1 00:00:02,050 --> 00:00:08,090 Now it's time to start tracking using the track points and the target. 2 00:00:08,090 --> 00:00:14,620 This is a target the red one we are going to create a plane in which we are going to attach a solid 3 00:00:14,620 --> 00:00:19,880 layer that will move according to the motion of the camera guys. 4 00:00:19,930 --> 00:00:21,080 It's Vaizey. 5 00:00:21,370 --> 00:00:22,780 Let's zoom in a bit. 6 00:00:22,820 --> 00:00:25,470 The points have become very big. 7 00:00:25,690 --> 00:00:29,570 You can come over to the duckpond size and make them smaller. 8 00:00:29,800 --> 00:00:31,750 So you know you can see better. 9 00:00:31,870 --> 00:00:32,650 Simple as this. 10 00:00:32,650 --> 00:00:34,060 Nothing more nothing less. 11 00:00:34,130 --> 00:00:36,220 To come to the end are immense. 12 00:00:36,220 --> 00:00:39,180 In fact you can make them very small and that's zero. 13 00:00:39,410 --> 00:00:42,110 OK here you are come back to the beginning. 14 00:00:43,280 --> 00:00:47,700 And maybe I'll make them because this is how you play with them. 15 00:00:47,720 --> 00:00:48,980 That is the target here. 16 00:00:49,010 --> 00:00:53,040 This is this circle not I make it a bit smaller. 17 00:00:53,300 --> 00:00:55,990 Let's see how the target operates. 18 00:00:56,140 --> 00:01:02,690 If you point for example in between three duckpond just like this it has selected three points and then 19 00:01:02,780 --> 00:01:07,610 using these three track points you can define a plane in x y z. 20 00:01:07,670 --> 00:01:15,680 In 3D you'll notice the two points on the right are further towards the camera than the one that is 21 00:01:15,770 --> 00:01:17,450 on the left this wall over here. 22 00:01:18,590 --> 00:01:23,650 Is proposing to you that you can create a plane using the three points. 23 00:01:24,520 --> 00:01:30,790 To come over here for example you cannot notice there are other places that you can use if that blackpoint 24 00:01:30,820 --> 00:01:31,680 is too big for you. 25 00:01:31,680 --> 00:01:32,700 Just make it smaller. 26 00:01:32,700 --> 00:01:33,670 We can do that here. 27 00:01:33,670 --> 00:01:34,770 It will be better. 28 00:01:35,020 --> 00:01:40,900 And let's not ask the three trackballs that he's choosing it it shows him the purple the red and the 29 00:01:40,900 --> 00:01:41,370 blue. 30 00:01:41,530 --> 00:01:49,080 What does this one and I put a shift stack them here and this one immediately the targets will Appia. 31 00:01:49,350 --> 00:01:52,170 Well that looks cool but not so good. 32 00:01:52,620 --> 00:01:57,800 Let's say we select these three blackpoint Oprah shift select them. 33 00:01:58,080 --> 00:02:05,140 Well it looks OK but not very you know similar to the plane of the ceiling itself. 34 00:02:05,420 --> 00:02:09,290 Nevertheless let's click on it and come over here let's choose this plane. 35 00:02:09,300 --> 00:02:10,100 I think it's good. 36 00:02:10,120 --> 00:02:11,730 We'll take it later on. 37 00:02:11,850 --> 00:02:13,350 So you can click now. 38 00:02:13,410 --> 00:02:17,240 And here we are these are the points that have been selected and I want these three. 39 00:02:17,250 --> 00:02:18,260 I want the other three. 40 00:02:18,270 --> 00:02:20,980 These ones all these ones are much better I think. 41 00:02:21,360 --> 00:02:29,190 As soon as you click you can come in the middle in the eyeball and start moving the target. 42 00:02:29,200 --> 00:02:34,630 Now if you move the target whatever you create after that will be set on the target. 43 00:02:34,640 --> 00:02:42,010 The idea here is you'll have a plane defined by three points and the target is just moving in the surface 44 00:02:42,010 --> 00:02:42,910 of this plane. 45 00:02:43,060 --> 00:02:46,170 So actually this movement over here is not in 3-D. 46 00:02:46,170 --> 00:02:52,180 It's just into the you could say X and Y for example but still in the same plane just position over 47 00:02:52,180 --> 00:02:52,860 here. 48 00:02:52,930 --> 00:02:53,910 I like that. 49 00:02:53,980 --> 00:02:58,990 And let's create this to create decks solid or another layer. 50 00:02:59,020 --> 00:03:03,030 You just right click and you say create solid or not. 51 00:03:03,190 --> 00:03:05,630 I would go for solid fight. 52 00:03:05,650 --> 00:03:06,670 Let's go out now. 53 00:03:06,680 --> 00:03:11,820 Click out and let's see if this solid is stuck to the ceiling. 54 00:03:11,860 --> 00:03:13,860 Of course it's going to take some adjustment. 55 00:03:14,020 --> 00:03:15,560 But let's play and see. 56 00:03:16,030 --> 00:03:20,070 Well actually you can see it's pretty well stuck and it's moving with the camera 57 00:03:22,760 --> 00:03:24,670 that's adjust the subject. 58 00:03:24,720 --> 00:03:28,710 First of all you're not is it's in 3-D and that's very important. 59 00:03:29,040 --> 00:03:36,890 I press alt and zoom in I would press the full opacity and reduce the opacity a bit so I see behind. 60 00:03:37,050 --> 00:03:42,630 So we can't really position it you know 100 percent pattern in 3D to the ceiling. 61 00:03:43,400 --> 00:03:49,960 If you press w you're selecting the rotation to let's look at it on the X here. 62 00:03:50,140 --> 00:03:50,680 OK. 63 00:03:50,810 --> 00:03:52,930 But let's throw it on the Y. 64 00:03:53,210 --> 00:03:54,690 OK it's getting better. 65 00:03:55,630 --> 00:03:57,720 And again on the X. 66 00:03:58,010 --> 00:04:00,430 OK let's make it pretty cool. 67 00:04:00,430 --> 00:04:02,490 I'm going to rotate it on the Zed. 68 00:04:02,590 --> 00:04:04,680 It's a bit risky here but it can't work. 69 00:04:04,680 --> 00:04:09,250 So it seems to me that it is pretty much aligned with the ceiling. 70 00:04:09,250 --> 00:04:12,410 So if I zoom in while it's working pretty fine. 71 00:04:12,460 --> 00:04:13,320 Right guys. 72 00:04:14,290 --> 00:04:18,590 So what I would like to do now is the solid layer to cover the whole ceiling on top. 73 00:04:18,880 --> 00:04:25,690 You know that the guys who come to an empty set and use the corner and click on it and drop it on the 74 00:04:25,860 --> 00:04:32,500 solid player Helier using the Selection tool you adjust it at 100 percent on the corners. 75 00:04:32,530 --> 00:04:33,620 If you can. 76 00:04:33,730 --> 00:04:35,640 This job is very meticulous. 77 00:04:35,650 --> 00:04:40,750 I'm not going to spend a lot of time on it in the course here but you can really make it 100 percent 78 00:04:41,170 --> 00:04:42,130 perfect. 79 00:04:42,840 --> 00:04:47,970 Now if I skipped through I want to make sure that these corners are staying in the right places. 80 00:04:47,970 --> 00:04:48,960 Sims Yes. 81 00:04:48,960 --> 00:04:54,730 Until now there's got to the and why they distorted what I will do to come over here. 82 00:04:54,780 --> 00:04:57,810 And it's simple trick I'll show keyframe everything. 83 00:04:57,810 --> 00:05:01,820 Then come to the end here and then re adjust them. 84 00:05:01,880 --> 00:05:02,150 OK. 85 00:05:02,160 --> 00:05:09,560 That's the easiest way a bit of cheating if you like but it works and I do use it but I don't tell anybody 86 00:05:09,930 --> 00:05:17,050 except you guys are a few hundred thousand students that I have let's not spend too much time to bore 87 00:05:17,050 --> 00:05:18,610 you over this. 88 00:05:18,610 --> 00:05:20,200 Now I would come to a solid lead. 89 00:05:20,200 --> 00:05:23,980 Now I pressed Scott chief why comment twice on the Mac. 90 00:05:24,070 --> 00:05:27,380 I want to change its color to a kind of black. 91 00:05:27,410 --> 00:05:29,450 OK I like this black one. 92 00:05:29,620 --> 00:05:33,770 If you look at it now we zoom out at 100 percent. 93 00:05:34,490 --> 00:05:36,820 Here you are go back to the beginning. 94 00:05:36,980 --> 00:05:38,740 De-select not just what's happening. 95 00:05:38,740 --> 00:05:46,330 You actually changed the color using a solid layer attached through the 3D camera to the ceiling over 96 00:05:46,330 --> 00:05:46,890 here. 97 00:05:46,890 --> 00:05:51,030 Still have some problems and issues you know about the corner. 98 00:05:51,070 --> 00:05:52,500 You need to fix them. 99 00:05:52,510 --> 00:05:57,110 But I guess if you try to fix them just overhear it might work very nicely. 100 00:05:57,130 --> 00:05:58,920 I invite you to do that guys. 101 00:05:58,930 --> 00:06:02,650 It's very easy just move them and adjust them the way you would like. 102 00:06:02,660 --> 00:06:03,990 In fact it's done. 103 00:06:04,090 --> 00:06:06,170 I think so at least you are. 104 00:06:06,460 --> 00:06:09,000 So guys this is so easy. 105 00:06:09,040 --> 00:06:10,440 What have you done until now. 106 00:06:10,740 --> 00:06:11,920 What have you achieved. 107 00:06:11,920 --> 00:06:16,530 Select your lab come to the 3D camera effect you select a plane. 108 00:06:16,620 --> 00:06:22,720 OK using the target and then you said this plan you right click and you say OK actually a text solid 109 00:06:22,780 --> 00:06:24,660 or not. 110 00:06:24,690 --> 00:06:30,540 So this job has been very easy in the next lecture we are going to use again to solve it and do some 111 00:06:30,540 --> 00:06:32,600 replace but it's going to be very interesting. 112 00:06:32,610 --> 00:06:33,350 See you then.