Guys let's move on with the light in the previous lecture you have chosen yours clean Kalari using the
last panel here and use the art or the option key to choose the color and test within your composition.
Now the job of the panel is finished.
Let's close it.
OK.
Now what is our mission exactly.
Well first of all we want to keep whatever is black block and less not necessary.
And then we want our subject to be 100 percent white and we don't want to see any gray on them.
If you are using the state's view or the screen my view the next step is to start using the screen again
and the screen balance.
Usually you will use the screen again and the screen balance with the status view.
Now it's not about getting a perfect white.
Over here a perfect black belt is about just balancing that you know just adjusting it and not always
you are going to use this green green and the screen balance or guys sometimes you just to disregard
them.
Like to use them.
Our aim as I said is to get a lot of white or everywhere white inside our subject's outlook on the screenplay
and ascribe it to the right you know increasing the value and that's what's happening here.
If I go to the left or to the right you know the images linking is eating out from the subjects.
So I actually have to be very careful here.
A very sensitive pest control or command on the Mac and then click and drag you know by the millions.
And I'm looking at the video now.
It is not here that you want to look.
It's not the callers is always focused on your subjects and the fine elements like the head over here.
If you go back to the source you can see that there's a bunch of hail here maybe in our case.
Now we can remove this hair.
We don't care about it but maybe the production manager wants to see it.
So Hair is somehow very critical.
Let's go back to status and just dig it up just a bit you know slowly slowly I'm trying to use it to
see exactly what's going to happen here right now but I don't see that you are gaining any weight over
here.
I will actually undo it and see about it.
Here is ok.
I will work on it maybe with some other options.
Now let's go to the screen balance click and drag and exaggerate the screen balance with the screen
gain can give you a lot of results here that you might not want to undertake down under 50 and not just
the subject.
OK.
So it's coming at a certain point where it looks good and that's what's happening here.
I'm getting white on the face that is 100 percent nontransparent but I'm gaining also transparency on
this site.
You are you're not these guys.
OK.
So you want to be very careful and you want to look at all your videos even sometimes you want to change
frames and decide OK maybe you started work over here going for consistency I would say on the bean.
So let's agree that we are going to take the screen balance it bit up OK without eating too much.
I think one or six will do well animal.
And then let's hike the screen balance now even more see exactly what's happening we look at our image
or the video that's what's happening here with gaining some transparency.
And here we are getting some non-transparency So I guess four to six is OK.
Make sure that the difference between the screen and the screen balance is not exaggerated.
Like 20 or 150 then you're OK.
The left Josie is not good or actually the whole green screen video is not good at all.
Now let's go back and do the intermediate results and see the results that we have.
This seems like quite good.
Now you know there is an overspill of green over here.
If I mean you're not as there is some overspeed of the green OK or some area of transparency.
Let's go to the states and see how this could present itself.
Here you are you can see it over here.
OK so in real or in intermediate results you can see now the green from the back.
Good.
Also if you notice you have the green here.
OK.
And if you want to understand where the Green came from you go back to the status here.
And you notice OK this area is you know semitransparent put so we need to fix all this.
Now your next step is to fix it through the alpha channel.
And then you go to the screen Matt now the screen that is a real representation of the mat what you're
looking at is called demat it's everything that is nontransparent and everything that's transparent
and what is you know semitransparent your aim here is to make your subjects 100 percent white or nontransparent
and the background to disappear.
Not is that also.
Over here it has disappeared completely.
Look at the colors always if you want to know there is a color here just point there is no color IGB
as you.
Now to just hit the transparency's very easy by the way sometimes.
OK let's go to the schema.
So you are viewing the screen map.
And you come over here to adjust the schema.
This is where most of the work is.
And this is how you are going to make sure your subjects are looking vague.
Now usually what I do I look at the smallest details and I want to use the Smallhead here.
The boy's hair here and I want it to be cut.
You know I wanted to you know look natural.
First of all you start with a clip block if you increase the value of candies that you can increase
it it means you are clipping the nontransparent towards the black.
If this is what you want they become flexible.
Actually that's not really what you want.
That is what happened here.
It's totally ridiculous.
You know we lost the person could go back screen map and put the block at zero.
In this case there just work with the key point.
The point you cannot increase above 100 percent you can decrease it.
And what we're looking at for example at the hair over here we want to make them white.
So with the.
OK that seems good.
Syllabary you notice there is some green space.
And this is like semitransparent.
Before you decide OK I want this to be 100 percent nontransparent.
Please go back to intermediate result and then zoom in what the guy has some green.
So maybe from here you take it down a bit to see what happens.
Now but we still have some green let's look in line over here.
Stories that we need to work on.
So I'll undo the block to 100 percent.
And now go ahead again because I know I should not go too far.
That's not bad at all.
OK.
I didn't lose any element the value is very low doesn't matter.
This is the video it is.
Then you check it back with intermitted results.
So actually you going back and forth between the screen mat and the intermediate result.
And if you like the final results that actually will give you a different result.
Ok guys I recommend that you use the intermediate is that it will work better.
So early on in here we play with the deep wide look at the guy now has some border all over him.
So let's take it back.
You are.
That's fine.
I think it's really quite cool.
Opsahl Let's go to the screen shrink or grow it so we need to remove these borders over here.
It could work from here.
Or maybe you have to use the cleaner later on.
But just like let's shrink the math a bit here you are a pest control and shrink it.
Guys don't go.
OK I'm shrinking it all.
No don't do that.
OK so you have to be quite meticulous and look at your screen.
You are working.
Not bad at all.
Fine.
I removed.
I'm looking at the head over here.
You might be looking here now but we have something very good.
Let's go and check it again in the screen.
We didn't make anything you know transparent here.
That's very fine.
And then you go back to intimidate and here you can now soften it softening meaning over here.
You want to soften over here you don't want them to be like cut.
OK you can't soften the screen.
You are not just how we have some softening happening.
OK.
There's no softening.
Look a bit if you like to end the words or the background you want to put.
That's what happening over here.
So maybe we can take the shrink a bit more.
I will not go beyond three.
OK.
I'm still seeing quite some nice details here.
Again the head has quite some details.
Not bad at all.
So actually if you're happy and your background has a green collar you will be quite OK with the heavier.
Now you have the this part black some time from time to time you will have some certain spots.
I'll go back to screen what they are like spots over here or something like this.
You can remove them by using the despotically are not what happened here.
OK I will undo this part black.
Here you are.
That's good.
But I really don't know.
It could be nontransparent but it could be also greed and you have that this pot white which is not
our case.
But I will show you OK.
Here you are.
OK.
Not much is happening but it's so much from the video itself.
So I will undo.
Now go back to your intermediate result and check.
You happy from the word is not that or pull.
So actually this is about refining your math.
OK guys there is still a lot of work you can come on fiddle and so on but I'm trying to show you here.
So what you have done is using the intermediate result using the screen not adjusting the screen again
and the screen but as you adjusted the matte which is just over here.
So you adjusted your match you're happy from it.
Ehsaan we will move onto the next step in the next lecture.
See you then.