Okay guys so after adjusting your tonality or the brightness or intensity of the colors you determine
what is has to be brighter or more white and the same for the blacks here.
You move on to work with the IGB parade and adjusting the colors for this you will use the curves.
I will skip for now creative.
So for creative you are actually adding a look and trying to make a certain creativity within your body.
Usually you will skip this step but if you are a pro and you really mastered collection you can go to
creative and then adjust your colors.
There will be a lot of creative work by the way.
So we skip creative for now and we go to Curves in terms you can adjust now your colors and your tonality.
Actually in my opinion using And now we have a huge saturation or when you can do all the Caracara action
without even going to the basic direction to use the curves you don't use the waveform you come and
open the parade.
RG now I click on it over here and I want to see the way for many more.
I will check with form and I see only the IGB.
Now there are several parades here later on you will get used to all of them if you come to parade type
you have r g b y u v B Y and wavy y you can choose any one to work later Always.
They're all the same concept but you see different things and different kind of color.
So I take R.G. and not as for simplicity.
I'm still working in a bit.
I did not go to float or HDR.
It's better for the course here.
So what do we have here.
They actually have the red the green and blue and the way they are spread.
Remember it's the same story here from left to right.
You see your red you see left to right I can see only the red and from left to right left to right I
can see the green is pretty nice.
Now the curves is extremely powerful.
Let me show you how it works.
You choose the colors you want to correct.
I would start with white and adjusted 290.
So the White is about tonality since I said that I don't remember if he said I said this one.
So we have not an idea at all.
So we can work from 100 percent from the curves on the lower corner.
Here I'm working with the blocks.
I can click bracket to the right.
Keep it on the bottom here and here I am.
I am now taking down the blocks.
That's pretty good.
If I go up OK I am lifting the blocks pretty interesting right guys.
So talking about this dot in the corner over here if you come to this dot on the right most of the body
you click on it and you drugget on the extremity here you will be lifting the white.
Here you are if you take it down you will be taking down the whites pretty convenient.
So now this is about the whites and blacks.
If you come to the bar here and you click at the certain points you know on top here is your highlight.
I can click and go left.
I will now notice what's happening I'm increasing the highlights.
It's like I'm working with the contrast.
All the highlights in the basic direction.
I come over here and I click.
I we walk in with the shadows.
I can take the shallows down.
That's what's happening to the glove.
Don't look at the image at all.
Always look at the graph until you are satisfied.
You can add other points.
And now of course you're doing after effects.
Ok I will double click on the bar and it will reset fine.
So let's go now to the red.
Now that's exactly what's happening.
This is the red here.
You have a lot of red and goes down.
If I take the high point of the red on the rightmost and I take it down.
Notice that the red highlights are going down.
OK.
And if I take it on the left here you notice the red highlights are going up.
So this is adjusting the lights.
I can do that for example.
Now my aim here is to go to 100 and to zero as you know.
OK.
So I would try to take it up doesn't mean it's going to work or it's going to be good.
And then I will take the shallows off the red.
Just click on the dot and take them down.
Now I actually balance the bit.
OK not much but of course I have to do for the other colors and it will work really fine OK.
Now I can also come to the highlights of the Reds the cause of the red.
Click on it and just you know create something just like this.
I'm lifting them up and here I can take them down.
So I created this as this is very beautiful.
But you know don't go for the AS for.
As what's happening to the image now I'm looking at it actually it became green.
Why.
Because I have the meat.
You is the meat here.
I hope you can see that there is very little red left.
So actually this what I've done here is not correct unless I go now work with the Greens.
Let's do that.
Let's take the Greens and now we want to add the greens that we want to lift them up.
You are OK.
All right.
This is OK.
Now we're going to take the shadows of the green and take them down and go so I'm trying to spread it
over here.
Let's play with the highlights.
OK.
Take them this way.
OK.
Now notice that it's becoming bluish.
OK and then from here something like this not not what's happening we spread them there is lots of green
you know.
And the mid-tone have lost the Glee.
They go to the blue.
Can we do the same work.
Actually I'm demonstrating to you guys.
I'm not doing color correction.
OK.
Let's go like this.
That's cool.
Let's take it down.
Well do things going to happen if I balance all this and then just click and spread them a bit from
the shadows and then spread them a bit from the highlights.
OK.
Now I notice that I really have too many ducks come back to the White here.
So I'd like to do here too.
I'd make tons.
I take it down a bit.
OK.
Something like this.
And from here I take it up a bit.
Here you are.
Now about number one about that or so that is what I have done.
I lifted the bit the Reds and it took them down.
Same for the green and so on and tried to create more meat tones.
This is the best way to play with the midterms and to create more meetings.
You guys I think this is good enough if we now be at de-activated looks before and after.
Well if that is your purpose I think is pretty good by the way.
Then you're on.
So this is a job of the R.G. because now there is more to the IGB curve is the of today.
We will work on the saturation curve in the next lecture.
It's going to be very interesting.