select our lads just select from here and make sure you are
instructed to not interact with one.
OK.
And I go at it target.
And here we want the layer and you have only scale for now.
And we click on K and then of course you apply X and Y.
Yes.
That's blatancy exactly is doing very well.
Fine.
Let's start with the text in the composition here.
Click on text.
Come over here and write warning.
Now I would go back to the last panel.
I would add another thing I could Doc Martian and you have tracker 3 is not what's happening and you
have a new track point.
You can see that track at three over here.
OK.
I would try to click on it.
It's too small zoom in just being just over here.
OK.
And then we make the decision a bigger effect here I'm going to show you how I work.
I would take the feature lesion and make it bigger.
Here you are and you notice now the other one is going with it.
So this is pretty practical because now you can adjust both of them without having to use the situation.
But nevertheless I'm going to adjust it to make it bigger thing from here also I need to be more good.
I will zoom out and of course you start analyzing from the beginning of the composition OK.
That is not jumping until now everything is cool is not very good you could do a better job by adjusting
the track point.
It does complete a job and I think it has done a very good job also also then we come to target.
So click on it and select warning that's the text left click OK.
And of course you go to apply X Y yes I want X Y.
Now you're not is the text is coming on the very bright area.
I need to take it down a bit the way I will do it is to select the text to press it for the anchor point
and change the anchor point position.
Here you are just going to put it over the fire.
We click out we play great guys.
You have completed your challenge and your practice activity is pretty nice.
By the way of course this is what I have done but I'm sure that if you are more meticulous and you're
not getting a lecture you can do even better than me.
So please if you haven't completed this project or this challenge go to aftereffects.
Open the project file and try to complete it and do your best and add maybe different images at different
tasks and different effect.
You don't do it the way you would like.
It's very important that you try.
Thank you very much.
I hope you enjoyed this lecture.
I hope you enjoyed the challenge and I will see you in the next lecture.