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Guys let's move on with the light in the previous lecture you have chosen yours clean Kalari using the

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last panel here and use the art or the option key to choose the color and test within your composition.

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Now the job of the panel is finished.

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Let's close it.

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OK.

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Now what is our mission exactly.

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Well first of all we want to keep whatever is black block and less not necessary.

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And then we want our subject to be 100 percent white and we don't want to see any gray on them.

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If you are using the state's view or the screen my view the next step is to start using the screen again

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and the screen balance.

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Usually you will use the screen again and the screen balance with the status view.

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Now it's not about getting a perfect white.

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Over here a perfect black belt is about just balancing that you know just adjusting it and not always

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you are going to use this green green and the screen balance or guys sometimes you just to disregard

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them.

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Like to use them.

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Our aim as I said is to get a lot of white or everywhere white inside our subject's outlook on the screenplay

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and ascribe it to the right you know increasing the value and that's what's happening here.

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If I go to the left or to the right you know the images linking is eating out from the subjects.

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So I actually have to be very careful here.

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A very sensitive pest control or command on the Mac and then click and drag you know by the millions.

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And I'm looking at the video now.

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It is not here that you want to look.

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It's not the callers is always focused on your subjects and the fine elements like the head over here.

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If you go back to the source you can see that there's a bunch of hail here maybe in our case.

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Now we can remove this hair.

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We don't care about it but maybe the production manager wants to see it.

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So Hair is somehow very critical.

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Let's go back to status and just dig it up just a bit you know slowly slowly I'm trying to use it to

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see exactly what's going to happen here right now but I don't see that you are gaining any weight over

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here.

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I will actually undo it and see about it.

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Here is ok.

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I will work on it maybe with some other options.

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Now let's go to the screen balance click and drag and exaggerate the screen balance with the screen

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gain can give you a lot of results here that you might not want to undertake down under 50 and not just

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the subject.

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OK.

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So it's coming at a certain point where it looks good and that's what's happening here.

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I'm getting white on the face that is 100 percent nontransparent but I'm gaining also transparency on

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this site.

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You are you're not these guys.

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OK.

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So you want to be very careful and you want to look at all your videos even sometimes you want to change

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frames and decide OK maybe you started work over here going for consistency I would say on the bean.

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So let's agree that we are going to take the screen balance it bit up OK without eating too much.

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I think one or six will do well animal.

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And then let's hike the screen balance now even more see exactly what's happening we look at our image

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or the video that's what's happening here with gaining some transparency.

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And here we are getting some non-transparency So I guess four to six is OK.

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Make sure that the difference between the screen and the screen balance is not exaggerated.

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Like 20 or 150 then you're OK.

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The left Josie is not good or actually the whole green screen video is not good at all.

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Now let's go back and do the intermediate results and see the results that we have.

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This seems like quite good.

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Now you know there is an overspill of green over here.

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If I mean you're not as there is some overspeed of the green OK or some area of transparency.

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Let's go to the states and see how this could present itself.

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Here you are you can see it over here.

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OK so in real or in intermediate results you can see now the green from the back.

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Good.

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Also if you notice you have the green here.

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OK.

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And if you want to understand where the Green came from you go back to the status here.

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And you notice OK this area is you know semitransparent put so we need to fix all this.

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Now your next step is to fix it through the alpha channel.

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And then you go to the screen Matt now the screen that is a real representation of the mat what you're

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looking at is called demat it's everything that is nontransparent and everything that's transparent

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and what is you know semitransparent your aim here is to make your subjects 100 percent white or nontransparent

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and the background to disappear.

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Not is that also.

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Over here it has disappeared completely.

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Look at the colors always if you want to know there is a color here just point there is no color IGB

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as you.

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Now to just hit the transparency's very easy by the way sometimes.

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OK let's go to the schema.

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So you are viewing the screen map.

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And you come over here to adjust the schema.

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This is where most of the work is.

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And this is how you are going to make sure your subjects are looking vague.

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Now usually what I do I look at the smallest details and I want to use the Smallhead here.

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The boy's hair here and I want it to be cut.

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You know I wanted to you know look natural.

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First of all you start with a clip block if you increase the value of candies that you can increase

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it it means you are clipping the nontransparent towards the black.

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If this is what you want they become flexible.

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Actually that's not really what you want.

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That is what happened here.

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It's totally ridiculous.

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You know we lost the person could go back screen map and put the block at zero.

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In this case there just work with the key point.

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The point you cannot increase above 100 percent you can decrease it.

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And what we're looking at for example at the hair over here we want to make them white.

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So with the.

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OK that seems good.

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Syllabary you notice there is some green space.

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And this is like semitransparent.

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Before you decide OK I want this to be 100 percent nontransparent.

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Please go back to intermediate result and then zoom in what the guy has some green.

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So maybe from here you take it down a bit to see what happens.

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Now but we still have some green let's look in line over here.

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Stories that we need to work on.

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So I'll undo the block to 100 percent.

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And now go ahead again because I know I should not go too far.

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That's not bad at all.

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OK.

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I didn't lose any element the value is very low doesn't matter.

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This is the video it is.

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Then you check it back with intermitted results.

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So actually you going back and forth between the screen mat and the intermediate result.

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And if you like the final results that actually will give you a different result.

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Ok guys I recommend that you use the intermediate is that it will work better.

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So early on in here we play with the deep wide look at the guy now has some border all over him.

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So let's take it back.

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You are.

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That's fine.

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I think it's really quite cool.

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Opsahl Let's go to the screen shrink or grow it so we need to remove these borders over here.

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It could work from here.

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Or maybe you have to use the cleaner later on.

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But just like let's shrink the math a bit here you are a pest control and shrink it.

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Guys don't go.

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OK I'm shrinking it all.

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No don't do that.

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OK so you have to be quite meticulous and look at your screen.

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You are working.

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Not bad at all.

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Fine.

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I removed.

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I'm looking at the head over here.

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You might be looking here now but we have something very good.

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Let's go and check it again in the screen.

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We didn't make anything you know transparent here.

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That's very fine.

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And then you go back to intimidate and here you can now soften it softening meaning over here.

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You want to soften over here you don't want them to be like cut.

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OK you can't soften the screen.

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You are not just how we have some softening happening.

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OK.

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There's no softening.

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Look a bit if you like to end the words or the background you want to put.

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That's what happening over here.

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So maybe we can take the shrink a bit more.

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I will not go beyond three.

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OK.

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I'm still seeing quite some nice details here.

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Again the head has quite some details.

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Not bad at all.

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So actually if you're happy and your background has a green collar you will be quite OK with the heavier.

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Now you have the this part black some time from time to time you will have some certain spots.

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I'll go back to screen what they are like spots over here or something like this.

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You can remove them by using the despotically are not what happened here.

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OK I will undo this part black.

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Here you are.

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That's good.

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But I really don't know.

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It could be nontransparent but it could be also greed and you have that this pot white which is not

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our case.

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But I will show you OK.

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Here you are.

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OK.

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Not much is happening but it's so much from the video itself.

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So I will undo.

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Now go back to your intermediate result and check.

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You happy from the word is not that or pull.

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So actually this is about refining your math.

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OK guys there is still a lot of work you can come on fiddle and so on but I'm trying to show you here.

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So what you have done is using the intermediate result using the screen not adjusting the screen again

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and the screen but as you adjusted the matte which is just over here.

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So you adjusted your match you're happy from it.

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Ehsaan we will move onto the next step in the next lecture.

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See you then.