Guys it's time to add the background.
And then with the background you want to adjust the king and also add certain effects on the subject.
So it blends with the background in something quite difficult here.
If you take this image here you know this is a very beautiful image right.
But it has been calibrated and there are certain plays and stories like this.
And we wanted to blend the subject which has had blue and stories on this background.
So how do we do that let's take the background and drop it under the video.
Now the contrast is huge.
The first thing you want to do is to make sure that you do collections on the mat itself.
So now if your position over here is something like this you will notice that you have this mat that
you need to correct it.
If I zoom in now I can see more falls over here.
Yup.
OK.
Now the real work will start.
Cool.
Let's go back to 100 percent and go to the effort and the first thing I want to do is reach back to
intimidate the result when I already have half of the problem resolved.
But I still have some kind of white around these.
Maybe we can reduce the roll back a bit and we can also shrink it a bit.
The math is just a bit of.
It's working.
Let's go see the green while the Green has appeared no problem will cool.
OK guys.
So actually I'm trying to correct it now.
According to the background if I had a green background or some kind of background that would blend
that I will not do these connections good.
So I'm happy with that.
But the guy is very much not in the seat.
So we need to apply some color correction here.
OK.
How do you do that.
The best way to start applying effects after the light is to play compose and take the light to the
recomposition our right click and take click pause and select move all attributes into the new camp.
We don't want to open the new camp and here you are.
So now I have a pick up here and the eFax control is clean but most importantly I know that the key
light will not affect other effects and artifacts will not affect the light in case I put them up or
down.
Could this play with the color correction.
I will go to limited color.
You already studied this.
I hope so.
You didn't skip the lecture or the section click and drop it on the subject itself.
You could decide OK you can do basic color correction whatever you like.
It is not working at all.
I will undo or reset then what I would like to do is to go directly to creative and choose a nice look
here.
I would go down and I want to choose the black ones or the worry or the North Nouvelles and that would
be very nice.
Let's drop it.
And again it has blended too much and on a lot let's reduce the intensity.
That's one not too much or something like this looks cool fine and maybe you could fit the feel or sharpen
it.
In our case we do not.
This is cool.
But if I sharpen it even the guy will look better.
Ok here you are.
We are very much better.
It's blending even more.
Now this is done.
But you know guys are so many options that you can play with the colors here to make the subject you
know blend at 100 percent.
Another effect you can add here is the green effect.
I will try it here you want to add some greens.
OK.
On the video itself I think it is useful because it will blend more with the background.
So the view mode is finally put.
So I look at it OK.
It's too much.
We need to reduce the intensity of the graves write something like this OK this trial and error no.
In fact I'm going to put 0.5.
Just type it in.
OK.
That's better.
So the green influence you need really to adjust this one.
And let's reduce the size of the grains.
Here you are.
The green is very easy to use and just drop it and deciding on the intensity of the blades and the size
itself.
Good.
So this guy looks good.
Now let's add some shallow and that is very important.
You know there are quite some shadow and this guy looks like he's coming out.
I'll go search for shadows within the effects.
That's the best.
Acacia.
You have the drop shadow on the radio.
Hello.
Well you can use either.
I would take the drop shadow just to try and you know it sped up effect here.
It's going to go very speedy and drop it on the skylight Let's go over here.
But not another the shallow is like wow what is it.
First of all let's reduce the opacity on that bite.
And then we want to adjust the angle of Caylus HYGD the distance as much as possible.
It's over here and we play more of the distance to come over here.
Something like this.
OK.
And then we need really to soften it a lot.
Putting the shadow not to make the guy look like he's standing behind the desk or something just to
make sure that there is a certain light coming from the window and there is another shadow from here.
That's one way to put the shadow using the eruption.
If you don't want the rupture though very fine.
I recommend also the radial Shadow.
Shadow has something of a you know interesting is that you can play it with the light and you don't
have to waste your time with the angle and so on less reduce the opacity.
That's better.
Let's make it very soft.
As much as you want.
OK.
And then let's play with the projection distances.
Bring it over here and then let's move now.
The point where is it coming the lightless go up.
Yep something like this will work.
Well that is a bit more interesting but also you know this is a bit big.
You could scale it the way to do that is just to duplicate the layer.
This is what now you have two layers over here.
And in the end the top player you will see here you are shoulder only.
OK.
So this one you don't want any shallow I will remove the shoulder from here and it in the top layer.
You can decide OK I want to scale the shot and that is how the shallow is being scared can pull over
here.
So there is very many ways to add the shadow.
The shadow will give a certain dimension to your Glendenning.
And the way it's working with the background.
Now guys this is what I did here just you know talking to you.
It's up to you now to come back and say OK how do you make this one much better.
And how do you blend it even more.
It's very important that when you do the blending a bit artistic try to look at the background and so
on.
I have to admit this is a very difficult background.
I don't like to show you something you know that's obvious.
Thank you very much for listening.
And we move on to the next lecture.