1
00:00:00,820 --> 00:00:06,000
So now that you know what it is all about we can start creating our own planet.

2
00:00:06,190 --> 00:00:12,910
So what I will do create a new composition I will call it the globe that is going to be our main composition.

3
00:00:12,960 --> 00:00:13,330
OK.

4
00:00:13,330 --> 00:00:15,740
And we say okay let's make it five seconds.

5
00:00:15,760 --> 00:00:17,200
That will be OK.

6
00:00:17,650 --> 00:00:20,040
And I'm going to take the Venus map.

7
00:00:20,170 --> 00:00:26,910
Jeff this is a map that is a real map of Venus and you can pick it from the web.

8
00:00:26,910 --> 00:00:33,250
There is a special site that will give you the link later on in the section for you to download all

9
00:00:33,250 --> 00:00:37,090
the maps that you want to download but this is a very big beautiful map.

10
00:00:37,180 --> 00:00:39,830
You have also the Jupiter map.

11
00:00:39,880 --> 00:00:42,240
So it's up to you which one you want to use.

12
00:00:42,280 --> 00:00:44,920
I would take the Venus map for now and I will drop it.

13
00:00:44,920 --> 00:00:48,240
Now I have a very big picture if you notice how big is it.

14
00:00:48,550 --> 00:00:56,150
Well I will do it is right click on the layer and say transform and see fit to comp I will go now to

15
00:00:56,320 --> 00:01:00,430
compose I will the surface one.

16
00:01:00,680 --> 00:01:06,480
So what I have achieved I've just taken the surface itself and decompose it and scale it down.

17
00:01:06,530 --> 00:01:07,310
That's it.

18
00:01:07,520 --> 00:01:08,870
OK so it's pretty easy.

19
00:01:08,990 --> 00:01:10,100
Then I would come to the globe.

20
00:01:10,100 --> 00:01:12,810
That's how I like working maybe you want to do it in here.

21
00:01:12,830 --> 00:01:18,790
But there are some complications I would look into this is his field and drop it on the surface itself.

22
00:01:19,040 --> 00:01:22,840
Immediately I have my planet in spirit pedicle now.

23
00:01:23,150 --> 00:01:30,290
So now if you look at rotation you're not how it can rotate in 3D somehow in 3D and it's pretty neat.

24
00:01:30,290 --> 00:01:37,010
By the way let's create a small animation here that would like to show you I will keyframe the 3 x y

25
00:01:37,010 --> 00:01:44,540
z and go for example after two seconds whatever you like and just shoot them randomly to show you how

26
00:01:44,540 --> 00:01:51,350
it all split into and here you have your sphere and it looks like you are in 3D.

27
00:01:52,280 --> 00:01:54,430
Let's remove all the key phrase.

28
00:01:54,600 --> 00:01:55,100
Good.

29
00:01:55,100 --> 00:01:57,290
Now there are a few things that you would like to note.

30
00:01:57,320 --> 00:02:02,130
For example here I use the surface one and I made it as big as the come.

31
00:02:02,180 --> 00:02:07,130
Let's imagine that you don't want to do that you will come here and say reset and now you have a very

32
00:02:07,130 --> 00:02:13,310
big comp if I go back I have a very nice composition but now I have less details.

33
00:02:13,430 --> 00:02:15,490
If you notice this one is really blown up.

34
00:02:15,610 --> 00:02:16,130
OK.

35
00:02:16,280 --> 00:02:18,320
So when you come over here it's going to do this feat.

36
00:02:18,340 --> 00:02:19,520
But it has less detail.

37
00:02:19,730 --> 00:02:24,590
So you want really to make it transform and see fit to come.

38
00:02:24,620 --> 00:02:27,350
That's one sometimes fit to come does not work.

39
00:02:27,350 --> 00:02:30,910
Now why this works is very important that you look at this map.

40
00:02:31,020 --> 00:02:32,230
You see this is a map.

41
00:02:32,240 --> 00:02:35,310
It means the beginning is equal to the end.

42
00:02:35,540 --> 00:02:41,630
So if you connect this side to the right side to the left side you'll find out that it is continuous

43
00:02:42,200 --> 00:02:42,780
for here.

44
00:02:42,800 --> 00:02:44,290
I don't have a break.

45
00:02:44,340 --> 00:02:46,460
I rotate it for example.

46
00:02:47,530 --> 00:02:52,400
On the y axis you notice I don't have a line in between.

47
00:02:52,400 --> 00:02:52,800
OK.

48
00:02:52,810 --> 00:02:54,050
It's very very smooth.

49
00:02:54,070 --> 00:02:59,680
But if I control surface for example I want to make it just a bit smaller and not is the difference

50
00:02:59,680 --> 00:03:00,380
here.

51
00:03:00,400 --> 00:03:06,060
Now immediately I have a gap here and it is not like it's rotating very nicely.

52
00:03:06,100 --> 00:03:13,570
There is a gap so if you want to use his fit within a pre-camp make sure that it is equal to the size

53
00:03:13,600 --> 00:03:15,110
of the composition here.

54
00:03:15,280 --> 00:03:22,300
That is one and you need it to be what we call seamless and that is very important that means the beginning

55
00:03:22,300 --> 00:03:24,070
is equal to the end goal.

56
00:03:24,190 --> 00:03:30,010
Let's go back to something we couldn't see before and this is if you want to render fully to the outside

57
00:03:30,250 --> 00:03:36,300
the outside here you don't see anything because it's rendering this surface and not the box office.

58
00:03:36,310 --> 00:03:40,090
So in some maps you might have a difference.

59
00:03:40,120 --> 00:03:46,690
Now if you go to the inside that's pretty cool because now it's rendering these border the left here

60
00:03:46,690 --> 00:03:50,720
a piece of the left there a piece of the right and putting them in front.

61
00:03:50,740 --> 00:03:54,860
It doesn't make much difference if you are just view or sometimes you want to be in.

62
00:03:54,970 --> 00:04:02,100
For example you want this texture to be in the middle or you want this texture to be no this is that

63
00:04:02,110 --> 00:04:03,560
this value.

64
00:04:03,700 --> 00:04:06,220
You see this texture is in the middle here.

65
00:04:06,250 --> 00:04:11,100
If I go to the full then this texture you know this went to the back.

66
00:04:11,200 --> 00:04:16,430
So there are a few things that you want to be careful about when using CCPs fear.

67
00:04:16,630 --> 00:04:20,840
If you are keen about your surface and how you wanted to look.

68
00:04:21,100 --> 00:04:21,900
Thank you very much.

69
00:04:21,910 --> 00:04:27,550
And then the next lecture we are going to compose another sphere and start doing some effects.