1 00:00:01,420 --> 00:00:02,060 Hi guys. 2 00:00:02,110 --> 00:00:03,570 And welcome to the challenge. 3 00:00:03,730 --> 00:00:08,680 Before we go through this lecture I hope you're onto aftereffects and tried to do the challenge from 4 00:00:08,680 --> 00:00:13,700 the previous lecture and I'll be trying your best to follow along with me here. 5 00:00:13,720 --> 00:00:20,650 You can open the file motion tracking bulb's that's challenge that AP solaced started. 6 00:00:20,660 --> 00:00:24,820 We have three balls and they are just 18 left and right. 7 00:00:24,870 --> 00:00:27,460 It's pretty cool by the way for tracking. 8 00:00:27,680 --> 00:00:30,200 Let's start establishing the track points. 9 00:00:30,300 --> 00:00:31,900 Ok I'll come to the beginning. 10 00:00:31,940 --> 00:00:38,810 Select the layer and within the tracker here I can select dancing bulbs and immediately it jumps to 11 00:00:38,870 --> 00:00:43,880 the last panel and you are ready to add a truck. 12 00:00:44,030 --> 00:00:50,790 Then you select the layer over here and you click on truck motion to talk. 13 00:00:50,970 --> 00:00:57,100 Let's start by tracking the first one in the middle here and adding the effect I would select the track 14 00:00:57,100 --> 00:00:57,580 point. 15 00:00:57,590 --> 00:01:00,160 Here you are and move just over here. 16 00:01:00,160 --> 00:01:06,270 I would zoom in using the Mascotte and resize the search region that would be cool if I take it up. 17 00:01:06,280 --> 00:01:07,330 I think it's OK. 18 00:01:07,510 --> 00:01:09,070 And also the region of interest. 19 00:01:09,070 --> 00:01:10,180 In fact I need more. 20 00:01:10,360 --> 00:01:12,570 So I would do like this you know a push you get. 21 00:01:12,580 --> 00:01:14,310 So I think this will be good. 22 00:01:14,350 --> 00:01:15,600 Let's zoom in. 23 00:01:16,060 --> 00:01:20,860 So we start analyzing now not this we already have a problem here. 24 00:01:21,070 --> 00:01:22,090 Well I want to continue. 25 00:01:22,090 --> 00:01:22,720 I don't like it. 26 00:01:22,720 --> 00:01:28,080 In fact I will undo and go back here to settle at the truck point. 27 00:01:28,080 --> 00:01:35,740 Let's make it bigger from here and from here and make this one a bit smaller and zoom out and just start 28 00:01:35,800 --> 00:01:39,710 analyzing again and see if he's going to do well. 29 00:01:39,820 --> 00:01:41,020 It seems it's OK. 30 00:01:43,250 --> 00:01:43,520 OK. 31 00:01:43,530 --> 00:01:46,810 It has completed the tracking and it seems is pretty cool. 32 00:01:46,810 --> 00:01:48,250 It has done a good job by the way. 33 00:01:49,070 --> 00:01:52,620 Let's go for the effect now we have the light or the search for it. 34 00:01:52,670 --> 00:01:58,230 You have Sissi light rays and you will click and drag and drop it on the layer itself. 35 00:02:00,160 --> 00:02:02,600 So let's first attach this lightweight. 36 00:02:02,800 --> 00:02:08,350 I would come back to the rocket panel and we'll choose the current track that would be tracker one and 37 00:02:08,350 --> 00:02:09,740 we added the target. 38 00:02:09,760 --> 00:02:12,530 As you know it's checkpoint control. 39 00:02:12,590 --> 00:02:13,320 OK. 40 00:02:13,390 --> 00:02:15,970 So we call it that and we see it applied. 41 00:02:16,300 --> 00:02:18,230 Is it applying that mission to x and y. 42 00:02:18,230 --> 00:02:24,130 You say OK now there are few Palamedes here we can play with for example the intensity you can HYGD 43 00:02:24,130 --> 00:02:25,450 the intensity. 44 00:02:25,510 --> 00:02:28,830 We can hide the betrayed yes it's cool if you notice. 45 00:02:28,990 --> 00:02:31,510 Let's keep it around or we can take square. 46 00:02:31,510 --> 00:02:33,030 I don't know it's year this year. 47 00:02:33,340 --> 00:02:34,970 Transferral mode is nice. 48 00:02:35,020 --> 00:02:37,860 Let's play and see exactly how it is. 49 00:02:40,810 --> 00:02:42,590 What that seems good enough. 50 00:02:42,910 --> 00:02:43,940 Let's move on. 51 00:02:44,050 --> 00:02:51,820 Let's go back to the last panel and from here we want to add another track so I can click on track motion. 52 00:02:51,820 --> 00:02:56,230 I will get a new track on this game where the previous one was. 53 00:02:56,230 --> 00:02:57,360 If I click and drag. 54 00:02:57,480 --> 00:02:58,130 Here we are. 55 00:02:58,300 --> 00:03:00,960 Now you might ask yourself Is this the TAC point one. 56 00:03:00,970 --> 00:03:05,070 Actually we are in tracker 2 so there is no way it is the same track. 57 00:03:05,290 --> 00:03:08,900 We were in tracker one that is tracker know difference. 58 00:03:09,040 --> 00:03:15,280 Could this be the same as zoom in and make it a bit bigger We dig the search engine and make it bigger 59 00:03:15,430 --> 00:03:17,110 just like this. 60 00:03:17,130 --> 00:03:18,860 OK that will do. 61 00:03:18,940 --> 00:03:23,780 And the region of interest you are I'm trying to grab it and make it bigger. 62 00:03:24,130 --> 00:03:25,500 OK let's take them down. 63 00:03:26,410 --> 00:03:28,390 Let's make this a bit bigger. 64 00:03:28,600 --> 00:03:29,790 I think this will do. 65 00:03:29,860 --> 00:03:33,280 Yeah I think so at least let's now start tracking. 66 00:03:33,440 --> 00:03:37,090 I click on Annelise for word and see what's happening here. 67 00:03:39,490 --> 00:03:41,580 Well until now it seems he's doing well. 68 00:03:44,080 --> 00:03:46,330 I think he has done a very good job. 69 00:03:46,480 --> 00:03:48,940 OK let's go back to the beginning. 70 00:03:49,300 --> 00:03:51,790 And for me this Did the target. 71 00:03:51,910 --> 00:03:55,760 First we need to take the skull and put it inside. 72 00:03:55,760 --> 00:04:02,500 Our composition is very big so I'm going to make it smaller just like this put it inside the bulbs. 73 00:04:02,560 --> 00:04:03,340 That looks good. 74 00:04:03,340 --> 00:04:10,060 By the way come back to the lab panel and select our lads just select from here and make sure you are 75 00:04:10,060 --> 00:04:12,090 instructed to not interact with one. 76 00:04:12,310 --> 00:04:12,830 OK. 77 00:04:13,030 --> 00:04:15,680 And I go at it target. 78 00:04:15,790 --> 00:04:19,540 And here we want the layer and you have only scale for now. 79 00:04:19,660 --> 00:04:24,400 And we click on K and then of course you apply X and Y. 80 00:04:24,460 --> 00:04:25,770 Yes. 81 00:04:26,140 --> 00:04:29,430 That's blatancy exactly is doing very well. 82 00:04:33,050 --> 00:04:33,530 Fine. 83 00:04:33,650 --> 00:04:36,890 Let's start with the text in the composition here. 84 00:04:37,010 --> 00:04:38,290 Click on text. 85 00:04:38,330 --> 00:04:43,960 Come over here and write warning. 86 00:04:44,090 --> 00:04:48,290 Now I would go back to the last panel. 87 00:04:48,490 --> 00:04:56,130 I would add another thing I could Doc Martian and you have tracker 3 is not what's happening and you 88 00:04:56,130 --> 00:04:57,500 have a new track point. 89 00:04:57,630 --> 00:05:00,000 You can see that track at three over here. 90 00:05:00,000 --> 00:05:00,390 OK. 91 00:05:00,420 --> 00:05:01,590 I would try to click on it. 92 00:05:01,590 --> 00:05:05,790 It's too small zoom in just being just over here. 93 00:05:05,970 --> 00:05:06,870 OK. 94 00:05:06,960 --> 00:05:13,360 And then we make the decision a bigger effect here I'm going to show you how I work. 95 00:05:13,580 --> 00:05:16,550 I would take the feature lesion and make it bigger. 96 00:05:16,550 --> 00:05:20,590 Here you are and you notice now the other one is going with it. 97 00:05:20,600 --> 00:05:26,870 So this is pretty practical because now you can adjust both of them without having to use the situation. 98 00:05:26,930 --> 00:05:32,800 But nevertheless I'm going to adjust it to make it bigger thing from here also I need to be more good. 99 00:05:32,810 --> 00:05:40,170 I will zoom out and of course you start analyzing from the beginning of the composition OK. 100 00:05:40,180 --> 00:05:47,140 That is not jumping until now everything is cool is not very good you could do a better job by adjusting 101 00:05:47,140 --> 00:05:48,590 the track point. 102 00:05:48,700 --> 00:05:56,830 It does complete a job and I think it has done a very good job also also then we come to target. 103 00:05:57,220 --> 00:06:01,740 So click on it and select warning that's the text left click OK. 104 00:06:01,840 --> 00:06:06,980 And of course you go to apply X Y yes I want X Y. 105 00:06:07,070 --> 00:06:10,140 Now you're not is the text is coming on the very bright area. 106 00:06:10,190 --> 00:06:16,280 I need to take it down a bit the way I will do it is to select the text to press it for the anchor point 107 00:06:16,310 --> 00:06:18,430 and change the anchor point position. 108 00:06:18,440 --> 00:06:21,350 Here you are just going to put it over the fire. 109 00:06:21,440 --> 00:06:24,300 We click out we play great guys. 110 00:06:24,320 --> 00:06:30,080 You have completed your challenge and your practice activity is pretty nice. 111 00:06:30,080 --> 00:06:36,080 By the way of course this is what I have done but I'm sure that if you are more meticulous and you're 112 00:06:36,080 --> 00:06:39,020 not getting a lecture you can do even better than me. 113 00:06:39,110 --> 00:06:45,520 So please if you haven't completed this project or this challenge go to aftereffects. 114 00:06:45,650 --> 00:06:52,040 Open the project file and try to complete it and do your best and add maybe different images at different 115 00:06:52,040 --> 00:06:53,700 tasks and different effect. 116 00:06:53,720 --> 00:06:55,310 You don't do it the way you would like. 117 00:06:55,310 --> 00:06:57,250 It's very important that you try. 118 00:06:57,650 --> 00:06:58,560 Thank you very much. 119 00:06:58,580 --> 00:06:59,930 I hope you enjoyed this lecture. 120 00:06:59,930 --> 00:07:03,650 I hope you enjoyed the challenge and I will see you in the next lecture.