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In the previous lecture guys we did our first selection trying to include all the foreground that we

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want.

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And we got some results within the composition panel that you can see them but also you're not is that

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the edges are really pretty rough.

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We need to refine these edges.

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So let's go back to our panel and now we can use the fine edge to be fine edge tool here very fine edge

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tour.

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Of course it starts with a plus meaning you can add strokes where you are going to refine the edges

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all around if you like.

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And if press alt or option on the mark you are removing strokes where you have refined the edges.

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So let's try to put this stroke all around that head here for it to define the edges for the head.

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So look over here.

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And just like I like to have the plus sign on the purple line here just to make sure that everything

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is taking in consideration in and out.

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So I would stop over here.

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That's fine.

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Then continue just over here.

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So what exactly is happening here.

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This is what you call the X-ray view.

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If you come to this pattern here it says table refined edge Exley.

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Well what are we seeing the black is not going to be taken in consideration and it's already transparent.

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The white is where the work is going to be to add these small elements or the small refined elements

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over here.

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You are defining the edges.

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Also the same as over here.

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Now with the X-ray you can see exactly what you have done and what areas or what strokes you have added

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to see what's going to be refined.

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You can't put it off and you are back to the boundary line and the boundary line is called alpha boundary

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if you like.

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You come back now to your current position you can see that you have added you know quite some interesting

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details all over.

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Of course it does take some more care to adjust them.

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There is some gray but that is OK maybe it's pretty good.

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Let's go back here.

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If you're not is this buttons here are very useful.

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The first one you have seen is toggle refired actually.

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So we put it on or off.

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The second one is about a toggle Alpha.

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If you click on it you will notice that you can see only the alpha channel here which is a pretty rough

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Alfar Chenin the block is totally transparent and this is your foreground or your subject.

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You can put it off and the next one is toggle Alfar boundary is what you were working on.

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You see the purple line which is the boundary of the unfortunate.

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Another useful one is the alpha overly If you select it then it will add another novelty for a certain

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color that you select from.

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Over here you can change this color for example blue whatever.

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It will give you a better view of what is happening and how you have done your selection and your refinement.

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You can also increase the opacity to see exactly your work.

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If it works that we get it back to 30 percent is the best to look at your work.

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So come back to your position here.

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You have refined the edges and the strokes are just over here.

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You can see them.

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So actually this is the fine edges tool you would take it around and you create a stroke on the edges

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where you want the edges to be refined.

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These guys have seen a lot of workwell they go on and do everything all around.

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But that would be pretty cool sometimes but not all the time because it's going to create some areas

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that we need more work just like here.

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If you notice though I included the hair or saw you can see there is some shading here.

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I need to work on if I were to do a very professional job.

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So this is about the is store.

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And I hope you and the suit if you have any questions please post them in the Q Any section of the course.

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I'd be very happy to help you.

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I'll see you in the next section.