1 00:00:01,600 --> 00:00:07,750 Okay guys so after adjusting your tonality or the brightness or intensity of the colors you determine 2 00:00:07,840 --> 00:00:12,880 what is has to be brighter or more white and the same for the blacks here. 3 00:00:12,880 --> 00:00:19,830 You move on to work with the IGB parade and adjusting the colors for this you will use the curves. 4 00:00:19,930 --> 00:00:21,820 I will skip for now creative. 5 00:00:21,820 --> 00:00:28,690 So for creative you are actually adding a look and trying to make a certain creativity within your body. 6 00:00:28,780 --> 00:00:34,570 Usually you will skip this step but if you are a pro and you really mastered collection you can go to 7 00:00:34,570 --> 00:00:36,990 creative and then adjust your colors. 8 00:00:37,090 --> 00:00:39,040 There will be a lot of creative work by the way. 9 00:00:39,370 --> 00:00:46,660 So we skip creative for now and we go to Curves in terms you can adjust now your colors and your tonality. 10 00:00:46,750 --> 00:00:53,200 Actually in my opinion using And now we have a huge saturation or when you can do all the Caracara action 11 00:00:53,200 --> 00:01:00,430 without even going to the basic direction to use the curves you don't use the waveform you come and 12 00:01:00,850 --> 00:01:02,560 open the parade. 13 00:01:02,590 --> 00:01:08,250 RG now I click on it over here and I want to see the way for many more. 14 00:01:08,440 --> 00:01:12,470 I will check with form and I see only the IGB. 15 00:01:12,550 --> 00:01:17,600 Now there are several parades here later on you will get used to all of them if you come to parade type 16 00:01:17,890 --> 00:01:23,910 you have r g b y u v B Y and wavy y you can choose any one to work later Always. 17 00:01:23,950 --> 00:01:28,180 They're all the same concept but you see different things and different kind of color. 18 00:01:28,180 --> 00:01:31,640 So I take R.G. and not as for simplicity. 19 00:01:31,640 --> 00:01:33,360 I'm still working in a bit. 20 00:01:33,370 --> 00:01:35,600 I did not go to float or HDR. 21 00:01:35,620 --> 00:01:37,350 It's better for the course here. 22 00:01:37,690 --> 00:01:39,250 So what do we have here. 23 00:01:39,260 --> 00:01:43,120 They actually have the red the green and blue and the way they are spread. 24 00:01:43,120 --> 00:01:46,840 Remember it's the same story here from left to right. 25 00:01:46,840 --> 00:01:54,160 You see your red you see left to right I can see only the red and from left to right left to right I 26 00:01:54,160 --> 00:01:56,060 can see the green is pretty nice. 27 00:01:56,260 --> 00:01:58,540 Now the curves is extremely powerful. 28 00:01:58,540 --> 00:02:00,170 Let me show you how it works. 29 00:02:00,220 --> 00:02:02,210 You choose the colors you want to correct. 30 00:02:02,230 --> 00:02:05,220 I would start with white and adjusted 290. 31 00:02:05,350 --> 00:02:12,050 So the White is about tonality since I said that I don't remember if he said I said this one. 32 00:02:12,070 --> 00:02:14,080 So we have not an idea at all. 33 00:02:14,080 --> 00:02:18,430 So we can work from 100 percent from the curves on the lower corner. 34 00:02:18,440 --> 00:02:20,370 Here I'm working with the blocks. 35 00:02:20,410 --> 00:02:22,350 I can click bracket to the right. 36 00:02:22,350 --> 00:02:24,620 Keep it on the bottom here and here I am. 37 00:02:24,760 --> 00:02:27,540 I am now taking down the blocks. 38 00:02:27,550 --> 00:02:28,450 That's pretty good. 39 00:02:28,720 --> 00:02:33,940 If I go up OK I am lifting the blocks pretty interesting right guys. 40 00:02:33,940 --> 00:02:40,090 So talking about this dot in the corner over here if you come to this dot on the right most of the body 41 00:02:40,090 --> 00:02:45,050 you click on it and you drugget on the extremity here you will be lifting the white. 42 00:02:45,050 --> 00:02:50,980 Here you are if you take it down you will be taking down the whites pretty convenient. 43 00:02:50,980 --> 00:02:53,560 So now this is about the whites and blacks. 44 00:02:53,920 --> 00:02:59,070 If you come to the bar here and you click at the certain points you know on top here is your highlight. 45 00:02:59,230 --> 00:03:01,280 I can click and go left. 46 00:03:01,330 --> 00:03:04,190 I will now notice what's happening I'm increasing the highlights. 47 00:03:04,210 --> 00:03:05,680 It's like I'm working with the contrast. 48 00:03:05,680 --> 00:03:07,870 All the highlights in the basic direction. 49 00:03:08,140 --> 00:03:10,090 I come over here and I click. 50 00:03:10,190 --> 00:03:11,710 I we walk in with the shadows. 51 00:03:11,710 --> 00:03:13,160 I can take the shallows down. 52 00:03:13,300 --> 00:03:14,780 That's what's happening to the glove. 53 00:03:14,830 --> 00:03:16,390 Don't look at the image at all. 54 00:03:16,390 --> 00:03:19,020 Always look at the graph until you are satisfied. 55 00:03:19,120 --> 00:03:20,320 You can add other points. 56 00:03:20,320 --> 00:03:23,020 And now of course you're doing after effects. 57 00:03:23,210 --> 00:03:26,610 Ok I will double click on the bar and it will reset fine. 58 00:03:26,620 --> 00:03:29,480 So let's go now to the red. 59 00:03:29,570 --> 00:03:30,790 Now that's exactly what's happening. 60 00:03:30,790 --> 00:03:32,150 This is the red here. 61 00:03:32,250 --> 00:03:34,620 You have a lot of red and goes down. 62 00:03:34,780 --> 00:03:39,410 If I take the high point of the red on the rightmost and I take it down. 63 00:03:39,430 --> 00:03:42,600 Notice that the red highlights are going down. 64 00:03:42,910 --> 00:03:43,420 OK. 65 00:03:43,660 --> 00:03:48,630 And if I take it on the left here you notice the red highlights are going up. 66 00:03:48,640 --> 00:03:50,720 So this is adjusting the lights. 67 00:03:50,740 --> 00:03:52,920 I can do that for example. 68 00:03:53,050 --> 00:03:56,700 Now my aim here is to go to 100 and to zero as you know. 69 00:03:56,900 --> 00:03:57,230 OK. 70 00:03:57,250 --> 00:04:01,250 So I would try to take it up doesn't mean it's going to work or it's going to be good. 71 00:04:01,420 --> 00:04:05,550 And then I will take the shallows off the red. 72 00:04:05,570 --> 00:04:10,430 Just click on the dot and take them down. 73 00:04:10,640 --> 00:04:13,020 Now I actually balance the bit. 74 00:04:13,180 --> 00:04:19,690 OK not much but of course I have to do for the other colors and it will work really fine OK. 75 00:04:20,050 --> 00:04:24,200 Now I can also come to the highlights of the Reds the cause of the red. 76 00:04:24,250 --> 00:04:28,180 Click on it and just you know create something just like this. 77 00:04:28,190 --> 00:04:32,420 I'm lifting them up and here I can take them down. 78 00:04:32,920 --> 00:04:35,340 So I created this as this is very beautiful. 79 00:04:35,350 --> 00:04:37,660 But you know don't go for the AS for. 80 00:04:38,220 --> 00:04:41,690 As what's happening to the image now I'm looking at it actually it became green. 81 00:04:41,710 --> 00:04:42,240 Why. 82 00:04:42,310 --> 00:04:44,070 Because I have the meat. 83 00:04:44,110 --> 00:04:45,310 You is the meat here. 84 00:04:45,310 --> 00:04:48,640 I hope you can see that there is very little red left. 85 00:04:48,670 --> 00:04:54,290 So actually this what I've done here is not correct unless I go now work with the Greens. 86 00:04:54,300 --> 00:04:55,070 Let's do that. 87 00:04:55,130 --> 00:05:00,550 Let's take the Greens and now we want to add the greens that we want to lift them up. 88 00:05:00,550 --> 00:05:02,390 You are OK. 89 00:05:02,430 --> 00:05:03,040 All right. 90 00:05:03,100 --> 00:05:04,120 This is OK. 91 00:05:04,330 --> 00:05:08,950 Now we're going to take the shadows of the green and take them down and go so I'm trying to spread it 92 00:05:08,950 --> 00:05:09,880 over here. 93 00:05:09,880 --> 00:05:11,790 Let's play with the highlights. 94 00:05:11,850 --> 00:05:12,160 OK. 95 00:05:12,160 --> 00:05:13,580 Take them this way. 96 00:05:14,250 --> 00:05:14,860 OK. 97 00:05:14,940 --> 00:05:17,060 Now notice that it's becoming bluish. 98 00:05:17,280 --> 00:05:24,910 OK and then from here something like this not not what's happening we spread them there is lots of green 99 00:05:25,150 --> 00:05:25,740 you know. 100 00:05:25,930 --> 00:05:28,360 And the mid-tone have lost the Glee. 101 00:05:28,370 --> 00:05:29,480 They go to the blue. 102 00:05:29,610 --> 00:05:31,380 Can we do the same work. 103 00:05:31,390 --> 00:05:32,970 Actually I'm demonstrating to you guys. 104 00:05:32,980 --> 00:05:34,520 I'm not doing color correction. 105 00:05:34,680 --> 00:05:34,950 OK. 106 00:05:34,970 --> 00:05:36,120 Let's go like this. 107 00:05:36,130 --> 00:05:37,250 That's cool. 108 00:05:37,550 --> 00:05:39,030 Let's take it down. 109 00:05:39,220 --> 00:05:46,000 Well do things going to happen if I balance all this and then just click and spread them a bit from 110 00:05:46,000 --> 00:05:50,610 the shadows and then spread them a bit from the highlights. 111 00:05:50,620 --> 00:05:51,200 OK. 112 00:05:51,280 --> 00:05:56,410 Now I notice that I really have too many ducks come back to the White here. 113 00:05:57,010 --> 00:05:58,260 So I'd like to do here too. 114 00:05:58,270 --> 00:05:59,570 I'd make tons. 115 00:05:59,610 --> 00:06:01,340 I take it down a bit. 116 00:06:01,430 --> 00:06:02,140 OK. 117 00:06:02,320 --> 00:06:03,090 Something like this. 118 00:06:03,100 --> 00:06:06,310 And from here I take it up a bit. 119 00:06:06,310 --> 00:06:07,410 Here you are. 120 00:06:08,230 --> 00:06:11,310 Now about number one about that or so that is what I have done. 121 00:06:11,320 --> 00:06:14,470 I lifted the bit the Reds and it took them down. 122 00:06:14,520 --> 00:06:17,960 Same for the green and so on and tried to create more meat tones. 123 00:06:17,980 --> 00:06:22,850 This is the best way to play with the midterms and to create more meetings. 124 00:06:22,900 --> 00:06:29,740 You guys I think this is good enough if we now be at de-activated looks before and after. 125 00:06:29,740 --> 00:06:32,830 Well if that is your purpose I think is pretty good by the way. 126 00:06:32,830 --> 00:06:34,020 Then you're on. 127 00:06:34,210 --> 00:06:40,620 So this is a job of the R.G. because now there is more to the IGB curve is the of today. 128 00:06:40,840 --> 00:06:44,070 We will work on the saturation curve in the next lecture. 129 00:06:44,080 --> 00:06:45,700 It's going to be very interesting.