Guys actually are going to learn how to attach an effect to a point.
There are so many effects that have a center and can be attached to a track point and also that other
effects without the center.
I invite you to try to attach them to a track but we are going to use the rudder point here.
Let's go to the empty set.
And then what I'm suggesting here is see like threes.
It's an interesting effect if you want to attach the effect itself.
You need to apply it on the video itself.
So click and drag and drop it on the video.
Hey Laurie you have this slightly is a very nice.
It has several properties that you can change.
You have the intensity you can make it higher or lower the way you would like.
You have the center and this becomes interesting because this is what you are going to attach to the
rudder point.
And also you have the radius you can make it big or small whatever you like guys and you have the warm
softness and that is the shape round or square.
I'm going to use square here.
I like Square and of course the transform mode is odd is the best here.
So how do I attach this effect to the track or two or the rudder point I will switch to the left panel
and over here I selected the rudder point already and I want to edit the target not does that apply
motion too.
You have layer an effect point to control.
So actually not is the word point.
The effect requires a point.
In either case you have the center here and if you check it you selected you notice it has picked already
the sissy light rays and is as big the point as the center.
So the point here is quite important.
So let's click OK and we know it's not ready yet.
We need to apply.
I will select apply and ask.
By definition X and Y.
That's OK.
Now notice how the effect has jumped just over here.
Let's go to the effort itself.
You know this you have the center here.
This is the point it was talking about and all the keyframes of the radar point had been copied to the
center.
And here you are if you pay.
Everything is working very fine.
You have your light rays coming out from the top of the mast.
Fine when you come to the end here you need to cut it off but you cannot cut the layer because it's
there.
So what do you do here.
Well is Vaizey Let's say you want to stop just over here in every effect there is something that can
get it or make it zero.
Neal in this case is the radius.
Let's put this to zero.
You know this is gun.
And of course we want to get treatment.
Let's go back to the beginning and put back the Raiders to Fort.
Of course you don't want it to go from 40 to zero.
You want use whole keyframes you are upset at both of them.
Right click and go with the whole keyframes.
So it's going to be 40 all the time until it gets over here and goes to zero and it goes off.
Very nice.
That's an image this guy.
So let's play it guys let's give him the direction we are at zero.
Let's go to the next keyframe and add for example three rotations.
Not only at the center of the effect but also at birth.
And he made the effort.
Let's see now our animation has to look good.
OK.
That's pretty nice here.
Well these are simple examples that I want to show you and it's very nice that you go ahead and try
another effect that you can add for example is the radials.
OK you have radial blurred.
All right great deal you have the radial blurred over here you have to see fast radial blur and you
have radial blood if you like too if you can come and add them.
This is the radial blood has a center and can be attached.
So it's up to you to play with it.
I would just do from here by now I think you became Masters in tracking one point on the position.
OK we have been tracking only one single point here on the position.
But then there is the rotation and the skid that we are going to work with.
Thank you very much for listening.
I will see you in the next election.