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Have guys in this lecture we going to out the green from a nun doctorand a video.

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So she had the green screen is far from being perfect.

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You have some wrinkles some shades some difference in colors you know to see it is bright.

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Here is a bit darker.

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You have a problem over here.

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I can assure you there's not from my screen something happened to the camera.

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Nevertheless this what happens in real life and this is what you should focus on right.

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Take videos using any kind of green behind you and trying to keep this green start difficult.

9
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You don't have to be in a professions to Georgia or something green behind you whatever it is or something

10
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blue.

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Here we have some serious change in the screen and we want to get out.

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Fine.

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The first thing you want to do is to scrape through and look at the light difference within the green

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screen not the subject itself just the green screen.

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OK.

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If there is any difference in lighting if there is any difference in lighting for example over here

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the lighting changed for the green screen split the layer and give the green separately for each layer.

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So we're OK with that.

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I think that's one second you want to notice.

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OK.

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This is totally useless here.

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All we need is a subject so the best way is to create a mask so select the layer like I've done and

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then we go to the rectangle tool click and drag to create a mask just over here.

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The second thing you want to do I have to recreate the mask is make sure that your subject is still

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inside the mask.

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OK you don't want his head to come out of the mask.

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And stories like this that will be so annoying.

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So we are fine.

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Let's go to now and apply the effect we go to animation pre-sets and the image utilities you are.

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You have the key lights the three effects put together a click and drop now.

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Notice how the mask has already been blurred on the extremity.

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This is because it is on.

33
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So let's put it off and you have a sharp mask.

34
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I like to start like this now let's determine our screen color for this.

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You click on the letter we have done this and within the letter you make sure that the view is set to

36
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None.

37
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OK no effect nothing.

38
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Before you select a color picture of course you want to go to status.

39
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The city's view here.

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Now select the color picker come over and place.

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I'll start picking the colors.

42
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No not this.

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This is amazing here if about over here.

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Even the shirt or the blue in the shirt has become not transparent.

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So this is a very useful way to start you know picking your colors and that's what's happening here.

46
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OK.

47
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So if I come over here.

48
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This.

49
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OK.

50
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This is the face but actually the shirt is transparent.

51
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OK.

52
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So maybe over here it will work.

53
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Let's go down to Dr. Gleaves again maybe over here.

54
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I like that will shall we work with that.

55
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Let's move it a bit suspicious.

56
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OK.

57
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So here it would be good enough.

58
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Look at this one and you know the Zayra is not like the general who is in the texture.

59
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Really we are getting a lot of transparency at all.

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So we finish from the layer we close it and now we want to work with the screen.

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And the screen balance as press control or command on the Mac and scrambled up to remove as much as

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possible but not too much.

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OK I think I will stop just over here a bit more maybe that will be enough.

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Let's see the screen balance here.

65
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Another thing I want to touch it.

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It's obvious because it's going to start creating some transparency here but it's totally useless here.

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So you have to use it just says 250.

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You're cool with that.

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Notice how we have some spin of the Greens over here that small dots and so on we see in the math how

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to fix them all.

71
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So let's jump now immediately to screen math.

72
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That's really the workflow.

73
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And of course we turn on screen Matt here.

74
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OK.

75
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I start with black.

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I'm OK.

77
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I'm trying to remove these dots from here.

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Think I succeed.

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I'm going to go back a bit now as soon as the dots will disappear.

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I will be OK.

81
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Are you coming back.

82
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So over here is pretty good.

83
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You know becoming a bit caught.

84
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No problem.

85
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Now with the clip what you want to remove these small balances inside the subject itself.

86
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So I'm gonna gonna pest control or command on the Mac and go very easy to take them down.

87
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If you are King I think I'm cool.

88
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Fine.

89
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So now we're OK.

90
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Our math is OK.

91
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Let's see what happens when we look in the intermediate result.

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Do we have something called love but it's a bit coarse here.

93
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You know not the rug all over.

94
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But I think we got it pretty well.

95
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OK.

96
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Not as the Green has disappeared appeared with gold with it.

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You can use here the clip or roll back to get some kind of you know feathering or a softness around

98
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the subject.

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This will be very useful now here.

100
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OK.

101
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Now I want to zoom in and see do I have green here.

102
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And the green is coming up a bit.

103
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Not too much.

104
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Let's take it down.

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I think we're fine over here.

106
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Have the softness it's quite beautiful.

107
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Go back to 100 percent and actually think about it you're already done unless you want to make it a

108
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bit better for example remember I'm working on intermediate results.

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Let's put back the key cleaner maybe reduce the chatter and then take this one down to one.

110
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Let's start with one.

111
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OK.

112
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How about let's say before or after not much of a difference.

113
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Now the lesson here you want to remove the green if any from the subject actually you are doing very

114
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well.

115
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If you go to Ultra enable it it's political.

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So you're not these guys it's not like a miracle but it's about you know refining it the way you would

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like.

118
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Now if you don't like what I've done here you don't have to follow along 100 percent.

119
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You can use for example the Lincoln Group.

120
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I will just make it bit bigger or get higher value.

121
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I don't like it.

122
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Forget it.

123
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It's about right.

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If you play or you want to make sure that everything is fine right and you don't have any kind of green

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spill or anything on the subject it'll of course depending on the background.

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I want to use I will adjust the roll back.

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For example the shrink grow or I don't know anything that is necessary to remove the mat from around

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the subject.

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All I want you to think about it as an easy process nothing is hard provided you don't start jumping

130
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with the fingers to hide and provided you're getting the results that you want.

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Let's go to final results here.

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And I think it's pretty cool actually it made me more beautiful here.

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Now this video really required some good color correction.

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Thank you very much for listing and move on to the next step in Queeg.
