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In the previous lecture guys we use the solid just on top of it here and change a bit the color wasn't

2
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about the colors about just putting the saw didn't say exactly how it moves with the camera truck.

3
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OK.

4
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Let's select our leader and go to the tracker.

5
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Now I want to add a solid just over here to cover the window and use later on the window glass here.

6
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It's a composition where you have a picture I put a mask it's not perfect of course but you can adjust

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it better but yet they're working with imperfection is more training.

8
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And we're going to put you on top of the window and change this window over here.

9
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So I will zoom in and try to find the best three points I can find.

10
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I zoomed in too much.

11
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Here you are.

12
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So let's see where the target can set itself.

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I think the three points are pretty good.

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So I will click and select them.

15
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I think it's fine.

16
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If not this you need to adjust in 3D here for it to become the 100 percent plan of the world itself.

17
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Right click and say create solid now that you have created the solid and the solid is attach pretty

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nicely on the wall over here.

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You want to replace the solid with a teacup.

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So let's use this pick on people I will select the salad I select the composition Plus the art or option

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on the map.

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Click and drag and drop the window glass at the camp on the solid layer.

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Here you are.

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There is an immediate replacement and then you can scale it down as much as you want.

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Here you are.

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Now I would zoom in.

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Let's zoom in right.

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You would want it to come and adjusted exactly the way the window is.

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Now you have to be a bit meticulous to have a very nice animation of press w to rotate them on the y

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axis.

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For me it has to feel like it's 100 percent on the wall.

32
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And I think this is OK for now.

33
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Let's go to the end and see it.

34
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Well the rotation is too much.

35
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If you notice you know to the side we need the corner pin to fix it.

36
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You know the drill.

37
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Let's go to cornermen and we search for corner.

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Click on it and drag and drop it on the layer itself.

39
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I would come to the end of the comp here and in the open I will also keyframe everything right.

40
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I just did the best way possible.

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Here you are now going to be meticulous because you know already the concept is just draining to replace

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more.

43
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This seems good.

44
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I would go to the beginning now go back where it is zoom in and here or so it seems good but let's put

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this guy over here and this guy over here.

46
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I will use the selection tool.

47
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OK.

48
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This looks pretty nice and pretty cool.

49
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Go back to 100 percent and see if he has what.

50
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Well if you notice it's almost working at 100 percent.

51
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And now Kaminak tracking and using the track points and replacing with solid layers of Freikorps and

52
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so on has become a very easy job for you guys.

53
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So please jump to after effects and in the next deck sure what you want to do is to replace this window.

54
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But I'm not going to use a solid layer.

55
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I will use here a null object and I will show how it works.

56
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Thank you very much for listening.

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I will see you in the next lecture.